Chuck Klosterman and Steven Hyden are great guides to the worlds of rock and metal music, and their respective (and oft-overlapping) fandoms. In the two books covered in this feature, they examine the bands that meant the most to them, how their music fandom shaped their youths, and also the changes in the industry and soundscapes of the years that forged their tastes. Klosterman’s book is more connected to his own biography, while Hyden’s takes a more in-depth, long-view examination of what makes some rock music “classic”, and how the genre’s mythology has become ever more contentious and troubling. Both authors are passionate music fans and eloquently opinionated. As a result, they are also great guides to rock and metal music. If you have any interest in rock and metal music, then I would certainly recommend these two books. Continue reading
Bruce Springsteen’s telecaster, Slash’s Les Paul, Kurt Cobain’s stratocaster, Angus Young’s SG… These were the guitars that exemplified rock music for me when I was younger. The story of rock goes hand-in-hand with these two guitar manufacturers, while there are other heavy-hitters in the industry, none have the same cache as these two. (Gibson is my personal favourite.) In January 2019, Scribner are due to publish The Birth of Loud, Ian S. Port‘s history of the two men who created these brands. I’m really looking forward to reading this. Here’s the synopsis:
A riveting saga in the history of rock ‘n’ roll: the decades-long rivalry between the two men who innovated the electric guitar’s amplified sound — Leo Fender and Les Paul — and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built.
In the years after World War II, music was evolving from big-band jazz into the primordial elements of rock ’n’ roll — and these louder styles demanded revolutionary instruments. When Leo Fender’s tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an “axe” that would make Fender’s Esquire look cheap and convinced Les Paul — whose endorsement Leo Fender had sought — to put his name on it. Thus was born the guitar world’s most heated rivalry: Gibson versus Fender, Les versus Leo.
While Fender was a quiet, half-blind, self-taught radio repairman from rural Orange County, Paul was a brilliant but egomaniacal pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s — including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton — adopted one maker’s guitar or another. By the time Jimi Hendrix played “The Star-Spangled Banner” at Woodstock in 1969 on his Fender Stratocaster, it was clear that electric instruments — Fender or Gibson — had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable.
Back in June 2018, the Washington Post published a story about “The death of the electric guitar”, which I would also highly recommend.
Later this year (August), Sony Pictures will release the film adaptation of Meg Wolitzer’s The Wife. Directed by Björn Runge, screenplay by Jane Anderson, and starring Glenn Close, Christian Slater and Jonathan Pryce, it looks interesting.
A provocative story about the evolution of a marriage, the nature of partnership, the question of a male or female sensibility, and the place for an ambitious woman in a man’s world.
The moment Joan Castleman decides to leave her husband, they are thirty-five thousand feet above the ocean on a flight to Helsinki. Joan’s husband, Joseph, is one of America’s preeminent novelists, about to receive a prestigious international award, and Joan, who has spent forty years subjugating her own literary talents to fan the flames of his career, has finally decided to stop. From this gripping opening, Meg Wolitzer flashes back to 1950s Smith College and Greenwich Village and follows the course of the marriage that has brought the couple to this breaking point — one that results in a shocking revelation.
With her skillful storytelling and pitch-perfect observations, Wolitzer has crafted a wise and candid look at the choices all men and women make — in marriage, work, and life.
Let’s start with an introduction: Who is Tyrell Johnson?
Well, my Twitter bio says I’m a father, husband, writer, editor, and donkey trainer. So at least a few of those things MUST be true.
Your new novel, The Wolves of Winter, will be published by HQ this month. It looks rather fabulous: How would you introduce it to a potential reader? Is it part of a series?
It’s a post-apocalyptic thriller about a young woman surviving in the Yukon wilderness with her family. When she encounters a strange man in the wilderness, his dark past calls her to a role she never imagined. I’d love to announce that it’s part of a series, but since nothing is “in the books” yet, I don’t want to jump the gun. Continue reading
In March of next year, Jennifer Lawrence will star in Red Sparrow, the movie based on Jason Matthew‘s first Dominika Egorova series. The movie is directed by Francis Lawrence (no relation to the star, but also worked with her on Hunger Games: Catching Fire and Mockingjay I & II), and the screenplay is by Justin Haythe. Joel Edgerton and Mary-Louise Parker also star.
Here’s the book’s synopsis:
State intelligence officer Dominika Egorova struggles to survive in the cast-iron bureaucracy of post-Soviet intelligence. Drafted against her will to become a “Sparrow,” a trained seductress in the service, Dominika is assigned to operate against Nathaniel Nash, a first-tour CIA officer who handles the CIA’s most sensitive penetration of Russian intelligence. The two young intelligence officers, trained in their respective spy schools, collide in a charged atmosphere of tradecraft, deception, and, inevitably, a forbidden spiral of carnal attraction that threatens their careers and the security of America’s most valuable mole in Moscow. Seeking revenge against her soulless masters, Dominika begins a fateful double life, recruited by the CIA to ferret out a high-level traitor in Washington; hunt down a Russian illegal buried deep in the US military and, against all odds, to return to Moscow as the new-generation penetration of Putin’s intelligence service. Dominika and Nathaniel’s impossible love affair and twisted spy game come to a deadly conclusion in the shocking climax of this electrifying, up-to-the minute spy thriller.
Red Sparrow is published by Scribner (North America) and Simon & Schuster (UK). At the time of writing, it is also on sale for Kindle in the US and UK. The second novel in the series, The Palace of Treason (US/UK), is also available. The third novel, The Kremlin’s Candidate, is due out in February 2018.
Featuring: David Annandale, Jo Baker, Mishell Baker, David Baldacci, Elizabeth Bonesteel, Pierce Brown, Christopher Charles, Jessica Chiarella, Dan Cluchey, Max Allan Collins, John Connolly, Don DeLillo, S.B. Divya, Rachel Dunne, Mark Andrew Ferguson, Hadley Freeman, S.L. Grey, Lauren Groff, A.J. Hartley, Noah Hawley, Katie Heaney, Patrick Hemstreet, Mitchell Hogan, Lee Kelly, Shane Kuhn, Joe R. Lansdale, John Lansdale, Tim Lebbon, David Levien, Brian McClellan, Claire North, Willow Palecek, K.J. Parker, Bryony Pearce, Victor Pelevin, Molly Prentiss, Andy Remic, William Shatner, Mickey Spillane, Jo Spurrier, Allen Steele, Stuart Stevens, Alex Stewart, Jack Sutherland, Adrian Tchaikovsky, Marc Turner, Simon Kurt Unsworth, Teddy Wayne
Featuring: Judy Blume, Nick Brown, Jack Campbell, Lincoln Child, Ernest Cline, Nathan Garrison, Mat Johnson, Stephen King, Jessica Knoll, Douglas Lain, Mark Lawrence, Aidan Levy, Jason Matthews, Naomi Novik, Matthew Palmer, Ron Perlman, Alexandra Petri, Loren Rhoads, Christopher Robinson, Neal Stephenson, Corey Taylor Continue reading