Movies

Upcoming: THEY SHOULDN’T HAVE KILLED HIS DOG by Edward Gross & Mark A. Altman (St. Martin’s Press)

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GrossAltman-TheyShouldntHaveKilledHisDogUSHCLike many, I am a big fan of Keanu Reeves. Ever since his superb supporting part in Parenthood, I’ve always been on the look-out for new projects in which he appears. The Matrix blew my mind, Bill & Ted are totally awesome, The Replacements is still entertaining after multiple re-watches (even if they did rip off a lot of jokes from Little Giants — a movie I watched for the first time last week). And then there’s John Wick: Reeves’s most recent franchise, an extravaganza of action, violence, and superb world-building. Fans of the series will be happy to learn that, in May, St. Martin’s Press is due to publish They Shouldn’t Have Killed His Dog, an oral history of the franchise by Edward Gross and Mark A. Altman.

There have been iconic moments in the action movie genre over the years, but nothing has come close to matching the kinetic, balletic gun-fu of the John Wick films.

In They Shouldn’t Have Killed His Dog: The Complete Uncensored Ass-Kicking Oral History of John Wick, Gun-Fu and The New Age of Action, bestselling authors Mark A. Altman and Edward Gross take you behind the scenes of a franchise that includes three films with more on the way, while exploring the action classics that led to John Wick as well as the films it inspired, like Atomic Blonde. They bring you right into the middle of the action of the John Wick films, detailing how the seemingly impossible was achieved through exclusive interviews with the cast, writers, directors, producers, stuntmen, fight choreographers, cinematographers, studio executives, editors, critics, and more. Together, they break down key action sequences while also providing a look back at the road the action genre has taken that led to John Wick, and a look at the character itself, an anti-hero who carries on the grand tradition of Clint Eastwood’s Man with No Name, but with a twist — and a never-ending supply of ammo — while showcasing the enduring appeal of the action movie as well as John Wick’s unique reinvention of the genre.

Really looking forward to reading this. They Shouldn’t Have Killed His Dog is due to be published by St. Martin’s Press in North America and in the UK, on May 17th.

Follow the Author (Gross): Website, Goodreads, Twitter
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Upcoming: BLOOD, SWEAT & CHROME by (William Morrow)

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BuchananK-BloodSweath&ChromeUSHCIs it just me, or are we living in a bit of a golden age for movie and TV oral histories? It’s still not a massive sub-field in publishing, true, but I’ve seen quite a few upcoming books announced, and have also read quite a few over the past couple of years. As someone who very much enjoys behind-the-scenes content, I fully support this. To that end, let me draw your attention to Blood, Sweat & Chrome by Kyle Buchanan, New York Times pop culture reporter and “The Projectionist” (awards season columnist). It is the “wild and true” oral history of Mad Max: Fury Road!

A full-speed-ahead oral history of the nearly two-decade making of the cultural phenomenon Mad Max: Fury Road — with more than 130 new interviews with key members of the cast and crew, including Charlize Theron, Tom Hardy, and director George Miller, from the pop culture reporter for The New York Times, Kyle Buchanan.

It won six Oscars and has been hailed as the greatest action film ever, but it is a miracle Mad Max: Fury Road ever made it to the screen… or that anybody survived the production. The story of this modern classic spanned nearly two decades of wild obstacles as visionary director George Miller tried to mount one of the most difficult shoots in Hollywood history.

Production stalled several times, stars Tom Hardy and Charlize Theron clashed repeatedly in the brutal Namib Desert, and Miller’s crew engineered death-defying action scenes that were among the most dangerous ever committed to film. Even accomplished Hollywood figures are flummoxed by the accomplishment: As the director Steven Soderbergh has said, “I don’t understand how they’re not still shooting that film, and I don’t understand how hundreds of people aren’t dead.”

Kyle Buchanan takes readers through every step of that moviemaking experience in vivid detail, from Fury Road’s unexpected origins through its outlandish casting process to the big-studio battles that nearly mutilated a masterpiece. But he takes the deepest dive in reporting the astonishing facts behind a shoot so unconventional that the film’s fantasy world began to bleed into the real lives of its cast and crew. As they fought and endured in a wasteland of their own, the only way forward was to have faith in their director’s mad vision. But how could Miller persevere when almost everything seemed to be stacked against him?

With hundreds of exclusive interviews and details about the making of Fury Road, readers will be left with one undeniable conclusion: There has never been a movie so drenched in sweat, so forged by fire, and so epic in scope.

Really looking forward to reading this. Blood, Sweat & Chrome is due to be published by William Morrow in North America and in the UK, on February 22nd, 2022.

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Very Quick Review: BECOMING A FILM PRODUCER by Boris Kachka (Simon & Schuster)

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KachkaB-MaW-BecomingAFilmProducerAn interesting primer for anyone interested in a career in movie production

A revealing guide to a career as a film producer written by acclaimed author Boris Kachka and based on the real-life experiences of Academy Award–winning producer Fred Berger and Oscar-nominated producer Michael London — required reading for anyone considering a path to this profession.

Becoming a Film Producer takes you behind the scenes to find out what it’s really like, and what it really takes, to become a film producer. Bestselling author and critic Boris Kachka shadows Academy Award–winning producer Fred Berger and Oscar-nominated producer Michael London to show how this dream job becomes a reality. At the center of any successful film is a talented producer. Producers bring films to life by assembling the major players — from screenwriters, directors, and talent, to, perhaps most importantly, the money. Fly between Los Angeles and New York as movies are developed, filmed, and released. Gain insight and wisdom from Berger and London’s years of experience producing films ranging from the indie darlings Sideways and Milk, to Academy Award–winning blockbusters like La La Land. Here is how the job is performed at the highest level.

This book, part of Simon & Schuster’s “Masters at Work” series, is an excellent introduction to what it means to be a film and/or TV producer. With three producers, at different points in their careers, as case studies, Kachka gives readers a look into this world: what it takes, the various roles a producer must play, and also the shifts and changes in the industry over the past few decades. Well-written and accessible, I really enjoyed this. Continue reading →

Quick Review: BUT WHAT I REALLY WANT TO DO IS DIRECT by Ken Kwapis (St. Martin’s Griffin)

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KwapisK-ButWhatIReallyWantToDoIsDirectAn interesting blend of memoir and advice for budding directors

For over three decades, director Ken Kwapis has charted a career full of exceptional movies and television, from seminal shows like The Office to beloved films like He’s Just Not That Into You.

He is among the most respected directors in show business, but getting there wasn’t easy. He struggled just like everyone else. With each triumph came the occasional faceplant. Using his background and inside knowledge, But What I Really Want To Do is Direct tackles Hollywood myths through Ken’s highly entertaining experiences. It’s a rollercoaster ride fueled by brawls with the top brass, clashes over budgets, and the passion that makes it all worthwhile.

This humorous and refreshingly personal memoir is filled with inspiring instruction, behind-the-scenes hilarity, and unabashed joy. It’s a celebration of the director’s craft, and what it takes to succeed in show business on your own terms.

In But What I Really Want to Do is Direct, Ken Kwapis draws on decades of experience as a director of television and movies, sharing what he’s learned behind the camera and also some interesting and often amusing experiences and stories. Continue reading →

Quick Review: BEST. MOVIE. YEAR. EVER. by Brian Raftery (Simon & Schuster)

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RafteryB-BestMovieYearEverUSAn excellent examination of “How 1999 Blew Up the Big Screen”

In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology (or even taste), they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s Airport; Wi-Fi; and Netflix’s unlimited DVD rentals.

Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s the definitive account of a culture-conquering movie year none of us saw coming…and that we may never see again.

Best. Movie. Year. Ever. is an excellent, illuminating discussion and examination of the movies that defined 1999: a year that produced an incredible number of excellent, ground-breaking movies. They broke the moulds of their respective genres, updated certain outmoded mores and tropes, or created something wholly new. A fascinating book that is a must-read for movie fans. Continue reading →

Books on Film: THE SISTERS BROTHERS by Patrick deWitt

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One of those novels I’ve had for ages, and yet not managed to read yet… I know many people who loved Patrick deWitt‘s multi-award-winning The Sisters Brothers (especially friends in Canada), so I hope to get to it very soon — ideally, before the movie adaptation comes out.

deWittP-SistersBrothersCAThe Sisters Brothers was directed by Jacques Audiard, who also wrote the screenplay with Thomas Bidegain. The film stars Joaquin Phoenix, John C. Reilly, Jake Gyllenhaal, and Riz Ahmed. It was produced by Annapurna Pictures.

Here’s the novel’s synopsis:

Hermann Kermit Warm is going to die. Across 1000 miles of Oregon desert his assassins, the notorious Eli and Charlies Sisters, ride — fighting, shooting, and drinking their way to Sacramento. But their prey isn’t an easy mark, the road is long and bloody, and somewhere along the path Eli begins to question what he does for a living — and whom he does it for.

The Sisters Brothers pays homage to the classic Western, transforming it into an unforgettable ribald tour de force. Filled with a remarkable cast of losers, cheaters, and ne’er-do-wells from all stripes of life-and told by a complex and compelling narrator, it is a violent, lustful odyssey through the underworld of the 1850s frontier that beautifully captures the humor, melancholy, and grit of the Old West and two brothers bound by blood, violence, and love.

The Sisters Brothers is published by House of Anansi Press in Canada, Ecco in the US and Granta Books in the UK.

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Books on Film: THE WIFE by Meg Wolitzer

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Later this year (August), Sony Pictures will release the film adaptation of Meg Wolitzer’s The Wife. Directed by Björn Runge, screenplay by Jane Anderson, and starring Glenn Close, Christian Slater and Jonathan Pryce, it looks interesting.

Wolitzer’s novel is published by Scribner in North America and Vintage in the UK (at the time of writing, the novel is a Kindle Monthly Deal in the UK, too). Here’s the synopsis:

A provocative story about the evolution of a marriage, the nature of partnership, the question of a male or female sensibility, and the place for an ambitious woman in a man’s world.

The moment Joan Castleman decides to leave her husband, they are thirty-five thousand feet above the ocean on a flight to Helsinki. Joan’s husband, Joseph, is one of America’s preeminent novelists, about to receive a prestigious international award, and Joan, who has spent forty years subjugating her own literary talents to fan the flames of his career, has finally decided to stop. From this gripping opening, Meg Wolitzer flashes back to 1950s Smith College and Greenwich Village and follows the course of the marriage that has brought the couple to this breaking point — one that results in a shocking revelation.

With her skillful storytelling and pitch-perfect observations, Wolitzer has crafted a wise and candid look at the choices all men and women make — in marriage, work, and life.

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Meg Wolitzer’s latest novel, The Female Persuasion is out now, published by Riverhead in North America (out now) and Chatto & Windus in the UK (to be published in June).

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Books on Film: ANNIHILATION

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Tomorrow, the highly-anticipated adaptation of Jeff Vandermeer’s Annihilation arrives in theatres — well, in some theatres. For some reason, Paramount has decided to release the movie through Netflix in the UK, despite its internationally-popular star and critically-acclaimed director. Directed and screenplay adapted by Alex Garland, and starring Natalie Portman, Tessa Thompson, Gina Rodriguez and Jennifer Jason Leigh (among others), here’s the trailer:

Annihilation is the first novel in Vandermeer’s Southern Reach trilogy, published by Farrar, Straus & Giroux in the US, and Fourth Estate in the UK.

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Here’s the novel’s synopsis:

Area X has been cut off from the rest of the continent for decades. Nature has reclaimed the last vestiges of human civilization. The first expedition returned with reports of a pristine, Edenic landscape; the second expedition ended in mass suicide; the third expedition in a hail of gunfire as its members turned on one another. The members of the eleventh expedition returned as shadows of their former selves, and within weeks, all had died of cancer. In Annihilation, the first volume of Jeff VanderMeer’s Southern Reach trilogy, we join the twelfth expedition.

The group is made up of four women: an anthropologist; a surveyor; a psychologist, the de facto leader; and our narrator, a biologist. Their mission is to map the terrain, record all observations of their surroundings and of one another, and, above all, avoid being contaminated by Area X itself.

They arrive expecting the unexpected, and Area X delivers — they discover a massive topographic anomaly and life forms that surpass understanding — but it’s the surprises that came across the border with them and the secrets the expedition members are keeping from one another that change everything.

The trilogy has also been collected into a single volume, Area X (US/UK).

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Books on Film: YOU WERE NEVER REALLY HERE

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This movie is based on a novella of the same name by Jonathan Ames (a review copy of which I received quite recently). A brutal crime story, the movie stars Joaquin Phoenix as Joe, who is hired to rescue a young girl kidnapped by a sex ring. The movie, directed by Lynne Ramsay, is already racking up accolades and awards, and was the winner of Best Actor and Best Screenplay at the 2017 Cannes Film Festival. Here’s the trailer:

The movie is due to arrive in cinemas in April 2018 — distributed by Film 4, Amazon Studios, and others.

AmesJ-YouWereNeverReallyHereJonathan Ames’s You Were Never Really Here is published in North America by Vintage (a movie tie-in edition is due out in March), and in the UK by Pushkin Vertigo. Here’s the synopsis…

A gritty, harrowing story of corruption and one man’s violent quest for vengeance.

Joe has witnessed things that cannot be erased. A former FBI agent and Marine, his abusive childhood has left him damaged beyond repair. He has completely withdrawn from the world and earns his living rescuing girls who have been kidnapped into the sex trade.

When he’s hired to save the daughter of a corrupt New York senator held captive at a Manhattan brothel, he stumbles into a dangerous web of conspiracy, and he pays the price. As Joe’s small web of associates are picked off one by one, he realizes that he has no choice but to take the fight to the men who want him dead.

Brutal and redemptive in equal measure, You Were Never Really Here is a toxic shot of a thriller, laced with corruption, revenge and the darkest of inner demons.

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