New Books (July-August)

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Featuring: Megan Abbott, Cristina Alger, Guy Bolton, Mike Chen, Myke Cole, Delilah S. Dawson, Neil deGrasse Tyson, Michael Downing, Jasmin B. Frelih, John French, Stephen Fry, Doris Kearns Goodwin, Patrick Hasburgh, Sam Hawken, Kevin Hearne, Grady Hendrix, Michiko Kakutani, Gary Kemble, Derek Künsken, Avis Lang, Ian Nathan, Malka Older, George Pelecanos, Melissa Rivero, Justina Robson, Michael Rutger, Brandon Sanderson, Gary Shteyngart, Matt Strandberg, Tricia Sullivan, Adrian Tchaikovsky, Sharlene Teo, G.B. Trudeau, K.B. Wagers, Corey J. White, Rio Youers,

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New Books (2015 Inaugural Edition)

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Featuring: Louis Bayard, Pierce Brown, Gail Carriger, Tom Doyle, Alan Finn, James Grady, Simon R. Green, Kevin Hearne, Jim C. Hines, Deborath Install, Ha Jin, Michael Moorcock, Haruki Murakami, Daniel José Older, Anthony Reynolds, Brandon Sanderson, Beth Shapiro, Brian Staveley, Olen Steinhauer, Ferrett Steinmetz, Duane Swierczynski, David Walton, Susan Wilkins Continue reading

UK Competition: STEELHEART and FIREFIGHT by Brandon Sanderson!

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Those lovely folks at Gollancz have provided a copy of Brandon Sanderson‘s Steelheart and Firefight for me to give away to one lucky reader in the UK. (Sorry to those of you not from the UK… I’ll try to organise an international giveaway ASAP.) Not sure what the series is about? Well, here’s the synopsis for Steelheart:

Ten years ago, Calamity came. It was a burst in the sky that gave ordinary men and women extraordinary powers. The awed public started calling them Epics. But Epics are no friend of man. With incredible gifts came the desire to rule. And to rule man you must crush his wills.

Nobody fights the Epics… nobody but the Reckoners. A shadowy group of ordinary humans, they spend their lives studying Epics, finding their weaknesses, and then assassinating them.

And David wants in. He wants Steelheart – the Epic who is said to be invincible. The Epic who killed David’s father. For years, like the Reckoners, David’s been studying, and planning – and he has something they need. Not an object, but an experience.

He’s seen Steelheart bleed. And he wants revenge.

I enjoyed Steelheart, and also the short story set between the two novels, Mitosis. I’m really looking forward to reading Firefight.

All you have to do to be in with a chance of winning this action-packed bundle is… leave a comment or email me, and I’ll pick the winner at random on Sunday night. The winner will be notified on Monday morning.

New Books (November #2)

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Featuring: Poul Anderson, David Baldacci, Elizabeth Bear, James Enge, Chris Evans, Michel Faber, John French, Joe Haldeman, James M. Hough, Jonathan & Jesse Kellerman, John Love, Brandon Sanderson, Gav Thorpe, Olivier Truc Continue reading

Upcoming: FIREFIGHT by Brandon Sanderson (Gollancz)

Sanderson-R2-FirefightUKI rather enjoyed Brandon Sanderson’s Steelheartthe first in the Reckoners series and also the first of the author’s novels that I’ve read. I stumbled across the UK cover for Firefight, the sequel, while researching something else. It’s a rather excellent cover, I think, and will sit very nicely alongside Steelheart and the novella Mitosis. Here’s the synopsis:

They told David it was impossible – that even the Reckoners had never killed a High Epic. Yet, Steelheart – invincible, immortal, unconquerable – is dead. And he died by David’s hand.

Eliminating Steelheart was supposed to make life more simple. Instead, it only made David realise he has questions. Big ones. And there’s no one in Newcago who can give him the answers he needs.

Babylon Restored, the old borough of Manhattan, has possibilities, though. Ruled by the mysterious High Epic, Regalia, David is sure Babylon Restored will lead him to what he needs to find. And while entering another city oppressed by a High Epic despot is a gamble, David’s willing to risk it. Because killing Steelheart left a hole in David’s heart. A hole where his thirst for vengeance once lived. Somehow, he filled that hole with another Epic – Firefight. And he’s willing to go on a quest darker, and more dangerous even, than the fight against Steelheart to find her, and to get his answers.

Firefight is due to be published in the UK by Gollancz in January 2015. Here are the other two covers:

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Cover Art: THE RITHMATIST by Brandon Sanderson (Tor UK)

Today, Tor UK unveiled this frankly gorgeous cover. It’s for the UK paperback edition of Brandon Sanderson’s YA fantasy, THE RITHMATIST. It’s an interesting take on, while still in keeping with, the overall aesthetic that Gollancz pioneered for Sanderson’s adult fantasy novels. And I think it may actually be my favourite of his UK covers…

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In case you haven’t been aware of this novel, here’s the synopsis:

In a school for the magically gifted, your talent could cost you your life…

Young student Joel is fascinated by the magic of Rithmatics, but few have the gift and he is not one of them. Undaunted, Joel persuades Professor Fitch to teach him about this geometric magic. For although Joel can’t infuse his protective lines and circles with power, or bring his chalk-drawn creatures to life, he can really understand how it works. However, a daunting test lies ahead, when someone starts kidnapping top Rithmatic students at his school, Armedius Academy.

Since he’s not a magic user, Joel appears to be safe and he’s desperate to investigate and prove himself. Then people start dying – but can Joel really stop a killer alone? He’ll need the help of Rithmatist apprentice Melody, as even more students disappear. Together, they must race to find clues before the killer notices them – and takes them out too.

The book features illustrations by Ben McSweeney, which depict the magical elements of the novel with great elegance and insight.

The Rithmatist will be available from May 22nd.

A Quick Comment on the Gemmell Award Shortlists, and One of the Nominees. Sort of…

This post is a bit of a break from the norm for me. I’m also not really sure what it’s meant to do. It’s a bit waffley, for which I apologise only slightly, and in not entirely a heartfelt manner. Fiction awards mean very little to me, being neither author, editor, publisher, nor agent. (At least, not yet…) This means I have never (to my recollection) written a post of any worth/note about shortlists or winners.

Brett-DaylightWarUKAward lists tend to pass me by without comment or thought. Invariably, this is because there aren’t any books featured that I’ve read – or, if there is, it is one that didn’t leave much of an impression one way or another. This year has been a bit different, however. For example, Kameron Hurley’s God’s War has been cropping up on a few shortlists, and it’s a book I rather enjoyed. So that made a nice change.

The shortlists for the Gemmell Awards were announced today at Eastercon. In a real break from the norm, the shortlist for the Legend Award (best fantasy) features not only five authors I have read, but also a book I feel particularly strongly about. So I thought I’d write a quick blog post about it. The book in question is Peter V. Brett’s The Daylight War, the third in his Demon Cycle series.

[Before I continue, let me just state that my focus on this book is not an indictment of the other authors nominated for the award. I just feel particularly strongly about this one. The other Legend nominees – Mark Lawrence, Scott Lynch, Adrian Tchaikovsky, and Brandon Sanderson – are great authors, too, whose works I have enjoyed very much. I just haven’t read their nominated novels.]

I’ve been experiencing a phase of fantasy disenchantment, lately. In fact, looking back over the past year or so, I’ve read far less (epic) fantasy than I would have expected. I have picked up and discarded more fantasy novels than I usually do, too. I just can’t get into anything, nor can I rustle up the enthusiasm to sit through hefty tomes.

Brett-DaylightWarUSThere is one clear exception to that, though, and that’s Brett’s series. Every time I think about reading a fantasy novel, I find myself wistfully wishing that the next novel in the Demon Cycle was already available. This is because there are very few authors who do it better. That’s not to say other fantasists writing today aren’t good, or are lacking in talent – far from it. But, really, I think the only epic fantasy series I would happily drop everything to read the next book in, is the Demon Cycle. Everything about the novels just works for me – the story, prose, characters… everything. I don’t think, across the three novels published so far, I’ve come across anything that gave me pause. I read the first, The Painted Man, in three sittings – the final sitting a 300-page marathon, which I finished at 4am. I read the second and third novels back-to-back (something I rarely do), eschewing everything else – true, I was unemployed at the time, and had little else to do; but nevertheless, all I wanted to do was read the books.

I haven’t experienced that level of Reading Insistence since I read Scott Lynch’s The Lies of Locke Lamora – the book that got me back into reading fantasy in the first place (as I think I’ve mentioned ad infinitum on the blog). In the case of Lynch’s series, I went straight out and bought Red Seas Under Red Skies when I was only two-thirds of the way through the first book – I even didn’t mind that it was the (frankly ghastly) shiny red-covered edition. Since then, and given the understandable delay before the third book came out, I have been almost afraid to go back and re-read the series to catch up.

Oh actually, that’s not entirely true – I was also incredibly impatient about getting hold of Brent Weeks’s Night Angel Trilogy. I must have pestered the Orbit publicist to the point of irritation, requesting the final two books… I was also really late to Abercrombie’s First Law trilogy, and I do consider Before They Are Hanged to be one of my favourite novels.

Regardless, the point I’m trying to make is that very few epic fantasy novels have really grabbed hold of my imagination and attention. And, I think, none more so than Brett’s Demon Cycle.

So, to bring this ramble back around to the topic at hand, I really hope The Daylight War wins the Legend Award.

***

The David Gemmell Awards ceremony will take place at London’s Magic Circle on June 13th, 2014.

***

Peter V. Brett’s The Daylight War is published in the UK by Voyager, and in the US by Del Rey. The first two volumes in the series – The Painted Man (UK)/The Warded Man (US) and The Desert Spear are published by the same publishers. Two novellas have also been collected into a single volume: The Great Bazaar and Brayan’s Gold. If you haven’t read them yet, and have any interest in fantasy, then I could not recommend them enough. You won’t regret reading them, I’m sure.

My reviews of the books: The Painted Man, The Desert Spear, The Daylight War and The Great Bazaar and Brayan’s Gold.

***

Regarding the Other Shortlists…

For the Morning Star category (best debut), I really enjoyed Brian McClellan’s Promise of Blood – it is also the only novel on the shortlist I’ve read.

In the Ravenheart category (best artwork), I actually like them all, and quite a lot. But I don’t understand why any of the covers for Elizabeth Bear’s Eternal Sky fantasy trilogy didn’t make it onto the final list… (I haven’t read any of the novels, but I want to, and those covers are frankly stunning.)

Excerpt & Giveaway: WORDS OF RADIANCE by Brandon Sanderson (Gollancz)

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Brandon Sanderson’s Words of Radiance is one of the most hotly-anticipated epic fantasy novels of the year. Published by Gollancz (UK) and Tor Books (US).

Thanks to Gollancz, who also provided this excerpt (Chapter 3), there is a copy of the book up for grabs! All you need to do to be in with the chance of winning it is to re-tweet this excerpt on Twitter, follow @civilianreader, and include the hashtag “#CRWoR”. Simples. If you are not on Twitter, then you can leave a comment at the end, and I’ll include you in the random draw, as well. The winner will be selected at the end of the day (9pm) – unfortunately, the giveaway is for UK only.

(See banner, below, for upcoming stops on the blog tour.)

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Soldiers reported being watched from afar by an unnerving number of Parshendi scouts. Then we noticed a new pattern of their penetrating close to the camps in the night and then quickly retreating. I can only surmise that our enemies were even then preparing their stratagem to end this war.

— From the personal journal of Navani Kholin, Jeseses 1174

Research into times before the Hierocracy is frustratingly difficult, the book read. During the reign of the Hierocracy, the Vorin Church had near absolute control over eastern Roshar. The fabrications they promoted — and then perpetuated as absolute truth — became ingrained in the consciousness of society. More disturbingly, modified copies of ancient texts were made, aligning history to match Hierocratic dogma.

In her cabin, Shallan read by the glow of a goblet of spheres, wearing her nightgown. Her cramped chamber lacked a true porthole and had just a thin slit of a window running across the top of the outside wall. The only sound she could hear was the water lapping against the hull. Tonight, the ship did not have a port in which to shelter.

The church of this era was suspicious of the Knights Radiant, the book read. Yet it relied upon the authority granted Vorinism by the Heralds. Th is created a dichotomy in which the Recreance, and the betrayal of the knights, was overemphasized. At the same time, the ancient knights — the ones who had lived alongside the Heralds in the shadowdays — were celebrated.

This makes it particularly difficult to study the Radiants and the place named Shadesmar. What is fact? What records did the church, in its misguided attempt to cleanse the past of perceived contradictions, rewrite to suit its preferred narrative? Few documents from the period survive that did not pass through Vorin hands to be copied from the original parchment into modern codices.

Shallan glanced up over the top of her book. The volume was one of Jasnah’s earliest published works as a full scholar. Jasnah had not assigned Shallan to read it. Indeed, she’d been hesitant when Shallan had asked for a copy, and had needed to dig it out of one of the numerous trunks full of books she kept in the ship’s hold.

Why had she been so reluctant, when this volume dealt with the very things that Shallan was studying? Shouldn’t Jasnah have given her this right off ? It—

The pattern returned.

Shallan’s breath caught in her throat as she saw it on the cabin wall beside the bunk, just to her left. She carefully moved her eyes back to the page in front of her. The pattern was the same one that she’d seen before, the shape that had appeared on her sketchpad.

Ever since then, she’d been seeing it from the corner of her eye, appearing in the grain of wood, the cloth on the back of a sailor’s shirt, the shimmering of the water. Each time, when she looked right at it, the pattern vanished. Jasnah would say nothing more, other than to indicate it was likely harmless.

Shallan turned the page and steadied her breathing. She had experienced something like this before with the strange symbol- headed creatures who had appeared unbidden in her drawings. She allowed her eyes to slip up off the page and look at the wall — not right at the pattern, but to the side of it, as if she hadn’t noticed it.

Yes, it was there. Raised, like an embossing, it had a complex pattern with a haunting symmetry. Its tiny lines twisted and turned through its mass, somehow lifting the surface of the wood, like iron scrollwork under a taut tablecloth.

It was one of those things. The symbolheads. This pattern was similar to their strange heads. She looked back at the page, but did not read. The ship swayed, and the glowing white spheres in her goblet clinked as they shifted. She took a deep breath.

Then looked directly at the pattern.

Immediately, it began to fade, the ridges sinking. Before it did, she got a clear look at it, and she took a Memory.

“Not this time,” she muttered as it vanished. “This time I have you.” She threw away her book, scrambling to get out her charcoal pencil and a sheet of sketching paper. She huddled down beside her light, red hair tumbling around her shoulders.

She worked furiously, possessed by a frantic need to have this drawing done. Her fingers moved on their own, her unclothed safehand holding the sketchpad toward the goblet, which sprinkled the paper with shards of light.

She tossed aside the pencil. She needed something crisper, capable of sharper lines. Ink. Pencil was wonderful for drawing the soft shades of life, but this thing she drew was not life. It was something else, something unreal. She dug a pen and inkwell from her supplies, then went back to her drawing, replicating the tiny, intricate lines.

She did not think as she drew. The art consumed her, and creationspren popped into existence all around. Dozens of tiny shapes soon crowded the small table beside her cot and the floor of the cabin near where she knelt. The spren shifted and spun, each no larger than the bowl of a spoon, becoming shapes they’d recently encountered. She mostly ignored them, though she’d never seen so many at once.

Faster and faster they shifted forms as she drew, intent. The pattern seemed impossible to capture. Its complex repetitions twisted down into infinity. No, a pen could never capture this thing perfectly, but she was close. She drew it spiraling out of a center point, then re- created each branch off the center, which had its own swirl of tiny lines. It was like a maze created to drive its captive insane.

When she finished the last line, she found herself breathing hard, as if she’d run a great distance. She blinked, again noticing the creationspren around her — there were hundreds. They lingered before fading away one by one. Shallan set the pen down beside her vial of ink, which she’d stuck to the tabletop with wax to keep it from sliding as the ship swayed. She picked up the page, waiting for the last lines of ink to dry, and felt as if she’d accomplished something significant — though she knew not what.

As the last line dried, the pattern rose before her. She heard a distinct sigh from the paper, as if in relief.

She jumped, dropping the paper and scrambling onto her bed. Unlike the other times, the embossing didn’t vanish, though it left the paper — budding from her matching drawing — and moved onto the floor.

She could describe it in no other way. The pattern somehow moved from paper to floor. It came to the leg of her cot and wrapped around it, climbing upward and onto the blanket. It didn’t look like something moving beneath the blanket; that was simply a crude approximation. The lines were too precise for that, and there was no stretching. Something beneath the blanket would have been just an indistinct lump, but this was exact. It drew closer. It didn’t look dangerous, but she still found herself trembling. This pattern was different from the symbolheads in her drawings, but it was also somehow the same. A flattened-out version, without torso or limbs. It was an abstraction of one of them, just as a circle with a few lines in it could represent a human’s face on the page.

Those things had terrified her, haunted her dreams, made her worry she was going insane. So as this one approached, she scuttled from her bed and went as far from it in the small cabin as she could. Then, heart thumping in her chest, she pulled open the door to go for Jasnah.

She found Jasnah herself just outside, reaching toward the doorknob, her left hand cupped before her. A small figure made of inky blackness — shaped like a man in a smart, fashionable suit with a long coat — stood in her palm. He melted away into shadow as he saw Shallan. Jasnah looked to Shallan, then glanced toward the fl oor of the cabin, where the pattern was crossing the wood.

“Put on some clothing, child,” Jasnah said. “We have matters to discuss.”

*

Sanderson-SA2-WordsOfRadianceUK-Banner“I had originally hoped that we would have the same type of spren,” Jasnah said, sitting on a stool in Shallan’s cabin. The pattern remained on the floor between her and Shallan, who lay prone on the cot, properly clothed with a robe over the nightgown and a thin white glove on her left hand. “But of course, that would be too easy. I have suspected since Kharbranth that we would be of different orders.”

“Orders, Brightness?” Shallan asked, timidly using a pencil to prod at the pattern on the floor. It shied away, like an animal that had been poked. Shallan was fascinated by how it raised the surface of the floor, though a part of her did not want to have anything to do with it and its unnatural, eye- twisting geometries.

“Yes,” Jasnah said. The inklike spren that had accompanied her before had not reappeared. “Each order reportedly had access to two of the Surges, with overlap between them. We call the powers Surgebinding. Soulcasting was one, and is what we share, though our orders are different.”

Shallan nodded. Surgebinding. Soulcasting. These were talents of the Lost Radiants, the abilities — supposedly just legend — that had been their blessing or their curse, depending upon which reports you read. Or so she’d learned from the books Jasnah had given her to read during their trip.

“I’m not one of the Radiants,” Shallan said.

“Of course you aren’t,” Jasnah said, “and neither am I. The orders of knights were a construct, just as all society is a construct, used by men to define and explain. Not every man who wields a spear is a soldier, and not every woman who makes bread is a baker. And yet weapons, or baking, become the hallmarks of certain professions.”

“So you’re saying that what we can do . . .”

Was once the definition of what initiated one into the Knights Radiant,” Jasnah said.

“But we’re women!”

“Yes,” Jasnah said lightly. “Spren don’t suffer from human society’s prejudices. Refreshing, wouldn’t you say?”

Shallan looked up from poking at the pattern spren. “There were women among the Knights Radiant?”

“A statistically appropriate number,” Jasnah said. “But don’t fear that you will soon find yourself swinging a sword, child. The archetype of Radiants on the battlefield is an exaggeration. From what I’ve read — though records are, unfortunately, untrustworthy — for every Radiant dedicated to battle, there were another three who spent their time on diplomacy, scholarship, or other ways to aid society.”

“Oh.” Why was Shallan disappointed by that?

Fool. A memory rose unbidden. A silvery sword. A pattern of light. Truths she could not face. She banished them, squeezing her eyes shut.

Ten heartbeats.

“I have been looking into the spren you told me about,” Jasnah said. “The creatures with the symbol heads.”

Shallan took a deep breath and opened her eyes. “This is one of them,” she said, pointing her pencil at the pattern, which had approached her trunk and was moving up onto it and off it — like a child jumping on a sofa. Instead of threatening, it seemed innocent, even playful — and hardly intelligent at all. She had been frightened of this thing?

“Yes, I suspect that it is,” Jasnah said. “Most spren manifest differently here than they do in Shadesmar. What you drew before was their form there.”

“Th is one is not very impressive.”

“Yes. I will admit that I’m disappointed. I feel that we’re missing something important about this, Shallan, and I find it annoying. The Cryptics have a fearful reputation, and yet this one — the first specimen I’ve ever seen — seems . . .”

It climbed up the wall, then slipped down, then climbed back up, then slipped down again.

“Imbecilic?” Shallan asked.

“Perhaps it simply needs more time,” Jasnah said. “When I first bonded with Ivory—” She stopped abruptly.

“What?” Shallan said.

“I’m sorry. He does not like me to speak of him. It makes him anxious. The knights’ breaking of their oaths was very painful to the spren. Many spren died; I’m certain of it. Though Ivory won’t speak of it, I gather that what he’s done is regarded as a betrayal by the others of his kind.”

“But—”

“No more of that,” Jasnah said. “I’m sorry.”

“Fine. You mentioned the Cryptics?”

“Yes,” Jasnah said, reaching into the sleeve that hid her safehand and slipping out a folded piece of paper — one of Shallan’s drawings of the symbolheads. “That is their own name for themselves, though we would probably name them liespren. They don’t like the term. Regardless, the Cryptics rule one of the greater cities in Shadesmar. Think of them as the lighteyes of the Cognitive Realm.”

“So this thing,” Shallan said, nodding to the pattern, which was spinning in circles in the center of the cabin, “is like . . . a prince, on their side?”

“Something like that. There is a complex sort of conflict between them and the honorspren. Spren politics are not something I’ve been able to devote much time to. This spren will be your companion — and will grant you the ability to Soulcast, among other things.”

“Other things?”

“We will have to see,” Jasnah said. “It comes down to the nature of spren. What has your research revealed?”

With Jasnah, everything seemed to be a test of scholarship. Shallan smothered a sigh. This was why she had come with Jasnah, rather than returning to her home. Still, she did wish that sometimes Jasnah would just tell her answers rather than making her work so hard to find them. “Alai says that the spren are fragments of the powers of creation. A lot of the scholars I read agreed with that.”

“It is one opinion. What does it mean?”

Shallan tried not to let herself be distracted by the spren on the floor. “There are ten fundamental Surges — forces —by which the world works. Gravitation, pressure, transformation. That sort of thing. You told me spren are fragments of the Cognitive Realm that have somehow gained sentience because of human attention. Well, it stands to reason that they were something before. Like . . . like a painting was a canvas before being given life.”

“Life?” Jasnah said, raising her eyebrow.

“Of course,” Shallan said. Paintings lived. Not lived like a person or a spren, but . . . well, it was obvious to her, at least. “So, before the spren were alive, they were something. Power. Energy. Zen-daughter-Vath sketched tiny spren she found sometimes around heavy objects. Gravitationspren — fragments of the power or force that causes us to fall. It stands to reason that every spren was a power before it was a spren. Really, you can divide spren into two general groups. Those that respond to emotions and those that respond to forces like fi re or wind pressure.”

“So you believe Namar’s theory on spren categorization?”

“Yes.”

“Good,” Jasnah said. “As do I. I suspect, personally, that these groupings of spren — emotion spren versus nature spren — are where the ideas of mankind’s primeval ‘gods’ came from. Honor, who became Vorinism’s Almighty, was created by men who wanted a representation of ideal human emotions as they saw in emotion spren. Cultivation, the god worshipped in the West, is a female deity that is an embodiment of nature and nature spren. The various Voidspren, with their unseen lord — whose name changes depending on which culture we’re speaking of — evoke an enemy or antagonist. The Stormfather, of course, is a strange off shoot of this, his theoretical nature changing depending on which era of Vorinism is doing the talking. . . .”

She trailed off . Shallan blushed, realizing she’d looked away and had begun tracing a glyphward on her blanket against the evil in Jasnah’s words.

“That was a tangent,” Jasnah said. “I apologize.”

“You’re so sure he isn’t real,” Shallan said. “The Almighty.”

“I have no more proof of him than I do of the Th aylen Passions, Nu Ralik of the Purelake, or any other religion.”

“And the Heralds? You don’t think they existed?”

“I don’t know,” Jasnah said. “There are many things in this world that I don’t understand. For example, there is some slight proof that both the Stormfather and the Almighty are real creatures — simply powerful spren, such as the Nightwatcher.”

“Th en he would be real.”

“I never claimed he was not,” Jasnah said. “I merely claimed that I do not accept him as God, nor do I feel any inclination to worship him. But this is, again, a tangent.” Jasnah stood. “You are relieved of other duties of study. For the next few days, you have only one focus for your scholarship.” She pointed toward the floor.

“The pattern?” Shallan asked.

“You are the only person in centuries to have the chance to interact with a Cryptic,” Jasnah said. “Study it and record your experiences — in detail. This will likely be your first writing of signifi cance, and could be of utmost importance to our future.”

Shallan regarded the pattern, which had moved over and bumped into her foot — she could feel it only faintly — and was now bumping into it time and time again.

“Great,” Shallan said.

***

The story continues in Words of Radiance…

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2014: New Year’s (Reading) Resolutions…

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Last year, I resolved to read at least the first book in four fantasy series. I managed to read the first of only two of them… Thankfully, these sorts of thing are not binding, but nevertheless, I’ve decided to (belatedly) come up with another four fantasy series I would like to at least try, if not finish, in 2014. I will include the two I failed to read in 2013, and hopefully keep them high on the TBR list. So, here are the 2014 Fantasy Reading Resolutions…

Margaret AtwoodMaddAddam Trilogy

Celia FriedmanThe Coldfire Trilogy

Tom LloydTwilight Reign (from 2013)

Brandon SandersonMistborn (from 2013)

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As before, and always, there are no doubt going to be tens of new fantasy, sci-fi, urban fantasy and horror novels series that I will want to read. Even need to read, in my weirdly-wired mind. They will probably get in the way of my fulfilling these reading resolutions (which makes you wonder if these types of posts have any value whatsoever, but there we go). It’s impossible to read all the novels I want to read. But I will do my best to read at least the first in the above series. It certainly helps that I have already bought them. I’ll use the weekend Upcoming posts to highlight stand-alone novels, and also hitherto unmentioned or unrevealed SFF series that catch my attention. In the meantime, though, here is some information about the above-mentioned series…

AtwoodM-1-Oryx&CrakeMargaret Atwood, Oryx & Crake (Virago)

Snowman, known as Jimmy before mankind was overwhelmed by a plague, is struggling to survive in a world where he may be the last human, and mourning the loss of his best friend, Crake, and the beautiful and elusive Oryx whom they both loved. In search of answers, Snowman embarks on a journey with the help of the green-eyed Children of Crake through the lush wilderness that was so recently a great city, until powerful corporations took mankind on an uncontrolled genetic engineering ride.

I’ve never read anything by Atwood before. It’s time to address this oversight.

MaddAddam Series: Oryx and Crake, The Year of the Flood, MaddAddam

*

FriedmanCS-CF1-BlackSunRisingCelia Friedman – Black Sun Rising (Orbit)

Over a millennium ago, Erna, a seismically active yet beautiful world was settled by colonists from far-distant Earth. But the seemingly habitable planet was fraught with perils no one could have foretold, and the colonists found themselves caught in a desperate battle for survival against the fae, a terrifying natural force with the power to prey upon the human mind itself, drawing forth images from a person’s worst nightmare or most treasured dreams and indiscriminately giving them life.

Twelve centuries after fate first stranded the colonists on Erna, mankind has achieved an uneasy stalemate, and human sorcerers manipulate the fae for their own profit, little realising that demonic forces which feed upon such efforts are rapidly gaining in strength. Now, as the hordes of the dark fae multiply, four people – Priest, Adept, Apprentice and Sorcerer – are about to be drawn inexorably together for a mission which will force them to confront an evil beyond their imagining, in a conflict which will put not only their own lives but the very fate of humankind in jeopardy.

I’ve heard so many bloggers and friends say how much they’ve loved this series, that I really think it’s time I give it a try. Friedman’s latest novel, Dreamwalker, is also on my radar.

The Coldfire Trilogy: Black Sun Rising, When True Night Falls, Crown of Shadows

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Lloyd-TR1-StormcallerUKTom Lloyd, Stormcaller (Gollancz/Pyr)

Isak is a white-eye, feared and despised in equal measure. Trapped in a life of poverty, hated and abused by his father, Isak dreams of escape, but when his chance comes, it isn’t to a place in the army as he’d expected. Instead, the Gods have marked him out as heir-elect to the brooding Lord Bahl, the Lord of the Fahlan.

Lord Bahl is also a white-eye, a genetic rarity that produces men stronger, more savage and more charismatic than their normal counterparts. Their magnetic charm and brute strength both inspires and oppresses others.

Now is the time for revenge, and the forging of empires. With mounting envy and malice the men who would themselves be kings watch Isak, chosen by Gods as flawed as the humans who serve them, as he is shaped and moulded to fulfil the prophecies that are encircling him like scavenger birds. The various factions jostle for the upper hand, and that means violence, but the Gods have been silent too long and that violence is about to spill over and paint the world the colour of spilled blood and guts and pain and anguish…

Lloyd has now completed this series, and the first novel in his new series – Moon’s Artifice – has already been published (also by Gollancz). I intend to read both Stormcaller and Moon’s Artifice this year, and hopefully more of the Twilight Reign series, too.

Twilight Reign: The Stormcaller, The Twilight Herald, The Grave Thief, The Ragged Man, The Dusk Watchman, The God Tattoo

Also on CR: Interview with Tom Lloyd

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Sanderson-1-FinalEmpireUKBrandon Sanderson – The Final Empire (Gollancz/Tor Books)

Once, a hero arose to save the world. A young man with a mysterious heritage courageously challenged the darkness that strangled the land.

He failed.

For a thousand years since, the world has been a wasteland of ash and mist ruled by the immortal emperor known as the Lord Ruler. Every revolt has failed miserably.

Yet somehow, hope survives. Hope that dares to dream of ending the empire and even the Lord Ruler himself. A new kind of uprising is being planned, one built around the ultimate caper, one that depends on the cunning of a brilliant criminal mastermind and the determination of an unlikely heroine, a street urchin who must learn to master Allomancy, the power of a Mistborn.

While I failed to read The Final Empire in 2013, I did manage to read my first Sanderson novel – Steelheart. Obviously very different to this one, but I’m glad I have at least read one of his novels, now. I know this series has been hugely popular and successful on both sides of the Atlantic (and elsewhere, I assume), and I really think I need to give it a read. Sanderson continues to have a weird distinction with me: I won all of his novels, but have barely read any of them…

The Mistborn Series: The Final Empire, The Well of Ascension, The Allow of Law [there are more to come, too…]

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I thought I’d take this opportunity to mention some new series starting in 2014 that have also caught my attention. As it’s still early days, I’ll present the synopses and cover art, and keep my comments brief…

Miller-1-PathToPowerHCKaren Miller, The Path to Power (Orbit)

NOBODY IS INNOCENT. EVERY CROWN IS TARNISHED

A royal child, believed dead, sets his eyes on regaining his father’s stolen throne.

A bastard lord, uprising against his tyrant cousin, sheds more blood than he bargained for.

A duke’s widow, defending her daughter, defies the ambitious lord who’d control them both.

And two brothers, divided by ambition, will learn the true meaning of treachery.

All of this will come to pass, and the only certainty is that nothing will remain as it once was. As royal houses rise and fall, empires are reborn and friends become enemies, it becomes clear that much will be demanded of those who follow the path to power.

The first in Miller’s new Tarnished Crown series. I haven’t read any of Miller’s previous novels, and I think this one sounds like the book to rectify this oversight.

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Jemisin-FifthSeasonN.K. Jemisin, The Fifth Season (Orbit)

The Fifth Season is set in a world which has suffered frequent, repeated Extinction Level Events for millions of years, and all life (and magic) in this world has adapted to it. Hundreds of years might pass between these events — easy, plentiful years in which great cities rise, and people have the leisure for art and science and rapid advancement — but then, again and again, the cities fall. The world is littered with the detritus of these times of plenty, and this cover hints at them: past ages of decadence, now decaying; stone that endures beneath flaking gilt.

The above synopsis is from Goodreads, who found it on the author’s website. (I do wonder when there will be an official description.) I really enjoyed Jemisin’s first fantasy series (Inheritance), and also the first novel in the Dreamblood duology that followed (not sure why I didn’t get around to finishing it, though…). This is the first in the author’s new The Broken Earth series, and I’m very much looking forward to it.

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What series have I missed? What new series are you looking forward to this year, or ‘old’ series are you hoping to finally try out?

Review: MITOSIS by Brandon Sanderson (Gollancz)

Sanderson-R-MitosisUSA good short story stop-gap between Steelheart and Firefight

Epics still plague Newcago, but David and the Reckoners have vowed to fight back.

Sanderson self-published this short story, set in the same world as his first super-hero novel, Steelheart. I rather enjoyed the novel (which was the first of the author’s that I’ve read), and when I stumbled across this I was very happy to be able to dive back into the world he’s created. I’m not going to include an official synopsis, as that will give away the ending of Steelheart.

Nevertheless, what you need to know (for both the novel and Mitosis) is that in this reality, super-heroes exist – something happened that bestowed upon a small percentage of the global population special powers. Unlike in the super-hero comic books of Marvel, DC, et al, the power has very much gone to most of these powered individuals’ heads, and they started using them for their own ends. In Chicago, Steelheart reigned supreme with a coterie of other powereds. Steelheart the novel was the story of a fight against this tyranny, spear-headed by an insurgent group known as the Reckoners and their new ‘recruit’, who is a bit of a geek, and has been cataloguing the powered dictators and criminals as a means to learn of their weaknesses.

Mitosis deals with a single powered individual: Mitosis. The story moves quickly, and there is a rather nifty homage (perhaps) to Agent Smith from second and third The Matrix movies. That is all I shall say on the specific plot of this story.

If you are familiar with Sanderson’s writing – be it The Way of Kings or his Mistborn series – then you are sure to know what to expect: brisk, engaging and professional storytelling. The man can certainly write, and I intend to get more of his novels read by the end of this year. [Famous last words, perhaps, but I managed to read three of the four authors I promised to last year…]

Short, but well-worth reading to hold you over until the release of Firefight.

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UPDATE: When I first wrote this, Gollancz had yet to announce the UK cover art, which I have now included below. The UK hardcover edition also includes an excerpt from Firefight and also some character sketches. It’s a really great little book. Perfect for any fan of Sanderson’s writing.

Sanderson-R2-FirefightUK