First up, I’m a planner: The Sunsurge Quartet is mapped out from start to finish, before I start writing Book One. That includes the Prologues, which I’m using (along with mid-book ‘Interludes’) to introduce the backstory and current status of the villain who’s going to feature most in the next part of the story. They give the reader a chance to see inside the enemy’s heads, and set the agenda for the coming chapters.
In this series, the main villains are part of a cabal trying to tear down human society, and they use theatre masks to disguise their true selves. I was inspired in this by Venetian carnival masques, of which I have a bit of a collection after going mad in a Venice mask shop. I invented my own mask designs and a backstory for them, using the concept of a tradition of morality tales that theatre troupes adlib on stage, every show unique. These can be high art or low farce, always with the same eight characters and central theme – a romance between Ironhelm (the sturdy knight) and Heartface (the innocent maid). Their love is aided or thwarted by the other six characters: the meddling Beak, the prankster Jest, the duplicitous Twoface, the lucky Felix, the nemesis-like Angelstar and the sorrowful Tear. The tale is narrated by a narrator known as the Puppeteer. Continue reading
In a couple of months, Gollancz are due to publish Smoke in the Glass by Chris Humphreys, “a thrilling new dark fantasy series about immortality, war and survival.” It is the first novel in the Immortal’s Blood series, and the most recent fantasy novel from Humphreys, who has also written a number of
I knew I shouldn’t have gone to that bar. There I was, sitting on a stool staring down a shot of Southern Comfort, when in he walked – a weary-looking gumshoe wearing a crumpled fedora and tattered leather coat.
I spotted this cover last night on
Two short Age of Sigmar outings for Gotrek Gurnisson, my favourite dwarf…
I first learned about this novel this morning, when I spotted some Tweets from various Gollancz peeps announcing that ARCs had come in. I’m not sure how I managed to miss it entirely before today, but it sounds fantastic. Alexander Dan Vilhjámsson‘s Shadows of the Short Day is set in “a strangely familiar alternate Reykjavik where wild and industrialised magic meet”, and is pitched as “perfect for fans of… Lev Grossman’s The Magicians or China Miéville’s The City & The City“. Colour me most definitely intrigued.
Welcome back to CR! It’s been quite some time since we last interviewed you (2011!), so let’s start with an introduction for new readers: Who is Howard Andrew Jones?
Welcome back to CR! It’s been a little while, so let’s start with an introduction for newer readers: Who is Evie Manieri?
Let’s start with an introduction: Who is George Mann?
Today, we have an excerpt from