Guilliman and Mortarion finally come into conflict…
Intent on rebuilding Ultramar, the returned primarch Roboute Guilliman wages war on the treacherous Death Guard – but the intervention of a greater power threatens all he works for.
In the void and upon the worlds of Greater Ultramar, the battle for the Imperium continues.
Intent on rebuilding his home realm and using it as base to reconstruct the ravaged stellar empire of mankind, the returned primarch Roboute Guilliman proceeds with his war to drive Mortarion and his Death Guard Traitor Legion from the domain of the Ultramarines.
But when Guilliman brings his brother to battle upon the diseased plains of Parmenio, the intervention of a greater power in their fraternal struggle threatens to upend the Imperial Regent’s understanding of the galaxy, and his place within it.
This is the second novel in Haley’s Dark Imperium trilogy. Meant to coincide with the recent, epic changes in the WH40k setting, it is packed with revelations and action. I enjoyed the first novel in the series, and very much enjoyed this one, too. A must-read for all fans of the WH40k setting. Continue reading
An interplanetary tale of identity and responsibility.
Reinvents the pulp Western with an explicitly antifascist, near-future story of queer identity.
A must-read collection of interlinked crime novellas
Sarah Gailey is already well-known for their interesting genre-mash-ups: the weird-west novellas published by Tor.com (the
I first heard about Rebecca Roanhorses‘s upcoming novel when I spotted the cover on Twitter — and, like all good covers,
Long-time readers of CR will know that I am a big fan of Daniel Polansky‘s work. His
An intriguing mystery novel, quite well executed
As someone obsessed with process, I love reading annotated things. Books, comics, movie commentary, what have you. When trying to understand how to do a thing (say, write a book), it can be invaluable to get that peek behind the curtain. But if there is one thing we can say for certain about the process of writing, it’s that no two writers do it exactly the same. So when you read this annotated excerpt, I invite you not to latch on to any one thing too strongly, and view it merely as one more sample in a vast sea of writing processes.