Interview with ANNA SMAILL

smailla-authorpicLet’s start with an introduction: Who is Anna Smaill?

I’m the author of The Chimes, a dystopian novel about a world dominated by music. The Chimes is my first novel, though I’ve also published a collection of poetry – The Violinist in Spring. I spent many of my formative years studying the violin, and music has been a big influence on both my poetry and fiction. I also currently teach New Zealand literature in the English programme at Victoria University of Wellington, in New Zealand. My husband Carl Shuker is also a novelist.

Your World Fantasy Award-winning novel, The Chimes, published by Quercus in North America, is out now in paperback. It looks rather fascinating: How would you introduce it to a potential reader? Is it part of a series?

The Chimes takes place in a world where music has replaced the written word, has become a force of communication, and is the highest form of intellectual and spiritual pursuit. The book explores music as a totalitarian force, and asks how something so beautiful might also be a source of violence and control. It is a standalone novel. I haven’t entirely ruled out returning to the world of the book, largely because I would love to check in on the two key characters Simon and Lucien and see how they’re getting on. This is largely nostalgia, though. I felt a real sense of loss when I finished the novel, and I still miss the sense of immersion in that world. Continue reading

Interview with JAMES ISLINGTON

islingtonj-authorpicLet’s start with an introduction: Who is James Islington?

I’m 35, Australian, married and with a daughter who’s just turned one. I’ve been writing for about five years now (I originally self-published in 2014 before getting picked up by Orbit)… prior to that, I was running a tech startup, which I really didn’t enjoy at all.

I’m into board games (I own more than 200), video games (I own… too many in my Steam account to admit), TV, movies and the occasional anime. Sometimes books, too!

Your debut novel, The Shadow of What Was Lost, was published recently by Orbit. It looks rather interesting, and I’ve been hearing great things about it (it’s near the top of my ever-tottering TBR mountain). How would you introduce it to a potential reader? Is it part of a series?

It’s heroic epic fantasy – think more traditional / less grim and gritty than something like A Game of Thrones, but it’s certainly not the elves, dwarves and dragons of The Lord of the Rings, either. It’s the first book in a trilogy, and my go-to introduction is usually that it’ll appeal to fans of The Wheel of Time and/or Brandon Sanderson’s various series. Continue reading

Guest Post: “On Worldbuilding” by Simon Morden

mordens-authorpicOne of the joys of writing novels over writing for the screen is that your budget is infinite and your imagination is unfettered. You don’t have to worry about the cost of the number of suns your planet orbits around, nor about the practical effort required to have half a dozen alien races, none of whom conform to a basic upright and bipedal morphology, appear repeatedly and interact with your human characters.

In Down Station, when I blew up London – which in and of itself is a somewhat technical task, involving setting fire to the Underground and melting the streets around Mayfair – I needed somewhere for my survivors to run to. That somewhere was Down, which has more in common with Tarkovsky’s Solaris and Julian May’s Pliocene Earth than it does C.S. Lewis’ Narnia. I wanted Down to be both eerily familiar and surprisingly different: you can, of course, read the Books of Down and not worry about what happens under the bonnet, but as the author, that’s exactly what I had to do – open it up and tinker with the engine until I was happy with how it all worked. Continue reading

Interview with BRADLEY BEAULIEU and ROB ZIEGLER

Let’s start with an introduction: Who are Brad Beaulieu and Rob Ziegler?

BeaulieuB-AuthorPicCropBrad Beaulieu: I’m the author of Twelve Kings in Sharakhai, an epic fantasy with a strong Arabian Nights feel to it, and The Lays of Anuskaya, another epic, but with windships and elemental magic that was inspired by Muscovite Russia and Ottoman Turkey. Until recently, I was an IT guy, selling and configuring enterprise software for Big Blue. But I’ve recently taken the leap to full-time writing. So I’m also a very scared man. But this is an exciting time. Along with writing a collaborative project here and there (cough cough, The Burning Light, cough), I’m hard at work on the third book in The Song of the Shattered Sands.

zieglerr-authorpic2Rob Ziegler: I’m the author of the novel Seed. It’s the story of young scavenger-cum-highwayman trying to save his younger brother from a giant agri-corp in a southwest ravaged by climate change. It has the feel of a western by way of The Road Warrior. I write full time. Currently I’m working on my second novel, Angel City, as well as the occasional side project like The Burning Light. Over the years I’ve basically done everything — landscape design, IT, bartending, real estate management. My wife and I live a mostly chill life in western Colorado. We hike a lot. Continue reading

Excerpt: THE BLOOD MIRROR by Brent Weeks (Orbit)

weeksb-l4-bloodmirrorukThe Blood Mirror, the fourth novel in Brent Weeks‘s epic Lightbringer series, was published yesterday. To celebrate its arrival, Orbit has given me this excerpt to share. First, the novel’s synopsis:

Stripped of both magical and political power, the people he once ruled told he’s dead, and now imprisoned in his own magical dungeon, former Emperor Gavin Guile has no prospect of escape. 

But the world faces a calamity greater than the Seven Satrapies has ever seen… and only he can save it.

As the armies of the White King defeat the Chromeria and old gods are born anew, the fate of worlds will come down to one question: who is the Lightbringer?

The Blood Mirror is published in the UK and US by Orbit Books.

And now, the excerpt…

Continue reading

Guest Post: “How I Do Research” by Miles Cameron

cameronc-authorpicBook four of the Traitor Son series, A Plague of Swords is out this week. Instead of talking to you about the book, I thought I’d discuss how I write, or more particularly, how I do research. To me, research is the very sinew of writing; learning things, and learning skills, is what fires my passion to write and also what allows me to fill pages not just with character, motivation, and plot, but with detail and incident that feel ‘real.’ (Or, gosh, I really hope you think it feels real…) Continue reading

Guest Post: “On Worldbuilding” by Rhonda Mason

masonr-authorpicIn the beginning, there was the protagonist, and the author saw that it was good.

My worldbuilding process starts after the creation of the protagonist, never before. I write novels to tell the story of a person, not the story of a world, and all of my novels have sprung from a first impression of the main character. For The Empress Game trilogy it was an image of Kayla holding a kris dagger in each hand, fighting another woman in a pit while criminals cheered her on.

Once I have that first impression of a character, the worldbuilding begins. Who is she? (The exiled princess from a rival planet) Where is she? (Hidden on the slum side of her hated enemy’s border planet) Why is she there? (Trying to raise credits to buy passage back to her homeworld) And, most importantly, why is she special? Why are we telling her story, and not someone else’s? Continue reading

Interview with JAMES D. OSWALD

oswaldj-authorpicLet’s start with an introduction: Who is J.D. Oswald?

Most of the time I am James Oswald, livestock farmer by day and author by night. The D stands for Douglas, in case anyone was interested. I decided to use a slightly different name for The Ballad of Sir Benfro to distance the series from my Inspector McLean series of Edinburgh-based detective novels. I’ve been writing stories for as long as I can remember, and had a Tharg’s Future Shock published by 2000AD back in 1993. Success as an author has been a long time coming though. My first Inspector McLean novel, Natural Causes, was only published in 2013, and the first of the Ballad of Sir Benfro series, Dreamwalker, came out in late 2014. It really does take twenty years to become an overnight success. Continue reading

Interview with BARBARA BARNETT

barnettb-authorpicLet’s start with an introduction: Who is Barbara Barnett?

Chicago-based author-blogger-editor Barbara Barnett is Publisher/Executive Editor of Blogcritics Magazine.

Always a pop-culture and sci-fi geek, Barbara was raised on a steady diet of TV (and TV dinners), but she always found her way to the tragic antiheroes and misunderstood champions, whether on TV, in the movies or in literature. (In other words, Spock, not Kirk; Han Solo, not Luke Skywalker!) It was inevitable that she would have to someday create one of her own (like Gaelan Erceldoune!). She’s always been a bit quirky and is happy to admit she’s managed (with her soul mate of a husband Phillip) to raise two geeky children of her own (sorry, Shosh and Adam, you never had a chance!).

She is an accomplished speaker, an annual favorite at MENSA’s HalloWEEM convention, where she has spoken to standing room crowds on subjects as diverse as “The Byronic Hero in Pop Culture,” “The Many Faces of Sherlock Holmes,” “The Hidden History of Science Fiction,” and “Our Passion for Disaster (Movies).” This autumn, she will reprise her MENSA appearance with “The Conan Doyle Conundrum.” Continue reading

Guest Post: “Some Thoughts on Fantasy Series & Stand Alones” by Blake Charlton

charltonb-authorpic“Is this book a standalone or the third in your trilogy?” A question that I’ve had to address since the publication of my latest book, Spellbreaker. The answer, perhaps confusingly, is yes. When justifying this answer, I’ve done a lot of thinking about the way stories are told in series, particularly in epic fantasy.

I don’t think too many will disagree that in the traditional conception of epic fantasy, the use of a series of books is a logistical necessity, not an aesthetic choice. The Lord of the Rings, of course, was written as one book (to rule them all?) and broken into three only because the printing, binding, and shipping costs would have been prohibitive. This precedent created the current expectation that every book in an epic fantasy series will be the immediate continuation of the last. Since the 1980s, the majority of successful fantasy series have done exactly that. There are many, well-known advantages to this approach; it allows for intricate exploration of subplots; it proves continuous and detailed character development; it creates an experience in which the reader traverses an epic number of pages that mirrors the characters’ journey across and among an epic number of landscapes and cultures. The grandmasters do so effortlessly and with style. Continue reading