The Last Road is the fifth and final novel of Gods of the Caravan Road, and although the other novels in the series can be read alone (counting The Leopard and The Lady as one book, Marakand, in two volumes) it’s written assuming that the reader has at least read Blackdog. You could probably get by piecing together supposition about Ahjvar, Ghu, and Yeh-Lin from the middle books, but you need to know Moth and Mikki and Holla-Sayan. However, they aren’t the people they were at the end of Blackdog. This is almost two centuries later. Their world has changed and so have they.
I’m very excited — make that, very nervous — to be offering this up to you at last.
First, here’s the novel’s synopsis:
When even the gods are dying, the hope of the world may lie in its most feared enemies. A new god proclaimed as the All-Holy has arisen in the west and leads an army eastward, devouring the gods and goddesses of the lands between, forcibly converting their folk and binding their souls to himself. The very fabric of the world appears threatened by forces beyond the understanding of scholars and wizards alike. Even the great city of Marakand, where the roads of east and west converge, seems powerless to resist the All-Holy, though the devils Moth and Yeh-Lin and the assassin Ahjvar, undead consort of the god of distant Nabban, have come to stand with it. That may avail Marakand little, for the shapeshifting Blackdog, once a champion of the gods, follows obediently at the All-Holy’s heel and Lakkariss, the sword of the cold hells, is in his master’s hand.
Paul McAuley‘s novels always sound fascinating. I’m ashamed to admit that I haven’t read as much of his work as I would like (especially given how many of his books I own). His most recent novel, 
An excellent new novella from a master of the form
Let’s start with an introduction: Who is Jenn Lyons?
Next year, 
A substantial, engaging collection of WH40k short fiction — perfect for long-time fans and newcomers
A moving novella about family, story, and overcoming hardship
The books of Gods of the Caravan Road have several central protagonists: Holla-Sayan in Blackdog, Holla, Ivah, Ahjvar, and Ghu, in The Leopard and The Lady, then Ivah and Ahjvar and Ghu in Gods of Nabban. However, the character to whom the series as a whole belongs is Moth, the devil Ulfhild Vartu. With the half-demon wer-bear Mikki at her side, she begins it, in “The Storyteller,” acquiring the black sword Lakkariss from the Old Great Gods in order to avenge her brother and Mikki’s mother on her cousin and former ally, Heuslar Ogada. She ends it, standing at the centre of events in The Last Road. In between, she and Mikki wander in and out of the others’ tales, with Moth, at least, avoiding ever becoming too close to any of them, even Ivah, in whom she sees perhaps an echo of her own lost daughter, but strongly, of herself. 
Practically every human being, at some point or another, has closed the covers on a satisfying book and thought: I should write a book like that.
Civilian Reader 