A pair of novels that look at the Emperor’s Children Legion at two very different times in their history
Josh Reynolds, who must be Black Library’s hardest working author, recently wrote two novels about the Emperor’s Children Legion: one is part of the Horus Heresy: Primarchs series, and the other set during the ‘current’ WH40k era. Together, they offer a nice look at how far the Legion fell.
FULGRIM: THE PALATINE PHOENIX
Seeking a new challenge and a mighty triumph, Fulgrim – prideful primarch of the Emperor’s Children – sets out to conquer a world with just seven warriors by his side…
Lord of Chemos and bearer of the Palatine Aquila, Fulgrim, primarch of the Emperor’s Children, is determined to take his rightful place in the Great Crusade, whatever the cost. A swordsman without equal, the Phoenician has long studied the art of war and grows impatient to put his skills, and those of his loyal followers, to a true test. Now, accompanied by only seven of his finest warriors, he seeks to bring a rebellious world into compliance, by any means necessary. But Fulgrim soon learns that no victory comes without cost, and the greater the triumph, the greater the price one must pay…
In Fulgrim, the eponymous Primarch attempts to prove himself to his father and brothers, after he feels his reputation and stature threatened by his more-accomplished brothers. It is a story of arrogance, certainly, but also one that shows us how skilled Fulgrim actually is — long before his descent into Chaos and ultimate apotheosis. An interesting novel. Continue reading
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Chuck Klosterman and Steven Hyden are great guides to the worlds of rock and metal music, and their respective (and oft-overlapping) fandoms. In the two books covered in this feature, they examine the bands that meant the most to them, how their music fandom shaped their youths, and also the changes in the industry and soundscapes of the years that forged their tastes. Klosterman’s book is more connected to his own biography, while Hyden’s takes a more in-depth, long-view examination of what makes some rock music “classic”, and how the genre’s mythology has become ever more contentious and troubling. Both authors are passionate music fans and eloquently opinionated. As a result, they are also great guides to rock and metal music. If you have any interest in rock and metal music, then I would certainly recommend these two books.
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