I have always loved history, was lucky enough to study it at the highest level, and after teaching for a while have been even luckier to make a living writing non fiction history books. At the same time, I have always loved historical novels. At their best they give a flavour and feel for a place and an era much faster than reading conventional history. So when I came to write historical novels, accuracy was very important to me. A novel will only work if readers get caught up in the plot and want to spend time with the characters, but the world it conjures up has to feel real, at least on its own terms, and that is as true of fantasy or science fiction as it is for stories set in the past. The world of the story has to be convincing enough for readers to visit it in their imagination. Many readers and authors do not care too much if that world bears little or no relation to the reality of the past as long as it is consistent. That is fine, after all, reading should be about pleasure and we all have different tastes. However, I am a professional historian and find it hard to switch off, which makes me an unrepresentative reader, and I only stick with a novel if I feel that the research behind it and the author’s sensitivity for the period are good. Since, like most authors, I write books – whether novels or non fiction – that I would like to read, that is how I try to write my stories. So each novel begins with research. Continue reading
Author: Civilian Reader
New Books (June-July)

Featuring: Charles Arthur, Anna Bailey, Mike Brooks, S. A. Cosby, Kate Elliott, Mirin Fader, Dan Fante, Alex Finlay, John Fletcher, Jeffrey Frank, Mike Gayle, J.T. Greenhouse, Ha Jin, Chris Hadfield, Cameron Johnston, Ward Larsen, Ben Mezrich, Alex Michaelides, Claire North, J.P. Oakes, K.J. Parker, Vince Passaro, Anna Pitoniak, Nita Prose, Catherine Steadman, Matt Sullivan, Adrian Tchaikovsky, Lavie Tidhar
Interview with S. QIOUYI LU
Let’s start with an introduction: Who is S. Qiouyi Lu?
I’m a freelance writer and translator based in Los Angeles, CA. I primarily write speculative fiction, including fantasy, science fiction, and horror. I translate from Chinese to English. The majority of my work has been short fiction. In the Watchful City will be my longest publication to date.
Your debut novella, In the Watchful City, is due out from Tordotcom Publishing in August. It looks really interesting. How would you introduce it to a potential reader?
In the Watchful City is similar to 1,001 Nights — there are a few short stories, each illustrating a particular region in the same secondary world, interspersed between a frame narrative about authority and autonomy. I’ve been describing it as “biocyberpunk,” in that there’s a strong focus on technology, but that technology is rooted in nature rather than in artificial creations like computer chips. I would say the story itself is a cross between Italo Calvino’s Invisible Cities and the short story/movie Minority Report. Continue reading
Quick Review: CAN’T KNOCK THE HUSTLE by Matt Sullivan (Dey Street Books)
A behind-the-scenes account of the 2019-2020 NBA season, by way of the notorious Brooklyn Nets and basketball’s renaissance as a cultural force beyond the game.
The Nets were already the most intriguing startup in the NBA: a team of influencers, entrepreneurs and activists, starring the controversial Kevin Durant and Kyrie Irving. But this dynasty-in-the-making got disrupted by the unforeseen. One tweet launched an international scandal, pitting the team’s Chinese owner and the league’s commissioner against its players and LeBron James. The sudden death of Kobe Bryant, after making his final public appearance in Brooklyn, sent shockwaves through a turbulent season.
Then came the unimaginable. A global pandemic and a new civil-rights movement put basketball’s trend-setting status to the ultimate test, as business and culture followed the lead of the NBA and its empowered stars. No team intersected with the extremes of 2020 quite like the Brooklyn Nets, and Matt Sullivan had a courtside view.
Can’t Knock the Hustle crosses from on the court, where underdogs confront A-listers like Jay-Z and James Harden, to off the court, as players march through the streets of Brooklyn, provoke Donald Trump at the White House, and boycott the NBA’s bubble experiment in Disney World.
Hundreds of interviews — with Hall-of-Famers, All-Stars, executives, coaches and power-brokers across the world — provide a backdrop of the NBA’s impact on social media, race, politics, health, fashion, fame and fandom, for a portrait of a time when sports brought us back together again, like never before.
Matt Sullivan’s Can’t Knock the Hustle is, quite possibly, one of the best basketball books available. Counterintuitively, this is in large part because it’s not all about basketball — rather, the Brooklyn Nets and other athletes and personnel who make an appearance, are a lens through which readers see the changing political and social landscape of America. Expertly written, I really enjoyed this. Continue reading
Excerpt: LAST FLIGHT TO STALINGRAD by Graham Hurley (Head of Zeus)
With Last Flight to Stalingrad, Graham Hurley continues his Spoils of War series of World War II related novels. Each of which seems to be a stand-alone, so I don’t think they need to be read in order. This one caught my attention, and I’m looking forward to reading it soon. Head of Zeus were kind enough to provide an excerpt to share with CR readers. Here’s the synopsis:
Berlin, 1942.
For four years, the men in field grey have helped themselves to country after country across Western Europe.
For Werner Nehmann, a journalist at the Promi – the Ministry of Propaganda – this dizzying series of victories has felt like a party without end. But now the Reich’s attention has turned towards the East, and as winter sets in, the mood is turning.
Werner’s boss, Joseph Goebbels, can sense it. A small man with a powerful voice and coal-black eyes, Goebbels has a deep understanding of the dark arts of manipulation. His words, his newsreels, have shaken Germany awake, propelling it towards its greater destiny and he won’t let – he can’t let – morale falter now. But the Minister of Propaganda is uneasy and in his discomfort has pulled Werner into his close confidence.
And here, amid the power struggle between the Nazi Chieftains, Werner will make his mistake and begin his descent into the hell of Stalingrad…
Now, on with the excerpt…
Quick Review: GODBLIGHT by Guy Haley (Black Library)
The long-awaited, final Dark Imperium novel
The paths of Roboute Guilliman and his fallen brother Mortarion bring them inexorably together on Iax. Once a jewel of the Imperium, the garden world is dying as the plans of the Lord of Death to use it as a fulcrum to drag the stellar realm of Ultramar into the warp come to deadly fruition.
While Guilliman attempts to prevent the destruction of his kingdom, Mortarion schemes to bring his brother low with the Godblight, a disease created in the Cauldron of Nurgle itself, made with the power to destroy a son of the Emperor.
Primarchs clash on the ravaged landscapes of Iax. The gods go to war and the wider galaxy balances on a knife-edge of destruction. As something powerful stirs in the sea of souls, only one thing is certain – no matter who wins the last great clash of the Plague War, the repercussions of victory will echo through eternity…
The long-awaited conclusion to the Dark Imperium trilogy. I’ve been looking forward to this novel for quite some time, eager to learn what happens when Guilliman finally confronts his fallen brother Mortarion. Offering a good balance between world-building, character development, and action, this was worth the wait. I really enjoyed this.
Continue reading
Quick Review: SONGS IN URSA MAJOR by Emma Brodie (Knopf)
A young singer finds herself experiencing the highs and lows of the music industry
The year is 1969, and the Bayleen Island Folk Fest is abuzz with one name: Jesse Reid. Tall and soft-spoken, with eyes blue as stone-washed denim, Jesse Reid’s intricate guitar riffs and supple baritone are poised to tip from fame to legend with this one headlining performance. That is, until his motorcycle crashes on the way to the show.
Jane Quinn is a Bayleen Island local whose music flows as naturally as her long blond hair. When she and her bandmates are asked to play in Jesse Reid’s place at the festival, it almost doesn’t seem real. But Jane plants her bare feet on the Main Stage and delivers the performance of a lifetime, stopping Jesse’s disappointed fans in their tracks: A star is born.
Jesse stays on the island to recover from his near-fatal accident and he strikes up a friendship with Jane, coaching her through the production of her first record. As Jane contends with the music industry’s sexism, Jesse becomes her advocate, and what starts as a shared calling soon becomes a passionate love affair. On tour with Jesse, Jane is so captivated by the giant stadiums, the late nights, the wild parties, and the media attention, that she is blind-sided when she stumbles on the dark secret beneath Jesse’s music. With nowhere to turn, Jane must reckon with the shadows of her own past; what follows is the birth of one of most iconic albums of all time.
Shot through with the lyrics, the icons, the lore, the adrenaline of the early 70s music scene, Songs in Ursa Major pulses with romantic longing and asks the question so many female artists must face: What are we willing to sacrifice for our dreams?
There’s been a bit of an uptick in the number of nostalgic, music-related novels published recently — in part, no doubt, to the considerable success of Daisy Jones & the Six. This is no bad thing, given that I’m a fan of the sub-genre. Emma Brodie’s Songs in Ursa Major is the latest, buzzed-about novel in this oeuvre, and it’s not hard to see why. It ticks all the boxes, and is an enjoyable (if slightly flawed) read. Continue reading
Quick Review: STEVE KERR by Scott Howard-Cooper (William Morrow)
The definitive biography of Steve Kerr, the championship-winning basketball player and head coach of the record-breaking Golden State Warriors
Few individuals have had a career as storied, and improbable, as Steve Kerr. He has won eight NBA titles — five as a player and three as a coach — for three different franchises. He played alongside the best players of a generation, from Michael Jordan to Shaquille O’Neal to Tim Duncan, and learned the craft of basketball under four legendary coaches. He was an integral part of two famed NBA dynasties. Perhaps no other figure in basketball history has had a hand in such greatness.
In Steve Kerr, award-winning sports journalist Scott Howard-Cooper uncovers the fascinating life story of a basketball legend. Kerr did not follow a traditional path to the NBA. He was born in Beirut to two academics and split his childhood between California and the Middle East. Though he was an impressive shooter, the undersized Kerr garnered almost no attention from major college programs, managing only at the last moment to snag the final scholarship at the University of Arizona. Then, during his freshman season at Arizona, tragedy struck. His father, Malcolm, then the president of the American University of Beirut, was assassinated in Lebanon by terrorists. Forged by the crucible of this family saga, Steve went on to chart an unparalleled life in basketball, on the court and on the sidelines.
The only coach other than Red Auerbach to lead a team to the Finals five consecutive seasons, Kerr seems destined for the Basketball Hall of Fame. Steve Kerr is his incredible story, offering insights into the man and what it takes to be — and make — a champion. Drawing upon Scott Howard-Cooper’s years covering the Warriors, deep archival research, and original interviews with more than one hundred of the central characters in Kerr’s life, this is basketball biography at its finest.
I first learned who Steve Kerr was during the Golden State Warriors’ championship runs from 2014-19 (a run the Raptors ended). Over those years, I picked up bits and pieces of information about his playing career — specifically, that he was on the Chicago Bulls during Michael Jordan’s post-baseball years back on the team. It wasn’t until The Last Dance docu-series that I learned a bit more about his pre-Warriors life. With Scott Howard-Cooper’s Steve Kerr: A Life, I’ve been able to fill in the gaps. This is a very good picture of Kerr’s fascinating life, on and off the court. Continue reading
New Books (April-June)

Featuring: David Annandale, Kyle Beachy, Chris Bosh, Peter V. Brett, Bill Clinton, Megan Collins, Denny Flowers, Emma Goldberg, Lee Goldberg, Walter Goodwater, Genevieve Gornichec, John Green, Daryl Gregory, Darius Hinks, Ada Hoffman, Cassandra Khaw, Brian Klingborg, Tom Lin, Kimberly McCreight, Haruki Murakami, Megan O’Keefe, James Patterson, Cat Rambo, Ben Rhodes, Zin E. Rocklyn, Anthony Ryan, Hank Phillippi Ryan, Clint Smith, Caitlin Starling, Michael J. Sullivan, Lisa Taddeo, Kathy Wang Continue reading
Annotated Excerpt: TEN LOW by Stark Holborn (Titan Books)
A large chunk of this book was written as a NaNoWriMo project a few years ago. I’d never done NaNo before (I did write most of Nunslinger’s 180k words in about eight hazy months, so I wasn’t too worried about word count), but I’d come out of a crappy year in terms of publishing, and wanted to write something just for me. An idea that had zero ties to the publishing world, didn’t have the market in mind and was just a mash up of influences that had been percolating, which ranged from Mad Max: Fury Road to Hard to be a God.
I think I write best in intense, consuming bursts – I like writing that way, at least. Most of Ten Low was written with headphones on, ambient desert wind roaring, getting words down without worrying too much about where things were going. I ended up with 50k words that way. Of course, when it came to fleshing those words out into a full novel, I completely ran out of gas; spent weeks agonising over the fact I didn’t know what the plot was or why; resorted to augury in the form of flipping through a dictionary, stabbing at random words, which – horrifyingly – worked.
So, writing an annotated excerpt has been an interesting experience, because so much of what I wrote at first was subconscious, especially this first chapter. I knew where I wanted to set the book. I knew who the main character was, roughly who else she would meet and… that was it. This chapter hasn’t changed all that much since I first scrawled out those first 1000 words for NaNoWriMo. I hope it does the job and welcomes you to the dusty, teeming moon of Factus, where an ex-convict medic sits alone by a fire, one dark night…