
Mindy Mejia‘s debut novel, Everything You Want Me to Be (or, The Last Act of Hattie Hoffman in the UK) was critically acclaimed. There is, therefore, a lot of interest in the author’s next book, Leave No Trace. Due to be published by Atria in September 2018, it also looks really interesting. (I think I’ve mentioned it before on CR, but I have an unusual fondness for fiction/thrillers set in Minnesota. I ‘blame’ John Sandford…) Here’s the synopsis:
There is a place in Minnesota with hundreds of miles of glacial lakes and untouched forests called the Boundary Waters. Ten years ago a man and his son trekked into this wilderness and never returned.
Search teams found their campsite ravaged by what looked like a bear. They were presumed dead until a decade later… the son appeared. Discovered while ransacking an outfitter store, he was violent and uncommunicative and sent to a psychiatric facility. Maya Stark, the assistant language therapist, is charged with making a connection with their high-profile patient. No matter how she tries, however, he refuses to answer questions about his father or the last ten years of his life
But Maya, who was abandoned by her own mother, has secrets, too. And as she’s drawn closer to this enigmatic boy who is no longer a boy, she’ll risk everything to reunite him with his father who has disappeared from the known world.
Leave No Trace will be published in September by Atria in North America, and in September by Quercus in the UK.
Follow the Author: Website, Goodreads, Twitter
Rich Larson is a prolific author of short SFFH fiction. Today, I read my first of his, Our King and His Court which was first published by 
Let’s start with an introduction: Who is Jamey Bradbury?
This title is a bit unusual for CR, but I wanted to share the great cover for the UK paperback edition of Jessica J. Lee’s Turning, published by 

“Your ears start bleeding” when one cranks modern music up to 11, Thirty Seconds to Mars frontman Jared Leto observed to Rolling Stone‘s Brian Hiatt. He has a point — modern music production methods tend to lean towards loud, busy and highly-compressed recording. “It used to be pleasurable to crank up Zeppelin or Nirvana to 12 in your car,” he continued. “Now everyone would complain — it’s so piercing, so bright.”
A fantastic follow-up to Dear Committee Members
Let’s start with an introduction: Who is David Ricciardi?