Music: BARNS COURTNEY

BarnsCourtney-DullDrumsI only just discovered Barns Courtney‘s music. Thanks to the eclectic radio station they usually have on, my favourite coffeeshop in Toronto has been a pretty great place to discover new music (or, new to me in some cases). Earlier this week, Courtney’s “Fire” came on and it grabbed my attention. I’ve been listening to his EP, The Dull Drums pretty much constantly ever since. Released by Virgin EMI, here is the short tracklist:

  1. “Fire”
  2. “Glitter & Gold”
  3. “Little Boy”
  4. “Hellfire”
  5. “Hands”

Continue reading

Quick Review: THE NIX by Nathan Hill (Vintage)

HillN-NixUSA compelling, engrossing story of a son’s quest to learn the truth about his mother

It’s 2011, and Samuel Andresen-Anderson hasn’t seen his mother, Faye, in decades — not since she abandoned the family when he was a boy. Now she’s reappeared, having committed an absurd crime that electrifies the nightly news and inflames a politically divided country. The media paints Faye as a radical hippie with a sordid past, but as far as Samuel knows, his mother was an ordinary girl who married her high-school sweetheart. Which version of his mother is true? Two facts are certain: she’s facing some serious charges, and she needs Samuel’s help.

To save her, Samuel will have to embark on his own journey, uncovering long-buried secrets about the woman he thought he knew, secrets that stretch across generations and have their origin all the way back in Norway, home of the mysterious Nix. As he does so, Samuel will confront not only Faye’s losses but also his own lost love, and will relearn everything he thought he knew about his mother, and himself.

It took me a long time to read this, but I’m very glad I finally did: Hill is definitely a new author to watch, and I can’t wait to read his next book. The Nix is the story of Samuel’s quest to learn the truth about his mother, who abandoned him when he was still a child. The novel has so much going on, it’s difficult to encapsulate it in just a few sentences. It’s not perfect, but it is excellent. Continue reading

Four Quick Audio Reviews (Black Library)

 

BlackLibraryAudioDramas-201706

In each of the stories mentioned below, the performances are excellent, and the production values superb. This has become an always-met expectation for Black Library’s audio-dramas.

Featuring: Dan Abnett, Chris Dows, David Guymer, Ian St. Martin, Joshua Reynolds, Gav Thorpe, Chris Wraight

Continue reading

Interview with DAVID MEALING

MealingD-AuthorPicLet’s start with an introduction: Who is David Mealing?

Husband, father, fantasy author, role-player, board gaming geek, avid esports enthusiast.

Your debut novel, Soul of the World, will be published in June by Orbit. It looks pretty epic: How would you introduce it to a potential reader? Is it part of a series?

My usual pitch is ‘French Revolution with magic,’ but it gets much bigger as the story gets going. Soul is the first of a trilogy, and I’ve tried to set up deeper layers with each book. So by the end of book one, you’ll have the main plot wrapped up, with a deeper, ‘plot behind the plot’ just starting to reveal itself. I do the same thing in book two, wrapping up the plot behind the plot from book one and introducing a new layer of unknowns by the end. Then (if everything goes to plan!) book three should wrap everything in a nice neat package. Continue reading

New Books (May 2017)

Featuring: Jeff Abbott, Curtis Armstrong, R.J. Barker, J. Patrick Black, Eric Brown, Sebastien de Castell, Anne Corlett, Greg Cox, Nate Crowley, Joel Dicker, Chris Dows, Jennifer Egan, Anthony Franze, Garbage & Jason Cohen, Max Gladstone, Daniel Godfrey, Dave Hutchinson, Eddie Izzard, Benedict Jacka, Cassandra Khaw, Richard Lange, Yoon Ha Lee, Graham McNeill, Silvia Moreno-Garcia, Malka Older, Benjamin Percy, Josh Reynolds, Salman Rushdie, John Sandford, Tade Thompson, Wendy N. Wagner

Continue reading

Interview with RJ BARKER

barkerrj-authorpicLet’s start with an introduction: Who is RJ Barker?

Oh gosh, that’s a big question isn’t it? Who am I? People have written whole books on that, well, not on me personally, on that question in general, but I suppose if I did write a book about it that might be a little bit of overkill. I’ll stick with the general perception of people who know me and say RJ (no dots, for dots are the enemy of mankind[1]) is friendly and a bit eccentric. And has big hair.

Your debut novel, Age of Assassins, will be published by Orbit in August. It looks rather interesting: How would you introduce it to a potential reader? Is it part of a series?

It is part of a series but it’s written so each book stands alone. You’ll get more out of it if you read all three (Age of Assassins, Blood of Assassins and King of Assassins) but you don’t need to do that to get a complete story. The tagline of book one probably says it best: “To catch an assassin, use an assassin.” Our hero, Girton Club-Foot, is an assassin put into a position where he has to become a detective and stop a killer to save his, and his master’s, skin. It’s exciting and full of action but at heart it’s a murder mystery. It also revolves around the central relationship between Girton and his master who are very much characters (I hope) you will really like. Girton especially is someone driven to do the right thing. And there’s magic, and they ride around on beasts with massive antlers which, to be honest, I would read a book for that alone. I do like antlers. Continue reading

Interview with JAMES HENEAGE

Let’s start with an introduction: Who is James Heneage?

I am a fifty-nine year-old writer who’s spent his life involved in the worlds of books and history. In 1987, I set up Ottakar’s, which I built into a 150-bookshop chain before selling it to Waterstones in 2006. I’ve been a Booker Prize judge and Chaired the Costa Book Awards. I was Chair of the Cheltenham Literature Festival before founding my own festival devoted entirely to history: ‘The Chalke Valley History Festival’, which now attracts some 40,000 visitors a year. I’ve been a writer since 2010 and have written four works of fiction, all set in the 15th Century at the end of the Byzantine Empire, much of which are set in the Peloponnese. So I’ve built a house there where I now live for half of the year. Continue reading

Guest Post: “Culture As Weapon” by Yoon Ha Lee

When I conceived of the Andan faction of the hexarchate, I saw them as beautiful, rich, and cultured. In particular, I saw them as the people who weaponize culture. Raven Stratagem depicts a major Andan character for the first time, and while she’s somewhat atypical (she went into special ops against her mother’s wishes), she hasn’t entirely escaped her early training.

Years ago, when I was in college, I borrowed some of my boyfriend’s Robotech tie-in novels. I went online (as one does) and looked up more information on Robotech on the internet, and found an interesting essay that questioned the novels’ portrayal of singer Lynn Minmei and her songs as a cultural weapon. I’m sorry I can’t link you to the essay; cursory Googling has failed to turn it up and, as it’s been something like fifteen years, I have no idea if it’s even still on the web. Continue reading

Guest Post: “Love and Hate for 4x4s” by Jon Wallace

WallaceJ-AuthorPicFor those of us who navigate London by tube and bus, it can be easy to resent the city’s Range Rover drivers. The hulking black monstrosities are every bit as staggeringly inefficient a modern indulgence as the plastic water bottle, the sort of thing that makes us throw up our hands and ask: ‘have we all gone quite mad?’

For what good do they do driver or pedestrian? There are no mountains to conquer in London; no swamps or muddy tracks. They bloat beyond their parking paces. They burn through fuel and fume out our streets; and they draw the eye to our unequal distribution of wealth, almost as such as the ubiquitous chauffeured Black Mercedes.

Well, perhaps that’s the point; their presence on the tightly packed, jumble of central London streets could be a willfully calculated offense to those with shallower pockets. Bring on climate change, the drivers seem to say. Drown the riff raff, make it a swamp again, and let us dominate the surface alone! Continue reading

Guest Post: “Writing Exodus, or: How to take on too much and learn to love it” by Alex Lamb

LambAlex-AuthorPicExodus, the third novel in the Roboteer series comes out this month. It was, by far, the most difficult creative project I’ve ever undertaken, and also, probably because of that, the most satisfying. Never have I teared up so much whilst writing, or laughed so hard, or felt such terrible tension. Why was it hard? There were many reasons, both personal and creative. In this post, I’ll do my best to share them.

The most obvious cause of my problems was that I had set myself up with an almost impossible challenge. Before I wrote Nemesis, the book that precedes Exodus, I had made the decision that the trilogy would need to answer the enormous question that I set up in Roboteer:

What is the difference between an intelligent species that survives, and one that wipes itself out? Continue reading