Quick Review: THE COLDEST GIRL IN COLDTOWN by Holly Black (Little, Brown)

BlackH-ColdestGirlInColdtownAn interesting, very good take on vampires

Tana lives in a world where walled cities called Coldtowns exist. In them, quarantined monsters and humans mingle in a decadently bloody mix of predator and prey. The only problem is, once you pass through Coldtown’s gates, you can never leave.

One morning, after a perfectly ordinary party, Tana wakes up surrounded by corpses. The only other survivors of this massacre are her exasperatingly endearing ex-boyfriend, infected and on the edge, and a mysterious boy burdened with a terrible secret. Shaken and determined, Tana enters a race against the clock to save the three of them the only way she knows how: by going straight to the wicked, opulent heart of Coldtown itself.

I’m going to keep this review very short – not because I think the novel doesn’t deserve a mention, but because my thoughts can be summed up quite succinctly (for a change). It’s a very good novel, I must say. Not perfect, but very strong and among the best and most interesting vampire novels released in recent years. Continue reading

Interview with ANDY McNAB

Let’s start with an introduction, just in case there are people who haven’t heard of you: Who is Andy McNab? 

I was in the army for 18 years. Eight years in the infantry and the remainder in the Special Air Service. The first book I wrote was about my experience during the first Gulf War, Bravo Two Zero. It became the biggest selling war book of all time. So that then kicked off a second career as a writer, then a script writer and film producer. The books are doing well – they have now sold just over 30 million copies worldwide.

McNabA-LS3-NewEnemyUKYour third Liam Scott novel, The New Enemy, will be published by Random House in the UK, in January. How would you introduce the series to a new reader, and what fans of the first two books expect?

Liam is a typical 16-year-old who joins the army as a Junior Soldier. As well as all the normal things 16-year-olds start to experience – drink, girls and mates – he goes through his infantry training and eventually to Afghanistan. There his experiences include not only the “bang bang” that you would expect from a story set in a war zone but also his own worries and fears around all this. Will he let himself down when he has to step up to the plate and do what he’s trained and paid to do? Or worse, will he let his mates down and look weak when he’s under fire? Continue reading

Review: THE DEATH HOUSE by Sarah Pinborough (Gollancz)

PinboroughS-TheDeathHouseUKAnother great short novel

Toby’s life was perfectly normal… until it was unravelled by something as simple as a blood test.

Taken from his family, Toby now lives in the Death House; an out-of-time existence far from the modern world, where he, and the others who live there, are studied by Matron and her team of nurses. They’re looking for any sign of sickness. Any sign of their wards changing. Any sign that it’s time to take them to the sanatorium.

No one returns from the sanatorium.

Withdrawn from his house-mates and living in his memories of the past, Toby spends his days fighting his fear. But then a new arrival in the house shatters the fragile peace, and everything changes.

Because everybody dies. It’s how you choose to live that counts.

What happens when kids and teens are thrown together in a situation, under minimal supervision, knowing they’ve not got long to live? This is, basically, what The Death House is about. The kids are “defectives”, guaranteed to get sick and be disappeared in the night, whisked away to the sanatorium never to return. This novel gives us a brief glimpse into the lives and minds of the doomed teens. It’s a moving, brilliantly written book. Continue reading

Guest Post: “Saying Goodbye” by Tom Pollock

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So that’s it then, it’s done.

It’s a strange thing, finishing a trilogy. It comes with a sense of dislocation. I’ve spent the last five years – a sixth of my life – in a dream world: a London where the streets are lit by glass-skinned dancers with phosphorescent blood, and where the statues conceal a priesthood entombed by their Goddess in stone and bronze as a punishment, a London where the scaffolding can slide from the face of a building, rearticulate itself into a snapping, snarling steel wolf, and pounce.

It’s not letting go of the world that’s the strangest thing, though it’s letting go of the people. Because I’ve also spent the last five years in the heads of two teenaged girls. I’ve done my best to feel what they felt as they fell in love, and fought with their friends and were kidnapped by sentient barbed-wire parasites and took on the powers of urban gods. I’ve pretzel-twisted my thoughts into the shapes of theirs. To put it simply, within the bone enclosure of my skull, I’ve been them. And it’s been a trip.

I am little sceptical of the claim that writing is ‘hard.’ I mean, it is, but so is everything. By nature, I’m a monkey that wants to sit in the sun and eat bananas and unselfconsciously scratch unsociable parts of myself when they itch and… that’s it. There is no deviation from that state of simian bliss that doesn’t count as hard for me. However I’m pretty sure writing doesn’t compare to the difficulty, and let’s be honest – the courage – of doing something really difficult, like farming, or teaching or soldiering or midwifery

Still, it’s not all been fun and games and hijinks with blood-chilling monsters. Side effects of fantasy writing may include: fever, cramps, dizziness (from lack of sleep), diahorrea (verbal, about your book, which when it’s half-conceived no one else cares about), hallucinations, an inability to talk in complete sentences and the growing worry that you may not in fact be human.

That last comes from core activity of writing: grubbing around inside yourself for the truest and most important and most human thing you can lay your hands on and putting it on the page, and then showing it to other people. Because there’s a very real possibility they’ll look at that page and say ‘nope, doesn’t seem human to me’ and then what do you do? Like a lot of writers my ego is the size of the Yukon but has the damage resisting qualities of a Kleenex caught outside on a stormy day, and I think that would have felt like the most undeniable judgment, a kind of reverse Turing test, a double-blind, clinical trial of my soul.

PollockT-SkyscraperThroneUK

Until now, that was the scariest thing about writing, but now I’ve got something to top it: letting go. I need to stop being these people now, and make up someone else to be. After five years, I won’t lie, that’s a little intimidating.

I’ll do it though. I have to. I’ll put one sentence in front of another until I’m back gibbering incoherent bits of plot to innocent tourists who stop me on the tube to ask for directions. You know, back to normal.

It’s either that or learn to be a teacher, or a soldier, or a midwife. And you know what? I’m not sure I’m up to that.

***

Inventor of monsters, hugger of bears, Tom Pollock is the author of the Skyscraper Thrones series – The City’s Son (shortlisted for the Kitschies Golden Tentacle); The Glass Republic (shortlisted for the British Fantasy Award); and Our Lady of the Streets, which is out in August. All three are published by Jo Fletcher Books in the UK. The City’s Son is also published in the US by Flux Books (cover below).

For news on Tom’s novels and next projects, be sure to check out his blog and the Skyscraper Throne website, and follow him on Twitter. AND, if you’re in London, be sure to go to Tom’s signing at Forbidden Planet, on August 7th.

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An Interview with KENDRA LEIGHTON

LeightonK-AuthorPicLet’s start with an introduction: Who is Kendra Leighton?

I’m a YA writer and chocolatier living in Cambridge. I run an organic chocolate company called Rawr Chocolate with my partner during the day, and the rest of the time I’m either reading or writing YA (usually whilst eating chocolate).

Your debut novel, Glimpse, is due to be published tomorrow by Much-In-Little. How would you introduce the novel to a new reader?

Glimpse is a YA paranormal novel inspired by Alfred Noyes’ classic poem “The Highwayman”. It isn’t a retelling, but relies on the events of the poem to tell a whole new story. The main character, Liz, is a seventeen year old girl with numerous problems, the biggest being the ability to see things that shouldn’t exist. When her grandfather dies, she inherits his home – the five-hundred year old Highwayman Inn – and moves there with her dad, hoping for a fresh start. Her problems only get worse…

LeightonK-GlimpseUK

What inspired you to write the novel? And where do you draw your inspiration from in general?

I’ve always loved gothic fiction, from the classic novels I studied at university to modern-day paranormal. It was a given that my first book would be somewhat gothic in tone. When I decided I wanted to write a ghostly love story, I thought instantly of the “The Highwayman” poem – it’s already the perfect romantic ghost story – and from there the idea for Glimpse was born.

Classic poems are my current favourite source of inspiration, but ideas can come to me from anywhere – documentaries, books, the news, you name it.

How were you introduced to reading and genre fiction?

I’d always been a big reader, but after university I fell off the reading-wagon. I struggled to find modern books I enjoyed as much as the classic gothic fiction I’d studied. Then my teenage sister persuaded me to read some of her YA paranormal novels, and I fell in love – they had a similar combined darkness and innocence as gothic novels, but updated to the present day. Since then, I’ve read almost solely YA, and branched out into every possible genre within it.

How do you enjoy being a writer? Do you have any specific working, writing, researching practices?

I love writing, it’s my absolute passion. As for specific practices, I’m not too fussy about how I write since my days are pretty unpredictable! The main constants are that I need it to be quiet, I always start by rereading what I wrote the time before, and I write better in the mornings.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

Unlike a lot of authors, I didn’t always want to be a writer – it was only after discovering YA that the desire sparked. As for my first foray into writing, Glimpse is it! I’ve re-written it so many times in the last five years, however, that it feels more like my fourth novel than my first.

What’s your opinion of the genre today, and where do you see your work fitting into it?

YA paranormal romance as a lot of people think of it – vampires, werewolves, angels, love triangles – seems to be have passed its peak. There’s still a readership for dark romantic fiction, though, it just needs to be a bit more creative, which is something I strove for with Glimpse.

What other projects are you working on, and what do you have currently in the pipeline?

That would be telling! I’ve completed another novel and a half since finishing Glimpse – one a sci-fi and one based on another classic poem – so we’ll see what happens with them.

What are you reading at the moment (fiction, non-fiction)?

I’m reading Raging Star, the final novel in Moira Young’s Dustlands trilogy. I don’t read much non-fiction other than writing books, but I am trudging through one book at the moment for research purposes: Merchant Seamen, Pirates and the Anglo-American Maritime World, 1700-1750 by Marcus Rediker.

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What’s something readers might be surprised to learn about you?

Despite loving paranormal and gothic novels, I have a low threshold for horror. I easily wimp out when faced with scary films and books!

What are you most looking forward to in the next twelve months?

The obvious answer is Glimpse’s release, but since that’s happening this week I’ll pick something else too! I’m really looking forward to next month’s YA Literature Convention at London Film and Comic Con. It’s the UK’s first YA convention, and I can’t wait to geek out with other YA authors, bloggers and readers.

***

For more on her writing and thoughts, be sure to follow Kendra on Goodreads, Facebook, and Twitter.

Glimpse is published tomorrow in the UK by Much-In-Little.

Upcoming: THE SHADOW’S CURSE by Amy McCulloch (Corgi)

McCullochA-2-ShadowsCurseThe action-packed sequel to The Oathbreaker’s Shadow

I really enjoyed Amy McCulloch’s debut novel, and have been itching to get my hands on the follow-up, to find out what happens next for Raim et al. After finishing The Oathbreaker’s Shadow, I thought I’d figured out a possible upcoming twist, so I really want to know if I was right…

Here’s the synopsis:

Raim is no closer to figuring out the meaning of the broken vow that sentenced him to exile for life. But with his former best friend now a tyrannical Khan who is holding the girl Raim loves captive, he finds it hard to care. Every day, he and Draikh learn more about their powers, but it quickly becomes clear that he will never be able to stop Khareh and free Wadi unless he can free himself from the ultimate taboo of his people. Reluctantly, Raim begins the long journey down to the dangerous South, to find the maker of his oath.

In Khareh’s camp, Wadi is more than capable of devising her own escape plan, but she’s gradually realizing she might not want to. The more she learns about Khareh, the more confused she becomes. He’s done unquestionably bad things, horrific even, but he’s got big dreams for Darhan that might improve their dire situation. What’s more, rumours of a Southern king massing an army to invade Darhan are slowly gaining ground. Only if the Northern tribes can come together under a single ruler will they have the strength to fight the South – but what if that ruler is an impulsive (albeit brilliant) young man, barely able to control his ever-growing power, and missing the one part of him that might keep him sane?

Whoever conquers the desert, wins the war. And the secret to desert survival lies in Lazar, which is set to become the heart of a great battle once again.

The Shadow’s Curse is due to be published in July 2014 by Corgi in the UK and Canada; and on August 15th in Australia and New Zealand.

Also on CR: Interview with Amy McCulloch

Upcoming: COVENANT’S END by Ari Marmell (Pyr)

MarmellA-C4-CovenantsEndI’m a big fan of Ari Marmell’s writing. Covenant’s End is the fourth volume in the author’s YA fantasy series, Widdershins Adventures. I’ve only read the first two, but I really enjoyed them both (I haven’t managed to get around to Lost Covenant, yet). Here is the synopsis…

The thief Widdershins and her own “personal god,” Olgun, return to their home city of Davillon after almost a year away. While Shins expects only to face the difficulty of making up with her friends, what she actually finds is far, far worse. Her nemesis, Lisette, has returned, and she is not alone. Lisette has made a dark pact with supernatural powers that have granted her abilities far greater than anything Widdershins and Olgun can match.

Together, Widdershins and Olgun will face enemies on both sides of the law, for Lisette’s schemes have given her power in both Davillon’s government and its underworld. For even a slim chance, Shins must call on both old friends-some of whom haven’t yet forgiven her-and new allies.

Even with their help, Widdershins may be required to make the hardest sacrifice of her life, if she is to rid Davillon-and herself-of Lisette once and for all.

Covenant’s End is due to be published by Pyr Books in February 2015. So, that’s rather a long way away (damnit!), but it’s nice to be able to share the artwork.

Marmell’s latest novel is Hot Lead, Cold Iron – the first in his Mick Oberon urban fantasy series set in 1930s Chicago – published by Titan Books in the US (out now) and UK (out next week).

Also on CR: Interview with Ari Marmell, Guest Post (Triumph Over Tragedy), Reviews of The Thief’s Covenant, False Covenant, The Conqueror’s Shadow

Marmell-Widdershins1to3

“Half a King” by Joe Abercrombie (Del Rey / Voyager UK)

AbercrombieJ-HalfAKingStart of a new (YA) trilogy by the author of the First Law

“I swore an oath to avenge the death of my father. I may be half a man, but I swore a whole oath.”

Prince Yarvi has vowed to regain a throne he never wanted. But first he must survive cruelty, chains, and the bitter waters of the Shattered Sea. And he must do it all with only one good hand.

The deceived will become the deceiver.

Born a weakling in the eyes of his father, Yarvi is alone in a world where a strong arm and a cold heart rule. He cannot grip a shield or swing an axe, so he must sharpen his mind to a deadly edge.

The betrayed will become the betrayer.

Gathering a strange fellowship of the outcast and the lost, he finds they can do more to help him become the man he needs to be than any court of nobles could.

Will the usurped become the usurper?

But even with loyal friends at his side, Yarvi finds his path may end as it began – in twists, and traps, and tragedy.

I’ve only recently come to read Abercrombie’s novels, finally enjoying The First Law trilogy last year. What became quickly apparent with those novels is that Abercrombie can write. Not just in terms of plotting, but his prose, too, is superb. With Half A King, he has taken his first foray into the YA market, and everything we loved about his previous work is true here, too. This was a very enjoyable read, and I can’t wait for books two and three.

This novel is a pretty quick read. I blitzed through it in just two glorious days of fantasy entertainment. This is both a very good thing, and also brought to mind the one weakness (in my opinion) of the novel. Firstly, the pace never lets up, which means Yarvi’s journey and ordeal draws the reader inexorably on towards the excellent, unexpected denouement. The characters he meets along the way are varied, very well-drawn, and diverse. They all add to the story – none of them felt like props. They felt real – from the melodramatic captain of a slave ship; to Nothing, the mysterious deck-scrubber of said ship, with quite the secret… Yarvi’s handicap is handled delicately and naturally – that he must rely on his wits, as opposed to brawn, was a nice alternative to much fantasy today.

The society into which he is born is warlike and Viking-esque (it’s not fully explained or described, which I liked, as it leaves more for future novels), and he is naturally a disappointment to his father. His mother, a pioneering businesswoman, appears cold and somewhat indifferent to him, equally disappointed by his deformity and how it prohibits him from fulfilling the kingly promise of his father and ancestors. Over the course of his unwilling travels, he gathers a motley crew of companions, all of whom develop a loyalty to him and, somewhat inexplicably, agree to help him fulfill his oath for revenge.

Abercrombie-H1-HalfAKingUKSo how can any of this be a weakness? Well, after reading the novel, you realise that an awful lot happens to Yarvi and Co., in what is actually a pretty short timeframe. Generally speaking, there’s nothing wrong with this – just because it’s fantasy doesn’t mean it has to be drawn out for hundreds-upon-hundreds of pages, after all. It’s just that, this novel could be described as “A Serious of Unfortunate-Yet-Fortuitous Events”. A couple of developments felt a little too serendipitous. But still fun. If it had been just a bit longer, with a timeframe that lasted just a bit longer still, then I think this would have been a near-perfect fantasy adventure/revenge story.

Nevertheless, and despite this minor niggle, the novel is filled with great moments, scenes, encounters, and conversations. The characters, pacing, prose, and story are all engaging and addictive. The action scenes are well-composed and don’t dominate or bury the story. The first and last chapters have a nice symmetry, too – and, indeed, that was one of the best final chapters I’ve read in a while. Abercrombie avoids info-dumps and overt telling, and allows the story to fill out our picture of the world as it unfurls.

Overall, great storytelling for all fans of fantasy. I can’t wait for the next in the series, Half a World.

Cover Art: THE RITHMATIST by Brandon Sanderson (Tor UK)

Today, Tor UK unveiled this frankly gorgeous cover. It’s for the UK paperback edition of Brandon Sanderson’s YA fantasy, THE RITHMATIST. It’s an interesting take on, while still in keeping with, the overall aesthetic that Gollancz pioneered for Sanderson’s adult fantasy novels. And I think it may actually be my favourite of his UK covers…

Sanderson-TheRithmatist2014-TorUK

In case you haven’t been aware of this novel, here’s the synopsis:

In a school for the magically gifted, your talent could cost you your life…

Young student Joel is fascinated by the magic of Rithmatics, but few have the gift and he is not one of them. Undaunted, Joel persuades Professor Fitch to teach him about this geometric magic. For although Joel can’t infuse his protective lines and circles with power, or bring his chalk-drawn creatures to life, he can really understand how it works. However, a daunting test lies ahead, when someone starts kidnapping top Rithmatic students at his school, Armedius Academy.

Since he’s not a magic user, Joel appears to be safe and he’s desperate to investigate and prove himself. Then people start dying – but can Joel really stop a killer alone? He’ll need the help of Rithmatist apprentice Melody, as even more students disappear. Together, they must race to find clues before the killer notices them – and takes them out too.

The book features illustrations by Ben McSweeney, which depict the magical elements of the novel with great elegance and insight.

The Rithmatist will be available from May 22nd.

Review: HALF BAD by Sally Green (Penguin)

GreenS-HalfBadPBThe most frustrating novel I still couldn’t stop reading

You can’t read, can’t write, but you heal fast, even for a witch.

You get sick if you stay indoors after dark.

You hate White Witches but love Annalise, who is one.

You’ve been kept in a cage since you were fourteen.

All you’ve got to do is escape and find Mercury, the Black Witch who eats boys. And do that before your seventeenth birthday.

Easy.

I have very, very mixed feelings about Half Bad. On the one hand, Green writes very well – there isn’t a bad sentence or garbled phrase in sight. The pacing is excellent. But, the story was in many ways deeply troubling, not to mention buried by certain choices the author made to make the novel more “gritty” (as she admits in the author’s acknowledgments at the end). Usually, I drop novels I don’t like very quickly, but with this one I kept reading. Partly because I was intrigued, but eventually because I was hopeful that the story-proper would begin at some point. Sadly, the novel did not properly deliver. Continue reading