A glimpse into what it takes to write epic non-fiction
From the two-time Pulitzer Prize-winning author of The Power Broker and The Years of Lyndon Johnson: an unprecedented gathering of vivid, candid, deeply moving recollections about his experiences researching and writing his acclaimed books.
Now in paperback, Robert Caro gives us a glimpse into his own life and work in these evocatively written, personal pieces. He describes what it was like to interview the mighty Robert Moses and to begin discovering the extent of the political power Moses wielded; the combination of discouragement and exhilaration he felt confronting the vast holdings of the Lyndon B. Johnson Library in Austin, Texas; his encounters with witnesses, including longtime residents wrenchingly displaced by the construction of Moses’ Cross-Bronx Expressway and Lady Bird Johnson acknowledging the beauty and influence of one of LBJ’s mistresses. He gratefully remembers how, after years of working in solitude, he found a writers’ community at the New York Public Library, and details the ways he goes about planning and composing his books.
Caro recalls the moments at which he came to understand that he wanted to write not just about the men who wielded power but about the people and the politics that were shaped by that power. And he talks about the importance to him of the writing itself, of how he tries to infuse it with a sense of place and mood to bring characters and situations to life on the page. Taken together, these reminiscences—some previously published, some written expressly for this book—bring into focus the passion, the wry self-deprecation, and the integrity with which this brilliant historian has always approached his work.
A few days ago, a friend of mine shared a link to Robert A. Caro’s 2019 New Yorker essay, “The Secrets of Lyndon Johnson’s Archives”. I found it to be a fascinating glimpse of what it takes to write the kind of histories that Caro is known for. As I read, I was reminded that I actually had Working, and decided to dive right in. It’s a fascinating memoir about researching, writing, and interviewing. A very rewarding read, I really enjoyed this. Continue reading
Today, we have an excerpt from A History of Delusions by Victoria Shepherd, an intriguing history of delusions. Here’s the synopsis:
Today, we have an excerpt from The Empress and the English Doctor by Lucy Ward, an account of how Catherine the Great worked to combat the smallpox epidemic that was ravaging not only Russia but most of Europe. Here’s the synopsis:
I have always loved history, was lucky enough to study it at the highest level, and after teaching for a while have been even luckier to make a living writing non fiction history books. At the same time, I have always loved historical novels. At their best they give a flavour and feel for a place and an era much faster than reading conventional history. So when I came to write historical novels, accuracy was very important to me. A novel will only work if readers get caught up in the plot and want to spend time with the characters, but the world it conjures up has to feel real, at least on its own terms, and that is as true of fantasy or science fiction as it is for stories set in the past. The world of the story has to be convincing enough for readers to visit it in their imagination. Many readers and authors do not care too much if that world bears little or no relation to the reality of the past as long as it is consistent. That is fine, after all, reading should be about pleasure and we all have different tastes. However, I am a professional historian and find it hard to switch off, which makes me an unrepresentative reader, and I only stick with a novel if I feel that the research behind it and the author’s sensitivity for the period are good. Since, like most authors, I write books – whether novels or non fiction – that I would like to read, that is how I try to write my stories. So each novel begins with research. 
With Last Flight to Stalingrad, Graham Hurley continues his Spoils of War series of World War II related novels. Each of which seems to be a stand-alone, so I don’t think they need to be read in order. This one caught my attention, and I’m looking forward to reading it soon. Head of Zeus were kind enough to provide an excerpt to share with CR readers. Here’s the synopsis:
Next week, Head of Zeus is due to published A Time for Swords, a new historical thriller by Matthew Harffy. The publisher was kind enough to provide us with an excerpt to share with CR readers. First, though, here’s the synopsis:
The seventh book in David Gilman‘s Master of War series, Shadow of the Hawk, is due out next week. Head of Zeus were kind enough to provide an excerpt to share in advance of its release. 
I’ve been reading a lot of German history for work, this year. Starting from the formation of a unified Germany, and stretching to the end of the Cold War, it’s been an interesting exercise. I’m always on the look-out for new books that offer something slightly different to recommend to students and others who might be interested. There are, of course, entire libraries available covering Hitler’s rise and WW2. Many of these books follow a similar approach, which is fine but a tad repetitive. So, when I spotted David McKean‘s Watching Darkness Fall on Edelweiss, it caught my attention: it is an account of FDR’s ambassadors in Europe’s response to Hitler’s rise. I’m really looking forward to reading this. Here’s the synopsis:
An interesting and well-written history of the Wartime immigrant experience in Macau
I’ve been a fan of Jack Grimwood‘s writing for some time. I enjoyed his 
Civilian Reader 