An excellent LA-based thriller
Adam Knox comes from a long line of patrician Connecticut doctors — a line he broke to serve with an NGO in the war-torn Central African Republic. His attempt to protect his patients there from a brutal militia ended in disaster and disgrace, and now he runs a clinic near Los Angeles’s Skid Row, making ends meet by making house calls — cash only, no questions asked—on those too famous or too criminal to seek other medical care.
When a young boy is abandoned at his clinic, Knox is determined to find the boy’s family and save him from the not-so-tender mercies of the child welfare bureaucracy. But Knox’s search for the volatile woman who may or may not be the boy’s mother leads him and his friend, a former Special Forces operator, into a labyrinth of human traffickers, Russian mobsters, and corporate security thugs; and squarely into the sights of a powerful, secretive, and utterly ruthless family that threatens to destroy Dr. Knox and everything — and everyone — he holds dear.
I actually read this quite a while ago, but I kept forgetting to write the review. Dr. Knox is the first novel I read by Spiegelman, but it certainly won’t be the last. An idealistic protagonist, single-minded antagonists, organized crime and vulture business collide in this novel. Easily one of my favourite novels of the year. Continue reading
Let’s start with an introduction: Who is James Islington?
Let’s start with an introduction: Who is Lila Bowen?
One of the things that motivated me to write The Four Legendary Kingdoms was a desire to explore humanity’s fascination with myths, in particular, the myth of the Twelve Labours of Hercules.
So you’d like to write a military science fiction series. Good. You came to the right place. I’ve written some, and would be happy to share my secrets, the first of which is to understand the true nature of business that you hope to be part of. No, it isn’t the book business. What you’re planning to do is join the entertainment industry.
One of the joys of writing novels over writing for the screen is that your budget is infinite and your imagination is unfettered. You don’t have to worry about the cost of the number of suns your planet orbits around, nor about the practical effort required to have half a dozen alien races, none of whom conform to a basic upright and bipedal morphology, appear repeatedly and interact with your human characters.
Brad Beaulieu: I’m the author of
Rob Ziegler: I’m the author of the novel 
The Blood Mirror, the fourth novel in Brent Weeks‘s epic
Book four of the Traitor Son series,