In each of the stories mentioned below, the performances are excellent, and the production values superb. This has become an always-met expectation for Black Library’s audio-dramas.
Featuring: Dan Abnett, Chris Dows, David Guymer, Ian St. Martin, Joshua Reynolds, Gav Thorpe, Chris Wraight
Your debut novel, Soul of the World, will be published in June by Orbit. It looks pretty epic: How would you introduce it to a potential reader? Is it part of a series?
My usual pitch is ‘French Revolution with magic,’ but it gets much bigger as the story gets going. Soulis the first of a trilogy, and I’ve tried to set up deeper layers with each book. So by the end of book one, you’ll have the main plot wrapped up, with a deeper, ‘plot behind the plot’ just starting to reveal itself. I do the same thing in book two, wrapping up the plot behind the plot from book one and introducing a new layer of unknowns by the end. Then (if everything goes to plan!) book three should wrap everything in a nice neat package. Continue reading →
Featuring: Jeff Abbott, Curtis Armstrong, R.J. Barker, J. Patrick Black, Eric Brown, Sebastien de Castell, Anne Corlett, Greg Cox, Nate Crowley, Joel Dicker, Chris Dows, Jennifer Egan, Anthony Franze, Garbage & Jason Cohen, Max Gladstone, Daniel Godfrey, Dave Hutchinson, Eddie Izzard, Benedict Jacka, Cassandra Khaw, Richard Lange, Yoon Ha Lee, Graham McNeill, Silvia Moreno-Garcia, Malka Older, Benjamin Percy, Josh Reynolds, Salman Rushdie, John Sandford, Tade Thompson, Wendy N. Wagner
Let’s start with an introduction: Who is RJ Barker?
Oh gosh, that’s a big question isn’t it? Who am I? People have written whole books on that, well, not on me personally, on that question in general, but I suppose if I did write a book about it that might be a little bit of overkill. I’ll stick with the general perception of people who know me and say RJ (no dots, for dots are the enemy of mankind[1]) is friendly and a bit eccentric. And has big hair.
Your debut novel, Age of Assassins, will be published by Orbit in August. It looks rather interesting: How would you introduce it to a potential reader? Is it part of a series?
It is part of a series but it’s written so each book stands alone. You’ll get more out of it if you read all three (Age of Assassins, Blood of Assassins and King of Assassins) but you don’t need to do that to get a complete story. The tagline of book one probably says it best: “To catch an assassin, use an assassin.” Our hero, Girton Club-Foot, is an assassin put into a position where he has to become a detective and stop a killer to save his, and his master’s, skin. It’s exciting and full of action but at heart it’s a murder mystery. It also revolves around the central relationship between Girton and his master who are very much characters (I hope) you will really like. Girton especially is someone driven to do the right thing. And there’s magic, and they ride around on beasts with massive antlers which, to be honest, I would read a book for that alone. I do like antlers. Continue reading →
Let’s start with an introduction: Who is James Heneage?
I am a fifty-nine year-old writer who’s spent his life involved in the worlds of books and history. In 1987, I set up Ottakar’s, which I built into a 150-bookshop chain before selling it to Waterstones in 2006. I’ve been a Booker Prize judge and Chaired the Costa Book Awards. I was Chair of the Cheltenham Literature Festival before founding my own festival devoted entirely to history: ‘The Chalke Valley History Festival’, which now attracts some 40,000 visitors a year. I’ve been a writer since 2010 and have written four works of fiction, all set in the 15th Century at the end of the Byzantine Empire, much of which are set in the Peloponnese. So I’ve built a house there where I now live for half of the year. Continue reading →
When I conceived of the Andan faction of the hexarchate, I saw them as beautiful, rich, and cultured. In particular, I saw them as the people who weaponize culture. Raven Stratagem depicts a major Andan character for the first time, and while she’s somewhat atypical (she went into special ops against her mother’s wishes), she hasn’t entirely escaped her early training.
Years ago, when I was in college, I borrowed some of my boyfriend’s Robotech tie-in novels. I went online (as one does) and looked up more information on Robotech on the internet, and found an interesting essay that questioned the novels’ portrayal of singer Lynn Minmei and her songs as a cultural weapon. I’m sorry I can’t link you to the essay; cursory Googling has failed to turn it up and, as it’s been something like fifteen years, I have no idea if it’s even still on the web. Continue reading →
For those of us who navigate London by tube and bus, it can be easy to resent the city’s Range Rover drivers. The hulking black monstrosities are every bit as staggeringly inefficient a modern indulgence as the plastic water bottle, the sort of thing that makes us throw up our hands and ask: ‘have we all gone quite mad?’
For what good do they do driver or pedestrian? There are no mountains to conquer in London; no swamps or muddy tracks. They bloat beyond their parking paces. They burn through fuel and fume out our streets; and they draw the eye to our unequal distribution of wealth, almost as such as the ubiquitous chauffeured Black Mercedes.
Well, perhaps that’s the point; their presence on the tightly packed, jumble of central London streets could be a willfully calculated offense to those with shallower pockets. Bring on climate change, the drivers seem to say. Drown the riff raff, make it a swamp again, and let us dominate the surface alone!Continue reading →
Exodus, the third novel in the Roboteer series comes out this month. It was, by far, the most difficult creative project I’ve ever undertaken, and also, probably because of that, the most satisfying. Never have I teared up so much whilst writing, or laughed so hard, or felt such terrible tension. Why was it hard? There were many reasons, both personal and creative. In this post, I’ll do my best to share them.
The most obvious cause of my problems was that I had set myself up with an almost impossible challenge. Before I wrote Nemesis, the book that precedes Exodus, I had made the decision that the trilogy would need to answer the enormous question that I set up in Roboteer:
What is the difference between an intelligent species that survives, and one that wipes itself out? Continue reading →
Last week on the Late Show, Stephen Colbert hosted a reunion of The Daily Show correspondents and Jon Stewart. Here are some clips:
A great segment. If you like them, then I’d highly recommend The Daily Show: The Book, a fantastic oral history of the show (and one of my favourite books of last year).
Here’s the book’s synopsis:
The complete, uncensored history of the award-winning The Daily Show with Jon Stewart, as told by its correspondents, writers, and host.
For almost seventeen years, The Daily Show with Jon Stewart brilliantly redefined the borders between television comedy, political satire, and opinionated news coverage. It launched the careers of some of today’s most significant comedians, highlighted the hypocrisies of the powerful, and garnered 23 Emmys. Now the show’s behind-the-scenes gags, controversies, and camaraderie will be chronicled by the players themselves, from legendary host Jon Stewart to the star cast members and writers-including Samantha Bee, Stephen Colbert, John Oliver, Steve Carell, Lewis Black, Jessica Williams, John Hodgman, and Larry Wilmore-plus some of The Daily Show’s most prominent guests and adversaries: John and Cindy McCain, Glenn Beck, Tucker Carlson, and many more.
This oral history takes the reader behind the curtain for all the show’s highlights, from its origins as Comedy Central’s underdog late-night program hosted by Craig Kilborn to Jon Stewart’s long reign to Trevor Noah’s succession, rising from a scrappy jester in the 24-hour political news cycle to become part of the beating heart of politics-a trusted source for not only comedy but also commentary, with a reputation for calling bullshit and an ability to effect real change in the world.
Through years of incisive election coverage, Jon Stewart’s emotional monologue in the wake of 9/11, his infamous confrontation on Crossfire, passionate debates with President Obama and Hillary Clinton, feuds with Bill O’Reilly and Fox, the Indecisions, Mess O’Potamia, and provocative takes on Wall Street and racism, The Daily Show has been a cultural touchstone. Now, for the first time, the people behind the show’s seminal moments come together to share their memories of the last-minute rewrites, improvisations, pranks, romances, blow-ups, and moments of Zen both on and off the set of one of America’s most groundbreaking shows.
There are more clips up on the Late Show’s YouTube page.
To celebrate the recent release of Marie Brennan‘s Within the Sanctuary of Wings, Tor Books has sent me this excerpt to share. The final novel in the author’s Memoirs of Lady Trent fantasy series, first here’s the synopsis:
After nearly five decades (and, indeed, the same number of volumes), one might think they were well-acquainted with the Lady Isabella Trent — dragon naturalist, scandalous explorer, and perhaps as infamous for her company and feats of daring as she is famous for her discoveries and additions to the scientific field.
And yet — after her initial adventure in the mountains of Vystrana, and her exploits in the depths of war-torn Eriga, to the high seas aboard The Basilisk, and then to the inhospitable deserts of Akhia–the Lady Trent has captivated hearts along with fierce minds. This concluding volume will finally reveal the truths behind her most notorious adventure — scaling the tallest peak in the world, buried behind the territory of Scirland’s enemies — and what she discovered there, within the Sanctuary of Wings.