Recent Acquisitions (January)

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I’ve been very slow about reading and reviewing. Partly, this is because I was busy over the Christmas and New Year period, but also because I kept coming across novels that I ended up not being able to finish. Nevertheless, books have been dribbling in over the weeks, and I wanted to shine a light on the ones that have arrived, in advance of any reviews. I shall resist my usual urge to write “I’ll be reading this soon”, as I always seem to break this promise to myself…

So, keeping it simple, here are the novels’ covers and synopses. Where I have some initial pre-reading thoughts, I’ve shared them, but because there are so many, I’ve decided to keep my mutterings to a minimum.

ClinesP-4-ExPurgatoryUKPeter Clines, Ex-Purgatory (Del Rey UK)

George Bailey is an ordinary guy, working the nine to five as a handyman and trying to make the best of the little he’s got. But when he sleeps, he dreams of fire and flying, of zombies and superheroes.

When the two realities start to merge, George begins to question if he’s gone mad. That, or something has gone terribly wrong…

Hmm… I really didn’t get much from the first in the series, so I can’t imagine I’ll be getting around to the fourth book any time soon. Crazier things have happened, of course, but nobody should hold their breath.

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Cole-BreachZone-ProofMyke Cole, Breach Zone (Headline)

The Great Reawakening did not come quietly. Across the country and in every nation, people began “coming up Latent,” developing terrifying powers — summoning storms, raising the dead, and setting everything they touch ablaze. Those who Manifest must choose: become a sheepdog who protects the flock or a wolf who devours it…

In the wake of a bloody battle at Forward Operating Base Frontier and a scandalous presidential impeachment, Lieutenant Colonel Jan Thorsson, call sign “Harlequin,” becomes a national hero and a pariah to the military that is the only family he’s ever known.

In the fight for Latent equality, Oscar Britton is positioned to lead a rebellion in exile, but a powerful rival beats him to the punch: Scylla, a walking weapon who will stop at nothing to end the human-sanctioned apartheid against her kind.

When Scylla’s inhuman forces invade New York City, the Supernatural Operations Corps are the only soldiers equipped to prevent a massacre. In order to redeem himself with the military, Harlequin will be forced to face off with this havoc-wreaking woman from his past, warped by her power into something evil…

I’ve actually finished this already. I will have a review up relatively soon. It was good, certainly, but I also had a couple of slightly strange take-aways.

Also on CR: Interview with Myke Cole, Guest Post (Influences & Inspirations), Reviews of Control Point and Fortress Frontier

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deCastellS-GC1-TraitorsBladeSebastien de Castell, Traitor’s Blade (Jo Fletcher Books)

Falcio is the first Cantor of the Greatcoats. Trained in the fighting arts and the laws of Tristia, the Greatcoats are travelling Magisters upholding King’s Law. They are heroes. Or at least they were, until they stood aside while the Dukes took the kingdom, and impaled their King’s head on a spike.

Now Tristia is on the verge of collapse and the barbarians are sniffing at the borders. The Dukes bring chaos to the land, while the Greatcoats are scattered far and wide, reviled as traitors, their legendary coats in tatters.

All they have left are the promises they made to King Paelis, to carry out one final mission. But if they have any hope of fulfilling the King’s dream, the divided Greatcoats must reunite, or they will also have to stand aside as they watch their world burn…

Reading this at the moment (about 60% in, now) and really enjoying it. More to come.

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FordR-SH2-ShatteredCrownRichard Ford, The Shattered Crown (Headline)

Heroes must rise…

The King is dead. His daughter, untested and alone, now wears the Steel Crown. And a vast horde is steadily carving a bloody road south, hell-bent on razing Steelhaven to the ground… or the city will fall.

Before the city faces the terror that approaches, it must crush the danger already lurking within its walls. But will the cost of victory be as devastating as that of defeat?

Another fantasy series that kicked off last year that I’ve not been able to get around to reading. It sounds pretty good, though, and a number of people seem to have taken to it rather well.

Also on CR: Interview with Richard Ford

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Harris&Golden-CemeteryGirl1-PretendersCharlaine Harris & Christopher Golden, Cemetery Girl: The Pretenders (Jo Fletcher Books)

She calls herself Calexa Rose Dunhill — names taken from the grim surroundings where she awoke, bruised and bloody, with no memory of who she is, how she got there, or who left her for dead.

She has made the cemetery her home, living in a crypt and avoiding human contact. But Calexa can’t hide from the dead — and because she can see spirits, they can’t hide from her.

Then one night, Calexa spies a group of teenagers vandalizing a grave — and watches in horror as they commit murder. As the victim’s spirit rises from her body, it flows into Calexa, overwhelming her mind with visions and memories not her own.

Now Calexa must make a decision: continue to hide to protect herself — or come forward to bring justice to the sad spirit who has reached out to her for help…

Another book I’ve already finished reading. It’s the first in a trilogy, and it does have a definite First Part feel to it, but it is still a strong story, well-visualised.

Also on CR: Interview with Christopher Golden

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HarrisonASA-TheSilentWifeUKPBA.S.A. Harrison, The Silent Wife (Headline)

Todd Gilbert and Jodie Brett are in a bad place in their relationship. They’ve been together for twenty-eight years, and with no children to worry about there has been little to disrupt their affluent Chicago lifestyle. But there has also been little to hold it together, and beneath the surface lie ever-widening cracks. HE is a committed cheater. SHE lives and breathes denial. HE exists in dual worlds. SHE likes to settle scores. HE decides to play for keeps. SHE has nothing left to lose. When it becomes clear that their precarious world could disintegrate at any moment, Jodie knows she stands to lose everything. It’s only now she will discover just how much she’s truly capable of…

Read and reviewed this already. Disappointed.

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HughesA-ConvictionsOfJohnDelahuntAndrew Hughes, The Convictions of John Delahunt (Transworld)

On a cold December morning, a small boy is enticed away from his mother and his throat savagely cut. This could be just one more small, sad death in a city riven by poverty, inequality and political unrest, but this killing causes a public outcry. For it appears the culprit – a feckless student named John Delahunt – is also an informant and in the pay of the authorities at Dublin Castle. And strangely, this young man seems neither to regret what he did nor fear his punishment. Indeed, as he awaits the hangman in his cell in Kilmainham Gaol, John Delahunt decides to tell his story in this, his final, deeply unsettling statement…

Set amidst Dublin’s taverns, tenements, courtrooms and alleyways and with a rich, Dickensian cast of characters – carousing students, unscrupulous lowlifes, dissectionists, phrenologists, blackmailers and the sinister agents of Dublin Castle – The Convictions of John Delahunt is based on true events that convulsed Victorian Ireland.

Beautifully observed, seductive and laced with dark humour, this gripping historical thriller about a man who betrays his family, his friends and, ultimately, himself marks the debut of an exciting and assured new literary voice.

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KatsuA-I3-DescentUKAlma Katsu, The Descent (Arrow)

Lanore McIlvrae has been on the run from Adair for hundreds of years, dismayed by his mysterious powers and afraid of his temper. She betrayed Adair’s trust and imprisoned him behind a stone wall to save Jonathan, the love of her life. When Adair was freed 200 years later, she was sure that he would find her and make her existence a living hell. But things turned out far different than she’d imagined.

Four years later, Lanore has tracked Adair to his mystical island home, where he has been living in self-imposed exile, to ask for a favor. She wants Adair to send her to the hereafter so she may beg the Queen of the Underworld to release Jonathan, whom she has been keeping as her consort. Will Lanore honor her promise to Adair to return? Or is her intention to reunite with Jonathan at any cost?

Of all the forces of the universe, the most mysterious, confounding, and humbling is the power of love. The epic story of love and loss, magic and destiny that began with The Taker and sparked a chase around the world in The Reckoning comes to a surprising conclusion with The Descent.

Also on CR: Interview with Alma Katsu

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Kent-DQ4-ThePeoplesWillJasper Kent, The People’s Will (Bantam)

Turkmenistan 1881: Beneath the citadel of Geok Tepe sits a prisoner. He hasn’t moved from his chair for two years, hasn’t felt the sun on his face in more than fifty, but he is thankful for that. The city is besieged by Russian troops and soon falls. But one Russian officer has his own reason to be here. Colonel Otrepyev marches into the underground gaol. But for the prisoner it does not mean freedom, simply a new gaoler; an old friend, now an enemy. They return to Russia to meet an older enemy still.

In Saint Petersburg, the great vampire Zmyeevich waits as he has always waited. He knows he will never wield power over Tsar Aleksandr II, but the tsarevich will be a different matter. When Otrepyev delivers the prisoner into his hands, Zmyeevich will have everything he needs. Then all that need happen is for the tsar to die.

But it is not only the Otrepyev and his captive who have returned from Geok Tepe. Another soldier has followed them, one who cares nothing for the fate of the tsar, nor for Zmyeevich, nor for Otrepyev. He has only one thing on his mind revenge. And it’s not just Zmyeevich who seeks the death of the tsar.

Aleksandr’s faltering steps towards liberty have only made the people hungry for more, and for some the final liberty will come only with the death of the dictator. They have tried and failed before, but the tsar’s luck must desert him one day. Soon he will fall victim to a group that has vowed to bring the Romanov dynasty to a violent end – a group that calls itself The People’s Will.

This is the fourth in a series I’ve wanted to read in so very long (the Danilov Quintet). I couldn’t tell you why I haven’t got around to it, yet. I have the first novel on my Kindle, too, so I really have no excuse.

Also on CR: Jasper Kent Guest Post on Influences & Inspirations

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LeGuinUK-LeftHandOfDarkness1992Ursula le Guin, The Left Hand of Darkness (Orbit)

A groundbreaking work of science fiction, The Left Hand of Darkness tells the story of a lone human emissary to Winter, an alien world whose inhabitants can change their gender. His goal is to facilitate Winter’s inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the completely dissimilar culture that he encounters. Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual science fiction.

This was sent to me as part of the Hodderscape review project. I have been remiss to not read it already. I will force myself to bump it up the TBR mountain, though, and hopefully catch up. (I’ve wanted to read this for years, so I don’t know why I didn’t get my arse in gear and seize the opportunity ASAP.)

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LeonardA-MothAndSparkAnne Leonard, Moth and Spark (Headline)

He’s cursed with an impossible task. She’s blessed with magical visions.

Together they can save a divided Empire.

Prince Corin has been given the task of freeing the dragons from their bondage to the Empire. However, it seems that that not even the dragonriders themselves know how these terrifying beasts are kept under control.

When Tam, a doctor’s daughter, arrives in the capital she makes an amazing discovery: she is a Seer, gifted with visions.

Sparks fly when Corin and Tam meet … but it’s not all happily ever after. Not only is the prince forbidden to marry a commoner, but war is coming to Caithen. Torn between love and duty, they must work together to uncover the secret that threatens to destroy their country.

I really want to read this. It’s been described as “Princess Bride meets Game of Thrones … with a dash of Pride and Prejudice”. Which is certainly an intriguing mixture. The text in the ARC is rather tiny, though, it could take a while and a magnifying glass to read…

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PatrickS-ReviverUKPBSeth Patrick, Reviver (Macmillan)

Revivers. Able to wake the recently dead, and let them bear witness to their own demise. Twelve years after the first reviver came to light, they have become accepted by an uneasy public. The testimony of the dead is permitted in courtrooms across the world. Forensic revival is a routine part of police investigation. In the United States, that responsibility falls to the Forensic Revival Service. Despite his troubled past, Jonah Miller is one of their best. But while reviving the victim of a brutal murder, he encounters a terrifying presence. Something is watching. Waiting. His superiors tell him it was only in his mind, a product of stress. Jonah is not so certain. Then Daniel Harker, the first journalist to bring revival to public attention, is murdered, and Jonah finds himself getting dragged into the hunt for answers. Working with Harker’s daughter Annabel, he becomes determined to find those responsible and bring them to justice. Soon they uncover long-hidden truths that call into doubt everything Jonah stands for, and reveal a threat that if not stopped in time, will put all of humanity in danger…

Should have got around to this sooner. No idea why I haven’t. I will! I must! It sounds so cool…

Also on CR: Interview with Seth Patrick

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StevensT-InformationistUKTaylor Stevens, The Informationist (Arrow)

Vanessa Munroe deals in information – covert information. With an extraordinary intellect, a physique that allows her to pass as either male or female, and ruthless martial arts skills, she offers a unique service to anyone – government or individual – who’ll pay her.

Now a Texas oil billionaire has hired her to find his daughter, who vanished in Africa four years earlier. Where international investigators have tried and failed, Munroe follows a cold trail far into the lawless lands of central Africa.

And then things spin out of control.

Pulled deep into the mystery of the missing girl, Munroe finds herself cut off from civilisation and left for dead. Her only hope of discovering the truth – and of getting out of Africa alive – is to face up to the violent past that she’s fought so hard to forget.

I have an interview coming up with Taylor Stevens. Hopefully up next week. Watch this space…

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Jo Walton, Farthing, Ha’Penny and Half A Crown (Corsair)

WaltonJ-SmallChangeTrilogy2014

First published in 2006, Jo Walton’s Farthing was hailed as a masterpiece, a darkly romantic thriller set in an alternate postwar England sliding into fascism.

Eight years after they overthrew Churchill and led Britain into a separate peace with Hitler, the upper-crust families of the “Farthing set” are gathered for a weekend retreat. Among them is estranged Farthing scion Lucy Kahn, who can’t understand why her and her husband David’s presence was so forcefully requested. Then the country-house idyll is interrupted when the eminent Sir James Thirkie is found murdered—with a yellow Star of David pinned to his chest.

Lucy begins to realize that her Jewish husband is about to be framed for the crime—an outcome that would be convenient for altogether too many of the various political machinations underway in Parliament in the coming week. But whoever’s behind the murder, and the frame-up, didn’t reckon on the principal investigator from Scotland Yard being a man with very private reasons for sympathizing with outcasts and underdogs—and prone to look beyond the obvious as a result.

As the trap slowly shuts on Lucy and David, they begin to see a way out—a way fraught with peril in a darkening world.

Alyssa blitzed through these in just under four days. That’s a pretty good endorsement to me… Expect me to read at least Farthing soon (it’s at the top of my TBR mountain, so…).

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WaltonJ-WhatMakesThisBookSoGreatJo Walton, What Makes This Book So Great? (Corsair)

As any reader of Jo Walton’s Among Others might guess, Walton is both an inveterate reader of SF and fantasy, and a chronic re-reader of books. In 2008, then-new science-fiction mega-site Tor.com asked Walton to blog regularly about her re-reading — about all kinds of older fantasy and SF, ranging from acknowledged classics, to guilty pleasures, to forgotten oddities and gems. These posts have consistently been among the most popular features of Tor.com. Now this volumes presents a selection of the best of them, ranging from short essays to long reassessments of some of the field’s most ambitious series.

Among Walton’s many subjects here are the Zones of Thought novels of Vernor Vinge; the question of what genre readers mean by “mainstream”; the underappreciated SF adventures of C. J. Cherryh; the field’s many approaches to time travel; the masterful science fiction of Samuel R. Delany; Salman Rushdie’s Midnight’s Children; the early Hainish novels of Ursula K. Le Guin; and a Robert A. Heinlein novel you have most certainly never read.

Over 130 essays in all, What Makes This Book So Great is an immensely readable, engaging collection of provocative, opinionated thoughts about past and present-day fantasy and science fiction, from one of our best writers.

I don’t like reading reviews of books I want to read. So how does one review a book of reviews and essays on books you want to read? This is a pickle I am going to be presented with, when I start this…

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Wells-SW-RazorsEdgeMartha Wells, Razor’s Edge (Century)

Times are desperate for the Rebel Alliance. Harassment by the Empire and a shortage of vital supplies are hindering completion of a new secret base on the ice planet Hoth. So when Mid Rim merchants offer much-needed materials for sale, Princess Leia Organa and Han Solo lead an Alliance delegation to negotiate a deal.

But when treachery forces the rebel ship to flee into territory controlled by pirates, Leia makes a shocking discovery: the fierce marauders come from Leia’s homeworld of Alderaan, recently destroyed by the Death Star. These refugees have turned to pillaging and plundering to survive — and they are in debt to a pirate armada, which will gladly ransom the princess to the vengeful Empire… if they find out her true identity.

Struggling with intense feelings of guilt, loyalty, and betrayal, Leia is determined to help her wayward kinspeople, even as Imperial forces are closing in on her own crippled ship. Trapped between lethal cutthroats and brutal oppressors, Leia and Han, along with Luke, Chewbacca, and a battle-ready crew, must defy death — or embrace it — to keep the rebellion alive.

It’s been too long since I last read a Star Wars novel. I started to feel Nine Book Story-Arc Fatigue, but given that this is set in the classic movie-era… It could fix my franchise funk. We’ll see.

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WolfD-InterceptUKDick Wolf, The Intercept (Sphere)

The first novel from the creator of Law & Order and the first in a series featuring NYPD Special Agent Jeremy Fisk.

Four days before the dedication of the new Freedom Tower at ground zero in New York City, five passengers and a flight attendant bravely foil the hijacking of a commercial jet en route to the city. Thrust into the national spotlight, “The Six” become instant celebrities, hailed for their bravery. But iconoclastic New York Police investigator Jeremy Fisk believes there’s more to this than a simple open-and-shut terrorism case. Fisk – from the department’s Intelligence Division – suspects that in reality this is an early warning signal that another potentially more devastating attack is imminent.

Fisk and his team spring into action, but as each promising new lead fizzles to nothing they realise that their opponents are smarter and more dangerous than anyone they’ve faced before. The seemingly invisible enemy is able to exploit every security weakness, anticipating Fisk’s every move. And time is running out until ground zero day…

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Zahn-Scoundrels(SW)Timothy Zahn, Scoundrels (Arrow)

To make his biggest score, Han’s ready to take even bigger risks.

But even he can’t do this job solo.

Han Solo should be basking in his moment of glory. After all, the cocky smuggler and captain of the Millennium Falcon just played a key role in the daring raid that destroyed the Death Star and landed the first serious blow to the Empire in its war against the Rebel Alliance. But after losing the reward his heroics earned him, Han’s got nothing to celebrate. Especially since he’s deep in debt to the ruthless crime lord Jabba the Hutt. There’s a bounty on Han’s head – and if he can’t cough up the credits, he’ll surely pay with his hide. The only thing that can save him is a king’s ransom. Or maybe a gangster’s fortune? That’s what a mysterious stranger is offering in exchange for Han’s less-than-legal help with a riskier-than-usual caper. The payoff will be more than enough for Han to settle up with Jabba – and ensure he never has to haggle with the Hutts again.

All he has to do is infiltrate the ultra-fortified stronghold of a Black Sun crime syndicate underboss and crack the galaxy’s most notoriously impregnable safe. It sounds like a job for miracle workers… or madmen. So Han assembles a gallery of rogues who are a little of both – including his indispensable sidekick Chewbacca and the cunning Lando Calrissian. If anyone can dodge, deceive, and defeat heavily armed thugs, killer droids, and Imperial agents alike – and pull off the heist of the century – it’s Solo’s scoundrels. But will their crime really pay, or will it cost them the ultimate price?

Really want to read this, and soon. Zahn wrote some of my favourite early Star Wars novels, and I enjoyed the prequel short story for this tale. Hopefully soon.

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Which of these catches your eye?

Loki is Everywhere…

Loki seems to be popping up in ever-more places. This is no doubt thanks, in part, to the huge success of Marvel’s Avengers and two Thor movies, and the popularity of Tom Hiddleston’s excellent portrayal of the Norse trickster god. (And Hiddleston did a fantastic job.)

Loki-AgentOfAsgard-01A

Cover by Jenny Frison

Marvel is capitalising on the character’s popularity by releasing a new comic series with the character at centre-stage: LOKI: AGENT OF ASGARD. The series will be written by Al Ewing, with art duties handled by Lee Garbett. Here’s what Marvel has said (thus far) about the series:

“LOKI is back and craftier than ever as the All-Mother’s secret weapon against Asgardia’s strangest threats. With his serpent’s tongue, debonair charm, and taste for the uncanny, there’s no assignment Loki won’t take — including the untimely stabbing of THOR! The surprises only start here for the Prince of Lies, as the most conniving corners of the Marvel Universe are blown open…”

Loki-AgentOfAsgard-01B&C

Variant Cover by Frank Cho; Animal Variant by Mike Del Mundo

Meanwhile, Boom Studios has recently announced LOKI: RAGNAROK AND ROLL, their own comic book starring the trickster deity. According to the press release, the series is “a heavy metal twist on Norse mythology” and shows “what happens when you take the classic Norse god Loki and throw him into a rock and roll band in the underground goth clubs of Los Angeles”. This, to me, sounds pretty fun… The series is written by Eric Esquivel and art will be provided by Jerry Gaylord (who has also worked on the rather fun Fanboys vs. Zombies). Here are the two covers for Loki: Ragnarok and Roll #1:

Loki-Ragnarok&Roll-01

Loki: Ragnarok and Roll #1 Alexis Ziritt and Jerry Gaylord Variants

Here’s a little more information about the series:

Loki steps out of the shadow cast by his thunderous brother as Norse mythology crosses over with the only thing on Earth as wild and crazy — rock and roll!

What happens when Odin banishes Loki to Earth? He finds a world of outcasts that appreciate his style! While his kin sharpen their weapons, he picks up an electric guitar.

Keeping with the Norse mythology theme, Esquivel also penned Thor: The Unkillable Thunder Christ, which I may now have to hunt down…

And, last but by no means least, we have the highly-anticipated THE GOSPEL OF LOKI novel written by Joanne M. Harris. True, this novel is removed from the Marvel Comics universe, but Gollancz/Orion still couldn’t resist adding the following text to the book’s page on their website:

“For fans of THE AVENGERS, this is the first adult epic fantasy novel from the multi-million-copy bestselling author of CHOCOLAT, Joanne Harris.”

Hmm… A little shameless, methinks. Here is the novel’s synopsis:

With his notorious reputation for trickery and deception, and an ability to cause as many problems as he solves, Loki is a Norse god like no other. Demon-born, he is viewed with deepest suspicion by his fellow gods who will never accept him as one of their own and for this he vows to take his revenge.

But while Loki is planning the downfall of Asgard and the humiliation of his tormentors, greater powers are conspiring against the gods and a battle is brewing that will change the fate of the Worlds.

From his recruitment by Odin from the realm of Chaos, through his years as the go-to man of Asgard, to his fall from grace in the build-up to Ragnarok, this is the unofficial history of the world’s ultimate trickster.

And here’s that beautiful cover again…

HarrisJM-GospelOfLoki

Guest Post: “How Did I Come To Write ‘What Makes This Book So Great?’” by Jo Walton

WaltonJ-WhatMakesThisBookSoGreatJo Walton is a prolific writer and reviewer of speculative fiction and more. One of her newest titles is a collection of essays, adapted from her work for Tor.com, What Makes This Book So Great? Here, Walton addresses how the book came about.

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The answer to the question “How did I come to write this book?” is that I didn’t. I never wrote it. I wrote a series of blog posts for Tor.com – hundreds and hundreds of them. In all of them I was burbling about books and the way people read. My brief on the blog is to say interesting things about books nobody else has thought about for ages. I read very fast, and I do re-read a lot. I read new things too, but I also enjoy re-reading – and the first thing I ever wrote for Tor.com was the first essay in the book about why I like to re-read. So I re-read old favourites and shared my enthusiasm about them, and along the way I examined some questions about what happens when you re-read a book and don’t enjoy it any more, and the question of why people love reading series. It was exciting to be able to draw people’s attention to books I love that seem neglected or under-rated, like Karl Schroeder’s Lady of Mazes and Terri Windling’s The Wood Wife. I had a lot of fun writing the posts and starting conversations.

WaltonJ-Schroeder&Windling

But all this was blogging, not writing a book. I didn’t think of the posts as the kind of thing that could be published in book form until Patrick Nielsen Hayden suggested that they could be. He and Teresa Nielsen Hayden came up to Montreal for a weekend and the three of us sat down together with a huge pile of printout of all my posts to select a representative and interesting sample to make into a book. We made a lot of selection decisions and also decided to keep the posts chronological, instead of organizing them by some other principle. Doing that selection was hard work but also a lot of fun. So I feel as if I wrote the posts and then assembled the book, but not that I really wrote the book, certainly not in the way I write fiction.

This isn’t a book of reviews – reviews are immediate reactions to new books, and by the nature of things a reviewer is going to feel negative about some of what they’re given to review. These are not first thoughts on books but second thoughts, thoughts after reflection. But I’ve also been a little disconcerted at people referring to it as a book of criticism. I don’t feel as if it’s that at all. Criticism is the kind of thing Gary Wolfe and Farah Mendlesohn and John Clute do – you have to be trained to do criticism. There are people writing wonderful SF criticism these days. It’s part of an academic conversation. This book is much more part of a fannish conversation. My qualification for writing these posts isn’t that I write fiction, it’s that I love reading. I’m not considering things objectively. I haven’t read secondary literature. This is a book of my thoughts about books. It’s  saying “This thing, this thing is interesting and important and this is why I love it – and you might love it too!”

Most of the books discussed are SF and fantasy, because I love SF and fantasy, and because that’s the main focus of Tor.com. But I read widely, and so though there are occasional pieces about other things, George Eliot and Dorothy Sayers and so on, but always with a genre sensibility. And despite what it says on the cover, they’re not all classics by any means. This isn’t an attempt at a history of genre fiction or a survey of the highlights or anything of that kind. It is what it says in the title – me explaining what, in my opinion, makes them so great.

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What Makes This Books So Great is published today by Corsair Books in the UK. Here’s what Patrick Neilsen Hayden, a senior editor at Tor Books, had to say about the volume’s content, in the announcement on Tor.com:

Included are discussions of books by authors ranging from Vernor Vinge, Robert A. Heinlein, and Jerry Pournelle, to Ursula K. Le Guin, Connie Willis, and Susanna Clarke. Several long series get examined in strings of essays; in particular, Jo re-reads and discusses all of Lois McMaster Bujold’s “Miles Vorkosigan” novels, and all of Steven Brust’s “Vlad Taltos” books, in long multi-part considerations. There are examinations of books you’ve never heard of; there’s at least one essay about a book I’d never heard of. There are insightful and (sometimes) irreverent looks at established classics… and several sharp looks at why and how certain works of the sort that George Orwell called “first-rate second-rate books”… are sometimes exactly what we want to re-read. Taken together, the 130 essays in What Makes This Book So Great are a wonderful immersion in the mind of Jo Walton and a fantastic set of insights into what makes SF and fantasy tick.

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In related news, Jo Walton’s Small Change trilogy – FARTHING, HA’PENNY, and HALF A CROWN – are to be re-issued in paperback by Corsair in February 2014. Expect reviews of them in the not-too-distant future here on Civilian Reader. In the meantime, here are the synopsis for book one and three new covers…

Eight years after they overthrew Churchill and led Britain into a separate peace with Hitler, the upper-crust families of the “Farthing set” are gathered for a weekend retreat. Among them is estranged Farthing scion Lucy Kahn, who can’t understand why her and her husband David’s presence was so forcefully requested. Then the country-house idyll is interrupted when the eminent Sir James Thirkie is found murdered – with a yellow Star of David pinned to his chest.

Lucy begins to realize that her Jewish husband is about to be framed for the crime – an outcome that would be convenient for altogether too many of the various political machinations underway in Parliament in the coming week. But whoever’s behind the murder, and the frame-up, didn’t reckon on the principal investigator from Scotland Yard being a man with very private reasons for sympathizing with outcasts and underdogs – and prone to look beyond the obvious as a result.

As the trap slowly shuts on Lucy and David, they begin to see a way out – a way fraught with peril in a darkening world.

All three novels are already available as eBooks (and Farthing is at a real bargain-price on Amazon, at the time of writing).

WaltonJ-SmallChangeTrilogy2014

Upcoming in 2014 from Gollancz

I kind of dropped the ball with my Gift Guides at the end of 2013. I would apologise, but that’s the beauty of running your own blog: you don’t answer to anyone. Nevertheless, there are still plenty of novels coming up in the first few months of 2014 that deserve some advance warning/notice, and I intend to share with you cover art and synopses (and anything else that might be of interest) as and when I can. Today, I highlight just a few of the novels coming up from Gollancz, that bastion of SFF quality and excellence.

HarrisJM-GospelOfLokiJoanne M. Harris, The Gospel of Loki

With his notorious reputation for trickery and deception, and an ability to cause as many problems as he solves, Loki is a Norse god like no other. Demon-born, he is viewed with deepest suspicion by his fellow gods who will never accept him as one of their own and for this he vows to take his revenge.

But while Loki is planning the downfall of Asgard and the humiliation of his tormentors, greater powers are conspiring against the gods and a battle is brewing that will change the fate of the Worlds.

From his recruitment by Odin from the realm of Chaos, through his years as the go-to man of Asgard, to his fall from grace in the build-up to Ragnarok, this is the unofficial history of the world’s ultimate trickster.

I shared this on Tumblr earlier today, but damn I love that cover, and I love the premise. In fact, I love it so much, that I also have another post coming up later this month that includes the cover again. I love Norse Mythology, and I have a feeling that Harris is going to do the source material proud and do something wonderful with it. Easily one of my most highly-anticipated novels of 2014.

Can. Not. Wait. Due to be published in February 2014.

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JacobsJH-TheIncorruptiblesJohn Hornor Jacobs, The Incorruptibles

In the contested and unexplored territories at the edge of the Empire, a boat is making its laborious way upstream. Riding along the banks are the mercenaries hired to protect it – from raiders, bandits and, most of all, the stretchers, elf-like natives who kill any intruders into their territory. The mercenaries know this is dangerous, deadly work. But it is what they do.

In the boat the drunk governor of the territories and his sons and daughters make merry. They believe that their status makes them untouchable. They are wrong. And with them is a mysterious, beautiful young woman, who is the key to peace between warring nations and survival for the Empire. When a callow mercenary saves the life of the Governor on an ill-fated hunting party, the two groups are thrown together.

For Fisk and Shoe – two tough, honourable mercenaries surrounded by corruption, who know they can always and only rely on each other – their young companion appears to be playing with fire. The nobles have the power, and crossing them is always risky. And although love is a wonderful thing, sometimes the best decision is to walk away. Because no matter how untouchable or deadly you may be, the stretchers have other plans.

Heard about this a little while ago, and I believe Mark Lawrence (Prince of Thorns) mentioned that he really enjoyed it. This is due to be published in June 2014.

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PatrickD-BoyWithThePorcelainBladeDen Patrick, The Boy With the Porcelain Blade

A world of betrayals and deceit. A hero alone. A delicate sword. A thrilling new fantasy from an exciting new voice.

An ornate yet dark fantasy, with echoes of Mervyn Peake, Robin Hobb and Jon Courtenay Grimwood. An original and beautifully imagined world, populated by unforgettable characters.

Lucien de Fontein has grown up different. One of the mysterious and misshapen Orfano who appear around the Kingdom of Landfall, he is a talented fighter yet constantly lonely, tormented by his deformity, and well aware that he is a mere pawn in a political game. Ruled by an insane King and the venomous Majordomo, it is a world where corruption and decay are deeply rooted – but to a degree Lucien never dreams possible when he first discovers the plight of the ‘insane’ women kept in the haunting Sanatoria.

Told in a continuous narrative interspersed with flashbacks we see Lucien grow up under the care of his tutors. We watch him forced through rigorous Testings, and fall in love, set against his yearning to discover where he comes from, and how his fate is tied to that of every one of the deformed Orfano in the Kingdom, and of the eerie Sanatoria itself.

That’s a really nice cover. Aside from that, it also sounds like a really interesting novel. I’ve met Den, and he was a very nice fellow. His Elf/Orc/Dwarf war manuals were quite fun, and it’ll be interesting to see what his fiction is like. I have high hopes for this. Due to be published in March 2014.

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These are three of the novels I most want to have read and on my shelves by the end of the year. There are, of course, more titles coming from Gollancz that I have my eye on, but these are just the ones I chose to highlight today. More to come over the year.

An Interview with JOHN MEANEY

MeaneyJ-R3-Resonance

John Meaney is the author of the now-complete Ragnarok science fiction trilogy and more. His latest novel, Resonance, was published in December 2013, and I thought this would be a perfect time to get in touch and ask him about his work, the trilogy, and more…

Let’s start with an introduction: Who is John Meaney?

Just some weird bloke, you know?

A little grey-haired geezer who might surprise you by dropping into box splits at fifty-six years of age. Runs up mountains and lifts big, rusty weights. Pounds the crap out of heavy punch bags. Survived over forty years of martial arts training, despite or because of starting out as a podgy, asthmatic couch potato. Didn’t feel he’d accomplished anything until twenty-five years after starting, when he left the elite shotokan dojo of the late Enoeda sensei (as the least of the students) and realised what he’d been through.

As a young guy he dropped out of his original physics degree in his final year, due entirely to a philosophical crisis, and wrote unpublished fiction before getting his head together. He passed up the chance of finishing the degree and took a programming course instead, leading to his first computing job. At the same time, he studied all the higher-level physics and computer science modules that the Open University offered and gained his degree with the OU. Recognised as a physics graduate by the Institute of Physics, he later gained an MSc (with distinction) in Software Engineering at Oxford University. Despite being a working-class boy raised in Slough, he thinks that Oxford rocks.

He worked for three IT departments in the South East during the 1980s, was a senior consultant for a Very Large Software House during the 90s, and worked for an IT training company before becoming a freelance trainer and consultant, so that he could manage his time for writing books. Bizarrely, his most interesting computing assignments came after selling his first novel, and involved frequent travel to the US and Europe, and a couple of trips to Asia.

He lives in Wales, laughs a lot, and hardly ever takes himself seriously.

MeaneyJ-R3-Resonance

I thought we’d start with your fiction: Your latest novel, Resonance, was recently published by Gollancz. It’s the third in your Ragnarok series – what can fans of the series expect from this final book? How would you convince a new reader to check out the series?

In the first book’s prologue, you meet resurrected humans in crystal bodies, waking up on the Moon and staring up at space. One of the stars in Orion’s belt has changed colour, which means that a million years have passed since the humans lived their original lives. And the mysterious Kenna, their leader, makes it clear that the final battle, Ragnarok, is imminent.

After the first two books, readers know that a darkness has subtly influenced selected individuals across millennia of human history, starting in what we now call the Viking Age, and significantly during the twentieth and twenty-seventh centuries. And they’ll know that the darkness commenced its voyage from the far side of a cosmic void that’s one hundred and fifty million lightyears across, and has been heading for our galactic centre for at least that number of years.

MeaneyJ-Ragnarok1&2

They’ll also have been following the intricate links between the various timelines, both overt and covert, obvious and subtle. If the readers are astute, they’ll have paid particular attention to surnames, since a passing character in one timeline may be the ancestor or descendant of someone they know from another century.

What I’ve promised is Ragnarok, or Ragnaroekkr, as a galaxy-spanning battle that follows on from the previous machinations. And with luck I’ve delivered, with billions of resurrected humans following the nine leaders whom you may (or may not) expect. (One of the subtleties is that everything comes in threes and nines, primarily nines, matching Old Norse memes, including their cosmology.)

To the new reader, the good news is that you don’t have to wait for the ending! Try the books if you like multiple-timeline stories: there’s a 27th century timeline that forms the spine, comprising every second chapter, set in the Pilots future that features in four of my other novels. Cities where quickglass buildings alter their shape, including room furnishings, at will. A city-world in the golden fractal continuum that underlies this universe. Political intrigue within and across the universes.

The 20th century timeline features a Jewish physicist whom you first meet as a student in 1920s Zurich, before she escapes Europe to work in Bletchley Park and later for its intelligence-community descendant, one of the few who can perceive the darkness. Her conflicted Russian counterpart is an agent of that same darkness.

Among the Norse, a young warrior originally called Ulfr will also face the darkness, and in many ways become the enemy, while his actual enemy Stigr, the one-eyed poet, is his darkness-controlled nemesis. In total there are five important timelines running through the trilogy, with some others added painlessly as we go along .

And everything links together. I made it happen.

To the long-term reader, here’s something which appears to make folk smile: the Ragnarok trilogy spans a far greater period than my Nulapeiron trilogy, whose mere 1400-year duration is buried deep within the Ragnarok timeframe. In Resonance, the final Ragnarok book, some of the key chapters take place on Nulapeiron…

I haven’t just linked a tangle of timelines together in one trilogy. I’ve linked every single short story and novel that I’ve ever written in the Pilots universe, that’s twenty years of my life, all coming together in Resonance. And in a way that also works, so I’m told, for someone who’s not read any of that other stuff.

Spacetime is big. We are thin ghosts in a universe whose greatest density of stuff consists of something whose properties we don’t know and which we cannot see, hence dark matter and dark energy. For dark read invisible. And this is the universe we really, really live in.

My goal has been to write an exciting story that hints at the cosmic context which is all around us, all the time.

MeaneyJ-NulapeironTrilogy

What inspired you to write this series? And where do you draw your inspiration from in general?

The general mental process involves a foreground/background duality. Fragmented visual images of particular scenes come to me, and set up a tension against a more abstract visualisation of – typically – weird but real physics.

For the latter, I mean concepts like the absence of timeflow, of past-present-future, from any of the equations that are considered fundamental. Time appears as a geometric dimension, not something with flow. And photons can travel a billion lightyears in a vacuum, can be created and destroyed with a lifetime that is literally zero in duration. Or they can be slowed down passing through a medium, and begin (after perhaps a billion lightyear journey that was instantaneous) to experience time.

This is John’s brain on physics…

More normally, one of the particular human images that came to me was Ulfr, a young Viking, walking into a village to see one of his friends tied to a post while the other villagers throw axes at him. I know where that came from.

ColumP-NordicGods&HeroesWhen young, I read poet Padraic Colum’s Norse tales for children. A decade later, I read more deeply, and was struck by a particular paradox: gay Vikings (not a term you meet every day: stereotypes are insidious) were often punished in exactly that manner – tied to a post and used as a target for axes – while Loki and Odin were themselves practitioners of dark magic, called seithr, being shape-shifters and gender-changers. The Trickster and the All-Father both belonged to the dark side, at least partly, unlike Thor and his mates.

I use different spellings for the mythological names in the books, incidentally, partly because I got all geeky about Old Norse, partly to distinguish what I was writing from, let’s face it, the Marvel universe. (I’m not knocking Marvel. When I turned my beard into a goatee a few years back, I went round saying: “The truth is… I am Iron Man.” My extended family know I’m strange.)

Likewise, scenes from Gavriela Wolf’s student life in 1920s Zurich just popped into my head, but I can work out where they came from. Once, on one of several week-long business trips to Zurich, I wandered around inside the ETH, the university where Einstein studied and taught, at night when everything was deserted. (Because I could.) And in that mental landscape appeared distorted images of things that happened during my own student days in Birmingham.

Then of course there are the images with no obvious roots: humans of living crystal awakening on biers; Pilots flying through a golden universe with physically fractal dimensions; the glorious image of Labyrinth, the infinitely complex city-world I can scarcely imagine: depicting my mental image in detail would have been impossible, but it was mind-blowing.

Welcome to John’s brain on physics and fiction…

The trick is to be able to place all of reality subtly out of focus, any place, any time.

If you want to be weird, that is.

How were you introduced to genre fiction?

When I was five and eligible to join the local library (in north-west London), my mum took me to sign up and take home my first books, including the story of a young boy who hid behind some wooden crates before sneaking on board a rocket to the moon.

And hats off to television… It’s a huge time waster for adults with unfulfilled dreams, but Supercar and Fireball XL5 and Torchy the Battery Boy laid down some of the basic circuits in my brain. I was six when Dr. Who first aired, and boy do I remember it. I read my first Marvel comics at the same time: for me, the Golden Age of Comics is, well, six.

Two years later I was reading Robert Heinlein and Andre Norton, and my fate was sealed.

MeaneyJ-IntroToGenre

How do you enjoy being a writer and working within the publishing industry? Do you have any specific working, writing, researching practices?

Let me put it this way. I would never encourage anyone to become a writer. But if someone absolutely has to become a writer, then – provided they’re polite and honourable – I’ll do whatever I can to help. (Although, let’s face it, the best help is simply an instruction to knuckle down, write every day, read as much as you can, and live your life.)

As a profession, writing sucks. In fact it barely passes the definition of a profession, not when the average annual earnings for writing come to four thousand quid. Why do writers even bother to produce books for publishers? Oh, only because we have to. There’s a devil riding our backs, didn’t you know?

I could have earned an awful lot more by making different career choices at many stages, starting long before I got published, and staying full-time within the computer industry. One of many examples: when I received news of my first ever book deal, in 1996, it was via fax to my hotel room at Worldcon in Los Angeles. During that same trip, a computer industry contact offered me a job in San Francisco. But I had a book to finish…

On the other hand, consider the pop-psychological advice on how to spend money on yourself. Given a choice of a material item (which you’ll soon take for granted) or an experience, always choose the experience. It stays with you forever, and the joy can be fresh every time you remember.

No computing job could compare with the triumph of selling my first book.

As for working practices, I realised a long time ago that I needed to be able to trigger the right mental state at will. I wrote my first two novels on a busy commuter train, working long days for Europe’s largest software house, and training at one of the toughest dojos in the world. Cue music…

I write to movie soundtracks, particularly Hans Zimmer’s work, just as Anne McCaffrey used to. It was a strategy that worked for her, and when I tried it, it turned out to be perfect for me as well.

I also use a colour scheme (normally on a dedicated machine) that looks radically different from anything you’d see if I were performing any other task on a computer. My dedicated writing machine is permanently disconnected from all networks.

By preference, I write first thing in the morning, before any other major tasks.

Research-wise, I don’t do anything radical. For deep background on the next book, I read a dozen or fifteen books in one field I didn’t know, a couple of years ago while still in the middle of the Ragnarok trilogy. But that interest spins partly from a foreign trip made decades ago: hands-on stuff. When it comes to cities on Earth in anything like the present day, I use locations I know, at least in passing. Travel is a wonderful thing.

For Ragnarok, I did no directed research in advance. Rather, it came from my existing long term interests, from the Norse mythology to the Bletchley Park codebreaking and the dark-matter physics. While the trilogy was in progress though, I did have to dive in deeply, reading dozens of books, many obscure, as the bibliographies at the end of the books indicate.

It’s hard work. It’s supposed to be.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

OLYMPUS DIGITAL CAMERA         Aged eleven, and for three years afterwards, I found that my English teachers would accept short stories in lieu of essays for homework assignments, and I can remember some of them still. One featured a meditation on infinite reflections in a barber-shop mirror, foreshadowing my interest in recursion, meta statements and paradoxes. Another, supposed to be an essay entitled “The Salad Bowl”, turned into an assassination thriller set in a botanical garden. They were the beginning.

The year after that, a different English teacher poured scorn on the idea of submitting science fiction instead of essays. Her discouragement might have been as important as the earlier encouragement. Sod her, in other words.

The realisation that I wanted to write professionally occurred while I was a physics undergraduate. That was painful, because when you write for publication it begins with rejection. Fifteen years later, of course, that becomes sheer joy, when publication happens.

In my case that was a short story called “Spring Rain”, published in 1992 in Interzone, then edited by David Pringle. That man started the career of a huge percentage of British writers. And we are very, very grateful.

What’s your opinion of the genre today, and where do you see your work fitting into it?

The genre… Ask most people whether they like science fiction, and their answer will be based on Dr. Who or Star Trek, or a movie based on a game. Elements of written SF bleed out into the greater cultural awareness, but the process is subliminal. From the outside, the genre is misunderstood, as it always has been.

I don’t think this matters. When John le Carré was asked about the changes made to his story for the Tinker, Tailor movie, he pointed out that most people don’t read. Insisting on some kind of purity is irrelevant.

As for judging the state of the genre as We True Readers perceive it… I’m too aware of the books I haven’t read, the authors whose works I’m unfamiliar with, to form a judgement or want to. I will say that it’s a mature genre, which offers different challenges to writers compared to something new.

By that I mean, once there were the Three Big Names in our field. Now, no one could occupy a similar position. No space opera will ever have the impact of Foundation. Not unless someone breaks new ground to the extent that the genre itself is reborn.

As for my own work, that is seriously for other people to judge. I know that I’ve written each book to the best of my ability at that time. That’s all I can do. And of course, reading a book is a deeply personal experience, just like the writing.

Meaning and significance are decided subjectively and individually.

What other projects are you working on, and what do you have currently in the pipeline?

All I can say about the next book is that there will be one.

For most writers, and probably most people engaged on projects of great personal significance, public discussion of goals is the wrong way to go, while the optimum approach is to keep everything locked up in a mental pressure cooker. Keep pressurised until done.

That’s only a generalisation: Charlie Stross can discuss details of a new project in detail with his friends (it’s an honour to hear them), and people who know Larry Niven say that he’s the same. It works for them, clearly.

If I were writing more science fiction, which is going pretty well for me, I’d feel no need to be mysterious or guarded… but in fact I’m jumping to a totally new genre.

I’ve nailed the first draft of something very new, having previously thrown away a 65,000-word prototype. I’m taking it seriously.

Really seriously.

For a sedentary occupation, writing can feel a lot like a white-knuckle ride.

What are you reading at the moment (fiction, non-fiction)?

I’ve just finished reading the latest George Pelecanos thriller, immediately preceded by the latest C.J. Box. In the past month I’ve ripped through a lot of fiction, including Somerset Maugham’s Ashenden, two Harlan Cobens, an early Robert B. Parker for the umpteenth time, and Stephen King’s Doctor Sleep. At other times my fiction reading drops right off, but not for long.

MeaneyJ-ReadingFiction

Non-fiction-wise, I’m currently reading Brian Clegg’s Dice World, Alfred Ayers’s Language, Truth and Logic, and Nick Lane’s excellent Life Ascending. Plus some heavy-duty computer science stuff, because I can.

MeaneyJ-ReadingNonFic

What’s something readers might be surprised to learn about you?

I was Stephen King.

More precisely, I once spent several hours being Stephen King.

To add some extra precision: when I was learning advanced hypnosis from Paul McKenna, I used a technique called Deep Trance Identification… with trusted hypnotists around me. It’s method acting taken to its extreme, because it involves deep, deep trance, to the extent that your facial features and voice alter totally, as you become convinced you’re someone else.

The purpose is to gain insight into an individual’s talent. It’s also a controlled form of deliberate, temporary psychosis. I went so deep, I think I freaked out one of Paul’s assistants. But it was very interesting…

Afterwards, I had to leave the course venue and sit in a lonely graveyard for two hours to recover my own identity. If I ever did.

I should add that I’m a clean-living, teetotal vegetarian – the most mind-altering substance I would ever imbibe is coffee. I’m one hundred percent a rationalist (and hypnosis is a straightforward neurological phenomenon – a trance state is obvious when measured with even the crudest EEG – and mainstream medicine, used every month by the NHS for surgical patients who are allergic to anaesthesia).

But shhh… Don’t tell Mr. King. He’s got a phobia of therapists and hypnotists, though I can’t imagine why. What’s the worst that could happen? It’s not as if someone could, like, enter a strange trance and steal his soul. Surely he couldn’t believe that?

Ha, ha, ha…

What are you most looking forward to in the next twelve months?

Wouldn’t it be nice if “world peace” were a realistic answer?

Within SF fandom, I’m enormously honoured to be Guest of Honour at two conventions: Confetti in Gothenburg, Sweden – having been a guest at Fantastika in wonderful Stockholm last year – and the British national convention (Eastercon) in Glasgow, both happening in April.

In my fifth decade of martial arts training, I have fitness goals that are important to achieve this year, but the real joy is simply the continuing hard work of running, lifting weights, bodyweight exercises, bag work, solo drills and sparring with my equally mad mates. I look forward to every single training session, six a week at least.

In computer science, I’m looking forward to teaching another in an annual series of graduate training programmes that I enjoy immensely. A total blast.

And, oh man, the writing… Finishing the new book and finding out what happens next.

I can’t wait.

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Resonance is out now, published in the UK by Gollancz.

Guest Post: “Influences & Inspirations” by Robert Bailey

Robert Bailey is the author of THE PROFESSOR, a legal thriller to be published by Exhibit A Books late January 2014.

BaileyR-TheProfessor-2014I was born from a family of storytellers and teachers. My mother taught English and reading, and my grandmother, a math teacher, was never without a book to read. My father, though a builder by trade, can still hold a room captive with his stories and jokes, and, as a little boy, I was always on the edge of my chair when he would rasp on about Coach Paul “Bear” Bryant and the legends that played football for the Crimson Tide.

As far as writers, John Steinbeck was a major early influence. As a kid, I loved his shorter novels, The Red Pony and The Pearl. As a high school sophomore, we studied The Grapes of Wrath, and Tom Joad remains one of my favorite characters in all of literature. As a southerner and an Alabamian that grew up to be a lawyer, To Kill a Mockingbird holds a special place. I think every lawyer wants to grow up to be Atticus Finch, and the story just had everything. It was thrilling, historical, funny and tragic. Just a remarkable achievement.

Later in high school and early college, I became enraptured with John Grisham, and loved Jack Brigance in A Time to Kill and Mitch McDeere in The Firm. I think it was these Grisham stories that really made me want to give writing a shot. Other writers that have been great influences are Greg Iles (I love the Penn Cage series starting with The Quiet Game), Michael Connelly (It doesn’t get much better than the Harry Bosch series), John Sandford, Lee Child, Winston Groom, Stephen King, Dean Koontz and Mark Childress.

When I decided I wanted to write The Professor, I picked up Stephen King’s memoir, On Writing, and have probably read it at least three times. Not only is it entertaining, but King’s insights on the writing process are insightful and inspiring. I would recommend it for any aspiring writer.

Finally, my time at the University of Alabama School of Law in Tuscaloosa certainly influenced The Professor. In fact, the idea for the story was hatched while day dreaming in class and wondering whether my professors could still try a case after years in the classroom.

“Shovel Ready” by Adam Sternbergh (Headline)

SternberghA-ShovelReadyThe start to an interesting new dystopian series…

“I don’t want to know your reasons. I don’t care. Think of me as a bullet. Just point.”

Spademan used to be a garbage man. That was before the dirty bomb hit Times Square, before his wife was killed, before New York became a burnt-out shell. Now the wealthy spend their days tapped into virtual reality; the rest have to fend for themselves in the streets. Now there’s nothing but garbage.

So he became a hit man. He doesn’t ask questions, he works quickly, and he’s handy with a box-cutter.

When he’s hired to kill the daughter of a high-profile evangelist, Spademan’s life is upended. He will have to navigate two worlds – both the slick fantasy and the wasteland reality – to finish the job, clear his conscience, and make sure he’s not the one who winds up in the ground.

In the final few months of 2013, there was quite a bit of buzz around the genre sites related to this book. It has received a slew of great blurbs from respected and excellent authors. It was with great anticipation, therefore, that I dove into it when I received an ARC (quite a while ago, so I’ve been sitting on this review for some time). I enjoyed the novel, and Sternbergh offers up a rather convincing dystopian future, but one that at the same time felt slightly half-baked. The author has written a tightly-plotted novel that is certainly immediate and gripping. It left me wanting more, but not always in a good way.

Right off the bat, I should mention that this is another novel that dispenses with “proper” punctuation – specifically, there are no speech marks to indicate dialogue. This seems to be a style that is becoming popular again – before this, my latest read to take this path was Lavie Tidhar’s excellent The Violent Century. Unlike Tidhar’s latest offering, however, the lack of “normal” dialogue punctuation was confusing more often than I would like: the lack of differentiation between characters speaking would sometimes clash or merge less-than-seamlessly with Spademan’s internal monologue.

The main character, Spademan, is a “different kind of psycho”. He is quietly sociopathic, a product of an uncaring and dehumanizing New York city. Devastated by a dirty bomb, New Yorkers have either fled the city wholesale, barricaded themselves into their homes, or retreated to the outer boroughs. Wealthy and not alike have also retreated to a new, online reality – something akin to a steroidal, higher-tech Second Life – where ‘normal’ life can continue. This is where the bulk of international trade takes place, and the world of financial transactions in particular has retreated from the real world entirely, it seems. Interestingly, and related to the story contained herein, mega-churches have gleefully adopted the new technology as well. [That is all I shall say on that matter…]

The story moves at a breakneck pace, and we’re introduced to a number of interesting and varied, as well as believable, characters from a number of New York neighbourhoods and walks of life. His target and new job turns out to be not at all what he expected.

“Truth is, I have no idea what the next step should be. I’ve had jobs get out of hand, but not like this. I was hired to kill her, not adopt her.”

As someone who was having an extended moment of frustration with what felt like ever-increasingly-long Big Book Fantasies, its slim length was certainly welcome. I enjoyed the pace, but there was a sacrifice: world-building. Not only is the world beyond New York fleshed out at all, really (save the quotation, below), it also meant the world’s logic failed – I ended up not buying that so many people would remain in New York City. Suspending that frustration, though (and there were times when that was difficult), I did rather enjoy the novel.

“As for the rest of it, in in-between part, I hear it’s relatively clean and still open for business, like a plucky dollar store. No longer the land of milk and honey, maybe, but at least you can still get high-grade pharmaceuticals on every street corner on the cheap… Really, it’s just New York that got nuked, cordoned off, shut down, shunned. Capital of the world, cut loose to drift into the sea. The country’s soul, on a funeral pyre.”

The fact that New Yorkers stay in the city, despite the dirty bomb’s destruction and lingering radiation, and also the violence that rose in place of order, reminded me of the New York mentality Brian Wood showed in his masterful DMZ comic series. However, I think it worked much better in the graphic novel series – here, it felt that there wasn’t as much thought put into the world-building as there perhaps should have been. Bits and pieces felt forced, and to then not be fleshed out… Well, Sternbergh’s brevity was not always a boon (though, I repeat, it was refreshing amidst a sea of new, massive doorstoppers).

SternberghA-ShovelReadyUSAs the first book in a series, I’m hoping Sternbergh takes some of the time in his next (and future?) novels to flesh out this dystopian reality. As it stands, this is an engaging thriller, which happens to be set in a dilapidated New York City. Spademan is a good protagonist, and I’d like to read more, but this novel didn’t do enough to establish the world, and given the gaps, why people would remain in the city.

Recommended, therefore, but with the aforementioned caveats. An author to watch, certainly.

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Shovel Ready is published by Headline in the UK (Jan.14/Jul.3 eBook/PB) and Crown in the US.

Holiday Book Acquisitions… (Non-ARCs, Mostly eBooks)

In a rather unusual move, I’ve been buying rather a lot more books than I normally do. Partly, this is because Amazon (UK) has been having some pretty amazing Daily Deals. There have been great selections from a variety of authors on or near 99p, which I thought too good to pass up. Now, whether or not I’ll have enough time to read them all in a timely manner is, of course, the always-present question when it comes to my insatiable acquiring of reading material. [An insatiability that has been somewhat tempered, of late, but that is a topic for a later post, as it will have an impact on the blog going forward. That and a number of other things.] So, just to flag some interesting books that I think are worth everyone’s attention, here is what I’ve acquired over the Christmas and New Year period…

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AbramsDorst-SJ.J. Abrams & Doug Dorst, S. (Mulholland)

One book. Two readers. A world of mystery, menace and desire

A young woman picks up a book left behind by a stranger. Inside it are his margin notes, which reveal a reader entranced by the story and by its mysterious author. She responds with notes of her own, leaving the book for the stranger, and so begins an unlikely conversation that plunges them both into the unknown.

THE BOOK: Ship of Theseus, the final novel by a prolific but enigmatic writer named V. M. Straka, in which a man with no past is shanghaied onto a strange ship with a monstrous crew and launched on a disorienting and perilous journey.

THE WRITER: Straka, the incendiary and secretive subject of one of the world’s greatest mysteries, a revolutionary about whom the world knows nothing apart from the words he wrote and the rumours that swirl around him.

THE READERS: Jennifer and Eric, a college senior and a disgraced grad student, both facing crucial decisions about who they are, who they might become, and how much they’re willing to trust another person with their passions, hurts and fears.

S., conceived by filmmaker J.J. Abrams and written by award-winning novelist Doug Dorst, is the chronicle of two readers finding each other in the margins of a book and enmeshing themselves in a deadly struggle between forces they don’t understand. It is also Abrams and Dorst’s love letter to the written word.

I’ve been intrigued by this ever since I first saw it advertised. Then I saw an interview with Abrams on the Colbert Report, and my interest has only grown since. It’s a beautiful physical object, too. Wonderfully produced. One thing, though: I have no idea how to read it…

*

AtwoodM-1-Oryx&CrakeMargaret Atwood, ORYX AND CRAKE (Virago)

Pigs might not fly but they are strangely altered. So, for that matter, are wolves and racoons.A man, once named Jimmy, now calls himself Snowman and lives in a tree, wrapped in old bed sheets. The voice of Oryx, the woman he loved, teasingly haunts him. And the green-eyed Children of Crake are, for some reason, his responsibility.

She’s one of Canada’s most famous and successful authors. So copies of her novels are in plentiful supply in Toronto’s bookstores. And yet, I have never read any of her books. So, hopefully, this will be my first of many.

*

Baldacci-ChristmasTrainDavid Baldacci, THE CHRISTMAS TRAIN (Grand Central Publishing/Macmillan)

Disillusioned journalist Tom Langdon must get from Washington to LA in time for Christmas. Forced to take the train across the country because of a slight ‘misunderstanding’ at airport security, he begins a journey of self-discovery and rude awakenings, mysterious goings-on and thrilling adventures, screwball escapades and holiday magic. He has no idea that the locomotives pulling him across America will actually take him into the rugged terrain of his own heart, where he will rediscover people’s essential goodness and someone very special he believed he had lost. In equal parts hilarious, poignant, suspenseful and thrilling, The Christmas Train is a delightful journey filled with memorable characters who have packed their bags with as much wisdom as mischief… Part detective story, part disaster movie, part romance, this is a brilliant, heart-warming holiday tale.

I’ve read most of Baldacci’s thrillers (though I am a little behind at the moment), but when I saw this on sale, I thought it would be interesting to read something different by him.

*

Eugenides-VirginSuicidesJeffrey Eugenides, VIRGIN SUICIDES (Fourth Estate)

This is the story of the five Lisbon sisters – beautiful, eccentric, and obsessively watched by the entire neighbourhood.

The boys that once loved them from afar are now grown men, determined to understand a tragedy that has always defied explanation. For still, the question remains – why did all five of the Lisbon girls take their own lives?

This hypnotic and unforgettable novel treats adolescent love and death with haunting sensitivity and dark humour, and creates a coming-of-age story unlike any of our time.

It’s a classic that I have failed to read already, and I wanted to address this oversight. I have seen the movie, though I don’t remember much about it…

*

ExtenceG-UniverseVsAlexWoodsGavin Extence, THE UNIVERSE VERSUS ALEX WOODS (Hodder)

Alex Woods knows that he hasn’t had the most conventional start in life.

He knows that growing up with a clairvoyant single mother won’t endear him to the local bullies.

He also knows that even the most improbable events can happen – he’s got the scars to prove it.

What he doesn’t know yet is that when he meets ill-tempered, reclusive widower Mr Peterson, he’ll make an unlikely friend. Someone who tells him that you only get one shot at life. That you have to make the best possible choices.

So when, aged seventeen, Alex is stopped at Dover customs with 113 grams of marijuana, an urn full of ashes on the passenger seat, and an entire nation in uproar, he’s fairly sure he’s done the right thing.

I saw a number of big advertisements for this novel in London Tube stations last year, but never got around to investigating it further. I’ve heard good things, though.

*

Fey-BossypantsTina Fey, BOSSYPANTS (Sphere)

Once in a generation a woman comes along who changes everything. Tina Fey is not that woman, but she met that woman once and acted weird around her.

Before 30 Rock, Mean Girls and ‘Sarah Palin’, Tina Fey was just a young girl with a dream: a recurring stress dream that she was being chased through a local airport by her middle-school gym teacher. She also had a dream that one day she would be a comedian on TV. She has seen both these dreams come true.

At last, Tina Fey’s story can be told. From her youthful days as a vicious nerd to her tour of duty on Saturday Night Live; from her passionately halfhearted pursuit of physical beauty to her life as a mother eating things off the floor; from her one-sided college romance to her nearly fatal honeymoon — from the beginning of this paragraph to this final sentence.

Tina Fey reveals all, and proves what we’ve all suspected: you’re no one until someone calls you bossy.

It’s Tina Fey. This wasn’t on sale. But I’ve wanted to read it for ages. Now I have no excuse not to.

*

Ford-SportswriterRichard Ford, THE SPORTSWRITER (Bloomsbury)

Frank Bascombe has a younger girlfriend and a job as a sportswriter. To many men of his age, thirty-eight, this would be a cause for optimism, yet Frank feels the pull of his inner despair and especially of his recent losses – his preferred career has ended, his wife has divorced him, and a tragic accident took his elder son. In the course of this Easter weekend, Frank will lose all the remnants of his familiar life, though he will emerge heroic with spirits soaring. This is a magnificent novel that propelled Richard Ford into the first rank of American writers.

I picked up Canada late in 2013 (can’t believe that’s “last year”, now…), and have seen a number of copies of The Sportswriter in Toronto bookstores – and also the sequel, which I believe was a Pulitzer Prize-winner?

*

HomesAM-ThingsYouShouldKnowA.M. Homes, THINGS YOU SHOULD KNOW (Granta)

Things You Should Know is a collection of dazzling stories by one of the most talented and daring young American writers. Homes’ distinctive narratives demonstrate how extraordinary the ordinary can be. A woman pursues an unconventional strategy for getting pregnant; a former First Lady shows despair and courage in dealing with her husband’s Alzheimer’s; a teacher’s list of ‘things you already should know but maybe are a little dumb, so you don’t’ becomes an obsession for someone wasn’t at school the day it was given out; and adult tragedy intrudes into a childhood friendship. The stories are full of magic and strangeness and humour, but also demonstrate an uncanny emotional accuracy and compassion.

Thought these would be a good introduction to Holmes’s writing.

*

Kaufman-AllMyFriendsAreSuperheroesAndrew Kaufman, ALL MY FRIENDS ARE SUPERHEROES (Telegram Books)

All Tom’s friends really are superheroes. Tom even married a superhero, the Perfectionist. But at their wedding the Perfectionist is hypnotized by her ex, Hypno, to believe that Tom is invisible. Nothing he does can make her see him. Six months later the Perfectionist is sure that Tom has abandoned her, so she’s moving to Vancouver. She’s going to use her superpower to leave all the heartbreak behind. With no idea that Tom is beside her she boards the plane: Tom has until they touch down to convince her he’s there, or he loses her forever. A wonderful, heartbreakingly funny tribute to love, sweet love.

This slim volume has been on my radar for a while. Then I saw it go on sale, and I considered it fate. Will be reading this very soon.

*

LandayW-DefendingJacobUKWilliam Landay, DEFENDING JACOB (Orion)

When a teenaged boy is discovered stabbed to death in the woods adjoining the local high school, a wave of shock ripples through the suburban community of Newton, outside of Boston. Assistant district attorney Andy Barber is used to dealing with murder and its after-efffects, but with his own son, Jacob, also a student at the school, he too is anxious for a swift arrest and conviction. But as the kids appear to be stonewalling the cops and the investigation stalls, evidence emerges that ties Jacob to the crime – and suddenly Andy faces a very different challenge: preventing his son from being convicted of murder. Together with his wife, Laurie, the family closes ranks in the midst of an increasingly hostile community as Andy prepares for the trial of his life, the one trial he cannot afford to lose. Especially when the emergence of his own dark family secrets threatens to undermine Jacob’s defence. And as the drama reaches its climax, Andy and Laurie have to face every parent’s toughest questions: how well do you really know your own child, and how far would you go to save them?

This has been on my radar for far too long. It was on sale, and I thought it too good to pass up, and also think this will make me finally get around to reading it. Really interesting premise.

*

RothV-D1-DivergentVeronica Roth, DIVERGENT (HarperCollins)

In the world of Divergent, society is divided into five factions – Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful) and Erudite (the intelligent). Every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice Prior, the decision is between staying with her family and being who she really is. Her choice shocks everyone, including herself.

During the initiation that follows, Tris and her fellow initiates undergo extreme physical tests of endurance and intense psychological simulations, some with devastating consequences. As initiation transforms them, Tris must determine who her friends really are – and where the boy who seems to both threaten and protect her fits into the life she’s chosen.

But Tris also has a secret, kept hidden because she’s been warned it can mean death. As unrest and growing conflict threaten to unravel her seemingly perfect society, Tris learns that this secret might save those she loves… or it might destroy her.

I saw the trailer for the movie adaptation of this. It didn’t suck. Then I saw this was on sale for Kindle. That was enough of an incentive. I’m so easy when it comes to book bargains… I don’t know anyone who has read it, nor do I really know what to expect.

*

RussoR-StraightManRichard Russo, STRAIGHT MAN (Vintage)

Hank Devereaux, a fifty-year-old, one-time novelist now serving as temporary chair of the English department, has more than a mid-life crisis to contend with when he learns that he must cull 20 per cent of his department to meet budget. Half in love with three women, unable to understand his younger daughter or come to terms with his father, he has a dangerous philosophy that life, and academic life, could be simpler, but he fails to see the larger consequences of his own actions or of the small-world politics that ebb and flow around him, as his colleagues jostle for position and marriages fall apart and regroup. The despair of his wife, and the scourge of the campus geese, he is a man at odds with himself and caught somewhere between cause and effect.

I’ve only recently found out about Russo’s novels. I came across this one shortly after reading Michael Chabon’s Wonder Boys, and it seems to have some similarities that attracted me. Hopefully be reading this soon. (Russo’s Empire Falls, which I also bought somewhat recently, was a Pulitzer Prize winner.)

An Interview with ALMA KATSU

KatsuA-I3-DescentUKA few days ago, a copy of Alma Katsu’s third novel, The Descent dropped through the mailbox. It is the third novel in the author’s The Immortal trilogy, but I didn’t (at the time) know too much about the series or the author, so I took the opportunity to send her some questions.

Who is Alma Katsu?

As a girl, I wanted to have a magical, fantastical life but the outlook was kind of narrow and grim, and I think that’s why I turned to creating my own worlds in fiction. Then, funnily enough, I ended up having a life that was the stuff of fantasy: working in intelligence, traveling, doing all this technical, math-y stuff that I never would’ve thought possible for a little storyteller. Lesson: you never know where life will take you. Continue reading

Christmas Fiction Review Catch-Up: Jonathan Dee, A.S.A. Harrison & John Niven

I am falling terribly behind on my reviews. So, in order to get caught up a bit more on the backlog, I’ll be combining some reviews into thematic posts (of sorts). This one takes a look at three non-SFF novels I’ve read recently.

***

DeeJ-AThousandPardonsJonathan Dee, A Thousand Pardons (Corsair)

Ben and Helen Armstead have reached breaking point and it takes one afternoon – and a single act of recklessness – for Ben to deal the final blow to their marriage, spectacularly demolishing everything they built together.

Helen and her teenage daughter Sara leave for Manhattan where Helen takes a job in PR – her first in many years – and discovers she has a gift for spinning crises into second chances. But can she apply her professional talent to her personal life?

I rather enjoyed this. It was a quick read, but not perfect. The novel starts out with the sudden, spectacular dissolution of Helen’s marriage to Ben, who is quite the narcissist experiencing quite the midlife crisis and breakdown. The first part of the novel follows Helen as she makes her way to New York, and stumbles into a PR job. She has a knack for coaxing out appropriate, believable apologies out of her clients. For a short time, she is able to enjoy this success. Then the novel brings Ben back into the narrative, and we get a more even-handed impression of the two characters – while I had enjoyed reading about Helen, and it did take a little while before reorienting myself for Ben’s side of the story, the novel benefited from them both being central. Dee’s prose is fluid, and I rattled through this novel at quite the pace. At times, though, things moved perhaps a little too fast – Helen’s advancement in the PR business jumps ahead slightly, and Dee doesn’t give much time over to Helen and Sara’s new lives in the big city. I think the author could have spent some more time exploring what each of the characters was going through.

Nevertheless, A Thousand Pardons is an enjoyable novel about a marriage in ruins and a family in crisis; about the limits and joys of self-invention; and about the peculiar seduction of self-destruction. It is also the tale of redemption and forgiveness, of sorts, and the enduring connection families can feel with each other, despite some of the most difficult of circumstances. It’s not a bad introduction to Dee’s fiction, and I enjoyed it enough to convince me to pick up The Privileges at some point in the not-too-distant future.

*

HarrisonASA-TheSilentWifeUKPBA.S.A. Harrison, The Silent Wife (Headline)

Todd Gilbert and Jodie Brett are in a bad place in their relationship. They’ve been together for twenty-eight years, and with no children to worry about there has been little to disrupt their affluent Chicago lifestyle. But there has also been little to hold it together, and beneath the surface lie ever-widening cracks. HE is a committed cheater. SHE lives and breathes denial. HE exists in dual worlds. SHE likes to settle scores. HE decides to play for keeps. SHE has nothing left to lose. When it becomes clear that their precarious world could disintegrate at any moment, Jodie knows she stands to lose everything. It’s only now she will discover just how much she’s truly capable of…

Oh, how I wanted to love this book. For months, it seems, I’ve seen so much praise and a constant trickle of links for great and gushing reviews on Twitter. The book itself is covered in eye-catching blurbs from prominent authors, reviewers, and so forth. So how was it? Well… Politely? It wasn’t for me. Bluntly honest? I was bored. Throughout. I didn’t like either of the main characters. He is a douche, a lecherous cheater, who seems to only appreciate what his wife does for him and the fact that she’s attractive. She is fastidious to a fault, ordered and lacking any impulsiveness and rather bland:

“Meticulous planning has its merits. Life at its best proceeds in a stately manner, with events scheduled and engagements in place weeks if not months ahead. Scrambling for a last-minute date is something she rarely has to do, and she finds it demeaning.”

Now, I understand that both of the characters were probably meant to come across as either a complete ass (him) or quietly in denial about everything (her), but damn it doesn’t make for interesting reading. The synopsis above is not the whole synopsis. I cut the following:

“A chilling psychological thriller portraying the disintegration of a relationship down to the deadliest point when murdering your husband suddenly makes perfect sense.”

I found this as chilling as tepid tap water. That being said, in terms of prose and construction, The Silent Wife is very competent. The author’s prose are very well constructed, which is really the only reason I kept reading. That bit about the novel being a “chilling psychological thriller”? I was waiting for that to happen right up until I turned the final page. Maddeningly bland. This was the biggest let down of the year, I was left wondering if what I bought and read was the same book everyone else had been talking about…

*

NivenJ-StraightWhiteMaleJohn Niven, Straight White Male (William Heinemann)

Kennedy Marr is a novelist from the old school. Irish, acerbic, and a borderline alcoholic and sex-addict, his mantra is drink hard, write hard and try to screw every woman you meet.

He’s writing film scripts in LA, fucking, drinking and insulting his way through Californian society, but also suffering from writers block and unpaid taxes. Then a solution presents itself – Marr is to be the unlikely recipient of the W.F. Bingham Prize for Outstanding Contribution to Modern Literature, an award worth half a million pounds. But it does not come without a price: he must spend a year teaching at the English university where his ex-wife and estranged daughter now reside.

As Kennedy acclimatises to the sleepy campus, inspiring revulsion and worship in equal measure, he’s forced to reconsider his precarious lifestyle. Incredible as it may seem, there might actually be a father and a teacher lurking inside this “preening, narcissistic, priapic, sociopath”. Or is there.

This was a very pleasant surprise. There was a bit of a rocky start – the first couple of chapters painted an awful picture of the protagonist, and I worried that I’d always struggle to engage with him. However, Niven very quickly surprised. Straight White Male ended up being one of my favourite reads of the year.

Kennedy, our protagonist, starts off as one ugliest protagonists I’ve read about. He’s kind of awful: spoiled, wasteful, a drunkard, lewd, a sex addict with an unhealthy disrespect for women (sleeping with someone in the cloak room at his wedding, juggling multiple porn platforms at once)… He’s a complete narcissist. He’s not a pleasant guide for a lot of the opening chapters, which did make me wonder if I wanted to continue reading. Everyone else Kennedy interacts with is as well-written as this asshole, which made me stick with it, and eventually we learn why Kennedy is the way he is, and see his character develop. Niven can definitely write, and write very well, which kept me coming back. So, if you aren’t a fan of anti-hero protagonists, I’d recommend still sticking with the book, as it gets very good.

I really liked the way Kennedy gets to say and do all the things I bet many people living and working in or with Hollywood would love to say to all the self-important, pompous “artistes” with inflated senses of their own genius… He doesn’t shy away from opining on their flaws (or shouting  them at prima donna, uneducated actors). His internal and external commentary is often very funny. He’s also honest about why he does certain things. Kennedy is also not sparing on his frustrations with the publishing industry, either.

“Busy jumping from rewrite to polish to dialogue pass because, of course, all this was easier (and much more remunerative) than spreading his intestines across the page for two fucking years writing a novel. Because the only things he wanted to write about he couldn’t. He wasn’t blocked so much as… finished. The novel? That was a man’s business. He was done with it. Not that anyone knew that yet of course.”

What was most interesting, however, is how Niven slowly unveiled the tragic story of Kennedy’s sister, and how that has effected his behaviour. A lot of what he does, in the end, seems like avoidance and alcohol-fuelled coping and distraction. After the story shifts to the UK, things move quite a bit faster, too, which was a little disappointing. I would have liked some more… well, everything, really. Rather than reading that as an indictment of the novel, consider it my way of saying I wish it had been longer, because it was so good. Which it was.

Straight White Male is a very good novel on some of the many neuroses and coping mechanisms to which men can turn. Funny, irreverent, touching, and well-written, this is definitely recommended.