In March, Guernica Editions are due to publish Stan on Guard by K. R. Wilson: a “tragical-comical-historical novel” and follow-up to Call Me Stan. To mark the upcoming release, we have an excerpt to share with our readers. First, of course, here’s the synopsis:
Ishtanu (call him Stan) is a Hittite immortal keeping his head down in Toronto and recounting some of his experiences. Tróán is an immortal Trojan princess who thought she’d killed Stan in post-war Berlin but who now knows he survived. Yes, technically Stan can die. He has just managed not to for 3200 years.
As their stories braid together toward a final reckoning they take us through, among other things, a subversive retelling of the Odysseus story, the resistance of pagan Lithuania against Papal crusaders, the decline of Friedrich Nietzsche in a German clinic, the arts scene in belle epoque Paris, and the descent of Europe into the horrors of the Great War.
Strap in.
Next summer, 
In October, 
Today, we have an excerpt from When We Were Enemies by Wall Street Journal best-selling author Emily Bleeker. A story about families, legacies, and the long impact of secrets, set in the present day and also during World War 2. Here’s the synopsis:
Earlier this month, 
Next month, Head of Zeus are due to publish The Silence of Scheherazade by Defne Suman, a historical novel set at the beginning of the 20th century. Along with that eye-catching cover, it sounds really interesting, too. Here’s the synopsis:
I have always loved history, was lucky enough to study it at the highest level, and after teaching for a while have been even luckier to make a living writing non fiction history books. At the same time, I have always loved historical novels. At their best they give a flavour and feel for a place and an era much faster than reading conventional history. So when I came to write historical novels, accuracy was very important to me. A novel will only work if readers get caught up in the plot and want to spend time with the characters, but the world it conjures up has to feel real, at least on its own terms, and that is as true of fantasy or science fiction as it is for stories set in the past. The world of the story has to be convincing enough for readers to visit it in their imagination. Many readers and authors do not care too much if that world bears little or no relation to the reality of the past as long as it is consistent. That is fine, after all, reading should be about pleasure and we all have different tastes. However, I am a professional historian and find it hard to switch off, which makes me an unrepresentative reader, and I only stick with a novel if I feel that the research behind it and the author’s sensitivity for the period are good. Since, like most authors, I write books – whether novels or non fiction – that I would like to read, that is how I try to write my stories. So each novel begins with research. 
Let’s start with an introduction: Who is Clifford Jackman?
Let’s start with an introduction: Who is Jack Whyte?
Let’s start with an introduction: Who is Lucy Adlington?
Civilian Reader 