WONDER WOMAN opens in one month(ish)! (Whither the marketing blitz?)

WonderWoman-PosterSDCC2016

As has been pointed out by quite a few commentators and fans — most recently SyFy Wire and The Mary Sue — there has been relatively very little publicity push for the upcoming WONDER WOMAN movie. Actually, a pathetic amount of marketing. Given the veritable avalanche of teasers, posters, online, television and print advertising we were subjected to in the run up to Batman vs. SupermanSuicide Squad, all of the new Star Wars movies and even less-blockbuster-offerings, the paucity of Wonder Woman advertising is puzzling. Continue reading

Upcoming: “The Secret History of Wonder Woman” by Jill Lepore (Knopf)

LeporeJ-SecretHistoryOfWonderWomanI am a huge fan of Jill Lepore’s writing – both long-form and also her journalism and shorter pieces. A professor of American History at Harvard University (and a staff writer at The New Yorker), Lepore has written extensively about history and how we interpret, teach, and read the history of the United States. Last year, I read the paperback edition of The Story of America, which was easily one of the best books I read in 2013. Perhaps of more interest to the readers of Civilian Reader, though, her upcoming work is about the fan-favourite Amazon warrior from the Justice League: Wonder Woman. Due to be published on October 28th, 2014 by Knopf. Here’s the rather long synopsis:

Wonder Woman, created in 1941, is the most popular female superhero of all time. Aside from Superman and Batman, no superhero has lasted as long or commanded so vast and wildly passionate a following. In the more than seven decades since she first appeared, her comic books have never been out of print. In years of interviews and archival research, Harvard historian and New Yorker staff writer Jill Lepore has uncovered an astonishing trove of documents, including the never-before-seen private papers of William Moulton Marston, Wonder Woman’s creator. Lepore has discovered that, from Marston’s days as a Harvard undergraduate, he was influenced by early suffragists and feminists, starting with the British suffragist Emmeline Pankhurst, who was banned from speaking on campus in 1911, when Marston was a freshman. In the 1920s, Marston and his wife brought into their home, as Marston’s mistress, the niece of Margaret Sanger, one of the most influential figures of the twentieth century. The Marston family story – a house of one man, three women, and four children-is a story of drama, intrigue, and irony. In the 1930s, Marston and Sanger’s niece together wrote a regular column for Family Circle celebrating conventional family life, even as they pursued a life of extraordinary nonconformity. No less fascinating is Marston’s role as the inventor of the lie detector. Internationally known as an expert on truth, he lived a life of secrets-only to spill them on the pages of the Wonder Woman comics he began writing in 1941.

The Secret History of Wonder Woman is a tour-de-force of intellectual and cultural history, explaining not only the mysterious origins of the world’s most famous female superhero, but solving some of the most vexing puzzles in the American past. Wonder Woman, Lepore argues, is the missing link in the history of the struggle for women’s rights – a chain of events that begins with the women’s suffrage campaigns of the early 1900s and ends with the troubled place of feminism a century later.

Given how prominent the character has been in not only the comics and SFF communities (specifically the absence of plans for a Wonder Woman big-budget movie), but in pop-culture and gender studies communities, this is a very timely book. I’m really looking forward to this.

Two Great New BATMAN Pieces by Lee Bermejo…

Long time readers of the blog will know I’m a big fan of Lee Bermejo’s artwork. You can find loads of great examples over on his website. Today, I spotted two more in particular that caught my eye, and thought I’d share them on here.

The first is the brooding artwork for Secret Origins #2, a new series published by DC Comics:

SecretOrigins-02-Bermejo

Secondly, we have a black-and-white piece of DC’s “Trinity” – Batman, Superman and Wonder Woman:

Bermejo-Trinity

Graphic Novels Catch-Up: Hulk, Wonder Woman, Captain America, Superman

GraphicNovelsRead-201310-1

Four mini-reviews of graphic novels I have read over the last couple of weeks: Captain America: Road to Reborn and Reborn, Indestructible Hulk, Superman: Secret Identity, Wonder Woman (New 52).

INDESTRUCTIBLE HULK, Vol.1 – “Agent of S.H.I.E.L.D.” (Marvel NOW)

IndestructibleHulk-Vol.01Writer: Mark Waid | Artist: Leinel Yu

Hulk: Indestructible force more weapon than man. Banner: Smartest man alive. Combined, they are the strongest, smartest weapon on the planet! And NOW!, the Indestructible Hulk is an Agent of S.H.I.E.L.D.! Hulk’s first official missions include taking down the all-new Quintronic Man and battling Attuma on the ocean floor! But not everything is as it seems: What is Banner’s secret hold over S.H.I.E.L.D. Director Maria Hill? What and where is Bannertown, USA? And which one of Banner’s lab assistants holds a deadly secret? Plus: Bruce Banner and Tony Stark are friends but Hulk and Iron Man are anything but!

Collects: Indestructible Hulk #1-5

I read the first issue of this collection when it was first released, and rather liked the approach Waid took to the character. Bruce Banner is hired on by S.H.I.E.L.D., who continue to be wary of… the Other Guy. He’s given his own research team and lab – located at “Bannertown”. The story is pretty good, to start with, as we get reacquainted with Banner and his constant struggle with the Hulk inside him. He goes on a mission with Tony Stark (Hulk doesn’t like Iron Man very much). Then things get rather weird… The story moves into Exaggerated Comic Story, which was a little annoying, after the rather good, nuanced beginning. I would have preferred a little more investigation of Banner’s state of mind, etc. It’s strange that Waid didn’t offer this, actually, given his stellar work on series such as Irredeemable (still one of my favourite stories of all time – comic or otherwise).

There’s an underwater adventure that seemed to come out of nowhere, a big battle, and then we get sent back to Bannertown, where S.H.I.E.L.D. have hired a young, varied and eccentric staff to help Bruce with his research.

Yu’s artwork is, of course, as excellent and distinctive as always. I love his style, and have done ever since I read Superman: Birthright (which was also written by Waid).

It’ll be interesting to see how this series develops. I’ll be back for at least volume 2.

*

WONDER WOMAN, Vol.4 – “War” (DC New 52)

WonderWoman-Vol.4Writer: Ed Brubaker | Artist: Cliff Chiang

Wonder Woman’s world is shocked to its core when her eldest brother, the First Born, is freed from his slumber. Now, with her family in ruins and her friends scattered, she must turn to Orion and the New Gods of New Genesis to save herself and Zola’s newborn from the First Born’s wrath!

Collects: Wonder Woman #19-23

I think I may be losing interest in this series. It seems to be spinning its wheels, while also occasionally veering into excessive (but abrupt) action. I still think Brubaker and Chiang have developed a fascinating and unique take on Greek Mythology and its leading deities, creatures, and so forth. There are moments of sheer brilliance, but then also moments that just didn’t appeal. Orion, for example. What a pointless addition to the series. (Although, his presence did give rise to one of the best couple of pages, when Diana puts him in his place, tired of his provocative lechery and chauvinism – below.)

WonderWoman-19-Interior6

Chiang’s artwork is great, as I’ve mentioned in reviews of previous volumes – there’s actually nothing I would fault on the visual side of things. I just didn’t love the story as much as I have in the past. Going forward, I may not follow this series as closely or quickly as I have been up to this point.

*

CAPTAIN AMERICA: ROAD TO REBORN and REBORN (Marvel)

CaptainAmerica-RoadToRebornWriter: Ed Brubaker | Artist: Dale Eaglesham, Jackson Guice, Luke Ross, Gene Colan, Dave Gutierrez, Rick Magyar, Bryan Hitch

Road to Reborn: Sharon Carter’s dreams are forcing her to relive the death of Steve Rogers – and her time under the control of Dr. Faustus. But will these dreams also reveal hidden secrets about what she saw and did on the day Steve died.

Reborn: Captain America – Steve Rogers – is reborn, but is he the hero we know and love? Or is the new Captain merely a pawn of the Red Skull, or perhaps something worse? And what is Norman Osborn doing lurking on the fringes?

Collects: Captain America #49-50; #600-601
Captain America: Reborn #1-6

Yup, I’m still working my way through the fifth series of Captain America (Marvel refers to it as “Vol.5”, but given that each collection is a “Volume” as well, it gets confusing – hence the use of “series”). I’m still really enjoying it, and I think Brubaker’s characterisation of Steve Rogers, Bucky, and their myriad companions is brilliant. The antagonists remain delightfully cartoon-y – perhaps the only thing that hasn’t aged quite as well as the concept as a whole. Both of these books were very heavy on the nostalgia – even featuring a story about Captain America memorabilia collectors.

CaptainAmerica-RebornReborn ends with a massive battle on the steps of the Lincoln Memorial, as Steve Rogers must wrest control of his body from the Red Skull, whose consciousness has been implanted into the original Captain America’s body. Confused? Yeah, well, it turns out that the “assassination” was not, in fact, an assassination. Apparently, the Red Skull and Arnim Zola had planned to take Cap out of time (or something)… Why? Why didn’t the decades-old nemeses want to actually kill their enemy? Because the Red Skull apparently wanted to become him. Paging Doktor Freud…

Overall, though, not bad. Not the best in the series, but still enjoyable. It’ll be nice to see how the story goes forward, with Bucky still operating as Captain America. I actually rather like Bucky in the role, too – he adds some extra dimensions and insecurities, not to mention methodology. Next in the series is Captain America: Two Americas, which I’ll be reading pretty soon. [I will catch up!]

*

SUPERMAN: SECRET IDENTITY (DC)

Superman-SecretIdentityWriter: Kurt Busiek | Artist: Stuart Immonen

What’s in a name? Everything, if you share it with the Man of Steel!

Set in the real world, SECRET IDENTITY examines the life of a young Kansas man with the unfortunate name of Clark Kent. All Clark wants is to be a writer, but his daily life is filled with the taunts and jibes of his peers, comparing him to that other Clark Kent — the one with super-powers. Until one day when Clark awakens to discover that he can fly… that he does in fact have super-strength! But where did these powers come from? And what’s he going to do about it?

This was a wonderful surprise. Also, a bargain at only $4 (during one of ComiXology’s Superman-related sales, each of the four extra-length issues was only $1). It’s a wonderfully-told story, too. It’s picaresque, following a “real-life” Clark Kent without powers, who has long been plagued by amused relatives and friends gifting him any number of Superman-related memorabilia, toys, and so forth. Then, one day during his teens, he actually develops Superman’s powers. What happens next? Well, that’s the story of this collection, which takes us from Clark’s youth through to old age. We see his life unfold, as he takes a job at a New York journal, gets a book deal, marries someone called Lois (though not “- Lane”, and of Indian descent), and has two daughters. Along the way, he must constantly protect his family and himself from the attentions of the government. He forms a working-relationship with one agent, though, and they strike a deal for moving forward and not getting in each other’s way or on each other’s nerves.

The artwork is pretty good. It’s slightly different from what I’ve seen of Immonen’s other artwork (if I recall correctly), but it does suit the nostalgic and emotional nuance of the story. It’s brilliant, really. Very highly recommended for any lover of Superman stories, looking for something a little different.

*

Some upcoming comic reviews: Sixth Gun, Vol.5; Avengers, Vol.1 (Marvel NOW), American Vampire, Vol.2; Walking Dead, Vol.1 (just in time for Halloween, hopefully); Locke & Key, Vol.2; Atomic Robo, Vol.1; Saga, Vol.2; Thief of Thieves, Vol.1… And no doubt a few others, as I’ve been reading a fair few.

Two Years (ish) of DC Comics’ New 52

DCHeader

Someone asked me on Twitter if I was still reading comics (they pointed out I hadn’t posted many reviews of them lately). I have been, but because I’ve been reading them in big chunks, interspersed with work reading, as well as both fiction and (future-work-related) non-fiction books, I’ve been letting the comics reviews slide a fair bit. There is another reason, of course: not all of the comics have been single storylines, or complete storylines, which makes reviewing them really tricky. Once you get to around issue #10, anything you write about the story is likely to throw out spoilers. This, I think, is maybe a weakness of reading and reviewing comics on a weekly basis – and is really why I stopped doing that almost a year ago (that and financial considerations). Regardless, my insatiable need to read All The Things With Words means I have been reading a good number of comics via ComiXology’s app on my iPad. With the exception of the frankly phenomenal Hawkeye, I do not buy any issues full-price. I just can’t afford to. So, as and when things go on sale or are discounted (either one or two months after release), I’ve been collecting issues to read in bursts.

That being said, the number of series I’ve been reading has also been steadily culled. I usually give each series a single “volume” – that is, what would appear in a collected, printed trade hardcover or paperback. It’s been a useful way of separating storylines, as well as providing a “book’s worth” to review. (Ahem, if I bothered to review them, that is…)

So which of DC’s New 52 have I kept reading? Which ones will stay? And which will have to go, and why? Below is a brief run-down (by no means exhaustive) of the titles I’ve been reading, collected by theme/larger series…

[I may add to this, over time, as I remember other titles I’ve tried, or just think of something else I’d like to add.]

GREEN LANTERN SERIES

I’m starting with this one, because I recently completed the vast “Rise of the Third Army” and “Wrath of the First Lantern” cross-title events. It was an epic undertaking, and sadly it sometimes felt like it. Not to mention being rather more expensive than I would have wished (or should have given in to). The two events, really one mega-event, had its interesting and gripping moments, but ultimately outstayed its welcome. By the time it ended, expectations were so high, that it fell a bit flat. This, I’m noticing, is a common feeling at the end of comics Events…

Overall, though, the extended family of Green Lantern titles remain interesting. Not all of them are as consistent or gripping as I would like. Green Lantern is still very good. Red Lanterns is possibly the weakest, now, after what had been a promisingly dark beginning. New Guardians is starting to fizzle a bit, too, despite my continuing interest in the wider spectrum of Lantern corps. Green Lantern Corps has some very good moments, too.

GreenLantern-20

With Geoff Johns’s run on the flagship title now over (an epic, redefining era for the character and mythos, filled with many exceptional moments), and with each title now having hit their 20th issues, I think I’m going to retire the series from my ‘pull-list’. Mostly, this is a financial decision, but it is also because the story has hit a point when I feel like I’m overdosing, and just simply want a break. The expanded 20th issue of Green Lantern was a nice wander down memory lane, and offered some intriguing hints for what is to come, but I’m just not prepared to dive back in for a little while longer. When I do return, I think only Green Lantern and Green Lantern Corps will be priorities.

*

BAT-FAMILY TITLES

The Batman family of titles remain my favourites, and (in my opinion) also the best-written. The flagship title, Batman, still written by the excellent Scott Snyder, continues strongly. In the wake of “Death of the Family”, we got some shorter, stand-alone issues and stories, which offered a nice breather. The latest Bat-event has now begun, though (“Year Zero”), so it’ll be interesting to see how that develops. I’ll be keeping this title on the list, and will actually be writing a review of the first three parts of “Year Zero” in the near future (#21-22 and Annual #2).

I’ve been following Detective Comics, too, but it hasn’t been firing on all cylinders for a little while. I’ll probably stick with it a little while longer, but it may have to go at some point. [As a somewhat related aside, I’m considering delving into the pre-New 52 Detective Comics stories, as some of them sound pretty great.]

BatmanDarkKnight-11-ArtGregg Hurwitz’s Scarecrow story for Batman: The Dark Knight was one of the best Batman storylines I’ve ever read. No joke. Yesterday I picked up the final part of his Mad Hatter story-arc (it’s been discounted on ComiXology), and will be reading it all in one go. I will certainly write a review for it, too. Hurwitz has done a truly fantastic job with this title. Very highly recommended indeed. It’s staying on my to-read list.

Batgirl is still going strong, with some potential closure on the question of Barbara’s serial-killer brother. Gail Simone’s keeping the quality high, and the story engaging and fresh. The artwork, too, remains strong throughout. A keeper, and I’m looking forward to picking up some of the creepier-looking recent issues in the near future.

I’m still enjoying Nightwing, as the story and character remain interesting. Post-“Death of the Family”, Dick Grayson moves to Chicago, which I think will be really great for the character – not only is it a change of pace from Gotham, but it will hopefully open up the possibility for plenty of original stories and enemies. I have every intention of continuing with the series, but I may wait longer chunks of time and binge on a complete story-arc each time I do.

Batwoman-09-ArtI haven’t been keeping up-to-date with Batwoman, despite every intention to do so. I had been waiting for printed collections before I left NYC, but chose to de-prioritize it after “Death of the Family” started, because it wasn’t connected. I enjoyed the more horror-leaning aesthetic and storylines, though, so I do hope to get caught up again. (I’ve read up to issue #9, so there is a fair bit of reading to do before I’m up-to-speed… Won’t be too soon, sadly.) It is probably the most eye-catching, artistically of all the New 52 titles. Really superb, original compositions.

Batwing is in the same position as Batwoman. It’s a series I certainly want to read more of, I just can’t afford to right now. Writing duties have changed hands (#19), and it looks like the new team (Jimmy Palmiotti and Justin Gray) have taken the series in an interesting direction. Hopefully it won’t be too long before I get back to it.

One of my favourite series remains Red Hood & The Outlaws. If I had to say why it remains such a good read for me, I think I’d struggle to say. I like the characters – especially Jason “Red Hood” Todd – and they dynamic between them is really good. It’s a bit different, with a more sci-fi feel to it than other Batman-related titles, but perhaps it’s this difference that gives it a fresher feel? It also tied in really nicely with “Death of the Family”. I imagine this will be a keeper for some time.

I’ve also managed to read the first volume’s-worth of new title Talon. James Tynion III is doing something really interesting with this character, and I hope he becomes a permanent member of the DC stable. The first storyline was a slow-burn narrative, but with plenty of action sequences, as we follow Calvin Rose make a sort-of life for himself, with a couple of allies. And also a rogues’ gallery of his very own. It’s quite different to Batman, and I liked a lot about the series. It took me longer than it perhaps should have to adjust my expectations of story-type (I’d not been sleeping and was exhausted when I read it). Nevertheless, it is a pretty great story. The first book also has one hell of a cliff-hanger ending…

Batman&Robin-18-Interior8

My favourite series in the Batman family, though, has got to be Batman & Robin. Each issue is superb, but the silent issue #18 (image above), is one of the most powerful comics I’ve read. Absolutely superb, and I’ll be writing reviews of Volumes 2 and 3 in the near future. A must-read series (along with Hurwitz’s Dark Knight).

Teen Titans, led by Tim “Red Robin” Drake, has had a lot of ups and downs. Scott Lobdell’s humour can work pretty well, but overall I just don’t think I care enough about the characters to stick around any longer than I already have. The future storylines, which seem to feature six-eyed demons, also don’t appeal much.

*

SUPERMAN FAMILY

Personally, I think there has been too much crossover and needed catch-up to fully follow all the storylines, which is also too much to justify financially.

Superman-11-ArtI actually like the Superman series. I seem to be one of the only people who liked the first story arc, which offered some interesting modern-era-media concerns into the story (I studied the role of the media in politics as part of my PhD, so maybe that’s why I liked it more than some others). I did get bored when the DC Powers That Be tied this series in with the daemonites storyline (which was just dull – sorry, there’s really no other way to describe it other than “just dull”, in the end). I bought the issues for Volume 3 (#13-19), not realising that they were all “H’el on Earth” issues. I have no idea if I have to read the other two Super-titles to ‘get’ the story, but it has made me hesitate (perhaps stupidly, seeing as I do own them)…

What of Superboy? Meh. I lost interest, despite enjoying Volume 1. I just never got around to reading any more of the series. Will I in the future? Perhaps. But probably not in the near future.

I finally read the first volume of Supergirl, and while there was some good stuff therein, it was mainly all-action-all-the-time, which left minimal time and space for actual story. Distracting readers with endless set-piece-battles does not a good story make. I don’t think I’ll be reading any more of the series, sadly.

Which brings us to Action Comics. I remain on the fence: Grant Morrison has finally left the series, but I’m not sure if it’s ok to just dive in with the new writers’ work. And my OCD shudders at the incompletion prospect…

*

JUSTICE LEAGUE TITLES

I just finished Justice League #17-19 the other day, aiming to catch up for the latest cross-over event, “Trinity War”. (See? Told you there were a lot of them…) I must say, though, that I was thoroughly underwhelmed with these issues. The story was just weak. The artwork wasn’t great (not to mention schizophrenic, as multiple art-teams were involved). The series has not been without its strong moments, though – for example, when Batman discusses his contingency plans with Superman, and the “Throne of Atlantis” cross-over story.

JusticeLeague-19

Aquaman has been a good title throughout, but due to financial constraints, I haven’t been able to keep up with it as much as I would have liked. It remains a keeper, but not an urgent one. I’ll pick up issues in chunks.

Brain Azzarello’s run on Wonder Woman has been interesting. I have a weakness for anything linked with Mythology (especially Roman, Egyptian, Norse, and as in this case Greek – all of them formed a large part of my youthful and formative reading). The story sometimes veers into the WTF-territory, which I’m not a fan of. But, at the same time, I think the interpretations of the Gods and mythical creatures and characters is really interesting. The first two volumes (“Blood” and “Guts”) were strong, despite a bit of a dip in quality in Volume 2. I’ll keep reading this for at least one more story-arc. And I really do like Cliff Chiang’s artwork.

WonderWoman-12-Art

For some reason, I haven’t been keeping up-to-date with The Flash. I enjoyed the first volume a good deal. Perhaps it’s my innate caution when a storyline suddenly features Gorillas…? It is becoming clearer to me that I really like my comics a little less ‘out there’, unless they’re obviously meant to be totally out there – Hellboy and Justice League Dark (below), for example. I’d like to catch up with this at some point, though, as I do find the Flash to be an interesting character. Speaking of, though, I picked up a few more of the Flashpoint comics recently (again, a ComiXology sale), so I hope to get those read and reviewed at some point soon.

*

THE DARK & EDGE

I really like a lot of Justice League Dark – the artwork is often pretty great, and the story has some great moments. It feels like it’s weakening a bit, but this might be because the creative team had to tread water until the “Trinity War” event could start. I hope it picks up again. I thought Lemire was going to revive it nicely, and on the strength of his first handful of issues, I bought a fair bit of his other work (including Sweet Tooth, which enjoyed an excellent 99c sale on ComiXology not so long ago). We’ll have to wait and see, I guess. I’m sticking around for “Trinity War”, but I will re-assess afterwards.

JLDark-18-Interior2

The only other series I’ve maintained from these ‘sections’ of the New 52 is Demon Knights. I have the issues for Volume 2, but because I’ve been reading a lot of fantasy fiction, I haven’t felt an urgent need to read these. I will, though, as I like the option of reading some fantasy in my comics. Watch this space, I guess.

*

Constantine-01Overall, it looks like I’m losing steam with DC’s wider New 52 line. Some series remain strong, true, but I’m not sure if reading them on an issue-by-issue basis is enough for me. Too often, the story feels incomplete, insufficient, rushed, or what have you. Maybe I just need a bit of a break from them? Who knows. I have picked up some issues from two of the newer series – Constantine and Justice League America – primarily because they are connected to the “Trinity War” event. For some reason, I didn’t feel the need to get The Phantom Stranger or Pandora

Instead of spending my few funds on more super-hero comics, I’ve been picking up some other comics. The aforementioned Sweet Tooth, as well as American Vampire, Locke & Key, and a handful of others. I’m also going to try to get back into the G.I.Joe titles, and maybe dip in to some more Dark Horse (Star Wars and The Massive), Image (Chew, Thief of Thieves) and Zenescope titles. I will also, actually, be delving into the back-catalogues of both DC and Marvel, too – I have a number of older Superman stories, for example, as well as a wealth of X-Men stuff to catch up on.

Does anyone else have any suggestions? Or opinions on the New 52 this far in? Feel free to share in the comments, below, or on Twitter or Facebook.

TrinityWar

“Trinity War” Artwork