Guest Post: “Fire Lookout, Monk, Water-Skier, Teacher; the Best Profession for a Writer” by Brian Staveley

StaveleyB-AuthorPicI got an email a few weeks ago from a young man just graduating from college, an aspiring writer, who wanted to know which careers I thought might be most conducive to the writing life. I suspect the answer might be Fire Lookout. Or maybe Monk. Professional Writer seems promising, at least at first glance, but turns out to entail all kinds of stuff that’s not actually writing.

In fact, I’m not in the greatest position to answer this question. Aside from college stints as a waiter and a rock climbing instructor and a short time immediately after graduation in which I worked at a halfway house for convicted felons, the only job I’ve ever had, the one I held from my early twenties until I quit to write full time, was teaching. For all I know, Professional Water Skier might facilitate the hell out of some good writing, but I can only talk teaching. Continue reading

Guest Post: “From Funny Book to Fleshy Series: The Finn Fancy Evolution” by Randy Henderson

HendersonR-AuthorPicWriting a fantasy series is a strange and daunting process. Over the course of transforming a single book into a series, I personally realized that rather than planning a whole series in advance, there were some basic things I could include that would allow a series to create itself.

First, sometimes writers plan ahead. Sometimes, we make s#!te up as we go along. Often we do some combination of the two. This applies to books, but also to entire series I’ve learned.

For Finn Fancy, I didn’t plan to write a series. I wrote some chapters for fun, which got turned into a finished book because an editor expressed interest. That book got purchased as the first in a series. Did I have a series? Not really. I had a book. And a few one sentence concepts I’d written out after finishing that book for potential sequels. Continue reading

Guest Post: “Process Story” by Colin Sinclair

SinclairC-AuthorPicMy creative method is simple. I lock myself in a darkened room and scream at a blank sheet of paper for an hour until something comes to mind.

I jest, of course. It’s typically a half-hour, tops.

It can’t always be so tough of course. Some days are better than others, right enough. There’s even times when the ghost of an idea can roll right up beside you, start to whisper in your ear.

Like this, for example:

I have a 20-month old son who loves cars, and the Disney-Pixar movie Cars, and planes, which he calls cars. He also likes Planes. When Christopher’s not looking stylish in hats — or, you know, fighting orcs — we’re watching Cars.

Around about the two-hundredth viewing I noticed an angry Doc Hudson, setting out his plans for the car that’s just wrecked the main road into town.

“I’m gonna put him in jail ’til he rots. No, check that… I’m gonna put him in jail ’til the jail rots on top of him, then I’m gonna move him to a new jail and let that jail rot.”

Continue reading

Guest Post: “How a Fourth Book is Really the Beginning of a New Series” by Clay & Susan Griffith

GriffithC&S-AuthorsPicTHE GEOMANCER: The Return of the New Vampire Empire

Hi. We’re Clay and Susan Griffith, authors of the Vampire Empire books and the Crown & Key trilogy. Our newest book, The Geomancer (November 3, Pyr Books), is the latest in the Vampire Empire novels. It’s the fourth book we’ve written set in that world, but it’s the first book in a new ongoing “Gareth and Adele” series. The original Vampire Empire was a trilogy. It was conceived and executed as a trilogy. By the end of the third book, we brought the major storylines to a close and tied up most of the questions. The characters had developed over the course of three books. We proudly considered the story done and moved on to other projects.

Only it didn’t quite work out that way. Continue reading

Guest Post: “Do Writers Deserve to be Paid for Their Work?” by Tony Ballantyne

BallantyneT-AuthorPicLet’s be honest, not always.

Most writing is unsolicited. Although a fair proportion of my writing nowadays has been commissioned in one way or another, most of the stuff I’ve done has been on spec. The short story market certainly works that way, and only a minority of authors sell a novel through an outline.

Face it, nobody asked us to write, and the fact that we’ve written a story unasked doesn’t mean that someone has to buy it any more than the fact that your local McDonalds has made too many Big Macs means that you have to eat them to stop them being wasted. Continue reading

Guest Post: “Reader/Writer Collaboration — Wave of the Future?” by Cindy Dees

DeesC-AuthorPicThanks so much for inviting me to be here, CR! So, let’s get the housekeeping items out of the way, first. I’m Cindy Dees. I grew up on a horse farm, dropped out of high school at age fifteen to go to university, got a degree in Russian and East European Studies, spent twelve years as a U.S. Air Force pilot and part-time spy. I wrote my first book on a one-dollar bet with my mother that I couldn’t do it. Fifty books (military romance and thrillers), a bunch of awards, and New York Times bestseller status later, I’ve more or less won the bet.

My first epic fantasy novel, co-written with the brilliant Bill Flippin, is called The Sleeping King. It’s an old school, doorstop-sized epic fantasy, complete with dragons, elves, dwarves, monsters and the like, and is the first of what I fondly hope will be a lengthy series. In it, a boy and a girl go in search of a legendary sleeping king who is prophesied to save them all from the evil empire. I assume it goes without saying that hijinks ensue. Continue reading

Guest Post: “Going Global” by Tom Doyle

DoyleT-AuthorPicThe Left-Hand Way is a globe-spanning fantasy thriller, like Tinker Tailor Soldier Spy with ancient magic. Part of this description may surprise readers of my first book, American Craftsmen, as that story for the most part kept a tight focus on the U.S. Another surprising change is my new first-person point-of-view character. In my previous book, it was the nonbelieving and somewhat irreverent Dale Morton who told the main story. In book two, it’s his Puritan foil, Michael Endicott, who speaks with his own voice.

My reasons for these changes have to do with the dynamics of keeping a series fresh and the evolution of the worldbuilding. Some series of books are mere continuations of one running story. For my American Craft series of magic and military intrigue, I haven’t gone that route. Instead, I have each book’s story stand on its own, and readers will feel that they’ve gotten a beginning, middle, and end for their effort. Of course, I still have plenty of continuity elements, and each novel so far has an epilogue that slingshots the story into the next book as an invitation to readers to keep going. Continue reading

Guest Post: “The Art of Gunsmithing – Writing GUNS OF THE DAWN” by Adrian Tchaikovsky

TchaikovskyA-AuthorPicWell, it’s out February 12th this year, and I started writing Guns of the Dawn in… it must have been the late 1990’s.

I mean, obviously there were some distractions along the way. I seem to recall something to do with a ten-book series about insect-people. It’s amazing what just slips in when your attention’s on other things.

Seriously, though, way back when, after the insect-kinden were conceived as an RPG setting in university – but not that long after – and long before I actually scored a hit with this writing lark, I had the idea for a book about a woman who goes to war, following in the footsteps of her brother. She wouldn’t go dressed up as a man, but on her own merits. The setting was decidedly regency-y. Some of the current plot was certainly vaguely planned out. Back then, it didn’t get very far.

I was going through a very choppy period in my writing about then. I’d finished about seven complete manuscripts over the years, and each one had been slapped down by publishers and agents, or just vanished into the void, because that’s my thing, as far as “How did you get to become a writer”; to wit, the long way, the traditional, painstaking and slowly soul-destroying way of writing things and not getting anywhere. It’s a varied and gallant siblinghood. There are a lot of us out there. Continue reading

Guest Post: “When Reading Habits Become Writing Habits” by David Towsey

TowseyD-AuthorPicCropA few months ago I stumbled across a Twitter discussion that changed the way I look at my reading habits – both past and present. I have since forgotten who was involved, which is unfortunate because, like a good academic, I prefer to cite my sources. Essentially, ideas of “deep” and “shallow” reading in genre circles were tabled (without attaching any value judgements to either term). In this sense deep meant reading all the works and series of relatively few authors – typically favourites – and shallow referred to someone who reads single texts by a lot of different authors. This was something I hadn’t really thought about. I started asking those difficult questions – the kind we aim at ourselves. What kind of reader am I? What kind of reader have I been in the past? Continue reading

Guest Post: “Writes & Wrongs” by Edward Cox

CoxE-AuthorPicIt’s time for me to admit that I might have taken the longest route possible to getting an agent. I’m something of a blunderer by nature, and learning the hard way is the theme of my life. So much so that I sometimes wonder how I managed to get an agent at all.

The original version of The Relic Guild is very different from the version that was signed by Gollancz. It was written for a Master’s degree that I concluded in in 2009. When I was coming to the end of that degree, I had been wondering if my work could hold its own with the bigger names in the publishing industry. I sent the first three chapters and a synopsis of the novel to the man who is now my agent. It impressed him enough to request the remainder of the book. However, although that early version of The Relic Guild gained me an MA, it didn’t quite make the grade with my agent.

For the sake of avoiding long and boring explanations, let’s just say that the original version was something akin to an academic exercise. The result fell somewhere between a fantasy adventure and a pseudo-intellectual dystopian wannabe. It was right for academic purposes, but wrong for the publishing industry. It had potential, but lacked focus and commercial value. Make it the fantasy adventure it wants to be, my agent said, and then we’ll do business. Continue reading