Well, I’m excited.
Well, I’m excited.
Save for the superb Wonder Woman movie, DC’s cinematic output hasn’t been too well received. I’ve quite enjoyed each of the movies (though, I still haven’t seen Suicide Squad), and so I’m very much looking forward to Justice League. Warner Bros. has just unveiled a teaser trailer at San Diego ComicCon, featuring a lot of Steppenwolf, some parademons, and of course the League. Here it is:
Justice League should hit theatres in November 2017. During SDCC, a new poster was also unveiled, and I couldn’t agree more with io9, it really does look like an Alex Ross painting brought to life:
An entertaining, engaging memoir of screenwriting
In Hollywood, screenwriters are a curse to be borne, and beating up on them is an industry blood sport. But in this ferociously funny and accurate account of life on the Hollywood food chain, it’s a screenwriter who gets the last murderous laugh. That may be because the writer is John Gregory Dunne, who has written screenplays, along with novels and non-fiction, for thirty years. In 1988 Dunne and his wife, Joan Didion, were asked to write a screenplay about the dark and complicated life of the late TV anchorwoman Jessica Savitch. Eight years and twenty-seven drafts later, this script was made into the fairy tale “Up Close and Personal” starring Robert Redford and Michelle Pfeiffer. Detailing the meetings, rewrites, fights, firings, and distractions attendant to the making of a single picture, Monster illuminates the process with sagacity and raucous wit.
This is a fascinating, unreserved memoir of John Gregory Dunne and Joan Didion’s long, often frustrating experiences writing Up Close & Personal. It’s engaging, entertaining and illuminating. Continue reading
An excellent follow-up to Hello, He Lied
Over the past decade, producer Lynda Obst gradually realized she was working in a Hollywood that was undergoing a drastic transformation. The industry where everything had once been familiar to her was suddenly disturbingly strange.
Combining her own industry experience and interviews with the brightest minds in the business, Obst explains what has stalled the vast moviemaking machine. The calamitous DVD collapse helped usher in what she calls the New Abnormal (because Hollywood was never normal to begin with), where studios are now heavily dependent on foreign markets for profit, a situation which directly impacts the kind of entertainment we get to see. Can comedy survive if they don’t get our jokes in Seoul or allow them in China? Why are studios making fewer movies than ever — and why are they bigger, more expensive and nearly always sequels or recycled ideas?
Sleepless in Hollywood is an excellent, accessible explanation of the ways in which Hollywood has evolved since the 1980s. This is an account of emergence of the “New Abnormal”, as Obst calls it: the shifting practices and ideologies that dictate how the movie and TV industries operate. Continue reading
As has been pointed out by quite a few commentators and fans — most recently SyFy Wire and The Mary Sue — there has been relatively very little publicity push for the upcoming WONDER WOMAN movie. Actually, a pathetic amount of marketing. Given the veritable avalanche of teasers, posters, online, television and print advertising we were subjected to in the run up to Batman vs. Superman, Suicide Squad, all of the new Star Wars movies and even less-blockbuster-offerings, the paucity of Wonder Woman advertising is puzzling. Continue reading
The promotional blizzard for The Force Awakens was incredible. Actually, it was probably excessive. It ultimately left me a little disappointed with the movie on first viewing — my expectations had been ratcheted up so high that it was pretty much guaranteed that the movie wouldn’t live up to my hopes.
Now, we have the trailer for the eighth episode in saga. I’m really looking forward to this. I’m going to make a better effort at just waiting for the movie to come out, rather than consume all the coverage. Crossing fingers…
Ooh, tingles… Really looking forward to this! Out in October 2017.
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