First up, I’m a planner: The Sunsurge Quartet is mapped out from start to finish, before I start writing Book One. That includes the Prologues, which I’m using (along with mid-book ‘Interludes’) to introduce the backstory and current status of the villain who’s going to feature most in the next part of the story. They give the reader a chance to see inside the enemy’s heads, and set the agenda for the coming chapters.
In this series, the main villains are part of a cabal trying to tear down human society, and they use theatre masks to disguise their true selves. I was inspired in this by Venetian carnival masques, of which I have a bit of a collection after going mad in a Venice mask shop. I invented my own mask designs and a backstory for them, using the concept of a tradition of morality tales that theatre troupes adlib on stage, every show unique. These can be high art or low farce, always with the same eight characters and central theme – a romance between Ironhelm (the sturdy knight) and Heartface (the innocent maid). Their love is aided or thwarted by the other six characters: the meddling Beak, the prankster Jest, the duplicitous Twoface, the lucky Felix, the nemesis-like Angelstar and the sorrowful Tear. The tale is narrated by a narrator known as the Puppeteer. Continue reading
In a couple of months, Gollancz are due to publish Smoke in the Glass by Chris Humphreys, “a thrilling new dark fantasy series about immortality, war and survival.” It is the first novel in the Immortal’s Blood series, and the most recent fantasy novel from Humphreys, who has also written a number of 
One person’s introduction to elite strata of Los Angeles society
An anthology of short stories about the Primarchs
An intriguing novella about identity, memory and relationships
Today, we have an excerpt from Ruin’s Wake by Patrick Edwards. Published tomorrow, it is a science fiction novel set on a world under control of a totalitarian government, here’s the synopsis:
First chapters are hard, you guys. First chapters of sequels – doubly so.
I knew I shouldn’t have gone to that bar. There I was, sitting on a stool staring down a shot of Southern Comfort, when in he walked – a weary-looking gumshoe wearing a crumpled fedora and tattered leather coat.
I’ve been reading Ta-Nehisi Coates‘s journalism for some time — mainly via The Atlantic — and have enjoyed his non-fiction books and also his brief run on Marvel’s Black Panther comic series. Earlier today, I spotted the cover for The Water Dancer, the author’s upcoming new novel. The premise sounds pretty interesting, so I’m looking forward to reading the novel later this year:
Civilian Reader 