Let’s start with an introduction: Who is Markus Heitz?
An ex-RPGer, old Goth, who likes living and laughing and telling stories. Many stories in many different worlds. That’s the curse of being a roleplayer (p&p) for 16 years. Now I’m writing and it’s a kind of methadone. Oh, of course, I wear black. It calms people around you – did I mention, that I am 1.89m tall?
Your latest novel, Righteous Fury, is published by Jo Fletcher Books. How would you introduce the novel to a potential reader? Is it part of a series? Is it connected to your previous novels?
When I started the Dwarves, I knew that my evil elves – called the Älfar – must have their own series. The idea of changing the perspective was very seductive for me. And, like the Emperor in Star Wars, I wanted to say to readers: come to the Dark Side. Look, we even have art and paintings and culture. Okay, we use bones and blood and other parts of our enemies, but, well, art is art. Playing the devil’s advocate was the challenge. Continue reading






I was going to write about some of my non-book influences for this guest blog. There are a lot of them – the video game Dragon Age, which pretty much singlehandedly reinvigorated my love of high fantasy; the TV show Farscape, partly responsible I suspect for my obsession with snippy banter and weird creatures; and Labyrinth, of course – what fantasy fan of my age wasn’t influenced by Labyrinth? And then I remembered a conversation I had way back when The Copper Promise was a tiny wee novella. Someone asked me if I’d named Lord Frith after the god of rabbits in Watership Down. I laughed, because if anyone would object to being named after the god of rabbits it’s probably my grumpy Lord Frith, and then I stopped laughing, because I realised I had done exactly that. Not entirely consciously, but then Watership Down has been with me for a very long time, and I have over the years noted it cropping up in tiny ways in lots of things I did. For me, Watership Down was a film before it was the book – I love the book very much, but if you really wanted to mess with my head as a very small child, you needed to come in the form of a cartoon. 

