Books on Film: THE TERROR

“This place wants us dead…”

 

Tonight, AMC will air the first episode of The Terror, adapted from Dan Simmons’s novel of the same name. I haven’t yet had the chance to read the novel, but I know many people who love Simmons’s work. The adaptation stars the always excellent Jared Harris and Ciarán Hinds, and executive-produced by Ridley Scott (among many others).

SimmonsD-TerrorUSHere’s the synopsis:

The men on board Her Britannic Majesty’s Ships Terror and Erebus had every expectation of triumph. They were part of Sir John Franklin’s 1845 expedition — as scientifically advanced an enterprise as had ever set forth — and theirs were the first steam-driven vessels to go in search of the fabled North-West Passage.

But the ships have now been trapped in the Arctic ice for nearly two years. Coal and provisions are running low. Yet the real threat isn’t the constantly shifting landscape of white or the flesh-numbing temperatures, dwindling supplies or the vessels being slowly crushed by the unyielding grip of the frozen ocean.

No, the real threat is far more terrifying. There is something out there that haunts the frigid darkness, which stalks the ships, snatching one man at a time – mutilating, devouring. A nameless thing, at once nowhere and everywhere, this terror has become the expedition’s nemesis.

When Franklin meets a terrible death, it falls to Captain Francis Crozier of HMS Terror to take command and lead the remaining crew on a last, desperate attempt to flee south across the ice. With them travels an Eskimo woman who cannot speak. She may be the key to survival — or the harbinger of their deaths. And as scurvy, starvation and madness take their toll, as the Terror on the ice become evermore bold, Crozier and his men begin to fear there is no escape…

The Terror is published by Little, Brown in North America and Bantam in the UK. Simmons’s latest novel is The Fifth Heart; and his next, Omega Canyon, is due out in May 2019.

Follow the Author: Website, Goodreads

Teaser: Guillermo del Toro & Chuck Hogan’s THE STRAIN (TV)

The teaser trailer for upcoming TV adaptation of Guillermo del Toro and Chuck Hogan’s The Strain was unveiled by FX during the Super Bowl. Here it is:

Q&A with Andy Serkis on adapting Samantha Shannon’s THE BONE SEASON & George Orwell’s ANIMAL FARM

AndySerkisIn a Q&A organised by Samantha Shannon’s publicists in the UK, Andy Serkis discussed the acquisition of movie rights for Shannon’s debut novel, The Bone Season. Serkis, best-known perhaps as Gollum in Lord of the Rings and the Hobbit movies, has set up his own film studio, Imaginarium Studio. The Bone Season will be one of their first projects, alongside an adaptation of George Orwell’s Animal Farm, both of which will be directed by Serkis.

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What is it about The Bone Season that compelled you to include it in The Imaginarium Studio’s very first slate of films?

We first came across the manuscript at the London Book Fair and immediately fell in love with the scope, the scale and the exceptional detail of the world Samantha had created. It’s a really compelling story with such a great central character – we all immediately saw its potential as a fantastic feature film.

Have you met Samantha Shannon, and how involved will she be in the film’s production?

Yes of course – she’s a delightful, incredibly intelligent person. She’s very warm and a passionate storyteller- dedicated beyond belief. We’re working very closely with her on all aspects of bringing the world of the book to the screen. We’ve been involving her with all the early concept artwork that we’re beginning to put together. Obviously it’s her world so we want to make sure we bring it to life in the way that she wants.

ShannonS-BoneSeasonCan you tell us about how the creative process for adapting a story like The Bone Season begins?

It begins with knowing the story you want to tell. There are thousands of stories contained within the world that Samantha has created – we have to be very disciplined about opening up the world in a way that will lead us on to further investigation in the rest of the series. We need to find the emotional heart of the story; the relationships; the tension; the suspense and the drive, and of course working closely with Samantha is going to make it much easier.

At this very early stage it’s about finding the right writer and the right approach to telling the story. Hand in hand with developing the screenplay it’s also about developing the visual world and bringing that to life, finding the right visual effects team who understand Samantha’s concepts.

You have been part of bringing some of the world’s most famous and well-loved fantasy worlds to contemporary audiences. Which of your experiences across film, TV, stage and video games would you say has been most helpful in preparing you to produce The Bone Season?

It would be impossible to single out any one single experience, it’s an accumulation of all my experiences to date, but obviously having worked on The Lord of the Rings and Tolkien’s extraordinary world with Peter Jackson is incredibly useful. Peter basically gave me the opportunity to work on a lot of extraordinary characters in a lot of extraordinary worlds and has opened up my eyes to a genre that I knew very little about before.

Will performance capture will come mostly into play when portraying Shannon’s Rephaim race on screen in The Bone Season? Can you give us any insight into how you’d like these characters to appear?

We’re in very early stages of designing how we want to portray these characters, and are exploring a variety of avenues to bring these characters to life. We’re certainly not tied to any one production technique at this early stage.

Animal Farm is the other film on your inaugural slate. What can you tell us about this project?

OrwellG-AnimalFarmWe’re extraordinarily excited about Animal Farm. We have been working on the methodology this year, the development of the characters and the story. We’re working with a wonderful character designer and very pleased with how the animals are developing as visual characters.

In terms of story, we’re remaining very truthful to the original book however we are relocating the setting as if Orwell were writing in the present day – we’ve been working very closely with the Orwell estate on this.

You’re talents are very varied! If you could only do one thing for the rest of your career, which would you choose (stage/TV/film/video game roles, voice roles, director or producer)?

Mountain Climber.