A confession: I don’t know how much a billion dollars is. Not really. Sure, I can write it down ($1,000,000,000), but that number doesn’t really mean much to me. I imagine that it gets even more meaningless the more zeroes you put on the end. I know how much a tin of beans costs, and I know how much my monthly rent is, but I would genuinely struggle to tell you the major differences between a millionaire and a billionaire, despite the staggering disparity between their relative fortunes (billionaires have more jet planes?).
Similarly: I don’t know how long a thousand years is. It’s beyond my ability to comprehend. When it’s written down as a figure (1000) it’s lovely and neat, and I know it’s a hundred decades, or ten centuries, or any amount of artful mathematical ways of putting it, but I struggle to imagine what living through a thousand years would actually be like; how that vast amount of time would feel. Neither can I effectively contain all the events that would happen during a span of a thousand years in my head. Continue reading
I first discovered Stark Holborn via the excellent
When I was writing She Lies Close, my debut psychological thriller, I was feeling desperate for the first time as a writer. I hadn’t felt it before in my twenty years of writing (countless short stories, a horror novel, a romance, a PI novel, and three tech thrillers). Out of nowhere, a terrifying thought hit me. Wait. Wait. What if I never get published?
Welcome back to CR! It’s been a little while, so let’s start with an introduction for new readers: Who is Marie Brennan?
Let’s start with an introduction: Who is Tim Major?
Let’s start with an introduction: Who is Nicholas Bowling?
Today, as part of the blog tour marking the novel’s release, we have an excerpt from Tim Major‘s Snakeskins. Here’s the synopsis:
Today, we have an excerpt from Ruin’s Wake by Patrick Edwards. Published tomorrow, it is a science fiction novel set on a world under control of a totalitarian government, here’s the synopsis:
Research is one of the most important parts of writing a crime novel, and while I don’t research as heavily as some authors I did have several areas I wanted to focus on to make After the Eclipse as authentic a story as I could. I started with the setting – for me, a vivid setting is vitalto getting sucked into a book. I knew from the start I wanted to create a similar world to the one in which I grew up. My parents were divorced, and for a while my dad lived in a caravan. He travelled all over Derbyshire, and when I would stay with him at the weekends my inner explorer came to life. I loved the sweet-smelling open fields, the friendly locals in the small towns and villages, and the glimpses into a hundred other lives.
Today, we have a short excerpt from Gareth L. Powell’s Fleet of Knives. The sequel to Embers of War, it is out now, published by