Quick Reviews: ORDER TO KILL and ENEMY OF THE STATE by Kyle Mills (Atria/Emily Bestler)


The latest two novels featuring Mitch Rapp, the CIA super-spy and assassin created by Vince Flynn. I’ve read all of the books in the series, and it remains one of my favourites. These are Mills’s second and third instalments, following The Survivor (which he finished following Flynn’s passing). Both novels show the author becoming ever-more comfortable with the character, developing him, his colleagues, and returning antagonists brilliantly. The series is in very safe hands. I really enjoyed both of these novels.

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Quick Review: THE SURVIVOR by Vince Flynn & Kyle Mills (Atria/Simon & Schuster)

Flynn&Mills-MR12-SurvivorUSThe 14th Mitch Rapp novel, Flynn’s last

When Joe “Rick” Rickman, a former golden boy of the CIA, steals a massive amount of the Agency’s most classified documents in an elaborately masterminded betrayal of his country, CIA director Irene Kennedy has no choice but to send her most dangerous weapon after him: elite covert operative Mitch Rapp.

Rapp quickly dispatches the traitor, but Rickman proves to be a deadly threat to America even from beyond the grave. Eliminating Rickman didn’t solve all of the CIA’s problems — in fact, mysterious tip-offs are appearing all over the world, linking to the potentially devastating data that Rickman managed to store somewhere only he knew.

It’s a deadly race to the finish as both the Pakistanis and the Americans search desperately for Rickman’s accomplices, and for the confidential documents they are slowly leaking to the world. To save his country from being held hostage to a country set on becoming the world’s newest nuclear superpower, Mitch Rapp must outrun, outthink, and outgun his deadliest enemies yet.

Vince Flynn passed away after beginning this novel. His estate and publisher asked Kyle Mills, another fantastic thriller author, to step in and finish the book. I’ve read all of Flynn’s novels, and I’m happy to report that Mills has done a great job of continuing the series. Continue reading

Excerpt: THE VANISHING YEAR by Kate Moretti (Titan)

morettik-vanishingyearAs part of the blog tour celebrating the release of Kate Moretti‘s The Vanishing Year, Titan Books has given us a short excerpt from the new thriller. First, though, here’s the synopsis:

Zoe Whittaker appears to have a charmed life. Newly married to a rich and attentive man, she has the best of everything.

But five years ago, Zoe’s life was in danger. Because back then, Zoe wasn’t Zoe at all.

When an attempt is made on her life, Zoe fears that her past has caught up with her. But who can she ask for help when even her own husband doesn’t know her real name?

Zoe must decide who she can trust before she — whoever she is — vanishes completely…

And now, on to the excerpt… Continue reading

Upcoming: THE BOOK OF MIRRORS by E.O. Chirovici (Century/Atria)


I am really looking forward to this novel. Already sold in 38 territories, UK-based Romanian author E.O. Chirovici‘s first novel in English, The Book of Mirrors, sounds great. You can read a short piece about it from the Guardian here. Here’s the synopsis:

When big-shot literary agent Peter Katz receives an unfinished manuscript entitled The Book of Mirrors, he is intrigued. 

The author, Richard Flynn is writing a memoir about his time at Princeton in the late 80s, documenting his relationship with the famous Professor Joseph Wieder. 

One night in 1987, Wieder was brutally murdered in his home and the case was never solved. 

Peter Katz is hell-bent on getting to the bottom of what happened that night twenty-five years ago and is convinced the full manuscript will reveal who committed the violent crime.

But other people’s recollections are dangerous weapons to play with, and this might be one memory that is best kept buried.

Unfortunately, we have quite some time to wait before we’ll be able to get our mitts on the book: The Book of Mirrors is due to be published on January 26th, 2017 in the UK by Century; and in February 2017 in North America, by Atria Books. Well, given that it’s September already, I suppose it’s not that far away. It just feels like it…

Quick Review: THE HATCHING by Ezekiel Boone (Atria/Gollancz)

BooneE-HatchingUSA fast-paced, gripping thriller

Deep in the jungle of Peru, a black, skittering mass devours an American tourist party whole. FBI agent Mike Rich investigates a fatal plane crash in Minneapolis and makes a gruesome discovery. Unusual seismic patterns register in a Indian earthquake lab, confounding the scientists there. The Chinese government “accidentally” drops a nuclear bomb in an isolated region of its own country. The first female president of the United States is summoned to an emergency briefing. And all of these events are connected.

As panic begins to sweep the globe, a mysterious package from South America arrives at Melanie Guyer’s Washington laboratory. The unusual egg inside begins to crack. Something is spreading…

The world is on the brink of an apocalyptic disaster. An virulent ancient species, long dormant, is now very much awake. But this is only the beginning of our end…

There has been a lot of hype surrounding this novel, and I think most of it is justified. It’s an entertaining, fast-paced and gripping thriller about the end of the world. Unlike many novels in this genre, though, it is not zombies or vampires or some disease that is killing swathes of the global population. Rather, it is spiders. Lots and lots and lots of spiders… Continue reading

New Books (January)


Featuring: André Alexis, Jennifer Armstrong, Rob Boffard, Ezekiel Boone, Algis Budrys, Matthew de Abaitua, Patrick Flanery, Ian Graham, Elizabeth Greenwood, Sarah Hilary, Joe Hill, Gregg Hurwitz, Davide Mana, Samuel Marolla, Vonda N. McIntyre, A.D. Miller, Tim Murphy, Daniel José Older, Chris Pavone, Aidan Donnelley Rowley, Adrian Selby, Nick Stone, Patrick S. Tomlinson, Fran Wilde


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Interview with JAMES TREADWELL


James Treadwell is the author of Advent and Anarchy, two novels that seem to have taken the UK (and perhaps the US?) by storm. In advance of my belated reading of the novels, Hodder were kind enough to hook me up with an interview with James. Read on!

Let’s start with an introduction: Who is James Treadwell?

I think he’s that tall confused-looking bloke in the back row, the one who needs a haircut. He also appears to have bad shoes.

Treadwell-AnarchyAnarchy, the sequel to Advent, was recently published by Hodder. How would you introduce the series and novel to a potential reader?

I’m very bad at these “elevator pitches” … I suppose one way I might do it is by asking someone if they’ve ever wondered what it would be like – what it would really, really be like – if something impossible happened to them.

But if I was trying to give a more general thumbnail description of the books, I’d probably say that they’re about the return of magic to the world. To our world, that is, the real world we live in; the one in which we all know there isn’t actually any magic.

What inspired you to write the novels? And where do you draw your inspiration from in general?

Advent is based on something that’s been in my thoughts for years and years, long before I ever thought there’d be a time when I could try making a book out of it. As far as I can remember it started with an image of a boy walking alone in a wood and meeting something inexplicable on the way. Why that particular image felt like it had a story in it I don’t know, but apparently it did.

Treadwell-AdventIt often seems to start with a small thing like that: a scene, or a particular character, or an event, which somehow feels like it has extra weight. But I don’t really know where stories come from. Philip Pullman once compared it to fishing from a small boat on a big lake. You just sit there, and – if you’re lucky – something eventually grabs the hook, down in that enormous and entirely invisible space beneath you. You can’t make it happen, though. All you can do is concentrate and be patient.

How were you introduced to genre fiction?

Good question. I wish I could remember. One of the very first things I remember reading – some kind of school reading book, I’d have been six or seven years old – must have been a version of the Nibelungenlied, because I remember the name Kriemhild, and a vague but powerful sense of being excited by dragons and heroes and strange quests. I definitely remember being addicted to a lovely paperback retelling of the Norse myths, a few years later, and I loved Narnia as soon as I discovered it. I can’t remember a time when I wouldn’t have chosen those kind of stories over any other. I’ve always wanted to be enchanted, I suppose.

How do you enjoy being a writer and working within the publishing industry? Do you have any specific working, writing, researching practices?

I love being a writer, for all sorts of reasons. The publishing industry is an entirely different matter. Not in a bad way – I have a wonderful agent and editor, and whenever I go into my publishers’ office I’m astonished (and delighted) by how cheerful they all seem to be. But I know nothing at all about the whole business of printing, marketing and selling books. I do writing: anything beyond that is up to someone else.

Everyone has work habits, don’t they? What can I think of that might be a little unusual? I write using pen and paper, which probably counts as a quirk. I always leave the house. I treat first drafts as raw material rather than anything approximating a final product.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

I suppose I’ve always liked the idea of trying to tell stories, but the prospect of actually being an author never seemed realistic until a quite unexpected combination of circumstances came about when I was in my mid-thirties.

I did write a sort of sprawling second-hand fantasy epic in my teens. It was inexcusably terrible last time I looked, so much so that I haven’t dared look again for a very long time. But I do have happy memories of the process itself: staying up late(-ish) in my bedroom, letting the imagination work and ignoring everything else.

What’s your opinion of the genre today, and where do you see your work fitting into it?

By “the genre” we mean fantasy, yes? That’s a big and interesting question.

I’m intrigued by the prevailing unseriousness of fantasy these days. A lot of the best work has a kind of knowing, sardonic cool in it somewhere, as if it’s written by a generation hugely influenced by Douglas Adams. I’m thinking of someone like Terry Pratchett, whose version of fantasy is openly satirical. But I’m also thinking of someone like Joe Abercrombie, where you have fairly conventional fantasy material, but treated in a highly ironic manner (like with the title of The Heroes). Even with Neil Gaiman – who I think is an authentic genius, one of the best writers alive – there’s a shimmer of witty brilliance over everything, a sort of dark sparkle. You see much less of the gentle earnest solemnity of Tolkien or Le Guin, these days. Another way of putting it: think about the difference between Frodo Baggins and Tyrion Lannister as fantasy protagonists. Or, think of how much more wisecracking and cheeky Dr. Who has become.


Part of the reason this intrigues me is that I’m pretty sure my own writing entirely lacks this quality. But I don’t really want to talk about where I fit or don’t fit into a genre: that’s for others to discuss, if they want to. Besides, thinking about my work in relation to Gaiman’s or Le Guin’s is just going to make me sad.

What other projects are you working on, and what do you have currently in the pipeline?

I know what I’m going to do once the Advent trilogy is finished (which will be in a few months). It’s a project that has come about in an utterly extraordinary way, so extraordinary that I really can’t say very much about it. Sorry.

What are you reading at the moment (fiction, non-fiction)?

I’ve just finished Gossip From the Forest, Sara Maitland’s book about fairy tales, which is wonderful. I’m working my way through M John Harrison’s LightNova SwingEmpty Space trilogy, also very remarkable. I particularly like the fact that it features suburbs and streets and train stations from my patch of West London. I’ll never look at the roundabout in Mortlake quite the same way.


What’s something readers might be surprised to learn about you?

I’m too chicken to read H.P. Lovecraft. It’s true. He gives me nightmares. Quite a few people have told me that my books are rather “dark”, but I’m a total literary coward. I can’t handle any sort of horror.

What are you most looking forward to in the next twelve months?

Probably watching the Winter Olympics on the BBC. Biathlon! Curling! It would be different if it was all the time, but when it’s once every four years you have to grab the opportunity with both fists. Carpe curling, as Horace might have said.


James Treadwell’s Advent series is published by Atria in the US (artwork below). Advent and Anarchy are available now. Here’s the synopsis for Advent (from Goodreads):

“A drowning, a magician’s curse, and a centuries-old secret.”

1537. A man hurries through city streets in a gathering snowstorm, clutching a box in one hand. He is Johann Faust, the greatest magician of his age. The box he carries contains a mirror safeguarding a portion of his soul and a small ring containing all the magic in the world. Together, they comprise something unimaginably dangerous.

London, the present day. Fifteen-year-old Gavin Stokes is boarding a train to the countryside to live with his aunt. His school and his parents can’t cope with him and the things he sees, things they tell him don’t really exist. At Pendurra, Gavin finds people who are like him, who see things too. They all make the same strange claim: magic exists, it’s leaking back into our world, and it’s bringing something terrible with it.

First in an astonishingly imaginative fantasy trilogy, Advent describes how magic was lost to humanity, and how a fifteen-year-old boy discovers that its return is his inheritance. It begins in a world recognizably our own, and ends an extraordinarily long way from where it started – somewhere much bigger, stranger, and richer.


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