Interview with WALTER GOODWATER, Author of THE LIAR OF RED VALLEY

GoodwaterWL-AuthorPic2021Welcome back to CR! For new readers, let’s start with an introduction: Who is Walter Goodwater?

Good to be back! My name is Walter, and I’m a software guy by day, and exhausted writer by night. (My two kids under four certainly contribute to that exhaustion). I’ve been reading fantasy my whole life, starting with Tolkien in the 5th grade, Dragonlance in the 6th grade, and Terry Brooks in the 7th grade. After that, I was hooked. I love writing fantasy because creating a new world is such an ideal way to shine new light on things in our own world in unexpected ways.

Your latest novel, The Liar of Red Valley, is due to be published by Solaris in September. It looks really interesting: How would you introduce it to a potential reader?

It is a horror/fantasy set in Red Valley, a drought-stricken rural California town where magic and monsters are more of a nuisance than noteworthy. Dark, hungry things fly over the town at night. Junkies invite demons into their heads. The local dive bar has an almost human clientele, and a mysterious door in the back no one goes into (unless they are really desperate). People growing up in this town live by three simple rules: Don’t cross the King. Never, ever go in the River. And don’t trust the Liar. Sadie knows these rules as well as anybody, but since her mom died, she’s the Liar now, which means she keeps the towns secrets. And if she’s going to survive in Red Valley, she’s going to have to break some rules. Continue reading

Excerpt: SOCIAL WARMING by Charles Arthur (Oneworld)

ArthurC-SocialWarmingUSHCIt is impossible to ignore the influence of social media. In the years since Facebook and Twitter, in particular, have exploded onto our browsers and mobile devices, many millions have found themselves spending more and more time watching their feeds update. “Doomscrolling” became a common word during the Trump years. Social media has connected us with people across the world with shared interests and hobbies. In too-many instances, it has also allowed the worst aspects of human nature to flourish. In Social Warming, Charles Arthur takes a deep dive into the ways in which social media has changed the world and today we have an excerpt for you. First, though, here’s the synopsis:

Nobody meant for this to happen.

Facebook didn’t mean to facilitate a genocide.

Twitter didn’t want to be used to harass women.

YouTube never planned to radicalise young men.

But with billions of users, these platforms need only tweak their algorithms to generate more ‘engagement’. In so doing, they bring unrest to previously settled communities and erode our relationships.

Social warming has happened gradually — as a by-product of our preposterously convenient digital existence. But the gradual deterioration of our attitudes and behaviour on- and offline — this vicious cycle of anger and outrage — can be corrected. Here’s how.

Now, on with the excerpt…

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Annotated Excerpt: A DESERT TORN ASUNDER by Bradley P. Beaulieu

BeaulieuBP-SotSS6-ADesertTornAsunderUKToday, we have an annotated excerpt from Bradley P. Beaulieu‘s A Desert Torn Asunder — the final book in the author’s Song of the Shattered Sands series. Before we get to that, though, here’s the official synopsis for the novel:

The final book in The Song of the Shattered Sands series closes the epic fantasy saga in a desert setting, filled with rich worldbuilding and pulse-pounding action.

The plans of the desert gods are coming to fruition. Meryam, the deposed queen of Qaimir, hopes to raise the buried elder god, Ashael, an event that would bring ruin to the desert.

Çeda and Emre sail for their ancestral home to bring the traitor, Hamid, to justice. To their horror, they discover that the desert tribes have united under Hamid’s banner. Their plan? A holy crusade to annihilate Sharakhai, a thing long sought by many in the tribes. In Sharakhai, meanwhile, the blood mage, Davud, examines the strange gateway between worlds, hoping to find a way to close it. And King Ihsan hunts for Meryam, but always finds himself two steps behind.

When Meryam raises Ashael, all know the end is near. Ashael means to journey to the land that was denied to him an age ago, no matter the cost to the desert. It now falls to Çeda and her unlikely assortment of allies to find a way to unite not only the desert tribes and the people of Sharakhai, but the city’s invaders as well. Even if they do, stopping Ashael will cost them dearly, perhaps more than all are willing to pay.

The series is published by Gollancz in the UK and DAW in North America. The other novels are Twelve Kings of Sharakai, With Blood Upon the Sand, A Veil of Spears, Beneath the Twisted Trees, and When Jackals Storm the Walls. (Beaulieu has also written a number of short stories that fit within the chronology of the series. You can find more details of those here.)

And now, on with the excerpt!

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Upcoming: SEA OF TRANQUILITY by Emily St. John Mandel (Knopf/Picador)

MandelESJ-SeaOfTranquilityUSHCLike many people, I thoroughly enjoyed Emily St. John Mandel‘s 2014 novel, Station Eleven. While I’ve been slowly catching up with the author’s earlier novels, I’ve also been eagerly anticipating each new novel (The Glass Hotel, a follow-up to Station Eleven, was published last year). Next April, readers will be able to enjoy the author’s next offering, Sea of Tranquility — an ambitious-looking, centuries-spanning novel with an intriguing science fictional twist. Here’s the synopsis:

A novel of art, time, love, and plague that takes the reader from Vancouver Island in 1912 to a dark colony on the moon three hundred years later, unfurling a story of humanity across centuries and space.

Edwin St. Andrew is eighteen years old when he crosses the Atlantic by steamship, exiled from polite society following an ill-conceived diatribe at a dinner party. He enters the forest, spellbound by the beauty of the Canadian wilderness, and suddenly hears the notes of a violin echoing in an airship terminal — an experience that shocks him to his core.

MandelESJ-SeaOfTranquilityUKHCTwo centuries later a famous writer named Olive Llewellyn is on a book tour. She’s traveling all over Earth, but her home is the second moon colony, a place of white stone, spired towers, and artificial beauty. Within the text of Olive’s bestselling pandemic novel lies a strange passage: a man plays his violin for change in the echoing corridor of an airship terminal as the trees of a forest rise around him.

When Gaspery-Jacques Roberts, a detective in the black-skied Night City, is hired to investigate an anomaly in the North American wilderness, he uncovers a series of lives upended: The exiled son of an earl driven to madness, a writer trapped far from home as a pandemic ravages Earth, and a childhood friend from the Night City who, like Gaspery himself, has glimpsed the chance to do something extraordinary that will disrupt the timeline of the universe.

Really looking forward to reading this. Emily St. John Mandel’s Sea of Tranquility is due to be published by Knopf in North America (April 19th) and Picador in the UK (April 28th).

Follow the Author: Website, Goodreads, Twitter

Guest Post: “Accuracy & Writing Historical Fiction” by Adrian Goldsworthy

GoldsworthyA-CoV1-FortHCI have always loved history, was lucky enough to study it at the highest level, and after teaching for a while have been even luckier to make a living writing non fiction history books. At the same time, I have always loved historical novels. At their best they give a flavour and feel for a place and an era much faster than reading conventional history. So when I came to write historical novels, accuracy was very important to me. A novel will only work if readers get caught up in the plot and want to spend time with the characters, but the world it conjures up has to feel real, at least on its own terms, and that is as true of fantasy or science fiction as it is for stories set in the past. The world of the story has to be convincing enough for readers to visit it in their imagination. Many readers and authors do not care too much if that world bears little or no relation to the reality of the past as long as it is consistent. That is fine, after all, reading should be about pleasure and we all have different tastes. However, I am a professional historian and find it hard to switch off, which makes me an unrepresentative reader, and I only stick with a novel if I feel that the research behind it and the author’s sensitivity for the period are good. Since, like most authors, I write books – whether novels or non fiction – that I would like to read, that is how I try to write my stories. So each novel begins with research. Continue reading

New Books (June-July)

NewBooks-20210707

Featuring: Charles Arthur, Anna Bailey, Mike Brooks, S. A. Cosby, Kate Elliott, Mirin Fader, Dan Fante, Alex Finlay, John Fletcher, Jeffrey Frank, Mike Gayle, J.T. Greenhouse, Ha Jin, Chris Hadfield, Cameron Johnston, Ward Larsen, Ben Mezrich, Alex Michaelides, Claire North, J.P. Oakes, K.J. Parker, Vince Passaro, Anna Pitoniak, Nita Prose, Catherine Steadman, Matt Sullivan, Adrian Tchaikovsky, Lavie Tidhar

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Interview with S. QIOUYI LU

LuSQ-AuthorPicLet’s start with an introduction: Who is S. Qiouyi Lu?

I’m a freelance writer and translator based in Los Angeles, CA. I primarily write speculative fiction, including fantasy, science fiction, and horror. I translate from Chinese to English. The majority of my work has been short fiction. In the Watchful City will be my longest publication to date.

Your debut novella, In the Watchful City, is due out from Tordotcom Publishing in August. It looks really interesting. How would you introduce it to a potential reader?

In the Watchful City is similar to 1,001 Nights — there are a few short stories, each illustrating a particular region in the same secondary world, interspersed between a frame narrative about authority and autonomy. I’ve been describing it as “biocyberpunk,” in that there’s a strong focus on technology, but that technology is rooted in nature rather than in artificial creations like computer chips. I would say the story itself is a cross between Italo Calvino’s Invisible Cities and the short story/movie Minority Report. Continue reading

Quick Review: CAN’T KNOCK THE HUSTLE by Matt Sullivan (Dey Street Books)

SullivanM-CantKnockTheHustleUSA behind-the-scenes account of the 2019-2020 NBA season, by way of the notorious Brooklyn Nets and basketball’s renaissance as a cultural force beyond the game.

The Nets were already the most intriguing startup in the NBA: a team of influencers, entrepreneurs and activists, starring the controversial Kevin Durant and Kyrie Irving. But this dynasty-in-the-making got disrupted by the unforeseen. One tweet launched an international scandal, pitting the team’s Chinese owner and the league’s commissioner against its players and LeBron James. The sudden death of Kobe Bryant, after making his final public appearance in Brooklyn, sent shockwaves through a turbulent season.

Then came the unimaginable. A global pandemic and a new civil-rights movement put basketball’s trend-setting status to the ultimate test, as business and culture followed the lead of the NBA and its empowered stars. No team intersected with the extremes of 2020 quite like the Brooklyn Nets, and Matt Sullivan had a courtside view.

Can’t Knock the Hustle crosses from on the court, where underdogs confront A-listers like Jay-Z and James Harden, to off the court, as players march through the streets of Brooklyn, provoke Donald Trump at the White House, and boycott the NBA’s bubble experiment in Disney World. 

Hundreds of interviews — with Hall-of-Famers, All-Stars, executives, coaches and power-brokers across the world — provide a backdrop of the NBA’s impact on social media, race, politics, health, fashion, fame and fandom, for a portrait of a time when sports brought us back together again, like never before. 

Matt Sullivan’s Can’t Knock the Hustle is, quite possibly, one of the best basketball books available. Counterintuitively, this is in large part because it’s not all about basketball — rather, the Brooklyn Nets and other athletes and personnel who make an appearance, are a lens through which readers see the changing political and social landscape of America. Expertly written, I really enjoyed this. Continue reading

Excerpt: LAST FLIGHT TO STALINGRAD by Graham Hurley (Head of Zeus)

HurleyG-LastFlightOfStalingradWith Last Flight to Stalingrad, Graham Hurley continues his Spoils of War series of World War II related novels. Each of which seems to be a stand-alone, so I don’t think they need to be read in order. This one caught my attention, and I’m looking forward to reading it soon. Head of Zeus were kind enough to provide an excerpt to share with CR readers. Here’s the synopsis:

Berlin, 1942.

For four years, the men in field grey have helped themselves to country after country across Western Europe.

For Werner Nehmann, a journalist at the Promi – the Ministry of Propaganda – this dizzying series of victories has felt like a party without end. But now the Reich’s attention has turned towards the East, and as winter sets in, the mood is turning.

Werner’s boss, Joseph Goebbels, can sense it. A small man with a powerful voice and coal-black eyes, Goebbels has a deep understanding of the dark arts of manipulation. His words, his newsreels, have shaken Germany awake, propelling it towards its greater destiny and he won’t let – he can’t let – morale falter now. But the Minister of Propaganda is uneasy and in his discomfort has pulled Werner into his close confidence.

And here, amid the power struggle between the Nazi Chieftains, Werner will make his mistake and begin his descent into the hell of Stalingrad…

Now, on with the excerpt…

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Quick Review: GODBLIGHT by Guy Haley (Black Library)

HaleyG-DI3-GodblightThe long-awaited, final Dark Imperium novel

The paths of Roboute Guilliman and his fallen brother Mortarion bring them inexorably together on Iax. Once a jewel of the Imperium, the garden world is dying as the plans of the Lord of Death to use it as a fulcrum to drag the stellar realm of Ultramar into the warp come to deadly fruition.

While Guilliman attempts to prevent the destruction of his kingdom, Mortarion schemes to bring his brother low with the Godblight, a disease created in the Cauldron of Nurgle itself, made with the power to destroy a son of the Emperor.

Primarchs clash on the ravaged landscapes of Iax. The gods go to war and the wider galaxy balances on a knife-edge of destruction. As something powerful stirs in the sea of souls, only one thing is certain – no matter who wins the last great clash of the Plague War, the repercussions of victory will echo through eternity…

The long-awaited conclusion to the Dark Imperium trilogy. I’ve been looking forward to this novel for quite some time, eager to learn what happens when Guilliman finally confronts his fallen brother Mortarion. Offering a good balance between world-building, character development, and action, this was worth the wait. I really enjoyed this.
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