Guest Post: “Identity Motifs in The Goldfinch, The Catcher in the Rye and Life As We Know It” by Weston Ochse

OchseW-AuthorPhotoI was introduced to the idea of The Catcher in the Rye in 1979. I’d heard about this 1950s novel through my parents, both educators. I’d also heard about it through a Freshman English teacher at my High School. The reason I’d only heard about it and not seen it was because I was living in Tennessee and at the time it was a banned book. By banned, I don’t mean that there were any Fahrenheit 451 Fireman to come and burn them up — although I am sure there were those who wished that to be true. By banned I mean that the book was considered an unhealthy read and stores and libraries were urged not to provide them to young healthy minds. So it was with great delight that I was able to buy a copy of the book in 1981 at the local Walden Books store, who provided it from a box in the backroom and sold to me wrapped in brown paper so no one would see what I’d purchased. Continue reading

Guest Post: “Planet Jacked!” by Weston Ochse

OchseW-AuthorPicI’d never really encountered the idea about terraforming until I read David Gerrold’s A Matter for Men, and boy did that scare me more than any horror novel I’d ever read. It’s one thing to have space duels with enemy ships or visitations from aliens seeking to see what we’re up to, but it’s another thing altogether when you begin showing aliens who’ve decided that they want your planet and have begun changing the entire ecosystem right out from under you. I mean, what do you do? What technology do we have to stop them?

In Hollywood, there’d be some last second solution overlooked by mainstream scientists, but discovered by the conspiracy theorist picking his nose in the corner. But that’s never going to happen.

In Hollywood, the aliens would find a way to communicate with the President of the United States, because that’s what all aliens do, to give us some sort of ultimatum.

I drop the bullshit flag on that one. Continue reading

Guest Post: “Heroes & Villains” by Paul Kane

KaneP-AuthorPicThe relationship between heroes and villains has always fascinated me, even before I became a writer. I remember growing up watching the Doctor battling his mortal enemies, The Daleks on TV (in the Baker/Davidson era), watching Kirk repelling Klingons from the starboard bow, and Bond doing battle with Blofeld (so nice to see him back this year in Spectre!). Blake had Servalan, Obi Wan and co. had Darth Vader, Sherlock Holmes had Moriarty, Batman the Joker, Judge Dredd – Judge Death and Robin had his Sheriff of Nottingham in my favourite take on the mythos, Richard Carpenter’s Robin of Sherwood from the ‘80s… but more on those guys later.

There was just something about it all, the two sides of the same coin thing, but also the notion that one can’t exist without the other – in fact in certain cases one creates the other. It’s the age-old struggle of good vs evil, and these characters symbolise it perfectly. Sometimes one side wins, sometimes the other: but it’s always entertaining to watch how things pan out. Continue reading

Guest Post: “In Praise of Ordinary Girls” by Lauren Roy

RoyL-AuthorPicI feel like this post needs a disclaimer from the get-go. I like Chosen One stories, and tales where something sets the main character apart from everyone else, makes her special in some way (often, let’s be honest, at the cost of relationships or her entire way of life, not always for the better). I could wander over to my bookshelves right now and pull out the books where the main character has a rare or unheard of or forgotten ability, where someone is secretly the long-lost heir to the throne, or where they’re the most powerful X of their age. If I stacked ‘em all up, they’d at least reach the ceiling, maybe even the peak of the roof. My own urban fantasy series is filled with asskickers who are pretty amazing at what they do – so much so that I probably could have called it Five Badasses and a Bookseller, instead of Night Owls. Continue reading

Guest Post: “The Details in the Devil” by Lou Morgan

MorganL-Blood&FeathersFinalThere is one really, really stupid thing you can do as a writer. Monumentally, head-thumpingly stupid.

And that’s to put the Devil in your book.

Where do you start? Whatever name you give him, whatever face, Old Nick comes with some pretty hefty baggage. Trickster, manipulator, tyrant, victim, former angel or demon… he’s still the Devil. You can race with him; you can be caught between him and the deep blue sea. You can have sympathy for him (or not) and he’s even been known to wear Prada.

All this, and we’ve barely even scratched the surface… So why would anyone be crazy or arrogant enough to go ahead and write one of the most (in)famous characters in all of literature into their own book?

The answer’s simple. It’s because he’s fun. And he’s fun because he’s a challenge. Everybody’s Devil is different. The scariest one I’ve ever seen on film is Viggo Mortensen in The Prophecy. He’s scary because he talks, and it’s not just his voice but his words which are seductive; they ebb and flow as he sits there, fiddling with a rose… and then you realise what he’s saying, and suddenly he’s a thing worth fearing…

He should be seductive, in his own way – it’s what he does best, isn’t it? It’s why those pitchfork-wielding dragon-types they were so fond of in medieval art always look so strange to us. The idea of devil-as-serpent we can understand – there’s something compelling about the way a snake moves, isn’t there? – but none of us could imagine being taken in by a gargoyle.

The Devil stands for evil, after all (just look at those two words… Coincidence? Nah.) and how many of us could ever see ourselves as being deliberately evil? Not many. We use words like “seduced” and “corrupted” when we talk about people going to the dark side. To believe that anyone could simply wake up one day and decide to be truly bad, to become any of our modern definitions of evil is unthinkable – not to mention very frightening indeed – and this is where the “Father of Lies” comes in.

And that’s precisely where a writer’s headache starts.

Every writer’s Devil differs. Of course they do: just like every writer differs, and everything they’re scared of differs. There’s a good chance you’ll find an overlap (how can you not with a character like this?), but there will always be something fresh – even if it’s just the pieces of a jigsaw arranged in a new pattern; the whole being re-lit to cast unfamiliar shadows.

I imprisoned my Lucifer in a block of ice at the heart of hell… but then if you do that, doesn’t it rather take him out of the game? It depends how smart you think he is – and I wouldn’t bet against his being able to think his way around that one. If he were stupid, he wouldn’t be nearly so much trouble, would he?

MorganL-Blood&Feathers-RebellionGoing back to medieval paintings of devils and demons, it’s not unusual to see them being pulled out of peoples’ mouths, because this was a time when possession was not only feared, it was absolutely believed in. And what could be more frightening than speaking to someone you know and realising that they aren’t themselves? What could be more seductive than hearing half-truths – carefully phrased and selected to do the maximum damage possible – from the lips of someone you think you know…?

What if his mind could wander at will? What if he could hop into your head, your mother’s, your wife’s, your brother’s, your child’s? What if he could settle down like a toad in a mind that isn’t his, spitting out words that didn’t come from there and planting thoughts that don’t belong?

What’s his deal, anyway? What’s his agenda? Is he angry? Vengeful? Spiteful? Petty? Sadistic? Is he flat-out monstrous or just misunderstood? Just the same as any character, he needs his motivations and his pressure-points; it’s just that his tend to be bigger, scarier and more nerve-wracking than others.

And after all that: the knowing he’s smarter than you and more vicious than you (which is why he’s locked up, after all: he’s officially A Bad Dude) with nothing to lose and everything to gain, you’re left with one very alarming question.

What will he do to get what he wants?

Answer that, and you’ve got a Devil of your own.


Author Bio:

Lou Morgan lives in the south west of England with her family. She studied medieval literature at university and loves cathedrals and pizza (but probably not together). Her short stories have appeared in anthologies from Solaris Books, PS Publishing and Jurassic. Her first novel, Blood and Feathers has been shortlisted for the 2013 British Fantasy Awards in both the best newcomer and best fantasy novel categories. She spends far too much time on Twitter.


This post should really be read while listening to this song…