Thriller

Guest Post: “Influences & Inspirations” by Duncan Jepson

Civilian Reader Guest Post , , , , , , , , ,

JepsonDuncan-AuthorPic1During the last 150 years, China and the West have collided many times, virtually always on Chinese soil, and their relationship is heavily coloured by this history. Many in Asia are choosing and building their futures motivated by their own and their family’s experiences, ambitions and histories, much of it unclear and unknown to most in the West. The relationship between China and West is set to become more intense and complicated and we have to hope these two sides will work together rather than tear the world apart.

The story of Emperors Once More is about the collision of these different motivations and forces in China and among Chinese people, set against their position on the world stage. On a national level, the government is tasked with maintaining a union of a billion plus people so it does not crumble into chaos again, fighting the very human feeling of humiliation from centuries of defeat, both personal and national, the need to re-establish respect on the world stage, the clashes that will arise from the very practical need to obtain vital resources for the future and China’s new role in the global order. The story is also about those very personal experiences such as migration, subservience, colonialism, aspiration, ideology, revolution and tradition.

JepsonD-EmperorsOnceMore

This is also personal to me. As a Eurasian, I have often found myself stuck awkwardly in geography, sometimes feeling at home in no place in particular but persistently trying to be comfortable in both East and West. I have watched the older generation in Hong Kong, those having lived and grown up under colonial rule, feel the weight of a heavy glass ceiling whether due to limited education, lack of understanding of the governing culture or, at times, simply by race. To some there is a deep frustration and resentment to having been treated as what they feel is a foreigner in their own home. Thankfully the world has moved on and a young generation of Chinese don’t see themselves this way – many are now of a new global generation.

The premise of Emperors Once More is that, in 2017, China has bailed out the West, but the West has defaulted on its debt. For many Chinese, this has the same strong sense of bitterness as the humiliations of the Opium War, Rape of Nanjing and Boxer Rebellion. One man in Hong Kong, deeply affected by colonialism, wants to use this new collective anger and indignation to push Chinese to demand China use its global power to reclaim its rightful place in the world order. To achieve these ends, he will draw on both ancient rites and modern technology to commit a series of killings and provoke national rage.

I wanted a criminal with a purpose and an anger that is rooted deep in history and personal experiences, believing there are wrongs to be righted, and a hero who is of a new different world who sees a better future that does not have to pay for the past. I hope that this story pulls the reader into a full-bloodied crime tale while drawing on Chinese history, culture and mysticism.

***

Duncan Jepson is the award-winning director, producer and writer of five feature films. He also produced documentaries for Discovery Channel Asia and National Geographic Channel. He was the editor of the Asia-based fashion magazine West East and a founder and managing editor of Asia Literary Review. He is a social commentator on Asia and regularly writes for The New York Times, Publishing Perspectives and South China Morning Post. A lawyer by profession, he lives in Hong Kong.

Jepson’s Emperors Once More is out now, published in the UK by Quercus Books. Jepson is also the author of All the Flowers in Shanghai. Be sure to follow Duncan on Twitter and Goodreads.

“Galveston” by Nic Pizzolatto (Sphere)

Civilian Reader Review , , , , , , , , ,

PizzolattoN-GalvestonUKAn interesting, if flawed debut thriller

Roy Cady is by his own admission “a bad man”. With a snow flurry of cancer in his lungs and no one to live for, he’s a walking time-bomb of violence. Following a fling with his boss’s lover, he’s sent on a routine assignment he knows is a death trap. Yet after a smoking spasm of violence, Roy’s would-be killers are mostly dead and he is mostly alive.

Before Roy makes his getaway, he finds a beaten-up woman in the apartment, and sees something in her frightened, defiant eyes that causes a crucial decision. He takes her with him on the run from New Orleans to Galveston, Texas, permanently entwining their fate along a highway of seedy bars and fleabag hotels, a world of treacherous drifters, pick-up trucks, and ashed-out hopes, with death just a car-length behind.

Only after finishing this novel, did I learn that Pizzolatto is the creator of HBO’s critically-acclaimed True Detective series (starring Woody Harrelson and Matthew McConnaughey). I can certainly see it, now, though. This is a good thriller: very well-written and fast-paced. However, it also left me slightly dissatisfied at the end.

The story is told from the perspective of Roy, a bagman for a crook in New Orleans. After the set-up (mentioned in the synopsis, above), he escapes bruised and brutalised, taking with him Rocky (Raquel), the partner of a prostitute who was turning a trick at the home of the trap. Roy soon finds that, despite a desire to ditch Rocky (and her toddler ‘sister’, Tiffany, who they pick up on the way to Texas), he can’t seem to follow through. Ruminating on his life and his pending death-by-cancer, he develops a wary connection with Rocky and Tiffany. Definitely attracted to Rocky, he is unwilling to allow himself to accept any of her advances – at first, somewhat business-like, but later perhaps genuine. Instead, he plays a role of protector and, in some ways, rehabilitator – a somewhat ironic role, given his own past actions (not to mention present/future actions that he commits over the course of the story).

Pizzolatto writes incredibly well: his prose is stripped back, fluid and sparse. There isn’t a redundant phrase or extraneous word in sight. This has the positive effect of making this a very quick read (I read the first 10% on a Saturday night, after finishing another novel, and blitzed through the rest on Sunday). However, it does also mean certain things aren’t developed too much. There is a fever-like quality to Roy’s recollection and narrative – he is, after all, a practicing alcoholic who necks one hell of a lot of bourbon in these pages…

By the end of the novel, I felt pretty invested in these characters’ fates. But, given the very brisk pacing, by the brutal end, the dénouement was robbed of some impact, while remaining tragic. It was a peculiar feeling, really. Slightly disconnected.

Nevertheless, Galveston is still well-worth checking out. Pizzolatto has a great style, and can only get better. I am definitely looking forward to reading his next novel, and also watching True Detective.

Interview with SARAH LOTZ

Civilian Reader Interview , , , , , , , , , ,

SarahLotz-AuthorPicLet’s start with an introduction: Who is Sarah Lotz?

I’m a genre-crossing pulp-fiction writer based in South Africa. I’m addicted to coffee and collaborating, and write horror novels with author Louis Greenberg under the name S.L Grey; a ‘choose-your-own’ erotica series with authors Helen Moffett and Paige Nick (as Helena S. Paige), and a YA series co-written with my daughter under the name Lily Herne.

Your next novel, The Three, is due to be published by Hodder in May. How would you introduce the novel to a new reader?

I’m tempted to say it’s about plane crashes and (possibly) evil children – but I hope there is more to it than that! Here’s a brief description:

Four devastating plane crashes. Three child survivors. A fanatic who insists the survivors are possessed by the harbingers of the apocalypse. What if he’s right?

I’m fascinated by how quickly fear and paranoia can spread throughout society – especially during the aftermath of a devastating event – and the novel attempts to explore how this could potentially influence the political landscape. Continue reading →

Review: THE ACCIDENT by Chris Pavone (Crown Publishing/Faber)

Civilian Reader Review , , , , , , , , ,

PavoneC-TheAccidentUSAn engaging suspense, featuring a secret manuscript, a conspiracy, and unwitting pawns caught in the middle.

As dawn approaches in New York, literary agent Isabel Reed is turning the final pages of a mysterious, anonymous manuscript, racing through the explosive revelations about powerful people, as well as long-hidden secrets about her own past. In Copenhagen, veteran CIA operative Hayden Gray, determined that this sweeping story be buried, is suddenly staring down the barrel of an unexpected gun. And in Zurich, the author himself is hiding in a shadowy expat life, trying to atone for a lifetime’s worth of lies and betrayals with publication of The Accident, while always looking over his shoulder.

Over the course of one long, desperate, increasingly perilous day, these lives collide as the book begins its dangerous march toward publication, toward saving or ruining careers and companies, placing everything at risk—and everyone in mortal peril.  The rich cast of characters—in publishing and film, politics and espionage—are all forced to confront the consequences of their ambitions, the schisms between their ideal selves and the people they actually became.

The action rockets around Europe and across America, with an intricate web of duplicities stretching back a quarter-century to a dark winding road in upstate New York, where the shocking truth about the accident itself is buried.

Pavone’s The Expats was an international bestseller – one I seem to have missed almost entirely. When The Accident popped up on NetGalley, though, its synopsis sent it right to the top of my Must Read titles. The story is located at the confluence of a number of my key interests: politics, media, international relations/espionage, and publishing. While the novel is not perfect, it is nevertheless a gripping, fast-paced thriller that entertained and gripped me from the start. Continue reading →

Guest Post: “Up, Up, Down, Down, Left, Right, Left, Right, Tell Story” by Jonathan Wood

Civilian Reader Guest Post , , , , , , , , , , , , ,

JonathanWood2When videogames first appeared, they really were games. There were victory conditions to meet, puzzles to solve, opponents to outwit. You could win. But then somewhere along the way, story snuck in, and videogames changed. You were no longer simply trying to win, instead you were struggling to get to the end, to complete the narrative.

Back when I was in college, I watched my friend play Final Fantasy VII. There was a group of us. We’d make an evening of it, gather round as my friend loaded the disc, pour some drinks, and watch what happened next to Cloud, Yuna, Barrett, and the rest of the gang.

Final Fantasy was the first videogame story that really grabbed me. It was epic, operatic, sprawling through twists and turns, through a mythology that was utterly alien to me. The next two games in the franchise were stutter steps for me, but Final Fantasy X held me in its grip once more, as I hastily fumbled through sections of gameplay to get to the next installment of the story.

FinalFantasyVII

I started trying to write my first novel shortly after finishing Final Fantasy X. I knew I didn’t want to write a traditional, Western fantasy. Elves and dwarfs did little for me. Instead, I remembered the fresh mythology I’d seen in the Final Fantasy games — summoning towering spirits, battling titanic monsters… I remembered that sense of the new. Turning a corner in the game and having my jaw hang at a glowing vista, at an aerial battle, an intimate scene in the glow of a phosphorescent tree… That inspiration drove the novel. It filled page after page with words.

The rather unfortunate end to this story is that the novel stunk. It was a first novel. These things happen. But it wasn’t the last time a videogame has inspired me.

Videogames are not often known for their literary ambition. It’s a situation that’s starting to change, but only slowly. There is often an uneven truce between story and gameplay, one trying to drive the desire for the other. But this doesn’t mean there aren’t lessons a writer can learn.

MassEffect1-Poster

My personal videogame obsession is the Mass Effect series. There are moments of magnificent storytelling in the game. The pinnacle for me comes in the first game. You must choose which of two shipmates you will save. On the surface it’s a standard life-and-death question, but due to hours of careful characterization, it goes deeper than that. It’s about loyalty, friendship, morality, and love. It’s about the person you want to be playing this game. It is a very personal set of character stakes brought to a towering crescendo.

I write a series. I can’t kill my main character. That’s off the table. But Mass Effect taught me that that doesn’t have to lower the stakes. Rather, I force my protagonist to make these kinds of choices. Who is he going to decide to be? Far worse than dying can be the things we are forced to live with.

The Witcher is another popular RPG series that puts a strong emphasis on storytelling. The focus is on the character Geralt, a monster-killing badass fueled by magic and drugs. On the surface Geralt is everything you could want a hero to be, competent, slick, and cold as a sharp steel blade. The games are everything I want them to be. And yet, I’ve never completed one.

TheWitcher-GameThe problem is, I don’t like Geralt. As competent as he is, nothing is ever done to make me actually feel for him. I am simply thrown into his skin and told to go forth and kick righteous ass. It feels hollow.

Readers like characters to be competent. But that’s not enough on its own. That’s what The Witcher taught me. To make sure there’s something human in my characters to hold on to. A sense of humor, a love of cats, an inability to bite ones tongue. We like characters for their qualities, but we fall in love with them for their flaws.

Writers are encouraged to read, and I certainly wouldn’t disagree with that advice. In fact, I think it’s critically important. But I also wouldn’t say that books are the only storytelling medium that writers should pay attention to. I wouldn’t even limit it to books and videogames. Movies, newspapers, conversations around the dinner table. The world is full of stories, and each one contains a lesson. And if we choose to learn them from videogames, we even can do it while stabbing monsters in the face.

***

Jonathan Wood is the author of NO HERO and YESTERDAY’S HERO, first published by Night Shade Books, but coming later this year from Titan Books (March and September). A third novel in the series, ANTI HERO, is due to be published in March 2015. Be sure to follow him on Twitter and Goodreads for news, etc.

WoodJ-Hero1&2

Animated Cover for Stephen King’s MR. MERCEDES (Hodder)

Civilian Reader Uncategorized , , , , , , , , , , , ,

I know it hasn’t been very long since I shared the news that Hodder would be publishing two books by Stephen King this year. But, today they unveiled the UK cover for one of the novels – Mr. Mercedes – and to top it off, there is an (slightly) animated version! Which I thought was rather cool. So here it is, in all it’s moody glory…

KingS-MrMercedes

Mr. Mercedes is due to be published by Hodder on June 3rd 2014 in Hardcover and eBook. Here’s the synopsis:

It is a riveting cat-and-mouse suspense thriller about a retired cop and a couple of unlikely allies who race against time to stop a lone killer intent on blowing up thousands.

Retired homicide detective Bill Hodges is haunted by the few cases he left open, and by one in particular: in the pre-dawn hours, hundreds of desperate unemployed people were lined up for a spot at a job fair in a distressed Midwestern city. Without warning, a lone driver ploughed through the crowd in a stolen Mercedes. Eight people were killed, fifteen wounded. The killer escaped.

Months later, on the other side of the city, Bill Hodges gets a letter in the mail, from a man claiming to be the perpetrator. He taunts Hodges with the notion that he will strike again. Hodges wakes up from his depressed and vacant retirement, hell-bent on preventing that from happening. Brady Hartfield lives with his alcoholic mother in the house where he was born. And he is indeed preparing to kill again.

Hodges, with a couple of misfit friends, must apprehend the killer in this high-stakes race against time. Because Brady’s next mission, if it succeeds, will kill or maim hundreds, even thousands. Mr Mercedes is a war between good and evil, from the master of suspense whose insight into the mind of this obsessed, insane killer is chilling and unforgettable.

“A Love Like Blood” by Marcus Sedgwick (Mulholland)

Civilian Reader Review , , , , , , , , , ,

Sedgwick-ALoveLikeBloodA gripping, chilling psychological thriller

“I’ve chased him for over twenty years, and across countless miles, and though often I was running, there have been many times when I could do nothing but sit and wait. Now I am only desperate for it to be finished.”

In 1944, just days after the liberation of Paris, Charles Jackson sees something horrific: a man, apparently drinking the blood of a murdered woman. Terrified, he does nothing, telling himself afterwards that worse things happen in wars.Seven years later he returns to the city – and sees the same man dining in the company of a fascinating young woman. When they leave the restaurant, Charles decides to follow…

A Love Like Blood is a dark, compelling thriller about how a man’s life can change in a moment; about where the desire for truth – and for revenge – can lead; about love and fear and hatred. And it is also about the question of blood.

This wasn’t what I was expecting. I had expected a good novel, with perhaps a supernatural component. Instead, what I found was an excellent psychological thriller about obsession and the science and mythology of blood. Sedgwick’s first novel for adults is damned good, and a must-read of the year. Continue reading →

An Interview with MATTEO STRUKUL

Civilian Reader Interview , , , , , , , , ,

Italian author Matteo Strukul stops by to talk about his first novel in English, The Ballad of Mila, his broad and varied influences, his inspirational home country, why Chuck Wendig is a “badass wizard”, and much more…

MatteoStrukul-AuthorPicLet’s start with an introduction: Who is Matteo Strukul?

First of all, thank you so much Stefan for this opportunity to talk about my work. Well, about myself… I’m a man who loves life and rock ’n’ roll music (The Black Crowes, Rival Sons, Buckcherry and all the old stuff like Led Zep or Skynyrd). I adore American pulp-crime fiction authors (Jim Thompson, James Crumley, Joe R. Lansdale, among others), but at the same time I read so many European authors and literature (Friedrich Schiller, Wolfgang Goethe, Robert Louis Stevenson, Emilio Salgari), I love Italian red wine like Raboso or Grinton and I love my land that is Veneto in the Northeast of Italy. I’m so lucky to grow up in this area in towns like Padova, Venezia, Verona – so full of arts and beauty, I must confess that it’s an amazing place and for that reason I love to write about my land in my novels.

Your novel, The Ballad of Mila, is due to be published in March by Exhibit A. How would you introduce the novel to a new reader? Is it part of a series?

Yes it is, it’s the first novel in an on-going series, Exhibit A has already bought English rights of the second one, and I’m writing the third exactly NOW. Well, The Ballad of Mila is a kind of “Revenge Movie”: it’s a story about vengeance and blood and you have this amazing woman with long red dreadlocks who is able to face and defeat every kind of man because she was a victim, and now she is a predator and a merciless one. But you have also the Chinese mafia, the Venetian territory, you have non-stop action and torment and rage and hatred and, in the middle of a battle between two different gangs – like in Sergio Leone’s For a Fistful of Dollars – you have Mila, a woman who is also damaged goods and who can’t accept herself for what she became. So Mila is a killer, but at the same time she is broken, in some way she’s a kind of mixture between Luc Besson’s La Femme Nikita and Garth Ennis’s Punisher…

MatteoStrukul-BalladOfMilaInfluences.jpg

What inspired you to write the novel? And where do you draw your inspiration from in general?

From stories that I read during the years penned by authors like Victor Gischler, Allan Guthrie, Tim Willocks, Jason Starr, Adrian McKinty, Christa Faust, Duane Swierczynski, Massimo Carlotto, Giancarlo De Cataldo, Don Winslow, Anthony Neil Smith, David Peace, Charlie Huston, Dan Simmons, David Wellington, James Ellroy, Derek Raymond, Cathy Unsworth, Stuart O’nan, Kem Nunn, Cormac McCarthy, Henry Crews. Then, of course, I must mention TV shows like Sons of Anarchy, movie directors like Sam Peckimpah, Sergio Leone, Quentin Tarantino, Robert Rodriguez, Guy Ritchie, Joe Carnahan, among others, and I don’t wanna forget Videogames (Bloodrayne) and Comic books screenwriters like Alan Moore, Warren Ellis, Mark Millar, Garth Ennis, Jason Aaron, and Brian Azzarello.

How were you introduced to reading and genre fiction?

Well, since I was five years old I started reading, and now here we are. I remember that my Mom used to read to me epic poems like Homer’s Iliad and Odyssey. I loved those stories, about heroes and battles and fighting, so this was how everything started.

StrukulM-1-TheBalladOfMila

How do you enjoy being a writer and working within the publishing industry? Do you have any specific working, writing, researching practices?

Well I worked for some years as press agent for an Italian independent publisher: Meridiano Zero. I organized press campaigns for authors like David Peace, James Lee Burke, Derek Raymond and I met Victor Gischler in 2008 in Courmayeur at the Noir Festival, I was his press agent because Meridiano Zero published in that year Gun Monkeys in Italy. It was great and we had so much fun. So, of course this fact doesn’t mean that I was an author in those years but means, without any doubt, that I had a strong background.

Then I founded Sugarpulp, a literary movement focused on pulp-crime fiction and was and am line editor for a crime fiction imprint called Revolver that published authors like Allan Guthrie, Ray Banks, Brian McGilloway, Derek Nikitas among others. At the same time I work as author, my new book will be published by Mondadori in Italy next April and will be a Gaslight Mistery set in Padova and Venezia in 1888 AD. It’s a story about an alienist and a serial killer strongly influenced by Caleb Carr, ALan Moore and Dan Simmons stuff. About writing what can I say? I love my life as writer and editor and comic book screenwriter, you know, I’m free and do what I want. Like Jagger said, “Ha, Ha so I’m a lucky guy, probably the luckiest one in the entire world.” For my last book – The Gaslight Mistery that I mentioned before – well I researched so much because I needed to study the Venetian area of the 19th Century. It was a great challenge. For Mila’s novels, I don’t research so much, but I watch so many movies and TV shows, and I mixed all those things and sequences and feelings, and after that I have a new story. I don’t know how it works, but it’s impossible for me to do a synopsis and those kind of stuff, you know, especially because Mila needs to decide everything and I just have to listen to her and write. Ha Ha.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

I realized that I wanted to be an author when I was a child. I remember that I wanted to be a rockstar or a pulp-crime writer. It was cool, I remember that I formed a rock ’n’ roll band with my brother. We played rock ’n’ roll stuff, gigs in coffee-bars or small clubs. But it was hard to earn money and fame, so I decided to write my own stories. I started with nonfiction and penned two nonfiction books about two Italian songwriters and I wrote for years as a rock ’n’ roll journalist. I interviewed cool guys like Black Crowes guitarist Marc Ford, Jethro Tull’s Ian Anderson, Zucchero, Dave Matthews, Ryan Bingham, Joss Stone, among others. But, if I must be honest the best interview that I ever done was with Willy De Ville. We spoke together for one hour, he was so cool and generous and he was an amazing and great person and a so talented artist and I remember that after some months or something like that he died. It was shocking and brutal, I remember I wrote a six-page article for a very important Italian rock magazine. It was sad and bitter, but at the end I was so happy to have done something for him, nothing so important but a kind of way to testify all my love for his music and art. In my opinion he was probably the most talented and wonderful singer of the last 30 years.

What’s your opinion of the genre today, and where do you see your work fitting into it?

Well, I love crime and pulp fiction and I think that a pulp-crime author would be able to be popular if will be able to offer amusement and amazing but low-cost stories. And literature, in my opinion, is real literature, if it could be popular and mass market distributed. Professors and Academics and Intellectuals are so boring and selfish and in fact they use literature like a weapon to divide and create differences between high culture and low culture, between upper and middle class and common people. Fuck them all! Man, it’s a shame. I want to be a honest pulp writer and create good and strong characters.

Wendig-MB3-CormorantFor example, recently I read Chuck Wendig’s Miriam Black’s three books series: Blackbirds, Mockingbirds and The Cormorant… well it was a real roller-coaster, I loved that series. Chuck is a wonderful author, and is able to mix pulp, horror, urban fantasy, crime fiction… He is a badass wizard. At the same time, I think that I wanna try to write some historical novel, especially a big story that I have in my mind about The Northern Crusades with kings, knights, witches, female warriors, wild tribes, castles, snow and tortures, I think could be a very interesting setting.

What other projects are you working on, and what do you have currently in the pipeline?

WillcocksT-TwelveChildrenOfParisAs I said, my new Gaslamp Mistery novel for Mondadori, I’m writing also the third Mila Zago novel and a double book story about Teutonic Knights, and I’m writing a graphic novel, drawn by an amazing Italian artist, Filippo Vanzo. I’m also writing the second ebook novella together with Marco Piva Dittrich for my on-going series about Skuld, a she-werewolf who’s fighting the Nazis during the WWII and I’m editing Tim Willocks’s The Twelve Children of Paris for an Italian publisher. I have many other projects in the pipeline, including comic-books and… movies… but I must keep my mouth closed and, much important, keep my fingers crossed.

What are you reading at the moment (fiction, non-fiction)?

WellingtonD-W1-FrostbiteI just finished reading David Wellington’s Frostbite, a werewolf tale: an amazing novel.

What’s something readers might be surprised to learn about you?

Probably that I love Ice Hockey, I’m a big fan of Asiago Hockey 1935, my favorite Italian team. Ice Hockey is quite popular in the North East of Italy. Maybe the reason why I love so much this sport is because when I was a child, I lived for two years in Canada: Vancouver, British Columbia. I remember when I watched Vancouver Canucks on TV with my father, so maybe that’s the reason why I love ice hockey so much. I am also a big Philadelphia Flyers and Montreal Canadiens fan. Ice hockey has an important role in Mila’s novels, ha ha. I’m not kidding…

What are you most looking forward to in the next twelve months?

Well, I’m very curious to see if Mila could break English and American readers’ hearts. I hope they would be so generous and kind to give Mila a chance. So thank you so much, Stefan, for what you have already done for her… and me.

*

Be sure to follow Matteo Strukul on Twitter, and check out his website for more information on his writing and projects. The Ballad of Mila is published by Exhibit A in March 2014 (UK & US). Here’s the synopsis:

Imagine Elmore Leonard behind the wheel of a car in Grand Theft Auto, as one Italian woman sets out to cut the mafia down to size – one limb at a time…

Two perfectly matched gangs are fighting for control of the north-east Italian region of Venetia. But a formidable young woman with vengeance on her mind has plans to upset the balance. Abandoned by her mother and violated by a gang of criminals just after they slaughtered her father, Mila Zago is a cold-blooded killer, a deadly assassin. Brought up by her grandfather on the Sette Comuni plateau under a rigid martial code, she returns home to seek her revenge, conspiring to create a spectacular showdown reminiscent of A Fistful of Dollars.

The Ballad of Mila is the first novel in an ongoing series focused on the formidable female Italian bounty hunter Mila Zago, a.k.a. Red Dread.

Upcoming/News: “REVIVAL” and “MR. MERCEDES” by Stephen King (Hodder)

Civilian Reader Uncategorized , , , , , , , , , , , , ,

KingStephen-AuthorPicI’m a relative newcomer to Stephen King, but I am certainly a fan of his writing (I’ve read a good amount of his non-fiction already). Last year, I finally read The Shining, and Hodder published its long-awaited sequel, Doctor Sleep. This year, Hodder will be publishing two new novels by King: Mr. Mercedes and Revival.

The latter was just announced on the publisher’s website, so I thought I’d start with that one. Here’s some info:

In a small New England town, over half a century ago, a shadow falls over a small boy playing with his toy soldiers. Jamie Morton looks up to see a striking man, the new minister. Charles Jacobs, along with his beautiful wife, will transform the local church. The men and boys are all a bit in love with Mrs Jacobs; the women and girls feel the same about Reverend Jacobs – including Jamie’s mother and beloved sister, Claire. With Jamie, the Reverend shares a deeper bond based on a secret obsession. When tragedy strikes the Jacobs family, this charismatic preacher curses God, mocks all religious belief, and is banished from the shocked town.

Jamie has demons of his own. Wed to his guitar from the age of 13, he plays in bands across the country, living the nomadic lifestyle of bar-band rock and roll while fleeing from his family’s horrific loss. In his mid-thirties – addicted to heroin, stranded, desperate – Jamie meets Charles Jacobs again, with profound consequences for both men. Their bond becomes a pact beyond even the Devil’s devising, and Jamie discovers that revival has many meanings.

Revival is due to be published by Hodder on November 11th, 2014. No artwork has been unveiled, yet (for either of these titles), but I’ll share them when they become available.

The other novel, Mr. Mercedes, will actually be published before Revival (in June 2014). Here’s the synopsis:

Retired homicide detective Bill Hodges is haunted by the few cases he left open, and by one in particular: in the pre-dawn hours, hundreds of desperate unemployed people were lined up for a spot at a job fair in a distressed Midwestern city. Without warning, a lone driver ploughed through the crowd in a stolen Mercedes. Eight people were killed, fifteen wounded. The killer escaped.

Months later, on the other side of the city, Bill Hodges gets a letter in the mail, from a man claiming to be the perpetrator. He taunts Hodges with the notion that he will strike again. Hodges wakes up from his depressed and vacant retirement, hell-bent on preventing that from happening.

Brady Hartfield lives with his alcoholic mother in the house where he was born. And he is indeed preparing to kill again.

Hodges, with a couple of misfit friends, must apprehend the killer in this high-stakes race against time. Because Brady’s next mission, if it succeeds, will kill or maim hundreds, even thousands.

Mr Mercedes is a war between good and evil, from the master of suspense whose insight into the mind of this obsessed, insane killer is chilling and unforgettable.

Upcoming: “The Man With the Golden Mind” by Tom Vater (Exhibit A)

Civilian Reader Uncategorized , , , , , ,

Vater-TheManWithTheGoldenMindLast year, Exhibit A published Tom Vater’s debut thriller, The Cambodian Book of the Dead. Sadly, it ended up being one of the thrillers that went onto my eReader and I promptly got distracted by other things, and it has thus-far gone unread. Now that this second novel in the series, The Man With the Golden Mind (April 2014), is to be released, I’m going to have to get my act together and get caught up!

“In trouble again… and a long way from home…”

Julia Rendel asks Maier to investigate the twenty-five year old murder of her father, an East German cultural attaché who was killed near a fabled CIA airbase in central Laos in 1976. But before the detective can set off, his client is kidnapped right out of his arms.

Maier follows Julia’s trail to the Laotian capital Vientiane, where he learns different parties, including his missing client are searching for a legendary CIA file crammed with Cold War secrets. But the real prize is the file’s author, a man codenamed Weltmeister, a former US and Vietnamese spy and assassin no one has seen for a quarter century.

To learn more about Tom’s novels and writing, be sure to visit his website and follow him on Facebook and Twitter.