I’m not sure when I had the idea of writing a fantasy novel, though I first acted on it in 1977 after reading Terry Brooks’ The Sword of Shannara. My inspiration came from the sketchy map in the book and I decided to create my own realistic fantasy world, though worldbuilding soon became an obsession. I was supposed to be writing my doctoral thesis in marine science but I redrew my fantasy maps in greater and greater detail until they were the size of house doors. I had created the Three Worlds.
In 1979, on a train above the Arctic Circle in Finland, I wrote the first snatches of a story, including a scene that I later used – Faelamor’s dramatic defeat of Mendark in the abandoned city of Havissard. Then it stopped for nearly a decade. What with finishing my thesis, taking a demanding job that involved a lot of travel, children, and renovating a decrepit Victorian house in Sydney, there wasn’t time for writing.
But I had to write, and in September 1987 I began A Shadow on the Glass with a dramatic event – Karan, compelled by Maigraith, breaking into Yggur’s fortress of Fiz Gorgo to steal the Mirror of Aachan, a corrupt magical artifact that contained a deadly secret. I wrote three pages a day I’d have a first draft done by Christmas. Continue reading
Let’s start with an introduction: Who is Emmi Itäranta?
Let’s start with an introduction: Who is Kij Johnson?
It’s an odd occupation, this writing business. You sit alone in a room and make up stuff, and if you’re lucky, you find that someone else likes it, has faith in it, and is willing to put it out in the world for you. If you are even luckier, you make a little money out of the process and find that it becomes a job – a career, even.
A must-read collection of essays
If you have any interest in Gaiman’s thought-processes when it comes to art, creativity, books, popular culture, specific works… Then you will undoubtedly find something fascinating in The View From The Cheap Seats. It’s a substantial collection of essays and speech transcripts. There is some overlap between certain pieces, which I thought was interesting — giving us some insight into those authors and books that most influenced Gaiman, and also the issues that have been most important to him at certain points during his career.
Just stumbled across this in Tor’s new catalogue: a stand-alone novel set in Brian Staveley‘s Chronicles of the Unhewn Throne universe! Skullsworn is due to be published in the US by
Let’s start with an introduction: Who is Ed Lazellari?
Welcome to a world of wind and bone, songs and silence, betrayal and courage.
We humans encounter the world through a very limited set of senses, compared to much of the animal kingdom. Our visual acuity is good but our ability to see colours is crippled by nocturnal ancestors. Birds, reptiles and many grounds of invertebrates see far more bands in the rainbow (if there was a mantis shrimp pride march their flags would be incredible). Our hearing and smell are the shame of Mammalia. What to us is a satisfactory baseline would make dogs cringe with embarassment.
An indispensable, but by no means exhaustive collection