Featuring: Jeffrey Archer, Jason Arnopp, Dan Bevacqua, Dan Carlin, Agatha Christie, S.C. Emmett, W.L. Goodwater, James Grippando, Dave Hutchinson, Sheena Kamal, Mary Robinette Kowal, Derek Künsken, Olivia Laing, Rachel Maddow, Kristyn Merbeth, Kim Newman, Claire North, Mike Pearl, Jason Pinter, Hannu Rajaniemi (ed.), Josh Reynolds, Susan Rice, Paul Richter, Matt Ruff, Kate Elizabeth Russell, Michael Rutger, Andrew Skinner, Tade Thompson, Jacob Weisman (ed.), Drew Williams, Steven Wright
Let’s start with an introduction: Who is Mike Shackle?
I’m a Brit who’s lived and worked all over the world but has settled in the wonderful city of Vancouver with my family. In my time, I’ve sold washing machines, cooked for the Queen, designed a few logos and made a lot of ads for some of the biggest brands in the world. But I’ve always been a dreamer and I’m happiest disappearing into made-up worlds, full of dark and interesting characters, whether that’s in my own writing or enjoying our people’s novels.
Your debut novel, We Are The Dead, is due to be published by Gollancz in August (one of my most-anticipated debuts of the year). How would you introduce it to a potential reader? Is it part of a series?
We Are the Dead is the first book in the Last War trilogy. As per the blurb, it’s a story full of crunching revolutionary action, twisted magic, and hard choices in dark times. It’s about what happens when the bad guy wins and there are no heroes left to come and save the day. It’s a tale about a coward, a teenage psychopath, a single mother and a crippled soldier forced to stand up and fight when it matters most. It’s grim and it’s dark but, at its heart, it’s a story about families and hope. Continue reading
Like many readers, I absolutely loved Emily St. John Mandel‘s Station Eleven. I was, therefore, extremely happy to learn about the author’s follow-up, The Ghost Hotel. We still have quite some time to wait before it arrives in bookstores (curses!), but I wanted to give it a quick shout-out here, just in case you’d missed it. Here’s the synopsis:
From the award-winning author of Station Eleven, a captivating novel of money, beauty, white-collar crime, ghosts, and moral compromise in which a woman disappears from a container ship off the coast of Mauritania and a massive Ponzi scheme implodes in New York, dragging countless fortunes with it.
Vincent is a bartender at the Hotel Caiette, a five-star glass-and-cedar palace on an island in British Columbia. Jonathan Alkaitis works in finance and owns the hotel. When he passes Vincent his card with a tip, it’s the beginning of their life together. That same day, Vincent’s half brother, Paul, scrawls a note on a windowed wall of the hotel: “Why don’t you swallow broken glass.” Leon Prevant, a shipping executive for a company named Neptune-Avramidis, sees the note from the hotel bar and is shaken to his core. Thirteen years later Vincent mysteriously disappears from the deck of a Neptune-Avramidis ship.
Weaving together the lives of these characters, The Glass Hotel moves between the ship, the skyscrapers of Manhattan, and the wilderness of northern Vancouver Island, painting a breathtaking picture of greed and guilt, fantasy and delusion, art and the ghosts of our pasts.
The Glass Hotel is due to be published by Knopf in North America (March 24th, 2020) and Picador in the UK (April 30th, 2020).
Also on CR: Review of Station Eleven and Last Night in Montreal
Let’s start with an introduction: Who is Breanna Teintze?
I’m a mom, a nurse, and I once set myself on fire cooking peas (it’s okay, I put it out, I was fine). I write books about the sort of people who have also probably set themselves on fire cooking peas.
Your debut novel, Lord of Secrets, will be published by Jo Fletcher Books in July. It looks really interesting: How would you introduce it to a potential reader? Is it part of a series?
When I was writing Lord of Secrets I described it as my “puzzles and explosions” book. If you like fast action, creepy temples, snarky humor, and magic people grappling with family difficulties, you’ll like this book. Also: skeletons.
It’s the first book in a series called The Empty Gods. I’m working on edits for book two in the series at the moment, which could be described as Relationship Goals But Also There’s Mummies. Continue reading
Let’s start with an introduction: Who is Alexander Dan Vilhjálmsson?
I am an Icelandic fantasy author, who currently lives in Reykjavík. I write in both Icelandic and English and translate my own work (by necessity).
Your next novel, Shadows of the Short Days, is due to be published by Gollancz in July. It looks really interesting: How would you introduce it to a potential reader? Is it part of a series?
Shadows of the Short Days is set in a fantastical, alternate version of Iceland called Hrímland. The story follows two outcasts, Sæmundur and Garún. Garún is a revolutionary activist slash visual artist, who uses psychoactive, sorcerous graffiti to alter the world. She is fighting for a better society for herself and others who are oppressed by the colonial rules of Hrímland, the Kalmar Commonwealth. Sæmundur is a drug-addicted, outcast galdramaður, a magician who will do anything to reach full mastery and understanding of the extremely dangerous type of magic he practices. Both of them will sacrifice anything to reach their goals, pay any price. Continue reading
Let’s start with an introduction: Who are Amal El-Mohtar and Max Gladstone?
AE: Two sentient beings, both alike in dignity, in fair EssEffEff, where we set our — wait maybe that’s too zoomed out. Let’s see. Max is a brilliant superhuman writer, author of The Craft Sequence books (at six and counting!), just-released standalone space opera The Empress of Forever, and head writer of Serial Box’s Bookburners.
MG: And Amal is a world-renowned and award-winning writer, editor, scholar, NYT-published critic, and general badass — her phenomenal “Seasons of Glass and Iron” won the Hugo, Nebula, and Locus awards!
This is How You Lose the Time War, a novel you have written together, will be published in July. It looks really interesting: How would you introduce it to a potential reader?
AE: It’s an epistolary spy vs. spy novella across time and space; think Griffin and Sabine meets Killing Eve by way of Steven Universe. Alternately, imagine if Florence + the Machine’s Lungs was a novella in which all the songs are sung to women in letter-form. Continue reading
I’ve recently been blitzing my way through Michael Connelly’s excellent novels in the “Heironymous Bosch Universe” — those that star the eponymous detective, and also those starring the characters who have cycled in and out of Bosch’s orbit over the course of the series. I tend to focus my reviews on either upcoming, new or fairly-recently-published books. However, Connelly’s crime novels have so taken over my imagination and reading time this past month (eight since the beginning of June), that I decided I should put something together for CR. In this post, I take a quick look at the novels featuring Terry McCaleb. Continue reading
An anthology of Age of Sigmar short fiction, which serves very well as an introduction
For too long, the Mortal Realms have suffered under Chaos’ twisted crusade. Tainted lands writhe in agony and once great cities lie in ruins, the hopes of their people extinguished. But the storm winds rise. Sigmar’s greatest creation, the Stormcast Eternals, strike with His vengeance. Their lightning drives the darkness away and their thunder drowns out the screams of the Foul Gods’ acolytes as they fall to sword and halberd. The sons and daughters of the storm know they cannot fail. For now is the time where the fate of a world will be decided. Where Gods and mortals must rise and fight, or face their final damnation.
CONTENTS
The Dance of the Skulls & Obsidian by David Annandale
Blacktalon: Hunting Shadows by Andy Clark
Vault of Souls by Evan Dicken
Bear Eater, Force of Personality, Gods’ Gift & The Hardest Word by David Guymer
Pantheon by Guy Haley
Callis & Toll: The Old Ways by Nick Horth
Pilgrim’s Trial by Robbie MacNiven
Auction of Blood, Eight Lamentations: The Tainted Axe, The Library of Forgotten Moments, Order of the Fly: Tourney of Fate & The Road of Blades by Josh Reynolds
Gravesend Gold & The Witch Takers by C L Werner
The Age of Sigmar is a pretty massive fantasy setting, one that continues to grow. It could be a bit daunting to find a way into it. If you are looking for a way in, this is a substantial collection of short fiction may be your best bet. Including stories featuring some established characters, as well as touching upon many of the myriad facets of the Mortal Realms, reading Gods & Mortals will give readers a nice, broad glimpse of the Age of Sigmar. Continue reading
I don’t know what it is about genre distinctions that so fascinates writers and readers alike. We enjoy them perhaps for the same reason we obsess about character classes and skill trees and so on in games like Dungeons and Dragons and why so many of us obsess (wrongly) about “magic systems” (as if anything which supercedes and violates natural law should be systematic, ha)! We like complexity, perhaps too much, we like categories (heavens, so much trouble in fan culture of late is the result of trying to categorize fans and creators alike: for their immutable traits, for the beliefs, for their politics, and so on). Complex categories give the world a texture that we nerds find pleasing, for they bespeak a deep sense not merely of order, but of ordered chaos.
The best of both worlds. Continue reading
Today, W.F. Howes publishes the audiobook edition of Sweet Sorrow, the new novel by David Nicholls. I’ve enjoyed a few of Nicholls’s past novels, starting with Starter for Ten and The Understudy which I read during a summer at college (can’t remember exactly when, but it’s been quite a while). The excerpt is below, and here’s the synopsis…
One life-changing summer, Charlie meets Fran… David Nicholls’s highly anticipated new novel, narrated by Rory Kinnear.
In 1997, Charlie Lewis is the kind of boy you don’t remember in the school photograph. His exams have not gone well. At home he is looking after his father, when surely it should be the other way round, and if he thinks about the future at all, it is with a kind of dread.
Then Fran Fisher bursts into his life and despite himself, Charlie begins to hope.
But if Charlie wants to be with Fran, he must take on a challenge that could lose him the respect of his friends and require him to become a different person. He must join the Company. And if the Company sounds like a cult, the truth is even more appalling.
The price of hope, it seems, is Shakespeare. Poignant, funny, enchanting, devastating, Sweet Sorrow is a tragicomedy about the rocky path to adulthood and the confusion of family life, a celebration of the reviving power of friendship and that brief, searing explosion of first love that can only be looked at directly after it has burned out.
The excerpt is narrated by Olivier award-winning actor Rory Kinnear.
The print and eBook editions of the novel are out now in the UK, published by Hodder & Stoughton; the US edition is still a while away, due to be published by Mariner Books in May 2020.
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