Guest Post: “The Magnificent Liar” by Tim Powers

Continuing Tim Powers’s blog tour, I present to you a guest post about the colourful ‘hero’ Edward John Trelawny.

The Magnificent Liar

PowersT-HideMeAmongTheGravesUKPBHide Me Among the Graves had a number of colorful characters in it — I can say that with all due modesty, since I cheated and took real people who really lived for characters: Dante Gabriel Rossetti, a genius painter who lost his health and his mind to chloral hydrate addiction; Christina Rossetti, a devout celibate recluse who nevertheless worked face-to-face with London’s prostitutes to reform them and wrote reams of poetry about guilt and reproachful ghosts; and Algernon Swinburne, possibly the best English-language poet since Shelley, who furiously dissipated his gifts with alcohol and sado-masochistic obsessions – but the most fascinating of this circle was a man whose greatest accomplishment was telling lies about his own life.

Edward John Trelawny managed — largely by living a long time – to be a central character in the Italian circle that included Lord Byron and Percy Shelley in the 1820s, and also a prominent figure in the London of the 1860s, a close friend of many of the Pre-Raphaelite painters and poets. The only other figure I can think of right now who did the same kind of era-straddling is Neal Cassady, who was the friend and inspiration of Jack Kerouac and Allan Ginsberg in the 1950s and then, after the Beat phenomenon had petered out, went on to be the same for Ken Kesey and his Merry Pranksters in the late ’60s. Continue reading

Q&A with Andy Serkis on adapting Samantha Shannon’s THE BONE SEASON & George Orwell’s ANIMAL FARM

AndySerkisIn a Q&A organised by Samantha Shannon’s publicists in the UK, Andy Serkis discussed the acquisition of movie rights for Shannon’s debut novel, The Bone Season. Serkis, best-known perhaps as Gollum in Lord of the Rings and the Hobbit movies, has set up his own film studio, Imaginarium Studio. The Bone Season will be one of their first projects, alongside an adaptation of George Orwell’s Animal Farm, both of which will be directed by Serkis.

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What is it about The Bone Season that compelled you to include it in The Imaginarium Studio’s very first slate of films?

We first came across the manuscript at the London Book Fair and immediately fell in love with the scope, the scale and the exceptional detail of the world Samantha had created. It’s a really compelling story with such a great central character – we all immediately saw its potential as a fantastic feature film.

Have you met Samantha Shannon, and how involved will she be in the film’s production?

Yes of course – she’s a delightful, incredibly intelligent person. She’s very warm and a passionate storyteller- dedicated beyond belief. We’re working very closely with her on all aspects of bringing the world of the book to the screen. We’ve been involving her with all the early concept artwork that we’re beginning to put together. Obviously it’s her world so we want to make sure we bring it to life in the way that she wants.

ShannonS-BoneSeasonCan you tell us about how the creative process for adapting a story like The Bone Season begins?

It begins with knowing the story you want to tell. There are thousands of stories contained within the world that Samantha has created – we have to be very disciplined about opening up the world in a way that will lead us on to further investigation in the rest of the series. We need to find the emotional heart of the story; the relationships; the tension; the suspense and the drive, and of course working closely with Samantha is going to make it much easier.

At this very early stage it’s about finding the right writer and the right approach to telling the story. Hand in hand with developing the screenplay it’s also about developing the visual world and bringing that to life, finding the right visual effects team who understand Samantha’s concepts.

You have been part of bringing some of the world’s most famous and well-loved fantasy worlds to contemporary audiences. Which of your experiences across film, TV, stage and video games would you say has been most helpful in preparing you to produce The Bone Season?

It would be impossible to single out any one single experience, it’s an accumulation of all my experiences to date, but obviously having worked on The Lord of the Rings and Tolkien’s extraordinary world with Peter Jackson is incredibly useful. Peter basically gave me the opportunity to work on a lot of extraordinary characters in a lot of extraordinary worlds and has opened up my eyes to a genre that I knew very little about before.

Will performance capture will come mostly into play when portraying Shannon’s Rephaim race on screen in The Bone Season? Can you give us any insight into how you’d like these characters to appear?

We’re in very early stages of designing how we want to portray these characters, and are exploring a variety of avenues to bring these characters to life. We’re certainly not tied to any one production technique at this early stage.

Animal Farm is the other film on your inaugural slate. What can you tell us about this project?

OrwellG-AnimalFarmWe’re extraordinarily excited about Animal Farm. We have been working on the methodology this year, the development of the characters and the story. We’re working with a wonderful character designer and very pleased with how the animals are developing as visual characters.

In terms of story, we’re remaining very truthful to the original book however we are relocating the setting as if Orwell were writing in the present day – we’ve been working very closely with the Orwell estate on this.

You’re talents are very varied! If you could only do one thing for the rest of your career, which would you choose (stage/TV/film/video game roles, voice roles, director or producer)?

Mountain Climber.

Guest Post: “Confessions of a TV Series-aholic (Or, What Writers Can Learn From TV Series)” by Rowena Cory Daniells

Rowena Cory-Daniells discusses her addiction to certain TV series, and how they’ve inspired elements of her own fiction…

I’ve discovered I prefer TV series to movies, series like Boardwalk Empire, Deadwood, House of Cards and now from the UK the Peaky Blinders. (So named because according to some sources they sewed razor blades into the peak of their caps to slash across their enemies’ faces).

PeakyBlinders-CillianMurphy

(Cillian Murphy plays gang leader Thomas Shelby)

If a movie is the equivalent of a short story (Minority Report was a story by the same title by Phillip K. Dick), then a TV series is the equivalent of a book in that a series has time to develop complex story arcs and in-depth characterisation.

BreakingBad-S2

(Breaking Bad: Walt and Jessie taking a break in between cooking crystal meth)

As someone who writes big fat fantasy books, I know the craft involved in creating interesting characters and interweaving narratives. When Walter White first found out he had lung cancer and needed money for his pregnant wife and disabled son, I could appreciate the way the audience were positioned to identify with Walt and sympathise even when he broke the law. We go on his journey with him as we see the roll-on effects of his decision to cook crystal meth. Breaking Bad raised the question: Would you break the law to protect your family?

Raising difficult moral questions makes the viewer/reader ask themselves the same question. In the first book of King Rolen’s Kin, Byren instinctively protects his best friend and this gets him in no end of trouble, but we understand why he did it. We can even like him for it.

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(Deadwood’s Calamity Jane was nothing like Doris Day).

When my husband said he wanted to watch Deadwood, a western series set in a gold rush town, I wasn’t keen because I immediately thought of the kind of westerns that Hollywood produced in the ’50s or Spaghetti Westerns. But I discovered that Deadwood was probably closer to what the Wild West was really like. With no law other than brute force, society degenerated into dog-eat-dog. Suddenly the rules no longer applied and the survival of characters we liked became a whole lot more challenging.

The art to keep the reader turning the page is to give them flawed, but likeable characters, then put those characters in danger. In King Breaker, Byren faces his greatest challenge yet to win back his father’s kingdom, which is ironic because he never wanted to be king.

HouseOfCardsUS

(Kevin Spacey was in his element playing Frank Underwood)

As we watch House of Cards, we see Frank Underwood manipulate and connive to build himself a powerbase while undermining those around him. If we met him, we’d probably find him charming, but we wouldn’t want to get in his way. Clearly, he loves his wife, played by Robin Wright. At the same time he is an utterly ruthless power broker and we find him fascinating from the safe distance of the television screen. When driven by a hunger for power, people can justify many things.

A strong villain is important for the protagonist to test himself against and Byren knows he must defeat his cousin, Cobalt. Byren starts out trying to do the honourable thing, but as set-backs mount, he must make compromises. What will Byren do to win a throne he does not want and will the journey corrupt the man?

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The best of TV series deliver interesting characters, caught up in threatening situations which force them to make decisions that test their morality. I hope readers find Byren’s dilemmas as compelling as I did while writing King Breaker.

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Rowena Cory Daniells’s King Breaker is published by Solaris Books, and is available now. Here’s the synopsis:

THE CONCLUSION TO THE HUGELY POPULAR KING ROLEN’S KIN SERIES!

The story of Byron, Fyn and Piro picks up immediately where the cliff-hanging ending of The Usurper let off!

When Cobalt stole the Rolencian throne, Byren, Fyn and Piro were lucky to escape with their lives; now they’ve rallied, and will set out to avenge their parents’ murder.

Byren is driven to defeat Cobalt and reclaim the crown, but at what cost? Fyn has sworn to serve Byren’s interests but his loyalty is tested when he realises he loves Byren’s betrothed. And Piro never wanted to win a throne, but now she holds the fate of a people in her hands.

Short Story Reviews, Flintlock Fantasy Edition: HOPE’S END by Brian McClellan & THE PENITENT DAMNED by Django Wexler

Two new short stories from the new wave of flintlock fantasy authors

McClellanB-HopesEndHOPE’S END by Brian McClellan

Captain Verundish has two problems. On campaign with the Adran army and far from her homeland, she is helpless when the young daughter she left at home is threatened. To make matters worse, General Tamas has put her lover in command of a Hope’s End — the first charge through a breach straight into the teeth of enemy cannon and sorcery. To save the people she loves, Verundish will have to come up with a deadly solution…

This is a pretty interesting story. A “Hope’s End” is the first charge against a fortress or other reinforced emplacement. It is pretty much guaranteed death. Tamas likes to select those who bought their commissions to lead these hopeless endeavours. In this case, however, Captain Verundish is in love with the man chosen to lead the next Hope’s End. With trouble back home (her husband is an asshole, and threatening the welfare of her daughter), the story actually opens with her contemplating suicide. Instead, she decides to volunteer to take over the Hope’s End, with the expectation of dying and guaranteeing her daughter’s financial future. Naturally, not all plans go according to plan.

Anyone who was disappointed at the lack of female characters in Promise of Blood will be pleased with Captain Verundish. She’s an interesting character, and I like the way she handles the personal and professional tests she’s presented with. The battle scene is pretty good, too – it’s focused, tightly-plotted, and not over-written. It is followed by an example of how good a leader Tamas is off the battlefield. It’s nice that McClellan has actually paid attention to developing our understanding of why Tamas is such a beloved leader – rather than just telling us that he is, and letting that be the end of it. It’s a good story. (This is set when Tamas’s son, Taniel, is only two years old.)

Well written, this is another good introduction to McClellan’s writing and fantasy world. I really like the way the author has been releasing these short stories to add more to our overall picture and understanding of the pre-coup world. Certainly recommended, and a must-read for fans of the novel. This has only increased my anticipation for The Crimson Campaign

Also on CR: The Girl of Hrusch Avenue Review, Interview with Brian McClellan, Guest Posts Favourite Novel and Protagonist Ages in Epic Fantasy

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Wexler-PenitentDamnedTHE PENITENT DAMNED by Django Wexler

Alex is a master thief, with dark magic to give her an edge. When she goes up against Duke Orlanko’s Concordat secret police, though, she may have taken on more than she bargained for…

I read Wexler’s The Thousand Names recently, and thought it was a very interesting start to a new series. In The Penitent Damned, the author takes us far from the location of his novel, and back to a city under control of Duke Orlanko. Alex, the protagonist, has always had special abilities which have given her an edge in her chosen profession. Schooled by a former master-thief, she has taken a job in the city. Frustratingly, to go into much more detail about the story will ruin it (it’s a very short story). We get a glimpse of more of what is going on behind the scenes. We learn just a little bit more about certain events at the end of The Thousand Names, which opens up some intriguing possibilities for the next book in the series. All very cryptic, but I think if you read the novel, and then this short story, you’ll see why I don’t want to go into too much detail. We get to see more magic in action, this time around (which didn’t feature as much in Thousand Names). And it was very cool, giving rise to some good action scenes.

Even if you haven’t read the novel, though, this is a pretty good introduction to Wexler’s writing style and fantasy world. I’d recommend it to anyone who hasn’t yet decided if they want to read The Thousand Names, as well as fans of the novel. Wexler is, I believe, definitely an author to watch. A very satisfactory short story, discussed in a rather unsatisfactory review. Sorry about that.

Also on CR: Interview with Django Wexler, Guest Post on Terry Pratchett

Excerpt: THE WINTER WITCH by Paula Brackston (Constable & Robinson)

Very happy to be able to share this extract from Paula Brackston’s latest novel, The Winter Witch (the sequel to The Witch’s Daughter). The novel, part of the Shadow Chronicles series, is published today by Constable & Robinson in the UK.

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Chapter 4

How dare he touch my books! He was rifling through my possessions, as if they belong to him now. As, indeed, they do. As I belong to him, I suppose. Am I to be left nothing of myself ? I lift the lid from the crate once more, just to reassure myself that nothing has been taken. No, they are all here. He was looking at Pilgrim’s Progress. Has he ever read it, I wonder? Has he any interest in stories? I have seen no books in the house thus far. Perhaps he keeps them to himself, in his room. The room he will no doubt expect me to share with him one day. What would a man like Cai read? A man who has lived all his life in one place, save for droving, what would he choose to read?

Dada selected these books. Each and every one meant something to him; his choices were never whimsical or left to fate. He had his favourites. This one, with its fine red leather binding, he never tired of – Tales from the Thousand and One Nights. How he loved this book! And how I loved to hear him read from it, or to recount tales from memory, as he often did. The cover feels warm, as if my dada had just this minute left off reading it. As I run my thumb across it the title spells itself out to me, cut into the leather, even though the gilding has long been rubbed away by palm and lap. A heavy sadness settles upon me, as it so often does when I recall the pain of his leaving.

When I remember how he was one day there, and the next not. And how when he went away he took my voice with him.

Of a sudden I am overcome by weariness. The journey, the dragging sorrow of homesickness, this strange house, unfamiliar society, the heat… all have taken their toll so that now all I wish to do is sleep. And yet I fear still I will not be able to. If I clutch Dada’s book close against me, tight to my heart, it may be I can bring to mind some- thing of the warmth of his presence. Here, I will lay myself down on the rug in this pool of sunshine that brightens the colours of the woven wool. I close my eyes and wish I could go to where dear Dada is. But he is lost to me. So many times I have tried to find him, to travel as only I can to be near him. But he is gone. So completely. The only comfort left to me is to remember. To revisit those soft-edged images and rememberings of my time with him. To recall one of those precious moments my memory has entombed and preserved like an ancient treasure. A moment when he was close to me. I shut my ears to the cry of the serf ’s cuckoo outside. I curl myself around the book, burying my nose in the dry, powdery pages so as to keep away the bitter aroma of burnt vegetables and sulphurous coal fumes that drift up the stairs. I screw my eyes tight shut, allowing only the dappled dance of the sun on my lids. Slowly images appear. A dark night, still and warm. A fire, outside, at the far end of the garden. And at last, Dada, sitting beside it, his face illuminated by the flames. He always preferred to be out of the house, much to Mam’s displeasure. So long as the weather would allow it, after eating he would retreat to this quiet little place, assemble twigs and branches, and within minutes would be settled by a cheerful blaze, his clay pipe in his hand, an ease relaxing his shoulders. An ease which eluded him when he was forced to remain enclosed with slate or thatch separating him from the stars. I would clamour for him to tell me a tale and, after a token resistance, he would agree, sucking on his pipe, eyes raised to heaven as if looking for divine guidance for his story selection. And then he would begin. Oh, he was an excellent storyteller! My young mind, flexible as willow, would follow the twists and turns of the adventure, pictures flashing bright before my eyes, the howls of wolves or the singing of maidens filling the night sky around me. I was enthralled. Spellbound. Indeed, most of his best-loved tales turned upon some sort of magic. Magic, he told me, was some- thing to be taken seriously.

‘Travellers understand about magic,’ said he. ‘I’m not claiming they’re all sorcerers and such like, only that they know magic when they see it. Your Romany ancestors crisscrossed the globe, Morgana, and on their travels they saw many marvelous things and encountered many wonderful beings. That’s how they gained their knowledge, from distant lands and strange customs of even stranger people. Travelling was my habit, my natural state, you might say, until your mother caught me in her web.’ He laughed. ‘She’s a good woman, your mam, but she’s not like you and me, girl.’ He leaned forward, dropping his voice to a conspiratorial level. ‘You have the magic blood in you, Morgana. I’ve seen it. Do not fear it, as some do. It is a gift, though there are times you may not think it so.’ He sucked hard on his pipe, which had gone out. He paused to light a spill in the fire and touch the glowing end to the bowl of tobacco. Abundant smoke temporarily obscured him, slowly dispersing, wisps of it curling from his nose. I was seven years old and I had a dragon for a father.

‘If you are not able to travel,’ he told me, ‘the next best thing is to read. Read all you can, girl. And store up that knowledge, for you never know when you will need it.’ He paused, sitting straight, looking thoughtfully at me. I have often, over the years, tried to see what was behind that expression, what it was he was trying to tell me. ‘A person has to tread his own path, Morgana. Life will set things to pulling you in all directions, tugging you this way and that.’ He puffed once more, leaning back so that the light from the fire could scarcely reach him, two smokinesses rendering him faint, ghostlike. The only substantial thing about him was his voice. ‘Tread your own path,’ said he once more.

The next morning he was gone, and I never saw him again.

The memory lulls me to sleep and when I awake some hours have passed and the room is in darkness save for a short candle flickering on the windowsill. I am surprised to find the patchwork quilt has been taken from the bed and placed snugly over me. Cai must have done it. Must have come to speak with me, found me sleeping, and thought to make me more comfortable. The man is a riddle. I might sooner have expected him to wake me and tell me to make his supper. I rise and peer out of the window. The night is bright, constellations clear, the moon aglow. It is hard to judge the exact hour, but the house is quiet, as if I am the only one awake.

I drop the quilt on to the bed and snatch up my woollen shawl instead. I take the candle and lift the latch on my door carefully. Again, as I pass the door to Cai’s bedroom, I sense something out of kilter with the still silence of the night. I have the sensation of being observed. I pull my shawl tighter about me and continue downstairs. I have already identified those boards and stairs which complain at my footfalls, so I am able to descend to the kitchen quietly. The fire in the range is out. There is a faint smell of smoke lingering, but the unpleasant evidence of my calamitous attempt at cooking has gone. The table is cleared and everything returned to its proper place. Conflict unsettles me. I am glad proof of my clumsiness has been erased, but I am uncomfortable at the thought of my husband having to wash away the grime of my error. It should not fall to him. And now I feel strangely in his debt. Hunger rumbles in my stomach and I fetch a lump of cheese and a hunk of bread from the pantry. I am about to sit on the window seat when I see Cai is sleeping in the carver at the far end of the table. I wonder I have not woken him with my blundering about. How often, I wonder, has he fallen asleep down here? I remember after Dada went away I would sometimes find Mam in her chair by the kitchen range. She would explain it away as having been overtired and having drifted off. Only later did she admit to me she found her bed too lonely. Does he still miss his first wife so? Am I to compete with a ghost?

Now I notice the corgis curled at his feet. Bracken opens one eye, recognizes me, surely more by scent than sight in the dimly lit room, gives a half-hearted wag of his tail and goes back to his slumbers.

Hush, little one! Do not wake your master.

Cai is sleeping deeply. I am close enough to reach out and touch him. He looks younger, somehow. In repose his features lose something of the sternness that I see. Or at least, I see it when he looks at me. Am I so perpetually bothersome? His collarless shirt is of good quality, and that is a fine woollen waistcoat. I can see the fob and chain of a gold watch. He likes to look… respectable, I think. Even when at home, tending his livestock. Not the image some of the drovers have, with their long coats and rough ways. I admit, though, he has always presented himself well. On the occasions when I saw him at Crickhowell market he was well turned out, despite being on the move with the herds. Mam and I sold cheese there when we could, buying cheap milk from Spencer Blaencwm’s dairy where we worked. Mam would pick wild garlic and together we would churn it into creamy rounds to sell. Business was always good when the drovers came through. That is where Cai first saw me. He could have been under no illusions as to what I was. A dairy maid with a sometime cheese stall at the smallest market in the shire. He would come to inspect our wares on the evening of his arrival, and in the morning before the drove went on its way. Then he would visit on his return journey, when he was unencumbered by his many charges. A year and a half of passing through and pausing. Snatched moments in which to convince himself he had found a suitable bride. And to convince Mam my future lay with him. I will say, he purchased a large amount of cheese! Perhaps it was that which led him to believe I might be capable of cooking. I recall he did his best to look prosperous, sensible, dependable.

And now look at him. Longer eyelashes than a man should be blessed with. Skin tanned from the outdoor life, but not yet weathered. His hair is streaked gold by the summer sun. There are several years between our ages, yet as he sleeps I see the boy in him. Unsure of himself. Vulnerable. Oh! He is stirring. I have no wish to be found standing here, watching him. He mumbles something, his eyes still closed. Both dogs lift their heads from their paws. I hasten from the kitchen and back to my own room.

An Interview with GEOFFREY GUDGION

GudgionG-SaxonsBane

Let’s start with an introduction: Geoff Gudgion?

In one paragraph; I was a scholarship boy who was never bright enough to realise I’d have been happier as a writer than a businessman. Until, that is, I had a spectacular row with my boss and stepped off the corporate ladder. Long before that epiphany, I left school at 17 to join the Royal Navy, who later sponsored me to read Geography at Cambridge University. Both experiences were formative in teaching me to string words together.

Your debut novel, Saxon’s Bane, is published by Solaris. How would you introduce the novel to a potential reader? Is it part of a series?

Saxon’s Bane is a thriller with a supernatural twist; past and present collide during the excavation of a Saxon warrior’s grave. The writing challenge, and the fun, was to interweave the present day with a Dark Ages legend, and to bring the two stories together in a plausible climax. Although it’s not part of a series, the main characters will probably reappear in a future book. There’s a fey, fit archaeologist who develops a preternatural understanding of her project. Her character has, ahem, legs.

GudgionG-SaxonsBane

What inspired you to write the novel? And where do you draw your inspiration from in general?

I’ve always been fascinated by the history hidden in the landscape, ever since a crusty old professor at university showed me how to analyse English place names. “Allingley,” he might have said, waving a chalk-dusted arm and breathing a whiff of college port, “Saxon name. Aegl-ingas-leah, the clearing of Aegl’s people.” So I took the Saxon legend of Aegl, the warrior, and his love Olrun, the Swan Maiden, and set the Saxon’s Bane in the village of Allingley, on the banks of the Swanbourne.

Inspiration? It can come from anywhere. That sense of otherness you find in ancient woodland. A mossy ring of standing stones. A church. And just the odd glass of red wine.

Tolkien-LOTR-1-TheFellowshipOfTheRingHow were you introduced to genre fiction?

Tolkien! As a child, I devoured Lord of the Rings. I didn’t end up writing epic fantasy, but Middle Earth was the first believable fantasy world I encountered. I was enchanted!

How do you enjoy being a writer and working within the publishing industry? Do you have any specific working, writing, researching practices?

I love being a writer. I’m living the dream, but I’d say I’m still learning about the publishing industry, and about how to stand out from the crowd. It’s a bit like opening a door, thinking you’re joining a party in a room, only to find yourself in the middle of a football stadium where everyone is shouting.

I tend to write early, and research late in the day. I built an arbour in my garden, which is a wonderfully peaceful and productive place to write, when the weather’s good. It’s also out of reach of the Wi-Fi, so there are fewer distractions! If I have to work indoors, I play a recording of birdsong in my study. I find that helps to tune the brain into a creative space.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

GudgionG-AuthorPicWhen I found I actually enjoyed English homework at school! I made my first attempts at writing a book during long deployments in warships. Those attempts were dire, and I cringe at their memory. The first piece of writing that made me proud was a short story, “Muse”, which won the Get Writing Conference prize in 2011. It’s on my web site.

What’s your opinion of the genre today, and where do you see your work fitting into it?

I think I’m too new to have an opinion about the genre, particularly when I think genre labels are too confining in any case. They seem to be designed for the publishing machine’s convenience rather than the readers’ benefit.

In terms of where I fit, I’m incredibly honoured when reviewers compare me to Robert Holdstock or Alan Garner. Last week Saxon’s Bane was described as “Good old fashioned mythic stuff; Wicker Man by way of John Fowles,” and I can live with that!

What other projects are you working on, and what do you have currently in the pipeline?

I’m about 80,000 words into a time-slip historical novel, also with a supernatural twist, which is set on a crumbling country estate that has been in the same family for over 600 years. In the 14th Century, the founder of the dynasty swears a terrible oath; in the present day his descendants have forgotten the oath, but perhaps the oath has not forgotten them…

What are you reading at the moment (fiction, non-fiction)?

My last book was Chocolat by Joanne Harris. I love her gentle way of weaving mystery and a little magic into the real world. I’m currently reading Bring Up The Bodies by Hilary Mantel. After that, I’m going to immerse myself into the 14th Century with Chaucer’s Canterbury Tales and Ian Mortimer’s brilliant Time Traveller’s Guide to Medieval England.

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What’s something readers might be surprised to learn about you?

I’m a bit of a lunatic on horseback. A good friend lets me ride a horse that I’ve known and loved for years. I can get stale staring at a screen, and the adrenalin-fuelled madness of a gallop, or the surge and soar over a jump, is the perfect antidote.

What are you most looking forward to in the next twelve months?

Seeing Saxon’s Bane take off, I hope. Then finishing the next book to a standard where it’s accepted by my agent (Ian Drury at Sheil Land). And within twelve months? Who knows, it’s not impossible for that book to be acquired by a publisher. My head is starting to buzz with ideas for the book that will follow, and I’d like those to be thoroughly fleshed out by this time next year, and taking shape on paper. No pressure, then.

“Before the Fall” by Francis Knight (Orbit)

KnightF-RD2-BeforeTheFallRojan Dizon’s second outing – good, but unfortunately doesn’t live up to potential of book one

MAHALA IS A CITY OF CONTRASTS: LIGHT AND DARK. HOPE AND DESPAIR.

Rojan Dizon just wants to keep his head down. But his worst nightmare is around the corner.

With the destruction of their power source, his city is in crisis: riots are breaking out, mages are being murdered, and the city is divided. But Rojan’s hunt for the killers will make him responsible for all-out anarchy. Either that, or an all-out war.

And there’s nothing Rojan hates more than being responsible.

Back in January, I developed a bit of a book-crush on Fade to Black, the first book in Knight’s Rojan Dizon series. (I believe “ZOMG!” and “amazeballs” were used in the review…) It was with great anticipation, therefore, that I awaited the arrival of Before the Fall. As it turns out, though, this sophomore novel did not live up to my expectations. It retains the marvellous world (well-realised and atmospheric), fascinating and dark magic system, and generally interesting characters. But… Well, there were a lot of issues that I ordinarily would only have expected in a debut novel. Sad to say, this just didn’t grab me as much as the first.

It’s impossible to write about this series without commenting on the world-building. Knight has created and realised a superb setting for her characters: it is a vertical city, hemmed in by mountains (and other, potentially hostile nations). The rich live at the top, and affluence decreases the further down you go. It is a city of suspicions and paranoia in both the lower and upper levels – the Specials keeping order, and strata envy and snobbery all working to keep everyone in their proper place. It is a wonderfully dark and atmospheric setting, and Knight fills the book with great passages that fill out our mental image of the city. (I do hope there are more than three set in it.)

While the character are all interesting and varied, I felt like Before the Fall didn’t advance them as much as I would have liked. Rojan, who should have been a riveting protagonist (partly because of his actions in Fade to Black, but also because of his magic, situation, and so forth), felt flatter than before. The first one hundred pages were frustratingly repetitive in the minutiae – Knight/Rojan frequently informs us that the Black is so close, calling to Rojan whenever he uses his magic; just as we are too frequently informed that everything has become Rojan’s responsibility. On top of that, we also get rather a lot of why and what he likes about women, then how he’s sworn off women but keeps “falling off the wagon”, how he is supposedly suave (yet surrounded by women who are unattainable). We get that he’s a bit of a philanderer and lover of many women, don’t need to keep telling us. It just felt like we got too much of that sort of thing – if this were a movie, it would be like an over-abundance of establishing shots. There is also more-than-necessary rehashing of what happened in the first novel (but, strangely, without as much detail as would perhaps have been useful?). That’s all a bit vague, for which I apologise – I want to avoid offering spoilers for the first novel as well as this one. All of this makes Rojan a less-than-compelling guide for more of the novel than I expected, this time around. Certainly, there are times when he’s an engaging protagonist, and his connection, affection and objection to his own magic is interesting. Also (and this is perhaps a strange thing to notice), but there was a higher-than-average use of the word “fuck” in the first 100 pages or so.

In addition to my issues with characterisation, the main plot took a little too long to get going, and with the repetitious nature of the character-building, it just didn’t hook me for much time. There were fits and starts, when I would devour larger chunks of the story in short sittings, followed by lulls. Par for the course for most novels, I suppose, but it was a noticeably different reading experience to the one I had for Fade to Black. This is a pity, as the investigation and state of affairs are interesting – the fact that Knight discusses how the destruction of the city’s energy source and supply has effected the city and its population is interesting and well done. In this respect, we really get the feeling that the City itself is a character, and I certainly liked the fact that tangible social and economic upheaval was having realistic repercussions on Knight’s world and characters. Public unrest, simmering suspicions and paranoia, and outbursts of misplaced violence are frequent themes.

Overall, then, I would characterise Before the Fall very much as a bridging installment to the series. Take it as a middle-act, rather than a stand-alone, and I think people will find it much easier to overlook its flaws. I was very disappointed that I didn’t love this as much as the first book. I nevertheless look forward to the final novel, Last to Rise, which is due to be published in November 2013.

Upcoming: “The Emperor’s Blades” by Brian Staveley (Tor UK & US)

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I thought I had missed all mention of this book until today, when Tor UK unveiled the new cover art (left). The Emperor’s Blades is the first book in Brian Staveley’s Chronicle of the Unhewn Throne, and it sounds pretty interesting. As it turned out, though, I’d caught a glimpse of the US cover art a couple of months back (on the right). Of the two, I think I prefer the UK cover, but the US one isn’t exactly hideous. The UK one is very, well, “typical” of the way fantasy and medieval-fiction covers have been developing over the past couple of years, but I do like the colouring.

Check out the synopsis…

The circle is closing. The stakes are high. And old truths will live again.

The Emperor has been murdered, leaving the Annurian Empire in turmoil. Now his progeny must bury their grief and prepare to unmask a conspiracy. His son Valyn, training for the empire’s deadliest fighting force, hears the news an ocean away. He expected a challenge, but after several ‘accidents’ and a dying soldier’s warning, he realizes his life is also in danger. Yet before Valyn can take action, he must survive the mercenaries’ brutal final initiation.

Meanwhile, the Emperor’s daughter, Minister Adare, hunts her father’s murderer in the capital itself. Court politics can be fatal, but she needs justice. And Kaden, heir to the empire, studies in a remote monastery. Here, the Blank God’s disciples teach their harsh ways – which Kaden must master to unlock their ancient powers. When an imperial delegation arrives, he’s learnt enough to perceive evil intent. But will this keep him alive, as long-hidden powers make their move?

Brian Staveley’s The Emperor’s Blades is due to be published in January 2014. I’m very much looking forward to reading it.

An Interview with JAMES MAXEY

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James Maxey’s Dragon Apocalypse is a series I have been eager to read for a long while. It has been one of many victims of Kindle Invisibility Syndrome (I bought Greatshadow soon after it came out). Now that I have acquired Hush and Witchbreaker, I’ll be sure to blitz through the series, which so many reviewers (many of whom share my tastes in this sub-genre) have enjoyed. So, without further ado, let’s get to the questions…

Let’s start with an introduction: Who is James Maxey?

I’m a guy who daydreams a lot and has enough discipline to write down some of the crazy stuff that crosses my mind.

Your latest trilogy, Dragon Apocalypse, has been published by Solaris. How would you introduce the series to a potential reader?

First, I refrain from calling it a trilogy, and usually only refer to it as a series. The three books out now constitute one arc of a larger story, but there will definitely be future books featuring these characters. It’s a big world with lots of potential, and my eventual story-arc covers decades.

My short pitch for the series is that it’s “X-men meets Tolkien”. The setting and scope of the tale are definitely epic fantasy, but the characters – and to some degree the plot lines – are more superhero inspired. Every major character in the series has some kind of superpower. Instead of battling super villains, they battle dragons, and also each other.

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The first book, Greatshadow, is mainly the story of Infidel, a woman with a mysterious past who is super strong and invulnerable. The story is told by Stagger, her best friend, who is secretly in love with her but never confesses his love until the moment of his death in the middle of the first chapter, after he’s accidentally been stabbed with his own knife. His spirit winds up tied to the knife that killed him, so that he winds up haunting Infidel, witnessing her trying to carry on with her life. After Stagger dies, she feels like she’s done with the life of a vagabond mercenary, and wants to make one last big score so she can be insanely wealthy and retire in peace. To do this, she joins up with a hunt to kill Greatshadow, the primal dragon of fire, with the goal of looting his legendary treasure trove. However, the hunt is being organized by the Church of the Book, the dominant religion of the land and the group responsible for her bearing the nick-name “Infidel”. She has to join a party of knights and priests sworn to kill her if they ever learned her true identity. Complicating matters even further, the leader of the dragon hunt is the legendary knight Lord Tower – the man she left standing at the alter near fifteen years before. Hijinks ensue. It’s a love story.

What inspired you to write the novels? And where do you draw your inspiration from in general?

My previous series, the Dragon Age (not related to the video game), was actually science fiction in fantasy drag. Everything in the books has the look of epic fantasy, but underneath it all there’s scientific explanations grounding how our world became the world of Bitterwood. Having written all those epic fantasy books without any recourse to magic, I wanted to go in the opposite direction and create a world where science just doesn’t have any say in the rules. So, instead of the sun being a giant ball of burning gas, the sun is actually a dragon named Glorious who flies across the sky at the same time every day because he’s kind of obsessive compulsive. Also, the Bitterwood novels were fairly gritty, with a few moments of humor, but mostly a very serious tone. The Dragon Apocalypse is much more humorous. It’s not a parody of the fantasy genre, but it does have a lot of fun playing with some of the more absurdist underpinnings inherent to all fantasy.

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How were you introduced to genre fiction?

Comic books, mostly. Once I discovered superheroes, it was all over for me. My mother worried reading all those “funny books” would warp my mind. Boy, was she right! From comic books, I branched out into reading a lot of science fiction in high school, branching out into more fantasy in college, then, for a long time, settling into reading mostly non-fiction about science, history, geography, etc. I get much more day dream fuel out of reading about the real world than I do reading about made up places.

The Dragon Apocalypse novels are your second series to feature dragons prominently. What draws you in particular to dragons?

As you might suspect from my reading material, I’m something of a nerd. From the time I was in high school until well into my 30s, I played AD&D religiously. Usually, I was DM, so I got to play the roles of all the dragons and other monsters the players would fight. And, dragons really had a lot of questions surrounding them. Just what did they want all that treasure for? If they could talk, did that imply culture? They were pretty smart, genius level in fact, and a lot tougher and stronger than humans. Why weren’t they running the world? Eventually, these musings laid the groundwork for the novels I would go on to write.

How do you enjoy being a writer and working within the publishing industry? Do you have any specific working, writing, researching practices?

One specific writing practice I engage in is that I never look back. Once I start writing a book, I never read any of the first draft until I get to the end. Forward is the only direction. Also, I try to write as swiftly as possible, since I really think momentum matters. The faster I write, the better the story flows. I get into zones where my own thoughts go silent and it’s like I can hear the characters talking to one another. Which, arguable, is a symptom of an undiagnosed mental illness, but let’s not go there.

As to whether I enjoy it… well, yeah. People often ask me what I’m smiling about, when I’m just sitting around looking like I’m doing nothing. What I’m usually smiling at is something funny one of my characters just said in my head. I hope I never reach an age where I outgrow my imaginary friends.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

I wrote a lot of short stories in high school, then a lot of terrible poetry in college. When I was 25, I put butt in chair and vowed to write a novel. It took me two years to accumulate 60,000 words. It was unrelentingly awful in just about every aspect. The characters were cardboard, the plot was random, the style was pretentious and opaque. The best thing about the book is that it taught me a lot about how not to write a book. Failure can be a great roadmap to success.

What’s your opinion of the genre today, and where do you see your work fitting into it?

I confess, I read almost no current fiction. I used to write a book review column for Intergalactic Medicine Show, and reading nothing but new releases for a couple of years left me yearning to read some older material, stuff I’d always meant to get around to reading, but somehow never had. These days, I’m reading classics almost exclusively. Just this week, I finished A Princess of Mars by Edgar Rice Burroughs, and now I’m reading King Solomon’s Mines by H. Rider Haggard. I’ve got a warm place in my heart for these older pulp novels. There’s something charming about reading books from an era when people were still creating the genres of fantasy and science fiction.

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As to where my work fits in, I’d say the writer I’m most often compared to is Terry Pratchett. I mix humor, action, and philosophy and try not to take my books too seriously, while also taking care not to slip into slap-dash silliness. I never want to let the humor get in the way of you caring for a character or undercutting what’s at stake in the plot. Ultimately, I write books that I want to read. I think that my pulp fiction affinities are pretty evident on the page, with my emphasis on larger than life characters having big adventures against exotic landscapes.

What other projects are you working on, and what do you have currently in the pipeline?

My debut novel was a superhero tale called Nobody Gets the Girl, which came out ten years ago this October. I’ll be celebrating the anniversary with a new print edition of the book this October that will include a new story set in that world. After that, I’m kind of at the mercy of publishers to find out what’s coming out next. I’ve got a steampunk novel under consideration by a couple of publishers, and recently finished the first draft of a new superhero novel called Accidental Gods that I’ll be shopping around soon. While those books are working though the publishing pipeline, I plan to work on a new Dragon Apocalypse novel.

What are you reading at the moment (fiction, non-fiction)?

In addition to the pulp novels, I recently read One Flew Over the Cuckoo’s Nest and reread On the Road. On my daily commute, I’m listening to Jane Eyre as an audiobook. My most recent non-fiction was Gulp by Mary Roach, and I just today bought a book called Wretched Writing, which is about, you know, wretched writing. Lately, I’ve been working on three books at once; an audio book while driving, a bedtime book I read on my Kindle, and some kind of non-fiction paperback on hand for the times when I have little snippets of time to kill.

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What’s something readers might be surprised to learn about you?

This July, I wrote an entire first draft of a novel in just 4 days. (The superhero novel I mentioned, Accidental Gods.) Admittedly, non-consecutive days, Monday, Wednesday, Friday, and the following Monday. Four fifteen hour sessions of just typing as fast as I could to never let the story lose it’s flow. I had a small window of time where my old day job ended and my new day job hadn’t started, and wanted to find out if I could use the intervening days for something productive. Now, I entertain fantasies of locking myself in a cabin with a bottle of tequila and a laptop with no internet connection for one long weekend and seeing what I might emerge with…

What are you most looking forward to in the next twelve months?

In March, I turn 50. I’m going to have a huge party the night before, then, the next day, celebrate by taking a 50 mile bike ride. I’ve been building up to it all summer; so far, the longest distance I’ve done is 30 miles, but I think with another six months of training I’ll be able to do it.

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Be sure to check out James Maxey’s website for information about his novels. In addition, The Dragon Apocalypse was recently collected into a handy omnibus eBook.

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Joining in the A-to-Z Meme: Books & Comics

A few days back, I agreed to join in a cross-blog “A-to-Z of Comics” series with Abhinav and Bane of Kings. In keeping with the theme and tradition of Civilian Reader, though, I’ve decided to expand the remit to include fiction and other books. Because, you know, I like to do things my way. And I’m difficult. Probably more the latter… A lot of the answers ended up feeling a little repetitive, but there we go. I also dropped a couple of Letters, because I couldn’t come up with anything. Let us begin.

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AUTHOR YOU HAVE READ THE MOST OF…

Fiction: Easy – Terry Pratchett. I think Bernard Cornwell is runner-up?

Comics: Huh. I’m not actually sure about this. Probably Ed Brubaker (because of his run on Captain America) or Bill Willingham (because of Fables).

BEST SERIES EVER…

Fiction: Terry Pratchett’s Discworld, Anne Rice’s Vampire Chronicles, Bernard Cornwell’s Sharpe, Aaron Dembski-Bowden’s Night Lords trilogy… I’m not very good at all at picking single “Best Of” anything.

Comics: DMZ. Easy. (So maybe I can pick them, sometimes…) This series is absolutely superb, and everyone should read it. I’ve reviewed it all on the blog in the past.

CURRENTLY READING…

Fiction: Lavie Tidhar’s The Violent Century.

Comics: Gregg Hurwitz’s second story-arc on Batman: The Dark Knight, featuring the Mad Hatter. [As an aside – his Scarecrow storyline is one of the best Batman plots I’ve ever read.]

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DRINK OF CHOICE WHILE READING…

Oh, this is probably the easiest question on here: coffee during the day, red wine in the late afternoons and evenings. Always.

E-READER / PHYSICAL…

Fiction: I like both, but recently I’ve been moving more towards Kindle – I have very limited shelf-space, and my 3hr-commute wrecks books (seriously – fantasy books are mammoth!), but not my Kindle.

Comics: I find it easiest to use my iPad for comics. Bigger variety, and all I need is an internet connection, and lots of issues I’d like to read are (eventually) discounted.

GLAD YOU GAVE THIS A CHANCE…

Fiction: Scott Lynch’s The Lies of Locke Lamora – I barely read any fantasy before reading this in 2008. Since then, I’ve been (quite obviously) hooked. Also Stacia Kane’s Downside Ghosts series. Dark, gritty, and thought-provoking Urban Fantasy. I still hold that Chess Putnam is a modern analog for Sherlock Holmes…

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Comics: Fables and Sandman. I am very wary of anything that “everyone loves”. So I took a while to get around to these, and loved them both. Going a bit further back, though, I suppose a number of the New 52 titles back in September-October 2011 – got me back into comics.

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IMPORTANT MOMENT IN YOUR READING LIFE…

Fiction: Chronologically? James Clavell’s Tai-Pan, Anne Rice’s The Vampire Lestat, Bernard Cornwell’s Sharpe’s Tiger, the aforementioned The Lies of Locke Lamora, Michael Chabon’s The Adventures of Kavalier & Clay. Oh, and Terry Pratchett’s Guards, Guards – but I can’t quite remember when I first read it. I must have read it eight times, now?

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Comics: DMZ, Fables, the New 52, and when Myke Cole told me to read Ed Brubaker’s Captain America. Oh, and when I finally bit the bullet and tried Hawkeye – superb.

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JUST FINISHED…

Fiction: Francis Knight’s Before the Fall.

Comics: The first four issues of Constantine and Lucifer Vol.1: Devil at the Gates. Both very good, and the latter will probably become a new addiciton.

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KIND OF BOOK YOU WON’T READ…

Fiction: Romance/Mills & Boon/Supernatural Porn. I’m a prude, when it comes to reading, I guess. I don’t like reading sex scenes. They always read like they were written by a hyperactive, sex-starved teenager who’s never experienced it. I once read a scene in which the protagonist was made to orgasm purely by being touched on their arm. Please. So, if I get the feeling a novel’s plot is just what fills in between ridiculous sex scenes, I’m out.

Comics: Hmm… I wish I could say, “Stuff written by Grant Morrison?” but he’s been involved in so many key Events/storylines that I’ve read a fair bit, now. I don’t like gross-out comics, or sophomoric, but I guess I have to read it to discover if it’s something like that. I’m pretty open-minded, when it comes to comics, actually. Perhaps more so than with fiction. Not sure what that says about me.

LONGEST BOOK/GRAPHIC NOVEL YOU’VE EVER READ…

Ficiton: Either Tai-Pan or Patrick Rothfuss’s Wise Man’s Fear?

Comics: One of the Fables Deluxe Editions, I suppose. Not sure, because I don’t pay attention to page-lengths.

MAJOR BOOK HANGOVER BECAUSE OF:

Fiction: Chabon’s The Amazing Adventures of Kavalier & Clay – I have no idea how I’m going to review this. Not a clue. Loved it. Couldn’t read anything else for over a week after finishing it.

Comics: Irredeemable #12

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NUMBER OF SHELVES I OWN/NEED…

Fiction: Not nearly enough. I actually have five where I’m living at the moment, but I also have seven massive boxes of books (haven’t unpacked from the latest move), and I have a couple shelves and boxes at Alyssa’s. I have books everywhere.

Comics: One long shelf of Hardcovers, special editions and special-to-me trade paperbacks.

ONE BOOK/COMIC YOU HAVE READ MULTIPLE TIMES…

Fiction: Anne Rice’s The Vampire Lestat and Terry Pratchett’s Men At Arms.

Comics: DMZ volume 1, The Definitive Irredeemable Vol.1 (#12 is the only comic to ever make me cry, and choke up when talking about it afterwards).

So much for “one”…

PREFERRED PLACE TO READ…

In bed, in a coffeeshop, on the sofa… But, really, it’s anywhere with Alyssa. [Gross-out-soppy-moment-alert!]

READING REGRET…

Fiction: Not reading some of the classics – of genre fiction, but also some of the classics of literature in general. Unlike most people, I was always in an “experimental” year for English classes, and I seem to have gone through life without reading many of the defining novels.

Comics: Taking so long to discover that there is one hell of a lot on offer in comics.

SERIES YOU NEED TO FINISH…

Ok. Here’s the thing about finishing series: I am terrible at it. Awful. I could list so many series – and especially trilogies – that I have failed to finish. I don’t know why, but this affliction has only grown worse since I started receiving more ARCs. Partly, I think it may be the fear of a story ending, which I know is ridiculous. It’s certainly not because I disliked the story. So, here are a selection of series I really need to finish…

Jon Sprunk’s Shadow Series

Brent Weeks’s Lightbringer Series (have to read book two before third is released)

Daniel Abraham’s The Dagger & the Coin

N.K. Jemisin’s Inheritance trilogy

Joe Abercrombie’s post-First Law novels (they’re kind of a series, right?)

Stacia Kane’s Downside Ghosts (book six is coming out soon, and only read the first two)

Mark Lawrence’s Broken Empire

And so very many more…

Comics: Ongoing series I’m not sure I should count in this, but I do definitely want to catch up on Fables, Batman, The Sixth Gun, and Skullkickers. Already complete series I need to finish include Sandman, Lucifer, and Ed Brubaker’s Captain America.

THREE OF YOUR ALL-TIME FAVOURITE BOOKS/COMICS…

Fiction: Anne Rice’s The Vampire Lestat/Queen of the Damned (I’ve mentioned before – I consider them one, and they’re always read together), Scott Lynch’s The Lies of Locke Lamora, and Terry Pratchett’s Men at Arms.

Comics: DMZ, Fables, The Sixth Gun

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Next to impossible to truly only pick three… I could maybe pick a hundred.

UNAPOLOGETIC FANBOY FOR…

Fiction: Aaron Dembski-Bowden’s Black Library fiction. He is one of the best writers today. It saddens me that people who hate/don’t like/avoid tie-in fiction, or Warhammer 40,000 fiction will never get around to his novels. Think he’s superbly talented fellow.

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Comics: DMZ – love it, love it, love it. Go! Go buy volume one, and thank me later.

VERY EXCITED FOR THIS RELEASE…

Fiction: Mark Charan Newton’s Drakenfeld

Comics: Fables Deluxe Books 7 & 8.

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WORST BOOKISH HABIT…

Fiction: Buying things for my Kindle, and then forgetting they’re on there. Bloody infuriating. Worst thing about Kindles – you can’t glance at one, like a set of shelves, and be inspired to read something. Mind you, buying more books in general is a weakness of mine. There is only so much time in the year/one’s life, after all…

Comics: Splurging on ComiXology’s sales. So many awesome ones, recently (Sweet Tooth, American Vampire most recently).

Mieville-IronCouncilX MARKS THE SPOT: START AT TOP LEFT AND PICK THE 27TH BOOK ON YOUR SHELF…

China Mieville’s Iron Council – the third in the author’s New Crobuzon series, and one I’ve never got around to reading. I thought Perdido Street Station was bloated and rather dull. The Scar, on the other hand, I have read (inhaled, really) three times, and I love it. The other week, I found this book on a Take-One-Leave-One shelf at the start of my commute. Seemed fortuitous. Hopefully I’ll get to this relatively soon.

YOUR LATEST BOOK PURCHASE…

Fiction: Holly Black’s White Cat.

Comics: Hellheim #1-6, the first story-arc for Cullen Bunn’s new series published by Oni Press (who also publish The Sixth Gun).

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ZZZ-SNATCHER BOOK…

Anything I’m reading can keep me awake well into the night. The last two books that really kept me up waaaay past bedtime, though, were Peter V. Brett’s The Daylight War and Joe Abercrombie’s Last Argument of Kings. (I think I went to sleep when my neighbour got up to go to work for both of those…)

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