A fascinating story of resilience and ingenuity in the face of brewing global war.
The true story of the determined museum curators who saved the priceless treasures of China’s Forbidden City in the years leading up to World War II and beyond.
Spring 1933: The silent courtyards and palaces of Peking’s Forbidden City, for centuries the home of Chinese emperors, are tense with fear and expectation. Japan’s aircrafts drone overhead, its troops and tanks are only hours away. All-out war between China and Japan is coming, and the curators of the Forbidden City are faced with an impossible question: how will they protect the vast imperial art collections in their charge? A difficult and monumental decision is made: to safeguard the treasures, they will need to be evacuated.
The magnificent collections contain a million pieces of art — objects that carry China’s deepest and most ancient memories. Among them are irreplaceable artefacts: exquisite paintings on silk, rare Ming porcelain, and the extraordinary Stone Drums of Qin, which are adorned with 2,500-year-old inscriptions of cultural significance.
For sixteen years, under the quiet leadership of museum director Ma Heng, the curators would go on to transport the imperial art collections thousands of miles across China — up rivers of white water, across mountain ranges, and through burning cities. In their search for safety the curators and their fragile, invaluable cargo journeyed through the maelstrom of violence, chaos, and starvation that was China’s Second World War.
An excellent history of China between the two World Wars. It took me a while to get around to reading this (not sure why), but I am very happy to have done so — this is an excellent, engaging, and well-written history. Continue reading
An engaging, highly-readable history of Garfield’s rise to the presidency and death.
Something a little different, today: an excerpt from Harriet Cullen‘s Lady Pamela Berry. As someone with a professional interest in the Cold War, the mention of the Suez crisis in the synopsis for this book caught my attention.
An engaging new biography of the transition of power between FDR and Truman
To celebrate the release of Storming Heaven, the second novel in Miles Cameron‘s Age of Bronze series, Mobius Books has provided us with an excerpt to share with you all! The excerpt is comprised of the prologue and some other information to help readers get situated, and hopefully whet your appetite to read the rest of the novel. First, though, here’s the synopsis…
A glimpse into what it takes to write epic non-fiction
Today, we have an excerpt from A History of Delusions by Victoria Shepherd, an intriguing history of delusions. Here’s the synopsis:
Today, we have an excerpt from The Empress and the English Doctor by Lucy Ward, an account of how Catherine the Great worked to combat the smallpox epidemic that was ravaging not only Russia but most of Europe. Here’s the synopsis:
I have always loved history, was lucky enough to study it at the highest level, and after teaching for a while have been even luckier to make a living writing non fiction history books. At the same time, I have always loved historical novels. At their best they give a flavour and feel for a place and an era much faster than reading conventional history. So when I came to write historical novels, accuracy was very important to me. A novel will only work if readers get caught up in the plot and want to spend time with the characters, but the world it conjures up has to feel real, at least on its own terms, and that is as true of fantasy or science fiction as it is for stories set in the past. The world of the story has to be convincing enough for readers to visit it in their imagination. Many readers and authors do not care too much if that world bears little or no relation to the reality of the past as long as it is consistent. That is fine, after all, reading should be about pleasure and we all have different tastes. However, I am a professional historian and find it hard to switch off, which makes me an unrepresentative reader, and I only stick with a novel if I feel that the research behind it and the author’s sensitivity for the period are good. Since, like most authors, I write books – whether novels or non fiction – that I would like to read, that is how I try to write my stories. So each novel begins with research. 
Civilian Reader 