
Like many readers, I absolutely loved Emily St. John Mandel‘s Station Eleven. I was, therefore, extremely happy to learn about the author’s follow-up, The Ghost Hotel. We still have quite some time to wait before it arrives in bookstores (curses!), but I wanted to give it a quick shout-out here, just in case you’d missed it. Here’s the synopsis:
From the award-winning author of Station Eleven, a captivating novel of money, beauty, white-collar crime, ghosts, and moral compromise in which a woman disappears from a container ship off the coast of Mauritania and a massive Ponzi scheme implodes in New York, dragging countless fortunes with it.
Vincent is a bartender at the Hotel Caiette, a five-star glass-and-cedar palace on an island in British Columbia. Jonathan Alkaitis works in finance and owns the hotel. When he passes Vincent his card with a tip, it’s the beginning of their life together. That same day, Vincent’s half brother, Paul, scrawls a note on a windowed wall of the hotel: “Why don’t you swallow broken glass.” Leon Prevant, a shipping executive for a company named Neptune-Avramidis, sees the note from the hotel bar and is shaken to his core. Thirteen years later Vincent mysteriously disappears from the deck of a Neptune-Avramidis ship.
Weaving together the lives of these characters, The Glass Hotel moves between the ship, the skyscrapers of Manhattan, and the wilderness of northern Vancouver Island, painting a breathtaking picture of greed and guilt, fantasy and delusion, art and the ghosts of our pasts.
The Glass Hotel is due to be published by Knopf in North America (March 24th, 2020) and Picador in the UK (April 30th, 2020).
Also on CR: Review of Station Eleven and Last Night in Montreal
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An anthology of Age of Sigmar short fiction, which serves very well as an introduction
I don’t know what it is about genre distinctions that so fascinates writers and readers alike. We enjoy them perhaps for the same reason we obsess about character classes and skill trees and so on in games like Dungeons and Dragons and why so many of us obsess (wrongly) about “magic systems” (as if anything which supercedes and violates natural law should be systematic, ha)! We like complexity, perhaps too much, we like categories (heavens, so much trouble in fan culture of late is the result of trying to categorize fans and creators alike: for their immutable traits, for the beliefs, for their politics, and so on). Complex categories give the world a texture that we nerds find pleasing, for they bespeak a deep sense not merely of order, but of ordered chaos.
Today,
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