Non-Fiction

Quick Review: BEST. MOVIE. YEAR. EVER. by Brian Raftery (Simon & Schuster)

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RafteryB-BestMovieYearEverUSAn excellent examination of “How 1999 Blew Up the Big Screen”

In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology (or even taste), they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s Airport; Wi-Fi; and Netflix’s unlimited DVD rentals.

Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s the definitive account of a culture-conquering movie year none of us saw coming…and that we may never see again.

Best. Movie. Year. Ever. is an excellent, illuminating discussion and examination of the movies that defined 1999: a year that produced an incredible number of excellent, ground-breaking movies. They broke the moulds of their respective genres, updated certain outmoded mores and tropes, or created something wholly new. A fascinating book that is a must-read for movie fans. Continue reading →

Quick Review: THE LADY FROM THE BLACK LAGOON by Mallory O’Meara (Hanover Square Press)

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OMearaM-LadyFromTheBlackLagoonUSUncovering the overlooked, oft-dismissed contribution of Milicent Patrick to the development of horror cinema

The Lady from the Black Lagoon uncovers the life and work of Milicent Patrick — one of Disney’s first female animators and the only woman in history to create one of Hollywood’s classic movie monsters

As a teenager, Mallory O’Meara was thrilled to discover that one of her favorite movies, Creature from the Black Lagoon, featured a monster designed by a woman, Milicent Patrick. But for someone who should have been hailed as a pioneer in the genre, there was little information available. For, as O’Meara soon discovered, Patrick’s contribution had been claimed by a jealous male colleague, her career had been cut short and she soon after had disappeared from film history. No one even knew if she was still alive.

As a young woman working in the horror film industry, O’Meara set out to right the wrong, and in the process discovered the full, fascinating story of an ambitious, artistic woman ahead of her time. Patrick’s contribution to special effects proved to be just the latest chapter in a remarkable, unconventional life, from her youth growing up in the shadow of Hearst Castle, to her career as one of Disney’s first female animators. And at last, O’Meara discovered what really had happened to Patrick after The Creature’s success, and where she went.

A true-life detective story and a celebration of a forgotten feminist trailblazer, Mallory O’Meara’s The Lady from the Black Lagoon establishes Patrick in her rightful place in film history while calling out a Hollywood culture where little has changed since.

In The Lady From the Black Lagoon, debut author Mallory O’Meara gives us an interesting and illuminating look not only at the life of a pioneering female artist, but also a glimpse into the early years of behind-the-scenes Hollywood. A must read for cinephiles, horror fans and also pretty much anyone who likes narrative non-fiction. I really enjoyed this. Continue reading →

Quick Review: THE CORROSION OF CONSERVATISM by Max Boot (Liveright)

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BootM-CorrosionOfConservatismAn interesting account of a Republican’s departure from his life-long political home

Warning that the Trump presidency presages America’s decline, the political commentator recounts his extraordinary journey from lifelong Republican to vehement Trump opponent.

As nativism, xenophobia, vile racism, and assaults on the rule of law threaten the very fabric of our nation, The Corrosion of Conservatism presents an urgent defense of American democracy.

Pronouncing Mexican immigrants to be “rapists,” Donald Trump announced his 2015 presidential bid, causing Max Boot to think he was watching a dystopian science-fiction movie. The respected conservative historian couldn’t fathom that the party of Lincoln, Roosevelt, and Reagan could endorse such an unqualified reality-TV star. Yet the Twilight Zone episode that Boot believed he was watching created an ideological dislocation so shattering that Boot’s transformation from Republican foreign policy adviser to celebrated anti-Trump columnist becomes the dramatic story of The Corrosion of Conservatism.

No longer a Republican, but also not a Democrat, Boot here records his ideological journey from a “movement” conservative to a man without a party, beginning with his political coming-of-age as a young émigré from the Soviet Union, enthralled with the National Review and the conservative intellectual tradition of Russell Kirk and F. A. Hayek. Against this personal odyssey, Boot simultaneously traces the evolution of modern American conservatism, jump-started by Barry Goldwater’s canonical The Conscience of a Conservative, to the rise of Trumpism and its gradual corrosion of what was once the Republican Party.

While 90 percent of his fellow Republicans became political “toadies” in the aftermath of the 2016 election, Boot stood his ground, enduring the vitriol of his erstwhile conservative colleagues, trolled on Twitter by a white supremacist who depicted his “execution” in a gas chamber by a smiling, Nazi-clad Trump. And yet, Boot nevertheless remains a villain to some partisan circles for his enduring commitment to conservative fiscal and national security principles. It is from this isolated position, then, that Boot launches this bold declaration of dissent and its urgent plea for true, bipartisan cooperation.

With uncompromising insights, The Corrosion of Conservatism evokes both a president who has traduced every norm and the rise of a nascent centrist movement to counter Trump’s assault on democracy.

I’ve been aware of Max Boot’s writings for a long time. I read many of his articles as part of my research for one of my PhD chapters. I frequently disagreed with him, especially on US domestic policy, but was always interested in reading what he thought about foreign policy (the subject of my thesis). During 2016, like many who are interested in/obsessed with US politics, I noticed his sharp break from his party and have watched with interest his evolution as his former-party has imploded and wholly bought into Trumpism. Continue reading →

Quick Review: I’LL BE THERE FOR YOUR by Kelsey Miller (Hanover Square Press/HQ)

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MillerK-IllBeThereForYouUSA “definitive” history of the TV show Friends

I’ll Be There For You is the definitive retrospective of the classic TV phenomenon. From its low-profile debut in 1994, Friends grew over the next decade to be the must-watch prime-time hit of a generation, and a certified classic.

Join Kelsey Miller as she relives the show’s most iconic moments, examines some of its controversies, and shines a light on the many trends it inspired from oversized coffee cups to the much-copied 90s haircut, The Rachel’.

Weaving incisive commentary, revelatory interviews and behind-the-scenes anecdotes involving high-profile guest stars, I’ll Be There for You is the most comprehensive take on Friends yet, and the ultimate book for fans everywhere.

I have been a fan of Friends since, I think, the end of season one. It is a comfort watch, and a series I often have on in the background. When I still lived in the UK, it was almost impossible to go a day (an hour?) without being able to find an episode on one of the digital channels. It’s a huge show, and continues to be so even a decade-plus since it ended. I was very interested, therefore, when I heard that someone had written a book about the show, purporting to be the definitive story. I was lucky enough to get a review copy. I found it to be a mixed reading experience. Continue reading →

Out Now: THE SKEPTICS’ GUIDE TO THE UNIVERSE by Steven Novella et al (Grand Central/Hodder)

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NovellaS-SkepticsGuideToUniverse

Spotted this while browsing the latest Hachette catalogue on Edelweiss, and thought it sounded interesting. The Skeptics’ Guide to the Universe was published this week in North America by Grand Central Publishing, and Hodder in the UK (not sure how I missed it before now). Here’s the synopsis:

An all-encompassing guide to skeptical thinking from podcast host and academic neurologist at Yale University School of Medicine Steven Novella and his SGU co-hosts, which Richard Wiseman calls “the perfect primer for anyone who wants to separate fact from fiction.”

It is intimidating to realize that we live in a world overflowing with misinformation, bias, myths, deception, and flawed knowledge. There really are no ultimate authority figures-no one has the secret, and there is no place to look up the definitive answers to our questions (not even Google).

Luckily, THE SKEPTICS’ GUIDE TO THE UNIVERSE is your map through this maze of modern life. Here Dr. Steven Novella-along with Bob Novella, Cara Santa Maria, Jay Novella, and Evan Bernstein-will explain the tenets of skeptical thinking and debunk some of the biggest scientific myths, fallacies, and conspiracy theories-from anti-vaccines to homeopathy, UFO sightings to N- rays. You’ll learn the difference between science and pseudoscience, essential critical thinking skills, ways to discuss conspiracy theories with that crazy co- worker of yours, and how to combat sloppy reasoning, bad arguments, and superstitious thinking.

So are you ready to join them on an epic scientific quest, one that has taken us from huddling in dark caves to setting foot on the moon? (Yes, we really did that.) DON’T PANIC! With THE SKEPTICS’ GUIDE TO THE UNIVERSE, we can do this together.

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Review(ish): FARGO ROCK CITY by Chuck Klosterman and TWILIGHT OF THE GODS by Steven Hyden

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KlostermanC-FargoRockCityUSChuck Klosterman and Steven Hyden are great guides to the worlds of rock and metal music, and their respective (and oft-overlapping) fandoms. In the two books covered in this feature, they examine the bands that meant the most to them, how their music fandom shaped their youths, and also the changes in the industry and soundscapes of the years that forged their tastes. Klosterman’s book is more connected to his own biography, while Hyden’s takes a more in-depth, long-view examination of what makes some rock music “classic”, and how the genre’s mythology has become ever more contentious and troubling. Both authors are passionate music fans and eloquently opinionated. As a result, they are also great guides to rock and metal music. If you have any interest in rock and metal music, then I would certainly recommend these two books. Continue reading →

Upcoming: THE BIRTH OF LOUD by Ian S. Port (Scribner)

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PortIS-BirthOfLoudUSBruce Springsteen’s telecaster, Slash’s Les Paul, Kurt Cobain’s stratocaster, Angus Young’s SG… These were the guitars that exemplified rock music for me when I was younger. The story of rock goes hand-in-hand with these two guitar manufacturers, while there are other heavy-hitters in the industry, none have the same cache as these two. (Gibson is my personal favourite.) In January 2019, Scribner are due to publish The Birth of Loud, Ian S. Port‘s history of the two men who created these brands. I’m really looking forward to reading this. Here’s the synopsis:

A riveting saga in the history of rock ‘n’ roll: the decades-long rivalry between the two men who innovated the electric guitar’s amplified sound — Leo Fender and Les Paul — and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built.

In the years after World War II, music was evolving from big-band jazz into the primordial elements of rock ’n’ roll — and these louder styles demanded revolutionary instruments. When Leo Fender’s tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an “axe” that would make Fender’s Esquire look cheap and convinced Les Paul — whose endorsement Leo Fender had sought — to put his name on it. Thus was born the guitar world’s most heated rivalry: Gibson versus Fender, Les versus Leo.

While Fender was a quiet, half-blind, self-taught radio repairman from rural Orange County, Paul was a brilliant but egomaniacal pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s — including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton — adopted one maker’s guitar or another. By the time Jimi Hendrix played “The Star-Spangled Banner” at Woodstock in 1969 on his Fender Stratocaster, it was clear that electric instruments — Fender or Gibson — had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable.

Back in June 2018, the Washington Post published a story about “The death of the electric guitar”, which I would also highly recommend.

The Birth of Loud will be published by Scribner in the US, Canada and in the UK.

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Quick Review: CITY OF DEVILS by Paul French (Riverrun/Picador)

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FrenchP-CityOfDevilsUKAn intriguing glimpse into Shanghai’s pre-war underworld

A spellbinding and dramatic account of Shanghai’s lawless 1930s and two of its most notorious criminals…

1930s Shanghai could give Chicago a run for its money. In the years before the Japanese invaded, the city was a haven for outlaws from all over the world: a place where pasts could be forgotten, fascism and communism outrun, names invented, fortunes made – and lost.

‘Lucky’ Jack Riley was the most notorious of those outlaws. An ex-Navy boxing champion, he escaped from prison in the States, spotted a craze for gambling and rose to become the Slot King of Shanghai. Ruler of the clubs in that day was ‘Dapper’ Joe Farren — a Jewish boy who fled Vienna’s ghetto with a dream of dance halls. His chorus lines rivalled Ziegfeld’s and his name was in lights above the city’s biggest casino.

In 1940 they bestrode the Shanghai Badlands like kings, while all around the Solitary Island was poverty, starvation and genocide. They thought they ruled Shanghai; but the city had other ideas. This is the story of their rise to power, their downfall, and the trail of destruction they left in their wake. Shanghai was their playground for a flickering few years, a city where for a fleeting moment even the wildest dreams seemed possible.

In the vein of true crime books whose real brilliance is the recreation of a time and place, this is an impeccably researched narrative non-fiction told with superb energy and brio, as if James Ellroy had stumbled into a Shanghai cathouse.

Until City of Devils, I had only read Paul French’s shorter books on Asia — mainly on early 20th Century China, but also an excellent short book about Kim Jong-un. In City of Devils, French turns his attention to the criminal underworld of Shanghai in the 1930s, and two foreigners who managed to turn certain sectors of the city into their own private kingdoms. It’s a fascinating look at extraterritoriality, Westerners’ fascination with China, and their willingness to take advantage of their hosts. Continue reading →

Upcoming: THE DINOSAUR ARTIST by Paige Williams (Hachette)

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WilliamsP-DinosaurArtistUSLike a great many people, I grew up fascinated by dinosaurs. I loved reading about them, and also playing with my set of unpainted, hard-plastic dinosaur toys. (My grandfather collected special coupons from his Weetabix boxes for months before sending off for the set. Probably my happiest childhood memories of him.) There seems to be a bit of a resurgence in dino-interest in publishing — for example, Steve Brusatte’s The Rise and Fall of the Dinosaurs was recently released to much fanfare (I’ll be reading it pretty soon). Also, in movies, we have the incredible success of Jurassic World and its sequel, which will no doubt be a blockbuster success as well. This September, Hachette will release Paige Williams’s debut non-fiction book, The Dinosaur Artist. It sounds really interesting:

The first time Eric Prokopi saw T. bataar bones he was impressed. The enormous skull and teeth betrayed the apex predator’s close relation to the storied Tyrannosaurus rex, the most famous animal that ever lived. Prokopi’s obsession with fossils had begun decades earlier, when he was a Florida boy scouring for shark teeth and Ice Age remnants, and it had continued as he built a thriving business hunting, preparing, and selling specimens to avid collectors and private museums around the world. To scientists’ fury and dismay, there was big money to be made in certain corners of the fossil trade. Prokopi didn’t consider himself merely a businessman, though. He also thought of himself as a vital part of paleontology — as one of the lesser-known artistic links in bringing prehistoric creatures back to life — and saw nothing wrong with turning a profit in the process.

Bone hunting was expensive, risky, controversial work, and he increasingly needed bigger “scores.” By the time he acquired a largely complete skeleton of T. bataar and restored it in his workshop, he was highly leveraged and drawing quiet scorn from peers who worried that by bringing such a big, beautiful Mongolian dinosaur to market he would tarnish the entire trade. Presenting the skeleton for sale at a major auction house in New York City, he was relieved to see the bidding start at nearly $1 million — only to fall apart when the president of Mongolia unexpectedly stepped in to question the specimen’s origins and demand its return. An international custody battle ensued, shining new light on the black market for dinosaur fossils, the angst of scientists who fear for their field, and the precarious political tensions in post-Communist Mongolia. The Prokopi case, unprecedented in American jurisprudence, continues to reverberate throughout the intersecting worlds of paleontology, museums, art, and geopolitics.

In this gorgeous nonfiction debut, Williams uncovers an untold story that spans continents, cultures, and millennia as she grapples with the questions of who we are, how we got here, and who, ultimately, owns the past.

The Dinosaur Artist is due to be published in North America and in the UK by Hachette.

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Upcoming: GIGGED by Sarah Kessler (St. Martin’s Press)

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KesslerS-GiggedUSSarah Kessler‘s upcoming book looks really interesting. The gig economy has come to dominate a few sectors, and seems to be spreading. To someone who is an accidental freelancer (I didn’t expect to be one so soon in my career), Gigged therefore looks really interesting and relevant. Even though the book is focused on the gig economy in the United States, I think it will resonate with readers in other countries, where gigging is fast becoming a wider experience of life and work. Here’s the synopsis:

The full-time job is disappearing—is landing the right gig the new American Dream?

One in three American workers is now a freelancer. This “gig economy” — one that provides neither the guarantee of steady hours nor benefits — emerged out of the digital era and has revolutionized the way we do business. High-profile tech start-ups such as Uber and Airbnb are constantly making headlines for the disruption they cause to the industries they overturn. But what are the effects of this disruption, from Wall Street down to Main Street? What challenges do employees and job-seekers face at every level of professional experience?

In the tradition of the great business narratives of our time, Gigged offers deeply-sourced, up-close-and-personal accounts of our new economy. From the computer programmer who chooses exactly which hours he works each week, to the Uber driver who starts a union, to the charity worker who believes freelance gigs might just transform a declining rural town, journalist Sarah Kessler follows a wide range of individuals from across the country to provide a nuanced look at how the gig economy is playing out in real-time.

Kessler wades through the hype and hyperbole to tackle the big questions: What does the future of work look like? Will the millennial generation do as well their parents? How can we all find meaningful, well-paid work?

Gigged is due to be published by St. Martin’s Press on June 12th, 2018.

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