An excellent new novella from a master of the form
The story of an individual life that takes extraordinary turns. As the story begins, the nameless, dying narrator takes us back to his childhood home in a remote corner of the ubiquitous Empire. The second of three sons, he lives there with his mother in a state of unrelieved poverty. Life eventually becomes so dire that the mother — who can only find work as a prostitute — is forced to sell one of her children. The oldest son, Nico, volunteers to be sold in order to protect his family, and that decision sets in motion everything that follows.
Nico’s journey takes him, in time, to the heart of the Empire and the very center of power. Over time, he acquires considerable power of his own and uses it to bring his younger brothers into the circle of his influence, changing their lives forever. Under Nico’s guidance, the middle brother — our nameless narrator — achieves a destiny that will alter not only his own life, but the life of the Empire itself.
Each new K.J. Parker novella is something to be cheered. A prolific writer of short fiction (and full-length novels), Parker always brings something new to his stories. Written with a gentle, observant wit, this novella manages to pack a lot into its slim frame. Continue reading
Let’s start with an introduction: Who is Jenn Lyons?
Next year, 
A substantial, engaging collection of WH40k short fiction — perfect for long-time fans and newcomers
A moving novella about family, story, and overcoming hardship
The books of Gods of the Caravan Road have several central protagonists: Holla-Sayan in Blackdog, Holla, Ivah, Ahjvar, and Ghu, in The Leopard and The Lady, then Ivah and Ahjvar and Ghu in Gods of Nabban. However, the character to whom the series as a whole belongs is Moth, the devil Ulfhild Vartu. With the half-demon wer-bear Mikki at her side, she begins it, in “The Storyteller,” acquiring the black sword Lakkariss from the Old Great Gods in order to avenge her brother and Mikki’s mother on her cousin and former ally, Heuslar Ogada. She ends it, standing at the centre of events in The Last Road. In between, she and Mikki wander in and out of the others’ tales, with Moth, at least, avoiding ever becoming too close to any of them, even Ivah, in whom she sees perhaps an echo of her own lost daughter, but strongly, of herself. 
Practically every human being, at some point or another, has closed the covers on a satisfying book and thought: I should write a book like that.
The Siege of Terra begins in earnest…
Due to be published by 
Civilian Reader 