There is one really, really stupid thing you can do as a writer. Monumentally, head-thumpingly stupid.
And that’s to put the Devil in your book.
Where do you start? Whatever name you give him, whatever face, Old Nick comes with some pretty hefty baggage. Trickster, manipulator, tyrant, victim, former angel or demon… he’s still the Devil. You can race with him; you can be caught between him and the deep blue sea. You can have sympathy for him (or not) and he’s even been known to wear Prada.
All this, and we’ve barely even scratched the surface… So why would anyone be crazy or arrogant enough to go ahead and write one of the most (in)famous characters in all of literature into their own book?
The answer’s simple. It’s because he’s fun. And he’s fun because he’s a challenge. Everybody’s Devil is different. The scariest one I’ve ever seen on film is Viggo Mortensen in The Prophecy. He’s scary because he talks, and it’s not just his voice but his words which are seductive; they ebb and flow as he sits there, fiddling with a rose… and then you realise what he’s saying, and suddenly he’s a thing worth fearing…
He should be seductive, in his own way – it’s what he does best, isn’t it? It’s why those pitchfork-wielding dragon-types they were so fond of in medieval art always look so strange to us. The idea of devil-as-serpent we can understand – there’s something compelling about the way a snake moves, isn’t there? – but none of us could imagine being taken in by a gargoyle.
The Devil stands for evil, after all (just look at those two words… Coincidence? Nah.) and how many of us could ever see ourselves as being deliberately evil? Not many. We use words like “seduced” and “corrupted” when we talk about people going to the dark side. To believe that anyone could simply wake up one day and decide to be truly bad, to become any of our modern definitions of evil is unthinkable – not to mention very frightening indeed – and this is where the “Father of Lies” comes in.
And that’s precisely where a writer’s headache starts.
Every writer’s Devil differs. Of course they do: just like every writer differs, and everything they’re scared of differs. There’s a good chance you’ll find an overlap (how can you not with a character like this?), but there will always be something fresh – even if it’s just the pieces of a jigsaw arranged in a new pattern; the whole being re-lit to cast unfamiliar shadows.
I imprisoned my Lucifer in a block of ice at the heart of hell… but then if you do that, doesn’t it rather take him out of the game? It depends how smart you think he is – and I wouldn’t bet against his being able to think his way around that one. If he were stupid, he wouldn’t be nearly so much trouble, would he?
Going back to medieval paintings of devils and demons, it’s not unusual to see them being pulled out of peoples’ mouths, because this was a time when possession was not only feared, it was absolutely believed in. And what could be more frightening than speaking to someone you know and realising that they aren’t themselves? What could be more seductive than hearing half-truths – carefully phrased and selected to do the maximum damage possible – from the lips of someone you think you know…?
What if his mind could wander at will? What if he could hop into your head, your mother’s, your wife’s, your brother’s, your child’s? What if he could settle down like a toad in a mind that isn’t his, spitting out words that didn’t come from there and planting thoughts that don’t belong?
What’s his deal, anyway? What’s his agenda? Is he angry? Vengeful? Spiteful? Petty? Sadistic? Is he flat-out monstrous or just misunderstood? Just the same as any character, he needs his motivations and his pressure-points; it’s just that his tend to be bigger, scarier and more nerve-wracking than others.
And after all that: the knowing he’s smarter than you and more vicious than you (which is why he’s locked up, after all: he’s officially A Bad Dude) with nothing to lose and everything to gain, you’re left with one very alarming question.
What will he do to get what he wants?
Answer that, and you’ve got a Devil of your own.
*
Author Bio:
Lou Morgan lives in the south west of England with her family. She studied medieval literature at university and loves cathedrals and pizza (but probably not together). Her short stories have appeared in anthologies from Solaris Books, PS Publishing and Jurassic. Her first novel, Blood and Feathers has been shortlisted for the 2013 British Fantasy Awards in both the best newcomer and best fantasy novel categories. She spends far too much time on Twitter.
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This post should really be read while listening to this song…
Upcoming: “The Age of Ice” by J.M. Sidorova (Scribner)
This looks like an interesting novel. It has already been described as “boldly original and genrebending”, and it will apparently take readers “from the grisly fields of the Napoleonic Wars to the blazing heat of Afghanistan, from the outer reaches of Siberia to the cacophonous streets of nineteenth-century Paris”. Colour me very much intrigued…
The Empress Anna Ioannovna has issued her latest eccentric order: construct a palace out of ice blocks. Inside its walls her slaves build a wedding chamber, a canopy bed on a dais, heavy drapes cascading to the floor — all made of ice. Sealed inside are a disgraced nobleman and a deformed female jester. On the empress’s command — for her entertainment — these two are to be married, the relationship consummated inside this frozen prison. In the morning, guards enter to find them half-dead. Nine months later, two boys are born.
Surrounded by servants and animals, Prince Alexander Velitzyn and his twin brother, Andrei, have an idyllic childhood on the family’s large country estate. But as they approach manhood, stark differences coalesce. Andrei is daring and ambitious; Alexander is tentative and adrift. One frigid winter night on the road between St. Petersburg and Moscow, as he flees his army post, Alexander comes to a horrifying revelation: his body is immune to cold.
The Age of Ice is published by Scribner in the UK, and will be out near the end of July 2013.
Upcoming: “Gallow” Trilogy by Nathan Hawke (Gollancz)
I caught a tweet the other day from Gollancz’s publicist that copies of the first book in Nathan Hawke’s Gallow series had arrived in their office (oh, how they tease us bibliophiles…). Naturally, this made me seek out some more information about the series. It sounds pretty cool, too. The series is comprised of THE CRIMSON SHIELD, COLD REDEMPTION, and LAST BASTION, and will be published in July, August, and September (respectively). I do like it when publishers release series in quick succession…
Here’s the first synopsis…
I have been Truesword to my friends, Griefbringer to my enemies. To most of you I am just another Northlander bastard here to take your women and drink your mead, but to those who know me, my name is Gallow. I fought for my king for seven long years. I have served lords and held my shield beside common men. I have fled in defeat and I have tasted victory and I will tell you which is sweeter. Despise me then, for I have slain more of your kin than I can count, though I remember every single face.
For my king I will travel to the end of the world. I will find the fabled Crimson Shield so that his legions may carry it to battle, and when Sword and Shield must finally clash, there you will find me. I will not make pacts with devils or bargains with demons for I do not believe in such things, and yet I will see them all around me, in men and in their deeds. Remember me then, for I will not suffer such monsters to live.
Even if they are the ones I serve.
The one thing I’m not sure about is whether or not this is fantasy or historical, or a blend of the two… Nevertheless, this sounds pretty interesting. I’ll try to get my hands on the books to review on the site. Between these and Snorri Kristjansson’s Swords of Good Men, I may come over all Viking this summer…
Here are the other two covers (all three were done by Alejandro Colucci):
Here’s the synopsis for book two, as well (still waiting for the third synopsis to surface on the internets…):
I fought against your people, and I have fought for them. I have killed, and I have murdered. I betrayed my kin and crippled my king. I led countless warriors to their deaths and fought to save one worthless life. I have stood against monsters and men and I cannot always tell the difference.
Fate carried me away from your lands, from the woman and the family I love. Three hellish years but now, finally, I may return. I hope I will find them waiting for me. I hope they will remember me while all others forget. Let my own people believe me dead, lest they hunt me down. Let me return in the dark and in the shadows so no one will know.
But hope is rare and fate is cruel. And if I have to, I will fight.
Cover Reveal: THE WOKEN GODS by Gwenda Bond (Strange Chemistry)
I haven’t managed to keep on top of my Angry Robot/Strange Chemistry reviewing – certainly not as much as I would like. (They have had a considerable number of awesome-sounding titles coming out recently… I really should get my act together and read more of them…)
Nevertheless, one of my favourite debut reads last year was Gwenda Bond’s Blackwood. I was very intrigued, therefore, to learn about Bond’s next novel, The Woken Gods. I didn’t know much about it, but the cover certainly nabbed my interesting…
The US Congress, the All-Seeing Eye, Egyptian Gods…? Colour me intrigued. The Woken Gods will be published by Strange Chemistry in September 2013. Here’s the synopsis…
Five years ago, the gods of ancient mythology awoke around the world.
This morning, Kyra Locke is late for school.
Seventeen-year-old Kyra lives in a transformed Washington, D.C., home to the embassies of divine pantheons and the mysterious Society of the Sun. But when rebellious Kyra encounters two trickster gods on her way back from school, one offering a threat and the other a warning, it turns out her life isn’t what it seems. She escapes with the aid of Osborne “Oz” Spencer, an intriguing Society field operative, only to discover that her scholar father has disappeared with a dangerous relic. The Society needs it, and they don’t care that she knows nothing about her father’s secrets.
Now Kyra must depend on her wits and the suspect help of scary gods, her estranged oracle mother, and, of course, Oz–whose first allegiance is to the Society. She has no choice if she’s going to recover the missing relic and save her father. And if she doesn’t? Well, that may just mean the end of the world as she knows it.
I’m certainly looking forward to this.
Guest Post: “After Apocalypse” by Gail Z. Martin
Maybe it’s a sign of the times, but we seem to be obsessed with the end of the world.
Sure, such fascinations, both literary and religious, have come and gone in times past. It’s just our luck to live in the midst of a resurgence of end-of-the-world fatalism.
Pick your poison—climate change, asteroid collision, bio-warfare, zombies, or mad scientists, there are plenty of ways to die. Personally, I prefer magic.
In Ice Forged, and the upcoming Reign of Ash, Books 1 and 2 in my Ascendant Kingdoms Saga, mages on both sides of a devastating war use magic as their doomsday weapon. They manage to destroy civilization on their continent, and magic itself.
Apocalypse-by-mage was a twist that intrigued me. Magic, in the world of the Ascendant Kingdoms, does for them what technology does for us—heals the sick, makes routine tasks easier, reduces effort, and controls the environment. Long ago, people used to do those things without magic, but since the wild power was harnessed so that it could be controlled by humans, people have forgotten the old ways.
That makes it rough when the magic stops working.
There’s a fantastic TV series about “Life After People” that shows just how quickly the modern world falls apart—literally—when people are suddenly removed and no one is left to maintain what has been built. I watched those shows, riveted, as it speculated that in about 250 years after all people disappeared, the world would heal itself and most of our structures would be largely obliterated. We’re not as important as we think we are.
That concept served well as I imagined the apocalypse in Ice Forged. Not only do survivors of the war endure hardship because of the fire that rained down from the skies in a powerful magic strike, they also suffer because there is no magic. Few people know how to treat wounds, protect crops from pests, or do many other essential tasks. Where magic was used for infrastructure, either as a repair patch or to do something important, like keeping back the sea at the sea wall, magic’s failure results in additional disaster. Not only that, but the once-harnessed magic, returned to the wild, becomes a violent force of nature, creating dangerous storms and unnatural monsters.
So when exiled convict and disgraced lord Blaine McFadden discovers that he might be the only one who can restore the magic, the stakes are high. Trying to bring magic back might cause Blaine’s death, and there’s no guarantee the attempt will work. Even if he can restore the magic, it may not function the way it did before, and in any event, the kingdom is in rubble, its leaders dead.
It’s been said that “fortune” is the combination of “danger” and “opportunity.” If you define it that way, then Blaine McFadden is a very “fortunate” man.
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The Hawthorn Moon Sneak Peek Event includes book giveaways, free excerpts and readings, all-new guest blog posts and author Q&A on 21 awesome partner sites around the globe. For a full list of where to go to get the goodies, visit the Ascendant Kingdoms website.
Book Giveaway on Twitter: Every day from June 21-28, I’ll be choosing someone at random from my Twitter followers to win a free signed book. Invite your friends to follow me – for every new 200 followers I gain between June 21-28, I’ll give away an additional book, up to 20 books!
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Gail Z. Martin is the author of Ice Forged in her new The Ascendant Kingdoms Saga (Orbit Books), plus The Chronicles of The Necromancer series (The Summoner, The Blood King, Dark Haven and Dark Lady’s Chosen) and The Fallen Kings Cycle (The Sworn and The Dread). She is also the author of two series on eBook short stories: The Jonmarc Vahanian Adventures and the Deadly Curiosities Series. Her books are available in bookstores worldwide and on Kindle, Kobo and Nook.
Interview with BRIAN McCLELLAN
Brian McClellan’s debut fantasy, Promise of Blood, has caused quite a splash in the SFF community. It blends fast-paced story-telling with a new and interesting world, and a plethora of interesting and engaging characters. Brian has already featured on Civilian Reader a few of times already. He has written two guest posts – on his favourite novel, and also Protagonist Ages in Epic Fantasy – and I have reviewed the novel already, too. He was kind enough to take some time to answer my questions about his fiction, writing practices, and more… Continue reading
Guest Post: “On Editing & Writing…” by Jonathan Strahan
On writing tips for new writers from someone who has never written a story, but has read a few
Many thanks to Civilian Reader for letting me stop by and chat about editing and writing. I’ve been thinking about what you might say to a new writer who wanted to write a short story, a great one (who’d want to write anything else?) When I first started to work on a list of tips on how to write a terrific short story I drew a blank. I’ve not written a short story since high school, so I’m no expert. I’ve not even thought about writing a short story myself. But then I realized that, like you, I read. I read a lot. And what I mostly read is short fiction. So, it’s possible I might have picked up an idea or two.
1. Write
This might seem obvious, but no one has ever finished a short story without sitting down and actually writing. I have a folder full of stops and starts on a handful of short stories and novels, but none of them are finished. So, do that. Write. Write every day and finish what you start.
2. Re-write
I know you think you’re finished when you write “The End” at the end of your newly minted short story. You probably are. But it’s possible, just possible, that there’s still a little bit of work left to do. Put it in a drawer for a week, and come back to it fresh. Suddenly you’ll see, if you’re at all like me when I write anything, all sorts of problems with it. You might also let a trusted reader see it. Get their feedback, try to listen to it with an open mind, and be willing to re-write.
3. Read
The only way to learn how to write a great short story is to read great short stories. Read them a lot and think about them. Try to work out how they work and why. Pick a writer whose work you love and see how their stories work. If you love fantasy stories, try the work of Fritz Leiber or Ursula Le Guin, and see if you can unpick their stories. They knew what they were doing.
4. Keep it short
We are talking about writing short stories after all, so keep it short. You probably only want a single plot line (the story) and a single point of view character (the person whose eyes we’re seeing the story though). Longer stories, novellas and short novels, can sometimes have subplots and more than one point of view character, but basically you only need one.
5. Make your story work
I don’t mean make it great. Of course you’re going to do that. What I mean is make your words count. Everything you write in a short story should do more than one thing. Setting builds character, voice advances plot, and so on. Look very carefully at each scene in your story. You won’t have many of them – this is short after all – so make sure each scene does more than one thing. Each scene should build setting, develop character and move the story forward. Avoid scenes that only do one thing. You want to avoid your story being dull (which it was never going to be, but you know what I mean) and making sure your scenes are doing the heavy lifting helps.
If you’ve already written a great short story you probably know all of this stuff, and possibly far more. If you’re just starting out, though, it might help. And if you are starting out keep going. You’ll probably write some stinkers. You’ll possibly write some stories that are almost exactly like stories written by people whose work you love. That’s fine. That’s what you should be doing. You have to write through that so you can get to the stories that only you can tell, the ones that are definitely going to be great. And when you do, send them to me. I love great short stories.
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Fearsome Journeys is out now, published by Solaris Books.
Excerpt: IRENICON by Aidan Harte (Jo Fletcher Books)
Here’s an excerpt from Aidan Harte’s debut historical fantasy novel, Irenicon, the first in the author’s The Wave Trilogy. For more on Aidan’s work and more, be sure to check out the interview he did for Civilian Reader. Irenicon is the first in a series. The sequel, The Warring States, was published earlier this year.
Read on for the first chapter of Irenicon…
PART I:
ANNUNCIATION
And when the wise men returned with report of a new-born King of the Jews, Herod was exceeding wroth, and sent forth, and slew all the children in Bethlehem from two years old and under.
Amongst the lamentation of the mothers, the voice of Mary was heard in mourning. Her child, with the rest, was slain.
And behold, the angel of the Lord appeared to Joseph in a dream, saying, Arise, and flee into Egypt: for Herod will seek the Mother, to destroy her also.
Barabbas 2:1–13
CHAPTER 1
‘Valerius?’
Madonna! Where was he?
If the boy got hurt, the Doc would mount her head on a stick next to the Bardini banner. Valerius might be a handful but the little stronzo was their only Contract this year. Besides, a dead Concordian would imperil all Rasenna. Sofia’s dark eyes flashed with anger and she swore again: in her haste she had forgotten her banner. Being unarmed in Rasenna used to be merely careless. These days, it was suicidal.
*
Valerius ran down the sloping streets with his head in the air, pursued by his shadow made strangely large by the blood-washed light. Smashed roof-slates crunched underfoot like leaves in an autumn forest. He followed the trail of the topside battle as it moved downhill towards the river, focused on the jagged red slash of evening where the towers leaned towards each other across the emptiness. The Concordian had the pale blond curls, soft skin and, when he tried, the disarming innocence of a cherub. Now, scowling, he resembled something fallen and impious. Sofia, only five years older than Valerius, watched him like his mother. He had endured this ordeal since his arrival last Assumption, but to return to Concord unblooded? Ridiculous.
The hunt was practically the whole point of a year in Rasenna – that was what his father had paid for, not endless drills and lectures on banner technique. So when this chance came to sneak out, Valerius took it, vowing to get the General’s money’s worth. Two households in combat: what a story! This was Rasenna’s real meat: raids and rogue bandieratori. He wasn’t in real danger; this was still Bardini territory. Sofia wouldn’t be far away.
He couldn’t see the individuals leaping between rooftops, just the banners they wielded. Bardini black outnumbered Morello gold four to six, and the Morello were retreating – noisily. These boys weren’t bandieratori, they were like him, just bored students looking for fun. So it was an unofficial raid, then; the gonfaloniere would never sanction such a pointless attack.
Valerius followed through one backstreet after another, concerned only with keeping up. A black flag vanished behind a corner. He turned it himself and saw nothing but swallows listlessly drifting on air rising from the empty streets.
No Morello, thankfully. No Bardini either. Valerius stopped to listen. The wall he leaned against was built around the ghost of an Etruscan arch, the gaps between its massive blocks stuffed with crude clay bricks, bulging like an old man’s teeth.
He could hear the river now, but not the battle. He had been in Rasenna long enough to know that most raids ended ‘wet’. How could so many raiders disperse so swiftly? It began to dawn on him that Bardini flags need not be wielded by Bardini.
How could Sofia be so irresponsible? He was the Bardini Contract, the Bardini’s only Concordian student, and that made him an obvious target for the Morellos; he should be protected at all times. The General would hear of this.
‘Keep calm, Concordian,’ he rebuked himself, just as the General would have. He knew northern streets pretty well after a year, didn’t he? Not like a Rasenneisi, not as lice know the cracks, but well enough. He looked for clues to his location. That ceramic Madonna, perched in a streetcorner niche and drenched in blue-white glaze, that would orientate a Rasenneisi. The ghastly things all looked the same. The superstitions of Rasenna were not the answer; he would rely on Concordian logic. The raiders had led him down and south. If he followed the slope up he would eventually reach the shadow of Tower Bardini and safety.
He turned around. Now he had a plan it was easier to fight the urge to run for it. Yes: he was impressed with his courage, even if he did keep glancing overhead. If only his footsteps wouldn’t echo so.
At last, something familiar: the unmistakable drunken tilt of Tower Ghiberti – the Bardini workshop was close after all. Valerius’ relieved laughter trailed off when a rooftop shadow moved. Another silhouette emerged on the neighbouring row. And another. Lining the tower tops, above and ahead of him. He counted seven, eight, nine – a decina – but forced himself to keeping walking. Whoever they were, they were interested in him alone. It was not a flattering sort of attention.
Behind him someone landed on the ground and he was torn between two bad choices, to turn defiantly, or to run.
‘Walk.’
‘Sofia! What are you doing?’
‘Exceeding my brief. Doc said babysit. He didn’t mention
stopping you getting yourself killed.’
‘I wouldn’t be in danger if—’
‘I said keep walking!’
He whipped his head round to continue the argument, but went suddenly mute. Anger enhanced the Contessa’s beauty. Her dark eyes were wide and bright, her olive skin glowed like fire about to burn. She looked fabulous just before a fight.
‘What do we do?’ Valerius asked, his confidence returning.
Her wide-shouldered jacket was a bold red, in contrast with the earthy colours favoured by most bandieratori. She was not tall, but she held her head proudly. Below her large brow and sharp Scaligeri nose were the smiling lips that graced statues of cruel old Etruscans.
But she was not smiling now and her pointed chin jutted forward. ‘You’ll do as I say. I’m going to help these gentlemen get home. Give me your banner.’
‘I don’t have it,’ Valerius whispered, losing hope again.
‘Madonna. This is going to be embarrassing. I’m not exactly in peak condition.’
Valerius looked down at the sling on her arm. Without a single banner, against a decina, even Sofia…
‘What do we do?’
‘When I say run, run – Run!’
*
Sofia led the way through the maze of narrow alleys, not looking back or up. She knew by fleeting shadows overhead and loosened slates smashing around them how closely they were pursued. She skidded to a stop when they reached Piazzetta Fontana. The alley leading north was blocked by five young men. And now Valerius saw what Sofia already knew: they were not students. They were bandieratori. Their ruckus had been part of the deception.
Sofia pushed Valerius into an alley on the right – it was barely a crack between two towers, but it led north.
‘Run. Don’t look back.’
He didn’t argue.
She boldly stepped forward. ‘You bambini must be lost in the woods. You’re on the wrong side of the river.’
There was consternation as the southsiders saw who they had been chasing. ‘What do we do?’ asked one.
‘Her flag’s black. That makes her Bardini,’ said the tallest boy with assurance.
‘I don’t know – if Gaetano—’
‘Show some salt! There’s one of her and lots of us. Haven’t you heard who broke her arm?’ The tall boy continued talking even as he approached her. ‘She’s hasn’t even got a flag—’
Way too casual. Sofia was ready. She dodged his lunging banner and snatched it away in one movement and his jaw had no time to drop before she floored him with a neat parietal-tap. By the time she looked up the others had vanished, gone to get Valerius before she got them. Sofia returned to the narrow alley and vaulted left-right-left up between the walls.
Etrurians said that Rasenna’s towers were different heights because not even the local masons could agree. But they made good climbing, and bandieratori jumped between towers as easily as civilians climbed stairways. The upper storeys were peppered with shallow brick-holes, invisible from the ground, which had originally supported scaffolding but which now allowed the fighters to scale what they couldn’t jump.
With only one working arm, Sofia knew her climbing was awkward and inefficient. Even so, when she made topside she took a moment to catch her breath and scan the endless red roofs, feeling no need to hurry despite their head-start. This was her territory, and she knew every roof, every crumbling wall. They did not, and in the wan light of dusk they’d have to be cautious.
In the heat of the chase the boys let one of their number fall behind, and it wasn’t long before Sofia caught up. His falling scream was cut off by the crash of broken slates.
Two down, out-classed on strange rooftops. Normally in this situation it would be each raider for themselves, but these three knew that their only hope of ever getting home was to regroup and turn and fight together. They were waiting on the next tower Sofia leapt for, and gave her no time to recover her balance. Two of them launched a noisy attack to make her retreat, while the third slipped behind. As Sofia dodged flags she was struck in the back of her knee.
‘Ahh!’ she cried as she landed on her back, sliding a little before halting herself. She had no time to rise before she felt a flag-stick prodding against her neck. She lay still before the pressure crushed her larynx.
‘Beg your pardon, Contessa.’
Sofia ignored their giggling. She still had the advantage. She knew every tower bottom to top, their flags, the fastest routes, how old they were. She kicked her heel and a slate came loose, then several fell in its wake and the tower shed its skin with a shudder that drowned out the boys’ shouts as they all slid and tumbled together. Sofia went over the side with the rest of them, but she reached out and grabbed the unseen flagpole. She didn’t look down. No need.
She heard them land with the slates, breaking all together.
Sofia hauled herself onto the flayed rooftop, then climbed back down. She found Valerius waiting streetside with an amused expression on his face which, like his clothes, was splashed with blood. The boys’ bodies lay where they’d fallen, perfectly arranged in a semi-circle around him as if hunting him even in death.
‘Where’s the rest?’ she asked, more to herself than Valerius. She had been occupied, yet the others hadn’t gone for the Concordian. Wasn’t he the prize?
Valerius ignored her, more interested in rolling the corpses to see their last expressions.
‘Show some respect!’ she snapped. ‘The dead are forgiven.’
‘Sorry!’
‘Come here,’ she said, pulling Valerius towards her.
‘Oh Sofia, I was frightened too!’
She pushed his embrace aside roughly. ‘I’m checking for wounds, cretino!’
But no, none of the blood was his. Doc’s charge was intact, the Contract secure. ‘You got blooded, Valerius. Satisfied?’
*
It was a blade-sharp February, but this winter’s night the alleys around the workshop were ablaze with torches. Groups of Bardini bandieratori gathered on the corners, banners up, tense and jumpy. Sofia nodded to a tall young man slouching against a wall, his hood pulled low. The other boys intended to keep darkness at bay with a constant uproar, but Mule contented himself with silence. A flatfaced boy, he had a drooping eyelid that suited his sleepy air. Nobody had ever called him stubborn, and that was enough in Rasenna to earn him his nickname.
‘What’s got so many flags out?’
‘Burn-out,’ he said. ‘Ghiberti’s.’
Sofia saw the ruse now and swore. ‘We going over tonight?’
Mule shrugged. ‘Check in with the Doc. He was worried about you.’
‘He was worried about Payday here,’ said Sofia, angrily pushing Valerius forward. ‘Move it, will you?’
She led him to Tower Bardini. Black flags bobbed aimlessly around the base of its ladder. The single calm face in the crowd looked up. With no neck to speak of, the Doctor’s bald head hardly broke the hill of his shoulders. He made no large gesture when he saw her, just raised his eyebrows. Sofia nodded back and pulled Valerius out from behind her. When he saw the Concordian, the Doctor paled.
Sofia patted Valerius’ cheek and held up a blood-smeared hand. ‘Don’t worry, Doc. It’s not his.’
‘Are we safe now?’ Valerius asked.
She nodded briefly, keeping her eye on the Doctor’s reaction as he approached.
Valerius stepped forward and slapped her. ‘Show me some respect!’
The Doctor leaned forward and grabbed Sofia’s arm before she could strike back.
Valerius stuck a finger in her face. ‘Noble or not, you’re still just a Rasenneisi!’
The Doctor put his sturdy frame in between them. ‘We apologise, my Lord. My ward forgot her place through her zeal to protect you.’ His fingers tightened around her arm. ‘Right, Sofia?’
‘Right,’ Sofia managed through clenched teeth.
Valerius looked sour for a moment, then nodded. ‘Fine. I’m hungry after all that. Doctor?’
The Doctor released Sofia and bowed to Valerius. ‘I shall await you.’
Valerius watched him leave, then turned, smiling, to Sofia, the guiltless cherub once more. ‘I thank you for saving me, Contessa,’ he said stiffly and then, lowering his voice, ‘Look, sorry I had to do that. Concord’s dignity—’
‘Demands no less,’ Sofia said. ‘No apologies but mine are necessary, my Lord.’
‘Oh, Sofia! Don’t be so formal. Let’s be friends again,’ he said, and leaned forward to kiss her cheek.
She watched him scurry up the tower’s ladder. Had he stayed, he would have recognised the glow surrounding her. It was not her throbbing arm that had made her angry – and not even Valerius; the Concordian was acting properly, in his own way. It was the Doc, and that she was party to his appeasement. Distrusting herself around either of them, she decided to retire to the Lion’s Fountain. Mule and his brother were probably at the tavern already. The smoke of another burn-out tasted bad in every mouth. First, though, she grabbed a workshop flag. It wouldn’t do for the Contessa to be caught unarmed twice in one day.
***
Quick Review: “Poison” by Sarah Pinborough (Gollancz)
An intriguing tweaking of the classic Snow White Fairy Tale
A beautiful, sexy, contemporary retelling of the classic Snow White fairy tale, illustrated by Les Edwards.
POISON is a beautifully illustrated retelling of the Snow White story which takes all the elements of the classic fairytale that we love (the handsome prince, the jealous queen, the beautiful girl and, of course, the poisoning) and puts a modern spin on the characters, their motives and their desires. It’s fun, contemporary, sexy, and perfect for fans of ONCE UPON A TIME, GRIMM, SNOW WHITE AND THE HUNTSMAN and more
This book isn’t very long, so it’s a little tricky to review at any great length without ruining the whole story. Pinborough has taken this classic story and approached it with a modern sensibility, tweaking the tale here and there to make it a little more edgy and fresh. I must admit that I’m not the greatest fan of fairy tales to begin with, which probably makes you wonder why you should care about my opinion on this book. My lack of familiarity with the source material will also have had an impact on how much I got from this novella. I can see why people will enjoy this, though. I liked it a fair bit, too.
Poison is basically a story about two young women: one an evil step-mother (Lilith) and the other a princess (Snow). They are the same age, more or less, with the King having decided on a younger model after the death of Snow’s mother. They are also, of course, very different. Snow is carefree, confident, and quite fun (she can often be found drinking and hanging out with the dwarfs, pulling practical jokes), and she’s a bit of a tomboy. Lilith, on the other hand, is cold, calculating, self-conscious, surprisingly insecure, and highly resentful of the male-dominated world in which she lives (understandably – she seems to be better suited to ruling than her warmonger, imperialist husband). She yearns for power and the ability to wield it, and takes her husband’s latest campaign abroad as an opportunity to wield it in his name.
Pinborough’s characters are interesting – they are clearly identifiable as those in the original, but updated and a little more modern. At times, the dialogue and writing felt a little archaic, which was at odds with the contemporary feel I think the author was going for. Nevertheless, they’re all pretty interesting. Lilith controls a psycho-Aladdin, for example! That was a very cool development, I thought. That’s also all I’m going to say about it, lest I ruin that darkly delightful character for you. Lilith’s grandmother, the old crone of the story, is as wicked and devious as the Queen. She’s also a bit dotty, which added some extra levity (she mothers Lilith a bit, and her first scene made me chuckle). The Huntsman seems to be the typical manly-man of fairy tales (who seems to have some magical stud-powers…).
Despite not being the biggest fan of fairy tales, I thought this was a pretty interesting, quick read. I didn’t love it, unfortunately, and there were a couple of fleeting lulls in the narrative, but it was still a good read. If you’re looking for a new, fresh and modern take on this classic fairy tale, and enjoy the swathe of fairy-tale-related reinterpretations (Grimm and Once Upon a Time in particular, I think), then Sarah Pinborough’s Poison will be right for you.
A quick, fun, diversion; an intriguing contemporary take on one of the all-time classic stories. I’m looking forward to seeing what the author’s done with Beauty and Charm, the other two novellas in the ‘series’ (also published this year by Gollancz).
The Complete Covers for Sarah’s three Fairy Tale reinterpretations
Book Trailer: “The Bone Season” by Samantha Shannon (Bloomsbury)
I mentioned a few days back that a copy of The Bone Season had arrived unexpectedly. I’m looking forward to reading the novel, and may also host an interview with the author, closer to the release date. Check out the trailer (above), and the synopsis (below)…
Welcome to Scion, no safer place.
The year is 2059. Nineteen-year-old Paige Mahoney is working in the criminal underworld of Scion London, based at Seven Dials. Her job: to scout for information by breaking into people’s minds. For Paige is a dreamwalker, a clairvoyant and, in the world of Scion, she commits treason simply by breathing. It is raining the day her life changes for ever. Attacked, kidnapped and drugged, Paige is transported to Oxford – a city kept secret for two hundred years, controlled by a powerful, otherworldly race. Paige is assigned to Warden, a Rephaite creature with dark honey skin and heavy-lidded yellow eyes. He is her master. Her trainer. Her natural enemy. But if Paige wants to regain her freedom she must allow herself to be nurtured in this prison where she is meant to die.
The Bone Season will be published in the UK by Bloomsbury, on August 20th 2013.