New Books (February-March)

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Featuring: David Baldacci, Kyle Buchanan, Alex Finlay, Jackson Ford, Guy Haley, Bob Kroll, Scott Meslow, Premee Mohamed, Winnie M Li, Alex Segura, Rachel Swirsky, Alex Segura, Adrian Tchaikovsky, John Teschner, R. R. Virdi, Marianne Wiggins, Rio Youers Continue reading

New Books (April)

NewBooks-20200419

In these uncertain times, books are perhaps more important than ever (at least, they are in my opinion). To that end, I am going to try to publish more content on CR than normal (I know — I’ve “closed” it down a number of times, I just can’t stay away). Below is a list of books I’ve bought or received for review (and one I’m pre-approved for but haven’t downloaded because I know I won’t be able to read the format, but wanted to flag anyway because I’m really looking forward to reading it). As you’ll notice, a few of these aren’t out for some time, but I guess publishers have decided to send them out sooner to give people plenty of time to read them.

Featuring: Robert Jackson Bennett, Tom Bissell, Tom Bradby, Mike Brooks, K.A. Doore, Gardner Dozois, Dan Drezner, Lindsay Ellis, Scott Eyman, Marc Freeman, Ryan Gattis, Grady Hendrix, Stark Holborn, Richard Kadrey, Nicole Krauss, Hari Kunzru, Dinah Lenney, Sam J. Miller, Tamsyn Muir, John Niven, Karen Osborne, Alex Pavesi, Ross Payton, Wayne Santos, Elissa R. Sloan, Jonathan Strahan, Peter Swanson, Michael Swanwick, Breanna Teintze, Don Winslow, Chris Wraight

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New Books (June 2017)

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Quite some time since I last posted about new books I’ve received, so this is something of a bumper selection. Hope you find something that piques your interest.

Featuring: Brad Abraham, Guy Adams, Alan Alda, Sam Bourne, James Bradley, Adam Brookes, Terry Brooks, Melissa Caruso, Michael Connelly, Joseph Finder, Jack Ford, Jeffrey Ford, Dana Fredsti, John French, David Burr Gerrard, Lee Matthew Goldberg, Allegra Goodman, A.J. Hartley, Grady Hendrix, Jon Hollins, Joseph Kanon, Ann Leckie, Fonda Lee, Edan Lepucki, Attica Locke, Gail Z. Martin, Emma Newman, Jeff Noon, Lauren Oliver, Melissa F. Olson, Kathy Reichs, Anne Rice, Anthony Ryan, Brian Thomas Schmidt (ed.), Anna Smith Spark, Ferrett Steinmetz, Neal Stephenson, Jonathan Strahan (ed.), David Walton, Angus Watson, Aliya Whiteley, Don Winslow, Kenneth Womack

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Guest Post: “On Editing & Writing…” by Jonathan Strahan

FearsomeJourneys-2013On writing tips for new writers from someone who has never written a story, but has read a few

Many thanks to Civilian Reader for letting me stop by and chat about editing and writing. I’ve been thinking about what you might say to a new writer who wanted to write a short story, a great one (who’d want to write anything else?) When I first started to work on a list of tips on how to write a terrific short story I drew a blank. I’ve not written a short story since high school, so I’m no expert. I’ve not even thought about writing a short story myself. But then I realized that, like you, I read. I read a lot. And what I mostly read is short fiction. So, it’s possible I might have picked up an idea or two.

1. Write

This might seem obvious, but no one has ever finished a short story without sitting down and actually writing. I have a folder full of stops and starts on a handful of short stories and novels, but none of them are finished. So, do that. Write. Write every day and finish what you start.

2. Re-write

I know you think you’re finished when you write “The End” at the end of your newly minted short story. You probably are. But it’s possible, just possible, that there’s still a little bit of work left to do. Put it in a drawer for a week, and come back to it fresh. Suddenly you’ll see, if you’re at all like me when I write anything, all sorts of problems with it. You might also let a trusted reader see it. Get their feedback, try to listen to it with an open mind, and be willing to re-write.

3. Read

The only way to learn how to write a great short story is to read great short stories. Read them a lot and think about them. Try to work out how they work and why. Pick a writer whose work you love and see how their stories work. If you love fantasy stories, try the work of Fritz Leiber or Ursula Le Guin, and see if you can unpick their stories. They knew what they were doing.

4. Keep it short

We are talking about writing short stories after all, so keep it short. You probably only want a single plot line (the story) and a single point of view character (the person whose eyes we’re seeing the story though). Longer stories, novellas and short novels, can sometimes have subplots and more than one point of view character, but basically you only need one.

5. Make your story work

I don’t mean make it great. Of course you’re going to do that. What I mean is make your words count. Everything you write in a short story should do more than one thing. Setting builds character, voice advances plot, and so on. Look very carefully at each scene in your story. You won’t have many of them – this is short after all – so make sure each scene does more than one thing. Each scene should build setting, develop character and move the story forward. Avoid scenes that only do one thing. You want to avoid your story being dull (which it was never going to be, but you know what I mean) and making sure your scenes are doing the heavy lifting helps.

If you’ve already written a great short story you probably know all of this stuff, and possibly far more. If you’re just starting out, though, it might help. And if you are starting out keep going. You’ll probably write some stinkers. You’ll possibly write some stories that are almost exactly like stories written by people whose work you love. That’s fine. That’s what you should be doing. You have to write through that so you can get to the stories that only you can tell, the ones that are definitely going to be great. And when you do, send them to me. I love great short stories.

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Fearsome Journeys is out now, published by Solaris Books.