Richard K. Morgan shared the above trailer on Twitter, and it kind of made my day. This coming February, Netflix will release Altered Carbon, their TV adaptation of Richard Morgan’s novel of the same name. I am very much looking forward to this. Continue reading
In May 2018, Gollancz is due to publish Joanne M. Harris‘s next novel: The Testament of Loki. To the right you can see the stunning cover, which is what first caught my eye. There aren’t many details available about the novel, save the jacket and release date, but here’s the sparse synopsis from the publisher’s website:
The second adult epic fantasy novel from multi-million-copy bestselling author Joanne Harris.
Using her life-long passion for the Norse myths, Joanne Harris has created a vibrant and powerful fantasy novel.
See? Very sparse… According to Goodreads, it is the second prequel in Harris’s Runemarks series, following The Gospel of Loki, and set before Runemarks. The author’s website has a dedicated page for the novel, with a few more details (including a mini-Q&A):
THE GOSPEL OF LOKI ended at Ragnarok, the End of the Worlds, with Asgard fallen, the gods defeated and most of them either dead, or consigned to eternal torment in Netherworld. However, Loki manages to escape into another World through Dream, and finds himself, to his surprise, incarnate in a human host – a 17-year-old girl called Jumps, and living in our own World. But, as he starts to come to terms with the challenges of being in a human host, Loki realizes that there may be a way to escape the chains of mortality and return to the World of the gods.
I’m really looking forward to reading it.
Also on CR: Review of The Gospel of Loki
Theon Greyjoy – do you like him now? Did you ever like him? Will you ever like him?
As a writer, I find Theon by far the most interesting character in Game of Thrones. He illustrates a lot about how to make a character disliked. He also, in his long redemption, illustrates the techniques novelists and screenwriters use to build sympathy in a character.
Theon has had many of these sympathy building techniques applied to him in the course of his redemption, but here’s the thing – up until the very last scenes of the last series of the Game of Thrones TV series, they simply have not worked.
He’s particularly interesting when compared to another GoT character who has undergone his own redemption – Jaime Lannister.
[Please Note: Spoilers for Game of Thrones!] Continue reading
A promising debut grimdark fantasy
You think you know Misery? You’ve not seen anything yet…
The republic faces annihilation, despite the vigilance of Galharrow’s Blackwings. When a raven tattoo rips itself from his arm to deliver a desperate message, Galharrow and a mysterious noblewoman must investigate a long dead sorcerer’s legacy. But there is a conspiracy within the citadel: traitors, flesh-eaters and the ghosts of the wastelands seek to destroy them, but if they cannot solve the ancient wizard’s paradox, the Deep Kings will walk the earth again, and all will be lost.
The war with the Eastern Empire ended in stalemate some eighty years ago, thanks to Nall’s ‘Engine’, a wizard-crafted weapon so powerful even the Deep Kings feared it. The strike of the Engine created the Misery — a wasteland full of ghosts and corrupted magic that now forms a No Mans Land along the frontier. But when Galharrow investigates a frontier fortress, he discovers complacency bordering on treason: then the walls are stormed, and the Engine fails to launch. Galharrow only escapes because of the preternatural magical power of the noblewoman he was supposed to be protecting. Together, they race to the capital to unmask the traitors and restore the republic’s defences. Far across the Misery a vast army is on the move, as the Empire prepares to call the republic’s bluff.
Blackwing is one of the most hotly-anticipated debut fantasy novels of the year. Social media and the blogosphere have been filled with glowing reviews, squees and other evidence that suggests the hype has been entirely justified. There’s a lot in here that will certainly appeal to plenty of fantasy fans. However, I ultimately came away from this novel underwhelmed. Continue reading
Let’s start with an introduction: Who is Ed McDonald?
Hello! That would be me. I’m an author, swordsman, medieval historian, lecturer, husband, reader, and gamer.
Your debut novel, Blackwing, will be published by Gollancz. It’s been getting quite a bit of pre-publication buzz. How would you introduce it to a potential reader? Is it part of a series?
Blackwing is the first part of The Raven’s Mark series. It’s epic fantasy in scope, but with a tight focus on a single character and the individual part he plays in a wider conflict. The pace is more like a thriller than the usual wander through a fantasy landscape, so I’d say that if you like your fantasy fast paced, character driven, hard hitting, free from gender bias and set on the edge of a post-apocalyptic magical wasteland, then it’s probably for you. Continue reading
For those of us who navigate London by tube and bus, it can be easy to resent the city’s Range Rover drivers. The hulking black monstrosities are every bit as staggeringly inefficient a modern indulgence as the plastic water bottle, the sort of thing that makes us throw up our hands and ask: ‘have we all gone quite mad?’
For what good do they do driver or pedestrian? There are no mountains to conquer in London; no swamps or muddy tracks. They bloat beyond their parking paces. They burn through fuel and fume out our streets; and they draw the eye to our unequal distribution of wealth, almost as such as the ubiquitous chauffeured Black Mercedes.
Well, perhaps that’s the point; their presence on the tightly packed, jumble of central London streets could be a willfully calculated offense to those with shallower pockets. Bring on climate change, the drivers seem to say. Drown the riff raff, make it a swamp again, and let us dominate the surface alone! Continue reading
Exodus, the third novel in the Roboteer series comes out this month. It was, by far, the most difficult creative project I’ve ever undertaken, and also, probably because of that, the most satisfying. Never have I teared up so much whilst writing, or laughed so hard, or felt such terrible tension. Why was it hard? There were many reasons, both personal and creative. In this post, I’ll do my best to share them.
The most obvious cause of my problems was that I had set myself up with an almost impossible challenge. Before I wrote Nemesis, the book that precedes Exodus, I had made the decision that the trilogy would need to answer the enormous question that I set up in Roboteer:
What is the difference between an intelligent species that survives, and one that wipes itself out? Continue reading