The cover for P. Djèlí Clark‘s The Black God’s Drums started doing the rounds online a little while ago. (I’ve also seen that reviewers are starting to receive ARCs, so reviews should start appearing soon, too.) Due to be published by Tor.com in August 2018. I haven’t read any of Clark’s previous work, but I have high hopes for this, given how interesting it sounds:
In an alternate New Orleans caught in the tangle of the American Civil War, the wall-scaling girl named Creeper yearns to escape the streets for the air – in particular, by earning a spot on-board the airship Midnight Robber. Creeper plans to earn Captain Ann-Marie’s trust with information she discovers about a Haitian scientist and a mysterious weapon he calls The Black God’s Drums.
But Creeper also has a secret herself: Oya, the African orisha of the wind and storms, speaks inside her head, and may have her own ulterior motivations.
Soon, Creeper, Oya, and the crew of the Midnight Robber are pulled into a perilous mission aimed to stop the Black God’s Drums from being unleashed and wiping out the entirety of New Orleans.
The novella “brings an alternate New Orleans of orisha, airships, and adventure to life”, and has been described by Scott Westerfeld as “A sinewy mosaic of Haitian sky pirates, wily street urchins, and orisha magic. Beguiling and bombastic!” That’s a pretty great endorsement. Looking forward to giving it a try. The Black God’s Drums will be published on August 21st, by Tor.com in North America and in the UK.



I have long been a fan of James Fallows‘s journalism — I first read his work in The Atlantic, back in 2007 when he was still living in China (some of his articles from that time have been collected in the excellent
Sarah Kessler‘s upcoming book looks really interesting. The gig economy has come to dominate a few sectors, and seems to be spreading. To someone who is an accidental freelancer (I didn’t expect to be one so soon in my career), Gigged therefore looks really interesting and relevant. Even though the book is focused on the gig economy in the United States, I think it will resonate with readers in other countries, where gigging is fast becoming a wider experience of life and work. Here’s the synopsis:
There is a growing number of authors writing more humorous and lighter science fiction and fantasy, suggesting we are going through one of the cyclical tonal shifts within the genres (I think it’s fair to say that many were feeling wearied by the grimdark influence on the SFF genres). Patrick S. Tomlinson‘s next novel, Gate Crashers sounds like it will be a lot of fun. Published on June 26th by
Maria Dahvana Headley‘s latest novel sounds really interesting. It is a “modern retelling of the literary classic Beowulf, set in American suburbia as two mothers — a housewife and a battle-hardened veteran — fight to protect those they love”. The Mere Wife is due to be published by MCD/Farrar, Straus & Giroux in July 2018. Here’s the synopsis:
Next week,