Fantasy

Interview with CHRIS SHARP

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sharpc-authorpicLet’s start with an introduction: Who is Chris Sharp?

A middle-aged dreamer with a propensity for long-winded storytelling, a fierce resistance to adulthood, and an optimist’s belief in magic — within the hardened shell of a pragmatic pessimist.

Your new novel, Cold Counsel, will be published by Tor.com in February. It looks rather awesome: How would you introduce it to a potential reader? Is it part of a series?

Looks are not deceiving; it is rather awesome. It’s a reimagining of Norse mythology in a post-Ragnarok world from the vantage of the angry losers of the ancient Vanir/Aesir war. It’s also a ferocious coming-of-age/revenge yarn about a boy, his aunt, and his ax against the backdrop of a dying dreamland. There are no humans or easy heroes to hold to, but you’ll find yourself rooting for a loveable band of bloodthirsty killers, and wishing for more at the story’s close. Continue reading →

Interview with BRENT WEEKS!

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weeksb-authorpicLet’s start with an introduction: Who is Brent Weeks?

One who obeys instructions poorly.

Your latest novel, The Blood Mirror, was recently published by Orbit. It is the fourth novel in your highly-praised Lightbringer series. How would you introduce the series to a potential reader?

The Lightbringer Series is an epic fantasy set in an alternate Mediterranean Sea basin area circa 1600. So it has magic, rudimentary firearms, and swords all together. It’s a story full of fast action, betrayal, and big reveals, focusing on a destitute supposed orphan and his charismatic and powerful father who is basically the emperor of the world, and how their meeting will bring an end to everything either of them has ever known. Continue reading →

Quick Reviews: MYTHIC CREATURES and FANTASTICAL BEASTS… (Sterling)

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Two great guides for history and fantasy fans (and writers)

mythiccreaturesMYTHIC CREATURES: AND THE IMPOSSIBLY REAL ANIMALS WHO INSPIRED THEM by Laurel Kendall & Mark A. Norell, w. Richard Ellis

Adapted from the American Museum of Natural History exhibition Mythic Creatures: Dragons, Unicorns & Mermaids, this book explores an array of mythological creatures—and the real animals that inspired them. Lush photos showcase rare objects from around the world as well as models of mythical beasts like krakens and Rocs, along with fossils of actual extinct animals such as the six-foot-tall primate called Gigantopithecus and dinosaurs such as Protoceratops, which may have inspired the griffin. Also included are engravings, paintings, maps, and ephemera from the Middle Ages to modern times, all capturing the origins of legendary animals that continue to thrill, terrify, and enchant us.

salaperaineno-fieldguidetofantasticalbeastsA FIELD GUIDE TO FANTASTICAL BEASTS by Olento Salaperäinen

A beautiful, illustrated guide to the most magical creatures of legend and myth.

Fairies, demons, four-legged fiends, and, of course, zombies: the world is filled with fantastical beings, beautiful and scary. Come meet them in this magnificently illustrated menagerie, which includes many creatures made famous by popular fantasy and sci-fi film franchises. Take a detailed look at everything from goblins, pixies, and gnomes to vampires and dragons, and discover their origins in literature, folklore, and ancient history.

Both of these books are pretty great. Fascinating looks at the fantastical and mythical creatures that have come to populate so much of our fiction, many of which have remained unchanged (or only slightly altered) for hundreds or thousands of years. Continue reading →

Interview with ANNA SMAILL

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smailla-authorpicLet’s start with an introduction: Who is Anna Smaill?

I’m the author of The Chimes, a dystopian novel about a world dominated by music. The Chimes is my first novel, though I’ve also published a collection of poetry – The Violinist in Spring. I spent many of my formative years studying the violin, and music has been a big influence on both my poetry and fiction. I also currently teach New Zealand literature in the English programme at Victoria University of Wellington, in New Zealand. My husband Carl Shuker is also a novelist.

Your World Fantasy Award-winning novel, The Chimes, published by Quercus in North America, is out now in paperback. It looks rather fascinating: How would you introduce it to a potential reader? Is it part of a series?

The Chimes takes place in a world where music has replaced the written word, has become a force of communication, and is the highest form of intellectual and spiritual pursuit. The book explores music as a totalitarian force, and asks how something so beautiful might also be a source of violence and control. It is a standalone novel. I haven’t entirely ruled out returning to the world of the book, largely because I would love to check in on the two key characters Simon and Lucien and see how they’re getting on. This is largely nostalgia, though. I felt a real sense of loss when I finished the novel, and I still miss the sense of immersion in that world. Continue reading →

Interview with JAMES ISLINGTON

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islingtonj-authorpicLet’s start with an introduction: Who is James Islington?

I’m 35, Australian, married and with a daughter who’s just turned one. I’ve been writing for about five years now (I originally self-published in 2014 before getting picked up by Orbit)… prior to that, I was running a tech startup, which I really didn’t enjoy at all.

I’m into board games (I own more than 200), video games (I own… too many in my Steam account to admit), TV, movies and the occasional anime. Sometimes books, too!

Your debut novel, The Shadow of What Was Lost, was published recently by Orbit. It looks rather interesting, and I’ve been hearing great things about it (it’s near the top of my ever-tottering TBR mountain). How would you introduce it to a potential reader? Is it part of a series?

It’s heroic epic fantasy – think more traditional / less grim and gritty than something like A Game of Thrones, but it’s certainly not the elves, dwarves and dragons of The Lord of the Rings, either. It’s the first book in a trilogy, and my go-to introduction is usually that it’ll appeal to fans of The Wheel of Time and/or Brandon Sanderson’s various series. Continue reading →

Guest Post: “On Worldbuilding” by Simon Morden

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mordens-authorpicOne of the joys of writing novels over writing for the screen is that your budget is infinite and your imagination is unfettered. You don’t have to worry about the cost of the number of suns your planet orbits around, nor about the practical effort required to have half a dozen alien races, none of whom conform to a basic upright and bipedal morphology, appear repeatedly and interact with your human characters.

In Down Station, when I blew up London – which in and of itself is a somewhat technical task, involving setting fire to the Underground and melting the streets around Mayfair – I needed somewhere for my survivors to run to. That somewhere was Down, which has more in common with Tarkovsky’s Solaris and Julian May’s Pliocene Earth than it does C.S. Lewis’ Narnia. I wanted Down to be both eerily familiar and surprisingly different: you can, of course, read the Books of Down and not worry about what happens under the bonnet, but as the author, that’s exactly what I had to do – open it up and tinker with the engine until I was happy with how it all worked. Continue reading →

Interview with BRADLEY BEAULIEU and ROB ZIEGLER

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Let’s start with an introduction: Who are Brad Beaulieu and Rob Ziegler?

BeaulieuB-AuthorPicCropBrad Beaulieu: I’m the author of Twelve Kings in Sharakhai, an epic fantasy with a strong Arabian Nights feel to it, and The Lays of Anuskaya, another epic, but with windships and elemental magic that was inspired by Muscovite Russia and Ottoman Turkey. Until recently, I was an IT guy, selling and configuring enterprise software for Big Blue. But I’ve recently taken the leap to full-time writing. So I’m also a very scared man. But this is an exciting time. Along with writing a collaborative project here and there (cough cough, The Burning Light, cough), I’m hard at work on the third book in The Song of the Shattered Sands.

zieglerr-authorpic2Rob Ziegler: I’m the author of the novel Seed. It’s the story of young scavenger-cum-highwayman trying to save his younger brother from a giant agri-corp in a southwest ravaged by climate change. It has the feel of a western by way of The Road Warrior. I write full time. Currently I’m working on my second novel, Angel City, as well as the occasional side project like The Burning Light. Over the years I’ve basically done everything — landscape design, IT, bartending, real estate management. My wife and I live a mostly chill life in western Colorado. We hike a lot. Continue reading →

Excerpt: THE BLOOD MIRROR by Brent Weeks (Orbit)

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weeksb-l4-bloodmirrorukThe Blood Mirror, the fourth novel in Brent Weeks‘s epic Lightbringer series, was published yesterday. To celebrate its arrival, Orbit has given me this excerpt to share. First, the novel’s synopsis:

Stripped of both magical and political power, the people he once ruled told he’s dead, and now imprisoned in his own magical dungeon, former Emperor Gavin Guile has no prospect of escape. 

But the world faces a calamity greater than the Seven Satrapies has ever seen… and only he can save it.

As the armies of the White King defeat the Chromeria and old gods are born anew, the fate of worlds will come down to one question: who is the Lightbringer?

The Blood Mirror is published in the UK and US by Orbit Books.

And now, the excerpt…

Continue reading →

Guest Post: “How I Do Research” by Miles Cameron

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cameronc-authorpicBook four of the Traitor Son series, A Plague of Swords is out this week. Instead of talking to you about the book, I thought I’d discuss how I write, or more particularly, how I do research. To me, research is the very sinew of writing; learning things, and learning skills, is what fires my passion to write and also what allows me to fill pages not just with character, motivation, and plot, but with detail and incident that feel ‘real.’ (Or, gosh, I really hope you think it feels real…) Continue reading →

Guest Post: “On Worldbuilding” by Rhonda Mason

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masonr-authorpicIn the beginning, there was the protagonist, and the author saw that it was good.

My worldbuilding process starts after the creation of the protagonist, never before. I write novels to tell the story of a person, not the story of a world, and all of my novels have sprung from a first impression of the main character. For The Empress Game trilogy it was an image of Kayla holding a kris dagger in each hand, fighting another woman in a pit while criminals cheered her on.

Once I have that first impression of a character, the worldbuilding begins. Who is she? (The exiled princess from a rival planet) Where is she? (Hidden on the slum side of her hated enemy’s border planet) Why is she there? (Trying to raise credits to buy passage back to her homeworld) And, most importantly, why is she special? Why are we telling her story, and not someone else’s? Continue reading →