K.B. Wagers is the author of the acclaimed Indranan War and Farian War series, published by Orbit (the latter is still ongoing). Next year, the author launches a new series — NeoG — which will be published by Voyager. A Pale Light in the Black is a “rollicking” first entry in the NeoG series, that introduces readers to the Near-Earth Orbital Guard: a military force patrolling and protecting space inspired by the real-life mission of the U.S. Coast Guard. Here’s the synopsis for the upcoming novel:
For the past year, their close loss in the annual Boarding Games has haunted Interceptor Team: Zuma’s Ghost. With this year’s competition looming, they’re looking forward to some payback — until an unexpected personnel change leaves them reeling. Their best swordsman has been transferred, and a new lieutenant has been assigned in his place.
Maxine Carmichael is trying to carve a place in the world on her own — away from the pressure and influence of her powerful family. The last thing she wants is to cause trouble at her command on Jupiter Station. With her new team in turmoil, Max must overcome her self-doubt and win their trust if she’s going to succeed. Failing is not an option — and would only prove her parents right.
But Max and the team must learn to work together quickly. A routine mission to retrieve a missing ship has suddenly turned dangerous, and now their lives are on the line. Someone is targeting members of Zuma’s Ghost, a mysterious opponent willing to kill to safeguard a secret that could shake society to its core… a secret that could lead to their deaths and kill thousands more unless Max and her new team stop them.
Rescue those in danger, find the bad guys, win the Games. It’s all in a day’s work at the NeoG.
There seems to be a trend in sci-fi at the moment: plucky bands of adventurers venturing out into space and getting up to shenanigans. Personally, I am very much on board for this trend.
A Pale Light in the Black is due to be published by Voyager in North America and in the UK, in March 2020.
Also on CR: Interview with K.B. Wagers (2016)
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I don’t know what it is about genre distinctions that so fascinates writers and readers alike. We enjoy them perhaps for the same reason we obsess about character classes and skill trees and so on in games like Dungeons and Dragons and why so many of us obsess (wrongly) about “magic systems” (as if anything which supercedes and violates natural law should be systematic, ha)! We like complexity, perhaps too much, we like categories (heavens, so much trouble in fan culture of late is the result of trying to categorize fans and creators alike: for their immutable traits, for the beliefs, for their politics, and so on). Complex categories give the world a texture that we nerds find pleasing, for they bespeak a deep sense not merely of order, but of ordered chaos.
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