Today’s the first day of Sebastien de Castell‘s blog tour celebrating the release of his latest novel, The Malevolent Seven. The author has put together a rather cool explanatory video for one of the kinds of magic in this new fantasy world, which you can check out over on CR’s instagram (give us a follow, if you like).
I’ve also tried to embed that video, below, (it doesn’t seem to show up in Safari, but it does in Chrome… Regardless, it serves as a handy link). Before you click through to Sebastien’s video, here’s the novel’s synopsis…
‘Seven powerful mages want to make the world a better place. We’re going to kill them first.’
Picture a wizard. Go ahead, close your eyes. There he is, see? Skinny old guy with a long straggly beard. No doubt he’s wearing iridescent silk robes that couldn’t protect his frail body from a light breeze. The hat’s a must, too, right? Big, floppy thing, covered in esoteric symbols that would instantly show every other mage where this one gets his magic? Wouldn’t want a simple steel helmet or something that might, you know, protect the part of him most needed for conjuring magical forces from being bashed in with a mace (or pretty much any household object).
Now open your eyes and let me show you what a real war mage looks like… but be warned: you’re probably not going to like it, because we’re violent, angry, dangerously broken people who sell our skills to the highest bidder and be damned to any moral or ethical considerations.
At least, until such irritating concepts as friendship and the end of the world get in the way.
My name is Cade Ombra, and though I currently make my living as a mercenary wonderist, I used to have a far more noble-sounding job title – until I discovered the people I worked for weren’t quite as noble as I’d believed. Now I’m on the run and my only friend, a homicidal thunder mage, has invited me to join him on a suicide mission against the seven deadliest mages on the continent.
Time to recruit some very bad people to help us on this job… Continue reading
“I’d left her out here all alone, with nothing but the snow and the night that closes in too soon. How could anyone live so remotely without it creeping into them – the cold, endless blue dark?”
One of the themes I wanted to explore in The Coral Bones was the relationship between human beings and non-human animals and beings, and how those relationships have changed — and could change for the better — over time. I’d always conceptualised the novel with multiple timelines and knew that I wanted to reflect both forward and back. Each timeline brought its own specific challenges.
Today, Kimberly Unger walks us through the genesis and premise of her latest novel, The Extractionist.
I have always loved history, was lucky enough to study it at the highest level, and after teaching for a while have been even luckier to make a living writing non fiction history books. At the same time, I have always loved historical novels. At their best they give a flavour and feel for a place and an era much faster than reading conventional history. So when I came to write historical novels, accuracy was very important to me. A novel will only work if readers get caught up in the plot and want to spend time with the characters, but the world it conjures up has to feel real, at least on its own terms, and that is as true of fantasy or science fiction as it is for stories set in the past. The world of the story has to be convincing enough for readers to visit it in their imagination. Many readers and authors do not care too much if that world bears little or no relation to the reality of the past as long as it is consistent. That is fine, after all, reading should be about pleasure and we all have different tastes. However, I am a professional historian and find it hard to switch off, which makes me an unrepresentative reader, and I only stick with a novel if I feel that the research behind it and the author’s sensitivity for the period are good. Since, like most authors, I write books – whether novels or non fiction – that I would like to read, that is how I try to write my stories. So each novel begins with research. 
Thanks so much for the invite onto Civilian Reader, I’m chuffed to be here and have this opportunity to share with you a chapter from my latest release, The Shadow of the Gods, book 1 of the Bloodsworn Saga.
A confession: I don’t know how much a billion dollars is. Not really. Sure, I can write it down ($1,000,000,000), but that number doesn’t really mean much to me. I imagine that it gets even more meaningless the more zeroes you put on the end. I know how much a tin of beans costs, and I know how much my monthly rent is, but I would genuinely struggle to tell you the major differences between a millionaire and a billionaire, despite the staggering disparity between their relative fortunes (billionaires have more jet planes?).
Perhaps all novels are genre mashups, in some sense. Or at least, any novel has several key influences circulating within it, informing its tone, the tendencies of its characters and the directions of its plot. Few romantic novels are exclusively about the mechanisms of two people becoming a couple. Few SF novels concern solely scientific concepts.
Until 8 April, Unsung Stories are crowdfunding a new anthology called 
Next week, Head of Zeus is due to publish The Best of World SF, Volume 1 — a collection of science fiction stories by authors from around the world, it was collected and edited (and in some instances, translated) by award-winning author Lavie Tidhar. The publisher has kindly provided me with an excerpt to share. But, first, here’s the synopsis:
Civilian Reader 