Upcoming: METAL MYTHOLOGY by Andy Boot (Mirror Books)

I stumbled across Metal Mythology, the upcoming book by Andy Boot, by accident — in fact, I can’t remember where I heard of it first. The cover was the first thing to grab my attention (fantastic image), but the synopsis cemented it as a must-read:

Metal Mythology is a deliciously-dark deep dive into the Heavy Metal music genre and the history of the folklore which inspired its music.

The book begins with the story of Heavy Metal’s early years in the 1970s, explaining how it became popular with bands from working class British backgrounds like Birmingham’s Black Sabbath (with late Ozzy Osbourne) and East End lads Iron Maiden. Today’s fanbase — so-called “Metalheads” — will account for 13% of all arena and stadium audiences this year.

It then delves into the rich — and often very British — folk legends which inspired some of heavy metal’s biggest tunes, and reveals the likely story behind them. It’s a dizzying mix from the werewolves, shapeshifters, fairies and vampires of pagan ballads, to the witch hunters and torture devices documented in historical records and the twisted characters by horror writers like Edgar Allan Poe, HP Lovecraft and Mary Shelley.

Former Kerrang writer and prolific novelist Andy Boot looks at how this folklore was passed down and mutated as Britain changed from pagan to Christian and went from the dark ages through Enlightenment and past the Industrial Revolution. It’s a mix of social history, fantasy, folklore, gothic horror, and Heavy Metal music which will appeal to several unique (and very engaged) audiences, each in a different way.

While there’s been no end of books of heavy metal, mythology or British history, there’s yet to be one of all three. And that is the magic behind this title.

I have been a rock and metal fan for as long as I can remember. The first album I ever bought was Use Your Illusion I by Guns n’ Roses, and there are few of the heavier genres from which I don’t have a favourite album. (Black Metal and grindcore might be the only ones that don’t work for me.) As is my wont, whenever I like something, I also love to read about it. In the youthful days of yore, I subscribed to at least five rock/metal magazines, poring over each new issue as soon as it arrived, keeping a list of new bands and albums I wanted to check out. (Boot used to write for Kerrang, so it’s likely that I’ve read a fair amount of his journalism.) Reading the magazines, I was also taking note of the “lore” of the genres — not just the grand tales of madness, mayhem, debauchery, and more that have come to define the genre(s), but also the stories behind the music.

If you’ve been following CR for a while, you’ve maybe read some of the interviews I’ve posted with authors, or some of their guest posts. If you have, you’ll have noticed that “influences & inspirations” are a bit part of what I’m interested in. So, you can probably see why Boot’s new book is of such interest to me. I’m really looking forward to reading this.

Andy Boot’s Metal Mythology is due to be published by Mirror Books in the UK, on October 8th — it is available for pre-order now. [At the time of writing, I couldn’t find any information about a North American publisher.]

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Quick Review: SOMEWHERE BETWEEN SCREAMING AND CRYING by Dan Franklin (Constable)

An interesting and illuminating biography of an album, albeit one that is also a little unfocused and disjointed…

Slipknot is one of metal’s most iconic and recognisable bands. In late August 2001, Slipknot released their extraordinarily brutal second album, Iowa. With it, nine masked maniacs from the American Midwest captured the zeitgeist and reimagined the genre. The album’s emotional intensity and aggression was matched only by its commercial success, as it topped album charts and defined the nu metal era.

Two weeks after its release, the world changed forever. After the attacks of 9/11, Slipknot collided with history and a generation in upheaval. As the band’s members struggled with their own demons, it wasn’t certain that Slipknot would survive. What followed is a story that’s as tumultuous, gripping, and as real as it gets.

Somewhere Between Screaming And Crying is the story of Iowa‘s difficult birth and its remarkable impact in a world seemingly coming apart at the seams. As nu metal is embraced by a new generation today, Dan Franklin unravels how and why this much-maligned subgenre still connects so strongly and explores the ongoing influence of Slipknot as one of the most recognisable and artistically vital bands in metal today.

Dan Franklin’s latest book examines a defining era of (nu-)metal and one of the bands that felt ubiquitous, divisive, and essential. It is an engaging, illuminating, and interesting read; but also one that has some flaws. Essential reading for fans of Slipknot, but also anyone who wants to take a walk down memory lane. Continue reading

CR20: Chuck Klosterman’s FARGO ROCK CITY and Steven Hyden’s TWILIGHT OF THE GODS…

Eight years ago, I published a rather long piece, a dual-review of two very good books about rock/metal fandom: Chuck Klosterman’s Fargo Rock City (2001) and Steven Hyden’s Twilight of the Gods (2018). I’m pretty happy with how the article turned out, so thought I’d post a link to it here, in case it is of any interest.

Out Now: SOMEWHERE BETWEEN SCREAMING AND CRYING by Dan Franklin (Constable)

Back in 2020, I read Dan Franklin‘s excellent history and examination of heavy metal, Heavy. His latest book, which I somehow missed until yesterday, is Somewhere Between Screaming and Crying, a new biography of the band Slipknot. Published yesterday by Constable, the book’s release was timed to coincide with the anniversary of the band’s second album: Iowa.

The album was released shortly before I started university (and, less nostalgically, a couple of weeks before 9/11). I have many fond, quite vivid memories of buying the album on release-day, and spending the following days walking the streets of Oxford, discman in my cargo-pants side pocket, the album on repeat. It remains an excellent album, although (in my humble opinion), the follow-up — Vol. 3: (The Subliminal Verses) — is better. I’m really looking forward to reading Franklin’s new book, and revisiting those heady days of nü-metal dominance. With Iowa blasting the background, of course…

Here’s the book’s official synopsis:

A captivating biography of Slipknot by acclaimed music writer, Dan Franklin, to coincide with the 25th Anniversary of Iowa: an album that redefined metal.

Slipknot is one of metal’s most iconic and recognisable bands. In late August 2001, Slipknot released their extraordinarily brutal second album, Iowa. With it, nine masked maniacs from the American Midwest captured the zeitgeist and reimagined the genre. The album’s emotional intensity and aggression was matched only by its commercial success, as it topped album charts and defined the nu metal era.

Two weeks after its release, the world changed forever. After the attacks of 9/11, Slipknot collided with history and a generation in upheaval. As the band’s members struggled with their own demons, it wasn’t certain that Slipknot would survive. What followed is a story that’s as tumultuous, gripping, and as real as it gets.

Somewhere Between Screaming And Crying is the story of Iowa‘s difficult birth and its remarkable impact in a world seemingly coming apart at the seams. As nu metal is embraced by a new generation today, Dan Franklin unravels how and why this much-maligned subgenre still connects so strongly and explores the ongoing influence of Slipknot as one of the most recognisable and artistically vital bands in metal today.

Dan Franklin’s Somewhere Between Screaming and Crying is out now in the UK, published by Constable. (At the time of writing, I couldn’t find any information about a North American publisher.)

Also on CR: Review of Heavy

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Music Recommendation: SILENT DESCENT

Back in 2012, when I was still reviewing music on the regular, I received an advance copy of Mind Games, the second album by British metallers Silent Descent. I was immediately taken by their “trance-metal”: brash, heavy, immediate, high-energy, melodic, and bombastic. “Coke Stars” and “Brick” became favourite tracks, and have been on my everyday playlist ever since. Their sound is huge and seemed perfect for huge venues, but I have no idea how popular they actually are.

During a peripatetic few years post-college, I lost track of many things, including what many of my favourite bands were up to. The band’s latest album, Turn to Grey was released in 2017, and I was only made aware of it after YouTube recommended the video for “Vortex”probably because it features Björn Strid of Soilwork, one of my all-time favourite bands. I hit play immediately, and then promptly bought the album. It’s been on heavy rotation ever since. Turn to Grey sounds immediately like Silent Descent, but also shows a band that has continued to grow and improve their songwriting and musicianship. Just all-round a fantastic level-up. The song “Rob Rodda” is an absolute banger.

So, really, today I’m just recommending that all CR readers who are also fans of metal give Silent Descent a listen. If you’re a fan of bands like Soilwork, In Flames, The Halo Effect, then I’d definitely recommend you check them out. 🤘 Continue reading

Music Review: CLAYMAN 20th Anniversary Edition by In Flames (Nuclear Blast)

InFlames-Clayman20thIn Flames revisits their groundbreaking sixth album

I discovered In Flames shortly after they released their seventh album, Reroute to Remain. As I later learned, it marked quite a dramatic evolution of the band’s sound that helped catapult them onto a larger stage. Without sacrificing their intensity and much of their heaviness, the album featured more varied and interesting vocal stylings from Anders Fridén (one of my favourite metal vocalists). Clayman was released two years before Reroute to Remain, and in its singles, one could just about hear the seeds of their impending evolution. Continue reading

Music: TOSS A COIN TO YOUR WITCHER, a Metal Version…

Well, this is pretty cool: Trivium frontman Matt Heafy has recorded a metal cover of “Toss a Coin to Your Witcher”. It works rather well, too. The song is the catchy-AF song from The Witcher TV adaptation.

You can watch Season 1 of The Witcher on Netflix. Andrzej Sapkowski’s Witcher novels are published by Orbit in North America and Gollancz in the UK. Trivium’s latest album, What the Dead Men Say, is out now via Roadrunner Records. The title track is the latest single, and you can watch the video for that, below:

Music: “THE SIGNAL FIRE” by Killswitch Engage

Bit late to the party (this video was released in August 2019), but Killswitch Engage’s “The Signal Fire” is not only a great song, but it brings together KSE’s two vocalists: original singer Jesse Leach (1999–2002, 2012–) and Howard Jones (2002–2012). Nicely done.

And, just because it’s one of my favourite of their songs, here’s “All in Due Time” (perfectly showcases Leach’s vocals).

Music Review: FINDING GOD BEFORE GOD FINDS ME by Bad Omens (Sumerian Records)

BadOmens-FindingGodDeluxe

An interesting, eclectic metal album. Pretty cool.

If I hadn’t already known before listening to the album, I could have easily guessed that Finding God Before God Finds Me was released by Sumerian Records. The range of styles and sounds, mixing clean rock and crunchy, scream-y metal seems to be the calling card of many of the label’s artists. Luckily, it’s a mix that I enjoy very much. Some of the bands are better than others, and Bad Omens falls in the former camp — I only came across them relatively recently, but I’ve grown to like them a lot.

Bad Omens is a talented metal band, switching between the metal and rock spectra quite easily and skillfully. They sometimes remind me a bit of Asking Alexandria. Bad Omens is certainly their own band, with their own sound. They’re difficult to pigeon-hole, given the incredible range of their songs. For some, this might make them seem a bit schizophrenic or disjointed, but I think it makes Finding God Before He Finds Me a very interesting listening experience. Continue reading