First up, I’m a planner: The Sunsurge Quartet is mapped out from start to finish, before I start writing Book One. That includes the Prologues, which I’m using (along with mid-book ‘Interludes’) to introduce the backstory and current status of the villain who’s going to feature most in the next part of the story. They give the reader a chance to see inside the enemy’s heads, and set the agenda for the coming chapters.
In this series, the main villains are part of a cabal trying to tear down human society, and they use theatre masks to disguise their true selves. I was inspired in this by Venetian carnival masques, of which I have a bit of a collection after going mad in a Venice mask shop. I invented my own mask designs and a backstory for them, using the concept of a tradition of morality tales that theatre troupes adlib on stage, every show unique. These can be high art or low farce, always with the same eight characters and central theme – a romance between Ironhelm (the sturdy knight) and Heartface (the innocent maid). Their love is aided or thwarted by the other six characters: the meddling Beak, the prankster Jest, the duplicitous Twoface, the lucky Felix, the nemesis-like Angelstar and the sorrowful Tear. The tale is narrated by a narrator known as the Puppeteer. Continue reading