A fascinating, at times unsettling novel-memoir
“None of this is real and all of it is true.” – Jim Carrey
Meet Jim Carrey. Sure, he’s an insanely successful and beloved movie star drowning in wealth and privilege – but he’s also lonely. Maybe past his prime. Maybe even… getting fat? He’s tried diets, gurus, and cuddling with his military-grade Israeli guard dogs, but nothing seems to lift the cloud of emptiness and ennui. Even the sage advice of his best friend, actor and dinosaur skull collector Nicolas Cage, isn’t enough to pull Carrey out of his slump.
But then Jim meets Georgie: ruthless ingénue, love of his life. And with the help of auteur screenwriter Charlie Kaufman, he has a role to play in a boundary-pushing new picture that may help him uncover a whole new side to himself – finally, his Oscar vehicle! Things are looking up!
But the universe has other plans.
Memoirs and Misinformation is a fearless semi-autobiographical novel, a deconstruction of persona. In it, Jim Carrey and Dana Vachon have fashioned a story about acting, Hollywood, agents, celebrity, privilege, friendship, romance, addiction to relevance, fear of personal erasure, our “one big soul,” Canada, and a cataclysmic ending of the world – apocalypses within and without.
I grew up watching and loving Jim Carrey’s movies — The Mask, Ace Ventura, and Dumb and Dumber, in particular, I found hilarious when I was a teenager. Combined with my general interest in Hollywood, I’ve found Carrey’s career to be pretty interesting. When I heard that he was writing a sort-of-novelized-memoir, I was certainly intrigued. I was lucky enough to get a DRC, and I’m happy to say that it is an interesting and rewarding read. It is, however, rather strange — perhaps predictably. Continue reading
A page-turning memoir of contemporary Silicon Valley
Chuck Klosterman and Steven Hyden are great guides to the worlds of rock and metal music, and their respective (and oft-overlapping) fandoms. In the two books covered in this feature, they examine the bands that meant the most to them, how their music fandom shaped their youths, and also the changes in the industry and soundscapes of the years that forged their tastes. Klosterman’s book is more connected to his own biography, while Hyden’s takes a more in-depth, long-view examination of what makes some rock music “classic”, and how the genre’s mythology has become ever more contentious and troubling. Both authors are passionate music fans and eloquently opinionated. As a result, they are also great guides to rock and metal music. If you have any interest in rock and metal music, then I would certainly recommend these two books.
This title is a bit unusual for CR, but I wanted to share the great cover for the UK paperback edition of Jessica J. Lee’s Turning, published by
An interesting, if not-particularly-revelatory memoir from the Boss
An entertaining, engaging memoir of screenwriting
An excellent follow-up to Hello, He Lied
Izzard’s new memoir, Believe Me is out now, published by 