Year: 2013

Catching up with TOM LLOYD

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Tom Lloyd is the author of the Twilight Reign epic fantasy series, which was completed earlier this year. Today, Gollancz publish the first in his new series, Moon’s Artifice. To mark the occasion, I caught up with Tom to get an update since my first interview with the author…

Your first fantasy series, The Twilight Reign, came to an end this year. How does it feel to have it finished?

Weird – damn good, but still weird. I started on the project when I was 18, so it’s been the major constant of 12-14 years of my life! Even when I was signed up by Gollancz I don’t think I appreciated just how much of my life was going to be devoted to one set of characters, one plot. It was just always there, so to suddenly realise you’ve written the last words puts you into mourning.

Of course, the very last words of Dusk Watchman are the inscription on a memorial stone – I can’t remember if I’d finished all the stories of God Tattoo by then, but most of them. Certainly in my mind, that final part of the epilogue was what really brought it home to me. When I wrote the last words and typed the inscription, I think I might have needed a few moments to myself… And again when I did the second draft of it and finally got the tone of those last couple pages as I really wanted it.

So yeah, years of my life and the voices in my head that had become my friends, all gone. I think that’s one reason why I didn’t want to go straight into an epic again. I didn’t want to have a project that I’d compare so directly with Twilight Reign. Plus I was knackered and the idea of planning a series-spanning plot was exhausting. I wanted a stand-alone book and handily had the bones of one already sketched out. I have an epic (or maybe two) idea at the back of my mind, but there’s the Empire of a Hundred Houses series and then another both ahead of them in the queue.

Lloyd-TwilightReignUK

Anything you might have done differently?

No book is ever finished, you know that! But at the same time, I’m really happy with it. I know it’s not a simply plot and not a book you can idly flick through – while no-one describes me as a grimdark writer (because of less of an emphasis on cynicism by characters I believe), it’s pretty dark. The tone is grim for large chunks of it, a lot of people die and a lot of people get screwed up by all that happens to them. If you’re writing about war and nations-spanning conflicts, you have to acknowledge the casualties of that – the people who get crushed under the wheels of it all.

So yeah, some people will always have criticisms of any book and I’ve seen reviews that didn’t like how I’d done certain things, but it’s the story I wanted to tell – grim and dark as it may be. I’d happily to do a quick brush-up job on Stormcaller as reading it back I think I over-complicated some passages and interrupted the flow, but aside from making bits easier and quicker to read I wouldn’t want to change it. The plot’s hardwired into my brain for a start, unpicking it would probably cause an aneurism.

Lloyd-MoonsArtificeNow. Moon’s Artifice. The first in a new series. What’s it about?

Dragons! No, not really… But I hear those sell so… ;0)

Ahem, well it’s a secondary world fantasy, but not an epic. It’s being described as swords and sorcery, but that conjures images of bearded wizards and over-muscled barbarian warriors in my mind so I’m trying to coin the term “hood and dagger” to describe an urban-set fantasy action/thriller, albeit to minimal effect!

Anyway – we have a policeman who, at the same time as he finds out his married high-born lover is pregnant, stumbles over a mystery. With no idea what he’s involved in, he’s tasked by an interfering god to find out what’s going on – his only clues being an unconscious thug dressed like an assassin and the accidental poisoning of a little girl. Quickly matters blossom into a conspiracy that threatens to overturn the rigid rules of the Empire and lead to the deaths of thousands at best – and it quickly starts to look like Narin and his new friends need to step up and stop them. Everything is set in the capital city of a fractured Empire – the meeting place of the great nations-hegemonies who have ensured the Emperor’s position is more spiritual than temporal – and takes place in something close to one week.

What was it like starting a new series from scratch again?

Strange – partly because it wasn’t from scratch. When I was looking for an agent for Stormcaller, I realised I might have to just write it off as the book I learned to write with. So I started a new one with very little idea about what I wanted from it. I knew it had to be a different sort of book as I was still learning this writing thing, and it was going to indulge the samurai obsession I had back then. Plus I had a title – Moon’s Artifice – even if I didn’t know how or why that poison fitted in the plot exactly. I knew it did in some nebulous way and just had to wait until the voices whispered exactly how.

You’ll be shocked to hear those chapters weren’t very good, but eight-odd years later, I had a much better idea of what I wanted! All those ghostly half-formed ideas at the back of my mind had had a chance to mulch around and create the bones of a plot. From there, you actually get a chance to pick what you want to do, which was quite fun. I don’t write with a specific message or agenda in mind, I just want to tell the story in my head in a way people will enjoy.

What lessons did you learn from writing Twilight Reign, and how did your experiences with that series translate into your approach to Moon’s Artifice?

I learned to write while doing the Twilight Reign and because I was doing a shorter, less complicated and faster-paced book, I had to actively consider how to adapt for that. A lot of it was simply deciding what was appropriate to the sort of book I was writing. With the experience of a classical European medieval epic fantasy, I had a number of things I didn’t want to do – not that I was rejecting them, I just wanted to do something new and different. Fortunately the Empire setting was halfway there already and just needed some tweaking plus internal consistency which ironed out the creases. Some of which, I must admit, was added by my agent who took me out for drinks and brutalised the setting and idea until he was satisfied with it. Given he’s only making money on how good my books are, that’s the mark of a good agent even if it wasn’t a fun hour or two. However successful you get, you always need to be challenged or you’ll end up phoning novels in.

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Moon’s Artifice is out TODAY! Go on. Go buy it. Here’s the synopsis

In a quiet corner of the Imperial City, Investigator Narin discovers the result of his first potentially lethal mistake. Minutes later he makes a second.

After an unremarkable career Narin finally has the chance of promotion to the hallowed ranks of the Lawbringers – guardians of the Emperor’s laws and bastions for justice in a world of brutal expediency. Joining that honoured body would be the culmination of a lifelong dream, but it couldn’t possibly have come at a worse time. A chance encounter drags Narin into a plot of gods and monsters, spies and assassins, accompanied by a grief-stricken young woman, an old man haunted by the ghosts of his past and an assassin with no past.

On the cusp of an industrial age that threatens the warrior caste’s rule, the Empire of a Hundred Houses awaits civil war between noble factions. Centuries of conquest has made the empire a brittle and bloated monster; constrained by tradition and crying out for change. To save his own life and those of untold thousands Narin must understand the key to it all – Moon’s Artifice, the poison that could destroy an empire.

Also, while you’re at it, The Twilight Reign novels are all now available, published by Gollancz in the UK, and Pyr in the US.

Mini-Review: “A Time to Kill” by John Grisham (Arrow)

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GrishamJ-ATimeToKillGrisham’s debut novel didn’t really work for me, sadly…

When Carl Lee Hailey guns down the monsters who have raped his ten-year-old child, the people of Clanton see it as a crime of blood and call for his acquittal.

But when extremists outside Clanton hear that a black man has killed two white men, they invade the town, determined to destroy anything and anyone that opposes their sense of justice.

Jake Brigance has been hired to defend Hailey. It’s the kind of case that can make or break a young lawyer. But in the maelstrom of Clanton, it is also the kind of case that could get a young lawyer killed.

The story of Grisham giving away millions of dollars’ worth of A Time to Kill first editions is pretty well-known, now. After his first publisher went bankrupt, Grisham had to buy 1,000 copies of the 5,000 print run. Here’s what he told Newsweek:

“I took all the books down to the local library and we had a big book party. When the party was over, I still owned 882 copies… so I started giving books away. We took them back to my office and packed them in the reception area. The boxes were everywhere, and I would just give them away. If one of my clients wanted a book, I’d try to sell it. If not, I’d give it away. I’d sell them for 10 bucks, five bucks. I used them for doorstops. I couldn’t get rid of these books… These 5,000 books were the only first editions of A Time to Kill. That book today is worth about $4,000. I had 1,500 of them in my law office at one time. So that’s my big mistake — that’s about $6 million, the way I do the math.”

When I re-read A Time To Kill recently, I found it rather tricky. I’m a huge fan of Grisham’s novels, and have read them all – only two haven’t hit the mark for me (The Street Lawyer and, sadly, this one). But this one just didn’t have the skill and addictive quality of his later work. Mainly, that boils down to the way in which it was written, rather than the story itself, which is pretty great.

Put simply: it’s not as polished as the novels that came afterwards. Sure, it’s a great story and premise, and it is – for the most part – well structured. However. The novel is nevertheless over-written and the content shows a distinct lack of authorial and editorial restraint. Grisham, and his characters, describe and explain everything. One sees only the early signs of the master storyteller he would become. There are plenty of tangents that aren’t quite as well incorporated to the main narrative as it perhaps could have been. They also often felt longer than was necessary. Despite this niggle, though, I kept reading.

One thing I do want to point out, and a major plus, is that Grisham doesn’t pull any punches. His characters are well-developed, diverse, and each of them is a mix of good and bad traits. I can’t really comment on how True To Its Times it is, as I only six when this was first published. But the community and society are presented in a pretty open-eyed manner. The racism, divisions, mores are laid bare for the reader. The characters are what make the novel, though. The story, if the writing had been a little more polished and restrained, would have been superb – perhaps why it worked so well as a movie?

I’m certainly interested to see how Sycamore Row turned out (I have it on my Kindle already, just need to read it): the same main character, combined with his years of experience and authorial improvement? It could be a stunning thriller. I think I’ll have to move it up the TBR mountain. Grisham fans will enjoy it, but I’m not sure they’ll like this as much as his later novels (or, really, immediately following novels…).

Upcoming: “Half Bad” by Sally Green (Viking YA/Penguin)

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GreenS-HalfBadI just spotted this via an advert on Goodreads (well-played, Google Ad Algorithm, well-played…). The cover really caught my eye, and I thought I’d share it on here. It’s pretty cool, no? I particularly like the way the blood in the water has been shaped (in a surprisingly realistic way) into a face, in an otherwise minimalist image.

The premise is pretty interesting, but I have a suspicion that it’s perhaps a little reminiscent of something else… If only I could remember what it reminds me of… Anyway. Here’s the synopsis:

One boy’s struggle for survival in a hidden society of witches.

You can’t read, can’t write, but you heal fast, even for a witch.

You get sick if you stay indoors after dark.

You hate White Witches but love Annalise, who is one.

You’ve been kept in a cage since you were fourteen.

All you’ve got to do is escape and find Mercury, the Black Witch who eats boys. And do that before your seventeenth birthday.

Easy.

Half Bad will be published by Penguin UK in March 2014. Penguin are also publishing in the US and Canada. It is Sally Green’s debut novel, and the first in a projected trilogy. The author is also on Twitter. Described as “supernatural thriller set in a modern world inhabited by covert witches”, I am pretty sure there are going to be a lot of people interested in reading this. Despite the obvious Harry Potter parallels (justified or not, as they may end up being). There’s a slightly different synopsis on the book’s website:

Sixteen-year-old Nathan lives in a cage: beaten, shackled like a dog, trained to kill. In a modern-day England where two warring factions of witches live amongst humans, Nathan is an abomination, the illegitimate son of the world’s most terrifying and violent witch, Marcus. Nathan’s only hope for survival is to escape his captors, track down Marcus, and receive the three gifts that will bring him into his own magical powers — before it’s too late. But how can Nathan find his father when his every action is tracked, when there is no one safe to trust, not even family, not even the girl he loves?

I did some Googling, and it turns out that the rights to this novel have already been sold in 25 foreign rights deals. Within 13 weeks of Penguin’s first acquisition. Holy crap, that’s impressive. The Bookseller rightly (perhaps rather tamely) referred to the deal as “unprecedented”. No idea how much it went for in the first place – in secret-publishing-deal-speak, the deal was only referred to as “substantial”. This sort of deal is pretty unusual, so yeah. I’m a bit more intrigued…

An interview with DAN NEWMAN

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Today’s interview is with Dan Newman, the author of The Clearing (published today by Exhibit A, the crime/thriller imprint of Angry Robot Books). To mark the release of his book, he was kind enough to answer a few questions…

NewmanD-TheClearingLet’s start with an introduction: Who is Dan Newman?

Stefan, thank you for the opportunity to stop by… with a new novel in the market I really do appreciate the chance to be part of your blog.

As for who I am, that’s probably best defined through my experiences growing up in-transit around the globe. My father worked in international development, so we moved a lot, and lived in some wonderful places. I was born in England, and currently live in Canada, but in between there’s been a tidy little list of places in Africa and the Caribbean. I was at a friend’s party a few days ago and a childhood pal of his spoke about how they had known each other and remained friends since they were four or five years old. That seems incredible to me, and something I can’t say of anyone, given how I grew up. Still, life’s a constant trade-off, and I what I missed in long-held childhood friends, I made up for in places around the world where I can stop in for a free meal and a night on the couch.

I thought we’d start with your fiction: Your latest novel, The Clearing, was published by Exhibit A in October 2013. How would you introduce the novel to a potential reader? Is it part of a series?

The Clearing is really a book about our past, and how, if left unaddressed, it can inform every part of our future lives. It’s about being a parent, about being an adult, and about recognising youth as a root system that feeds the lives we grow into.

The Clearing was written such that it could stand alone as a complete story, but there are a number of things I’ve set in there for a sequel – which I’m just completing now. It follows Nate Mason at three key periods in his life, and traces the path he’s compelled to take back to his childhood to deal with a formative tragedy that happened there. It dabbles a little in the occult, a little in psychological thriller territory, and a little in crime.

What inspired you to write the novel? And where do you draw your inspiration from in general? Also, what made you set it in the 1970s, as opposed to a contemporary setting?

This particular novel leans heavily on personal experience, and certainly the setting and mood were dictated by real life events. The plot is largely fiction, but the backbone of the story comes from an experience I had as a kid growing up on the island of St. Lucia in the 70s – hence the time setting. As an eleven or twelve year old boy, I spent a week-end at this very creepy old plantation estate house set deep in the St. Lucian rainforest. The local lore held it that the estate, like all the great plantations, was protected by a small and devilish creature called a Bolom – something we all had heard about as kids. It was kind of a Caribbean boogeyman. But that weekend, something came into the old house in the middle of the night, and ran through the place with these short, sharp footfalls. I was just plain terrified, and it stuck with me. Was it real? Was it a Bolom? The kid that was there absolutely believes it was. Years later that experience came through in The Clearing. It’s at the heart of what the story’s about.

How were you introduced to genre fiction?

SmithW-WhenTheLionFeedsIf I go back to what really got me reading, it’s all down to Wilbur Smith. Among the places where I grew up was Southern Africa – the Kingdom of Lesotho specifically. Wilbur Smith’s early work was all set in that area, and dealt with action and adventure on the African velt – which was right outside my door. His books are a fabulous introduction to genre fiction, and I still love to go back and rip through some of his novels. If you’ve not read his early stuff, I can guarantee it’ll be time well spent.

How do you enjoy being a writer and working within the publishing industry? Do you have any specific working, writing, researching practices?

This may sound strange, but the whole idea of being a writer is a concept I have great difficulty with. I see it as a lofty title, and one that people have to work damn hard to acquire. I’ve been writing seriously for sixteen years, and I’ve yet to call myself a writer. I think with the publication of The Clearing and a second book in the offing I’m a little closer, but I still feel like I have some earning to do. When I think of writers, I see a very exclusive group of people who I greatly admire. I’d love to be among them, but I still have a lot of work ahead of me.

As for the practicalities of writing, I find regularity quite important. That’s not to say I eat a lot of bran – but rather I try to write every single day and move the story forward. I’m also really bad at falling asleep, so when I go to bed it’s an hour of plot revisions in my head. And, almost without fail, I manage to untangle the knots I tie myself into plot-wise while staring at a darkened ceiling.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

Growing up we travelled a lot. My father was in international development, so we moved from country to country and I changed schools – and friends – frequently. Writing was a constant from place to place, and something I always felt came easily. That’s not to say I did it well, but I enjoyed it. And probably because of that I kept at it.

My first crack at a full novel was about sixteen years ago. I wrote a novel called The Cull – a very Wilbur Smith-ian effort set in Africa where I had lived for about ten years or so. I really loved writing it, and the satisfaction of having a full blown manuscript in my hand was just plain magical. I still love the story, the characters in it and the setting. It is a deeply flawed manuscript, filled with all kinds of issues and problems, but there’s purity to your first full-tilt effort that’s hard to explain. I plan to re-write it one day, but I’ll keep the original version close forever.

What’s your opinion of the genre today, and where do you see your work fitting into it?

This is a really interesting question and one that’s a little problematic for me. Strictly speaking my publisher is a crime imprint, and I think I do fit into it, but right at the very edge of the genre. When I read some of the other authors published by Exhibit A, (and there are some fantastic titles in the line up), I realize that I am definitely over to one side of the genre bucket. I suspect that’s by design by the publisher, so as to broaden the appeal. One thing I will say about genre fiction, is that I think a lot of the authors I read get a bum-rap because of the word “genre”. There’s some really technically and creatively excellent writing in a lot of the novels that populate genre fiction, and because of that handle I think they get glossed over in terms of the quality of the writing itself. Genre fiction produces some first rate literature… along with outstanding story tellers.

What other projects are you working on, and what do you have currently in the pipeline?

Right now I’m finishing up the sequel to The Clearing. It’s the first time I’ve tackled a sequel, and it’s going very well in terms of progress. I’m discovering that the investment I’ve already made in really knowing the characters is incredibly helpful as I push them onto something new; I innately know how they would react to a given situation, rather than having to sit and ponder their actions. I was also surprised at how apparent the storyline was; it was all kind of there staring me in the face when I started – although I will admit to having left a few important hooks in the first book to help me along.

What are you reading at the moment (fiction, non-fiction)?

I just finished Steven King’s 11/22/63. I’m a big fan of Mr. King (but really, who isn’t?). I’m about to get into Richard Parker’s Scare Me, which has been sitting on my bedside table for quite a while now. I’m also half way through Ken Follett’s Pillars of the Earth, but with the recent book launch and my efforts to finish off the sequel, I’ve not read nearly as much as I’d like to lately.

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What’s something readers might be surprised to learn about you?

Well, as a youngster I played semi-professional football in Swaziland, Southern Africa – which is kind of interesting in itself… but more than that was the fact that the team had its own witch doctor. It was fascinating, and before every game there were numerous incantations, practices and potions that had to be honoured before we could suit up for the match. When we won, he was there standing tall, nodding and pounding his chest. When we lost, well, he apparently had somewhere else to be at the final whistle…

What are you most looking forward to in the next twelve months?

With The Clearing having just come out, I’m on a steep and wonder-filled learning curve. There’s so much more to learn than you realize while standing on the outside looking in, and listening to those who have been there before me is a large part of my game plan for the next twelve months – that and putting together the next book for the publisher. As a rookie I have to say that my first publishing experience has been super – thanks in no small part to the outstanding people at Exhibit A.

I’ve also been advised to enjoy the experience of having my first book published – which at first seems patently self-evident. But once you hop on the ride and get stuck into the practicalities of book launches, marketing plans and the minutia of publishing as a business, it’s easy to lose sight of the fact that you hit a major personal milestone. So that simple sounding advice is actually pretty sage; I plan to heed it, and see what those roses actually smell like.

Thanks for letting me stop by.

Recent Acquisitions – WFC 2013. Or, “That’s a lot of swag…”

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I was in Brighton for the World Fantasy Convention a couple of weekends ago (I arrived bleary-eyed and caffeine-starved on Friday morning), and after a good amount of time telling myself to go easy on purchases and books for signing… I failed miserably. I was there for work, rather than as the writer of this blog (though it was great to finally meet a number of my fellow bloggers for the first time, too). It was a lot of fun, but even only being there for two days, it was pretty tiring – anyone who was there for all four days, burning the candle at both ends: I salute you, and especially for the volunteers who did a fantastic job. As you can see from the photo above, it was a very good weekend. However, only the left and middle pile were from WFC, and the pile on the right is made up of review copies that arrived while I was away. So, in advance of reviews, here is some information on what I have recently acquired… [More has arrived since this photo was taken, but I’ll put those in a monthly post or something in the near future.]

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First of all, though: David Towsey’s Your Brother’s Blood, Daniel Polansky’s She Who Waits, and Mark Charan Newton’s Drakenfeld I already owned, but I took them to WFC to get signed. All three of these authors were most gracious when I cornered them brandishing book and pen. Expect reviews ASAP.

Secondly, and before we get on to the shwag, I wanted to mention a couple of authors who really stood out for me, over the course of panels and general conversations: Sarah Rees Brennan and Holly Black (who were really kind and chatty, when I caught up with them for an unofficial signing); Wes Chu, whose stealth reading before Scott Lynch was brilliant; Kim Newman did a great job on the Vampires panel; Brad Beaulieu was a real gent when we caught up in the bar; Richard Ford, likewise; and Joe Hill’s discussion with Gilliam Redfearn was really interesting and made me like him even more (I have so much catching up to do… His novels, Locke & Key… Good times are ahead!).

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Barclay covJames Barclay’s Vault of Deeds (PS Publishing)

The status quo is being upset so much it feels distinctly queasy. You see, in the land of Goedterre, good always triumphs over evil. Or that’s how it should be. But something is wrong.

Picked this up in one of the sealed, lucky-dip PS Publishing packages at the Registration desk.

Despite that rather brief and unenlightening synopsis, I enjoyed Barclay’s first Raven novel, Dawnthief, and so I’m intrigued to see what this is all about.

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Sarah Rees Brennan’s Unspoken and Demon’s Lexicon (Simon & Schuster)

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Demon’s Lexicon: Nick and his brother Alan are on the run with their mother, who was once the lover of a powerful magician. When she left him, she stole an important charm – and he will stop at nothing to reclaim it. Now Alan has been marked with the sign of death by the magician’s demon, and only Nick can save him. But to do so he must face those he has fled from all his life – the magicians – and kill them. So the hunted becomes the hunter… but in saving his brother, Nick discovers something that will unravel his whole past…

Unspoken: Kami Glass is in love with someone she’s never met – a boy the rest of the world is convinced is imaginary. This has made her an outsider in the sleepy English town of Sorry-in-the-Vale, but she doesn’t complain. She runs the school newspaper and keeps to herself for the most part – until disturbing events begin to happen. There has been screaming in the woods and the dark, abandoned manor on the hill overlooking the town has lit up for the first time in 10 years. The Lynburn family, who ruled the town a generation ago and who all left without warning, have returned. As Kami starts to investigate for the paper, she finds out that the town she has loved all her life is hiding a multitude of secrets – and a murderer – and the key to it all just might be the boy in her head. The boy who everyone thought was imaginary may be real… and he may be dangerous.

Alyssa really enjoyed these, and so when I was able to pick them up at the convention, and also meet Sarah to get them signed, I was rather happy. They sound intriguing.

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Crichton-HCC-BinaryMichael Crichton’s Binary, Easy Go, Grave Descend and Scratch One (Hard Case)

I’m going to talk about these in a single, separate post – mainly because, in the time it’s taken me to write this, I have been sent the other four in the re-release series. I will also be running a giveaway for four of them! So… check back next week. They are, though, a lot of fun. And rather silly. But in an endearing, “Oh, how problematic our mores were back then”-sort-of-way…

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deJager-BL1-BanishedLiz De Jager’s Banished (Tor)

Sworn to protect, honour and slay. Because chaos won’t banish itself…

Kit is proud to be a Blackhart, now she’s encountered her unorthodox cousins and their strange lives. And her home-schooling now includes spells, fighting enemy fae and using ancient weapons. But it’s not until she rescues a rather handsome fae prince, fighting for his life on the edge of Blackhart Manor, that her training really kicks in. With her family away on various missions, Kit must protect Prince Thorn, rely on new friends and use her own unfamiliar magic to stay ahead of Thorn’s enemies. As things go from bad to apocalyptic, fae battle fae in a war that threatens to spill into the human world. Then Kit pits herself against the Elder Gods themselves – it’s that or lose everyone she’s learnt to love.

This is the first book in The Blackhart Legacy. I briefly meet Liz at WFC (after consuming a surprisingly tasty lasagna in the canteen – the warm Diet Coke, not so nice), but in my sleep-deprived, caffeine-starved state at the time, I didn’t properly say hi. I’m intrigued to read this, as a lot of fellow bloggers have enjoyed it. Hopefully in the not-to-distant-future.

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GrossmanA-YouAustin Grossman’s You (Mulholland)

When Russell joins Black Arts games, brainchild of two visionary designers who were once his closest friends, he reunites with an eccentric crew of nerds hacking the frontiers of both technology and entertainment. In part, he’s finally given up chasing the conventional path that has always seemed just out of reach. But mostly, he needs to know what happened to Simon, his strangest and most gifted friend, who died under mysterious circumstances soon after Black Arts’ breakout hit.

As the company’s revolutionary next-gen game is threatened by a software glitch, Russell finds himself in a race to save his job, Black Arts’ legacy, and the people he has grown to care about. The deeper Russell digs, the more dangerous the glitch appears – and soon, Russell comes to realize there’s much more is at stake than just one software company’s bottom line.

I also have Soon I Will Be Invincible by Grossman, which I’d also like to read ASAP. But for an endless amount of time in which to read… This sounds interesting. I’m fascinated by computer companies and tech companies as a whole (not always their products, but never mind). Mixing that with weird, speculative fiction… well, that could be a real winner.

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Herne-MR1-DeadlandsLily Herne’s Deadlands (Constable & Robinson)

Welcome to the Deadlands, where life is a lottery.

Since the apocalypse, Cape Town’s suburbs have become zombie-infested Deadlands. Human survivors are protected from the living dead by sinister, shrouded figures – the Guardians. In return, five teenagers are “chosen” and handed over to them for a mysterious purpose: this year, Lele de la Fontein’s name is picked. But Lele will not stick around and face whatever shady fate the Guardians have in store for her. She escapes, willing to take her chances in the Deadlands.

Alone, exiled and unable to return home, she runs into a misfit gang of renegade teens: Saint, a tough Batswana girl; Ginger, a wise-cracking Brit; and handsome Ash, a former child soldier. Under their tutelage, Lele learns how to seriously destroy zombies and together they uncover the corruption endemic in Cape Town, and come to learn the sickening truth about the Guardians…

Jared of Pornokitsch told me about this mother-daughter writing team’s novels, and also let me know that they were having a signing. So off I went, and they were both really cool. So I bought this first novel in the series. Sounds like another interesting take on the zombie apocalypse (for which I’m a bit of a sucker…). Hopefully I’ll get around to this pretty soon.

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JohansenE-1-QueenOfTheTearlingErika Johansen’s The Queen of the Tearling (Bantam Press)

On her nineteenth birthday, Princess Kelsea Raleigh Glynn, raised in exile, sets out on a perilous journey back to the castle of her birth to ascend her rightful throne. Plain and serious, a girl who loves books and learning, Kelsea bears little resemblance to her mother, the vain and frivolous Queen Elyssa. But though she may be inexperienced and sheltered, Kelsea is not defenseless: Around her neck hangs the Tearling sapphire, a jewel of immense magical power; and accompanying her is the Queen’s Guard, a cadre of brave knights led by the enigmatic and dedicated Lazarus. Kelsea will need them all to survive a cabal of enemies who will use every weapon — from crimson-caped assassins to the darkest blood magic — to prevent her from wearing the crown.

Despite her royal blood, Kelsea feels like nothing so much as an insecure girl, a child called upon to lead a people and a kingdom about which she knows almost nothing. But what she discovers in the capital will change everything, confronting her with horrors she never imagined. An act of singular daring will throw Kelsea’s kingdom into tumult, unleashing the vengeance of the tyrannical ruler of neighboring Mortmesne: the Red Queen, a sorceress possessed of the darkest magic. Now Kelsea will begin to discover whom among the servants, aristocracy, and her own guard she can trust.

But the quest to save her kingdom and meet her destiny has only just begun — a wondrous journey of self-discovery and a trial by fire that will make her a legend… if she can survive.

The Queen of the Tearling introduces readers to a world as fully imagined and terrifying as that of The Hunger Games, with characters as vivid and intriguing as those of The Game of Thrones, and a wholly original heroine. Combining thrilling action and twisting plot turns, it is a magnificent debut from the talented Erika Johansen.

I’m rather intrigued by this. Not really sure what to expect. Hopefully reading this soon. It appears to actually be some kind of post-apocalyptic novel…?

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SW-OR-Annihilation(Karpyshyn)Drew Karpyshyn’s Old Republic: Annihilation (Arrow)

The Sith Empire is in flux. The Emperor is missing, presumed dead, and an ambitious Sith lord’s attempt to seize the throne has ended fatally. Still, Darth Karrid, commander of the fearsome Imperial battle cruiser Ascendant Spear, continues her relentless efforts to achieve total Sith domination of the galaxy.

But Karrid’s ruthless determination is more than matched in the steely resolve of Theron Shan, whose unfinished business with the Empire could change the course of the war for good. Though the son of a Jedi master, Theron does not wield the Force—but like his renowned mother, the spirit of rebellion is in his blood. As a top covert agent for the Republic, he struck a crucial blow against the Empire by exposing and destroying a Sith superweapon arsenal—which makes him the ideal operative for a daring and dangerous mission to end Ascendant Spear’s reign of terror.

Joined by hot-headed smuggler Teff’ith, with whom he has an inexplicable bond, and wise Jedi warrior Gnost-Dural, Darth Karrid’s former master, Theron must match wits and weapons with a battle-tested crew of the most cold-blooded dark side disciples. But time is brutally short. And if they don’t seize their one chance to succeed, they will surely have countless opportunities to die.

I haven’t read any of the Old Republic novels (this is the fourth), but I have read a couple of Karpyshyn’s other novels and rather enjoyed them. I also really need to read his new fantasy novel, Children of Fire.

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Lynch-RepublicOfThievesScott Lynch’s The Republic of Thieves (Gollancz)

Having pulled off the greatest heist of their career, Locke and his trusted partner in thievery, Jean, have escaped with a tidy fortune. But Locke’s body is paying the price. Poisoned by an enemy from his past, he is slowly dying. And no physiker or alchemist can help him. Yet just as the end is near, a mysterious Bondsmagi offers Locke an opportunity that will either save him – or finish him off once and for all.

Magi political elections are imminent, and the factions are in need of a pawn. If Locke agrees to play the role, sorcery will be used to purge the venom from his body – though the process will be so excruciating he may well wish for death. Locke is opposed, but two factors cause his will to crumble: Jean’s imploring – and the Bondsmagi’s mention of a woman from Locke’s past… Sabetha. The love of his life. His equal in skill and wit. And now his greatest rival.

Locke was smitten with Sabetha from his first glimpse of her as a young fellow-orphan and thief-in-training. But after a tumultuous courtship, Sabetha broke away. Now they will reunite in yet another clash of wills. For faced with his one and only match in both love and trickery, Locke must choose whether to fight Sabetha – or to woo her. It is a decision on which both their lives may depend.

Signed and numbered copy of The Republic of Thieves? The fantasy series that got me back into fantasy? Yeah, I couldn’t resist… Also attended a reading by Scott, at which he read from a new short story (to be published in Rogues, I believe). I’m not 100% sure when I’m actually going to get around to reading this. I want to re-read the first two books first, as it’s been so long since I read those. Need to refresh my memory.

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SW-Kenobi(Miller)John Jackson Miller’s Kenobi (Century)

The greatest hero in the galaxy faces his toughest challenge yet: He must stop being Obi-Wan-and become Crazy Old Ben.

In this original novel set between the events of Star Wars: Episode III Revenge of the Sith and Episode IV A New Hope, Obi-Wan Kenobi comes to the aid of the residents of Tatooine during his exile. But he struggles with his new mission when he realizes that protecting Luke Skywalker-the last hope of the galaxy-means setting aside his compassion and his Jedi warrior training, for the future of the galaxy lies not with Obi-Wan Kenobi, but with a mystical desert recluse known only by the name of Crazy Old Ben.

I recently re-watched the original Star Wars trilogy (as I do very often), and it made me think about what Kenobi did between the prequel trilogy and the original (superior, essential, awesome) trilogy. Well… Miller seems to have written the answer to this predicament. I’ll be reading this hopefully soon – although, I have struggled to get back into the Star Wars fictional universe. Which is odd, seeing as I’ve read everything set after Episode IV, and a fair bit before, except for the last three novels. Part of this is my (apparently) ever-present book-funk. I will endeavour to give this a read ASAP, though.

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Pratchett-40-RaisingSteamTerry Pratchett’s Raising Steam (Doubleday)

To the consternation of the patrician, Lord Vetinari, a new invention has arrived in Ankh-Morpork – a great clanging monster of a machine that harnesses the power of all the elements: earth, air, fire and water. This being Ankh-Morpork, it’s soon drawing astonished crowds, some of whom caught the zeitgeist early and arrive armed with notepads and very sensible rainwear.

Moist von Lipwig is not a man who enjoys hard work – as master of the Post Office, the Mint and the Royal Bank his input is, of course, vital… but largely dependent on words, which are fortunately not very heavy and don’t always need greasing. However, he does enjoy being alive, which makes a new job offer from Vetinari hard to refuse…

Steam is rising over Discworld, driven by Mister Simnel, the man wi’ t’flat cap and sliding rule who has an interesting arrangement with the sine and cosine. Moist will have to grapple with gallons of grease, goblins, a fat controller with a history of throwing employees down the stairs and some very angry dwarfs if he’s going to stop it all going off the rails…

I struggled with Snuff. That made me rather book-depressed. After hearing Rob (Terry’s assistant) give a short reading from this at WFC, as well as the general discussion as a whole during Sir Terry’s panel, I am interested to see how this turns out. One of the things I love about Pratchett’s Discworld series is that it’s always moving forward. There are technological, sociological, and economic developments that unfold across the series. The fantasy world doesn’t sit still. I am, therefore, very intrigued to see how the arrival of steam trains in Discworld mix things up.

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RichardJ-SuicideExhibitionJustin Richards’s The Suicide Exhibition (Del Rey)

WEWELSBURG CASTLE, 1940.

The German war machine has woken an ancient threat – the alien Vril and their Ubermensch have returned. Ultimate Victory in the war for Europe is now within the Nazis’ grasp.

ENGLAND, 1941

Foreign Office trouble shooter Guy Pentecross has stumbled into a conspiracy beyond his imagining – a secret war being waged in the shadows against a terrible enemy.

The battle for Europe has just become the war for humanity.

This is The Thirty-Nine Steps crossed with Indiana Jones and Quatermass. Justin Richards has an extremely credible grasp of the period’s history and has transformed it into a groundbreaking alternate reality thriller.

I had never heard of this. But it seems to be about Nazis and alien monsters of some kind! So… that’s always cool. Count me in. And that cover’s pretty cool…

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Rothfuss-NameOfTheWindPatrick Rothfuss’s The Name of the Wind (Gollancz)

Told in Kvothe’s own voice, this is the tale of the magically gifted young man who grows to be the most notorious wizard his world has ever seen. The intimate narrative of his childhood in a troupe of traveling players, his years spent as a near-feral orphan in a crime-ridden city, his daringly brazen yet successful bid to enter a legendary school of magic, and his life as a fugitive after the murder of a king form a gripping coming-of-age story unrivaled in recent literature.

A high-action story written with a poet’s hand, The Name of the Wind is a masterpiece that will transport readers into the body and mind of a wizard.

I’ve already read this, and its sequel The Wise Man’s Fear. This series was a much-discussed topic at WFC (including part of a very enjoyable dinner conversation). Patrick Rothfuss was at the convention signing everything, so I decided to pick up a copy.

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Staveley-TheEmperorsBladesUKBrian Staveley’s The Emperor’s Blades (Tor)

The circle is closing. The stakes are high. And old truths will live again…

The Emperor has been murdered, leaving the Annurian Empire in turmoil. Now his progeny must bury their grief and prepare to unmask a conspiracy.

His son Valyn, training for the empire’s deadliest fighting force, hears the news an ocean away. He expected a challenge, but after several ‘accidents’ and a dying soldier’s warning, he realizes his life is also in danger. Yet before Valyn can take action, he must survive the mercenaries’ brutal final initiation.

Meanwhile, the Emperor’s daughter, Minister Adare, hunts her father’s murderer in the capital itself. Court politics can be fatal, but she needs justice. And Kaden, heir to an empire, studies in a remote monastery. Here, the Blank God’s disciples teach their harsh ways – which Kaden must master to unlock their ancient powers. When an imperial delegation arrives, he’s learnt enough to perceive evil intent. But will this keep him alive, as long-hidden powers make their move?

Tor UK are really boosting this novel (chapters 1-5 are available online – go find it yourself, you lazy eejit). A new epic fantasy series. “Another one?” you may ask. Well, yes. Because there can never be too much good SFF. I’m looking forward to trying this.

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Wexler-ForbiddenLibraryDjango Wexler’s The Forbidden Library (Doubleday Children’s)

Alice always thought fairy tales had happy endings. That – along with everything else – changed the day she met her first fairy

When Alice’s father goes down in a shipwreck, she is sent to live with her uncle Geryon – an uncle she’s never heard of and knows nothing about. He lives in an enormous manor with a massive library that is off-limits to Alice. But then she meets a talking cat. And even for a rule-follower, when a talking cat sneaks you into a forbidden library and introduces you to an arrogant boy who dares you to open a book, it’s hard to resist. Especially if you’re a reader to begin with. Soon Alice finds herself INSIDE the book, and the only way out is to defeat the creature imprisoned within.

It seems her uncle is more than he says he is. But then so is Alice.

I’m a fan of Wexler’s fiction. And he seems to be a really nice guy, too. (We have conversed at length on Twitter about a great many things – including our mutual appreciation of the fiction of Sir Terry Pratchett). The Forbidden Library is his foray into YA fiction, and I’m looking forward to giving it a try. I had no idea when it was going to come out in the UK, so finding it at WFC is certainly a nice thing. [That’s the US artwork – published by Kathy Dawson Books – because Doubleday haven’t released the British artwork, yet. Although, if the ARC is anything to go by, it will feature an extreme close-up of a bright, red dragon. Which is also very cool…]

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YeovilJ-BeastsInVelvetJack Yeovil’s Beast in Velvet (Black Library)

As a killer called “The Beast” stalks the Imperial capital of Altdorf, evidence points to members of the Imperial court. With the gruesome murders mounting, the disgraced watchman “Filthy” Harald Kleindeinst is reinstated for a single assignment: to stop the Beast’s reign of terror and discover its true identity.

This was a spur-of-the-moment purchase. I read it when it first came out (in 1993), but after I found out that Kim Newman was at the covention, I spotted this on a table in the Dealer’s Room. Yeovil was, of course, a penname of Newman’s. A nostalgic discovery and opportunity presented and seized.

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Guest Post: “Confessions of a Four-Color, Benday-Dot, Super-Deformed, Ultra-Compressed Science Fiction Writer” by Paul di Filippo

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DiFilippo-WikiWorld

Paul Di Filippo is the author of Wikiworld, a great science fiction short story collection, which was recently published by (now award-winning) ChiZine. To celebrate the release of his new book, he has written the following piece about comics and their relationship with literature, and his own experiences as a reader and writer…

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My first reading, beyond the typical picture books of my era, such as Harry the Dirty Dog and Hop on Pop, consisted of comic books. Lots and lots of comics. I recall the very first comic I ever read, in 1961, in the summer between first and second grades. It was Mighty Mouse in Outer Space, and it blew my primitive juvenile brain to flinders. (I recently tracked down a copy on eBay, and had lots of fun revisiting it.) I’ve never been the same since. You might very well say that this comic was my first introduction to the literature of fantastika, and set me on the course to becoming a writer of same.

DiFilippo-EarlyComics

After this soon came the hard stuff. Batman, Superman, and the strange new antiheroes from Marvel. Alas, though I read them fresh off the drugstore stands, I retain no issues of Fantastic Four #1 or Amazing Fantasy #15, or similar lucrative titles. I concentrated on buying DC, while my pal Stephen covered the Marvel stuff, and we shared issues for mutual reading pleasure. Stephen, wherever he may be these days, got rich, and I got Lois Lane #53.

This phase of my readerly life lasted until about 1965, when I discovered hardcore adult science fiction, in the form of Raymond Jones’s The Year When Stardust Fell. To my retrospective amazement, I dropped comics almost entirely then, like a fickle lover, in favor of this new, more complex, more satisfying medium. Part of it had to do with my limited allowance. A dollar per week bought seven or eight comics, or two paperbacks. I couldn’t do both.

Well, I’m not going to recap my entire life as a reader from that point on. (To dispel one mystery: I returned to reading comics about thirty years later, with a vengeance.) But I tell the tale only to illustrate a very common path for my generation and the next couple after it. Right up into, oh, the late 1980s, this route — comics first, then books — was totally archetypical. Young fanboys and fangirls imprinted first on comics, then matured into readers of “chapter books.”

But we all know what happened next: the greying of the comics audience, the vanishing of comics from drugstores and supermarkets, the lack of innocent entry-level comics titles, the peer popularity of YA books, etc., etc. — all these factors and more have caused comics no longer to be really a gateway drug. And in fact, comics fandom and book fandom, while overlapping to some small Venn-diagram degree, often are utterly ignorant of each other. (This of course was not always the case, as modern comics fandom arose almost entirely from within SF fandom.)

One important thing which I think this change in reading patterns has caused to go missing from modern SF/F/H writing is a certain comic book sensibility: in plotting, character development, scene-setting, theme presentation, and all the other typical aspects of fiction construction. Because, you see, comics have their own tools of storytelling, and a writer does not fully internalize them unless he or she encounters them at a young, receptive age.

Let me clarify that I’m not talking about a dearth of novels about superheroes. Those are actually kind of trendy right now.

I’m talking about bringing the unique toolkit of comic book storytelling to any kind of writing at all. It could be a mainstream humorous novel, or a historical novel, or, in my case, an SF novel. Not many people are doing that these days.

Maybe you’re old enough to recall when writers such as Thomas Pynchon or Robert Sheckley or Kurt Vonnegut got labeled as “too comic-booky.” It was a fair cop! They were, I am certain, all readers of comics in their youth, and were incorporating the methods they had internalized into their adult prose.

I can’t conduct a seminar in this limited space about all the techniques I discern as originating among comic book writers and artists. I can only give a couple of examples.

Take the matter of switching scenery. Everyone knows how quickly and radically a comic book story can jump from one panel to another. We’ll call this the “then… Korea!” trick, from a recent blog post by the comics savant Mike Sterling. I don’t see this enough in novels. Oh, yeah, we’ll have a jump, an ellipsis of time and space, but usually to a different character, or as a predictable linear progression of the protagonist’s actions. “The next day dawned…” Nothing wild-eyed or unexpected, like catapulting the hero instantly from one venue to another in the blink of an eye.

Or take the matter of shifting the focus of the story in unexpected ways. The Simpsons TV show is the master of this. (Animated cartoons of course being the sibling to comics.) Three minutes into an episode, you think you knew where it’s headed, then, whammo, a total one-eighty. How often have you seen that maneuver in a book?

Or consider serial plotting within a single book. We start with one crisis which is resolved partway through the book, but contains the seeds of the next crisis, and so on as long as desired, until by novel’s end you’re utterly removed from the concerns at the beginning. I can’t even summon up a prose example of this common comics scenario.

If I had to adduce other writers than those named above who follow a comic book esthetic, I’d nominate A.E. van Vogt, Philip K. Dick, and Ron Goulart. Maybe you can start to get a feel now for the type of fiction I’m advocating. Jonathan Lethem, famously a comic book kid, in his early novels manifested some of these chops and riffs. Perhaps the purest and most satisfying writer of such stuff today is my pal Rudy Rucker. His novels are comic books without the artwork. And that certainly doesn’t preclude him tackling serious and important subjects in sophisticated ways.

In my own fiction, I can point to several stories deliberately constructed along these lines. “Fractal Paisleys”; “The Double Felix”; “Flying the Flannel.” And so forth.

DiFilippo-WikiWorld

My newest collection, Wikiworld, holds a few. My all-robot story “Providence” is a homage to the great SF comics from EC. You can picture Wally Wood or Al Williamson art to go with it. “Return to the 20th Century” is more out of DC’s goofy Silver Age Mystery in Space or Strange Adventures line. But even other stories of mine that are not so heavily influenced have benefitted, I believe, by little salient comic book touches.

I said I returned to reading comics with high intensity about twenty years ago. The superhero stuff I enjoy these days is entertaining, but can’t really teach me anything new. But knockout creators like Richard Sala, Dan Clowes, Chris Ware, Jaime and Gilbert Hernandez, Ben Katchor, Cathy Malkasian and Bill Griffith continue to stimulate me to try to incorporate their specialist pencil-and-ink and word-balloon techniques into my prose fiction.

If you’re exclusively a prose writer, you should delve into the comics scene. Once you go lowbrow, you never go back!

Theodore Roosevelt Responds to a Lampooning Review. Or, “This Probably Couldn’t Happen Today, on the Internet”

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GoodwinDK-BullyPulpitUKAnyone who knows me, or perhaps anyone who reads my other blog, Politics Reader (yeah, I know, there’s a theme to the blog names), will undoubtedly have come across my interest in Theodore Roosevelt, his presidency and time. I am fascinated by the period of American history between (approx.) 1880 and the start of World War I. Given this interest, I devour pretty much any book I can get my hands on that focuses on that time and the people who shaped American history and politics then. At the moment, I’m reading Doris Kearns Goodwin’s excellent, exhaustively-researched The Bully Pulpit. The book is about Theodore Roosevelt, William Howard Taft and the media. Today, I came across an amusing passage, which I thought I would share, here.

First, some context. Theodore Roosevelt was US president from 1901-08, first ascending to the Presidency after the assassination of William McKinley. Alongside his storied career in public service, he was a prolific author – between 1882-1919, he had 45 books and collections (of essays and letters) published. Finley Peter Dunne was a writer and humourist from Chicago, who wrote the nationally syndicated “Mr. Dooley” satires and lampoons.

In the fall of 1899, a copy of The Rough Riders, Roosevelt’s wartime memoir, came across Dunne’s desk. “Mr. Dooley’s” book review in Harper’s Weekly mocked Roosevelt’s propensity for placing himself at the center of all action: “Tis Th’ Biography iv a Hero by Wan who Knows. Tis Th’ Darin’ Exploits iv a Brave Man be an Actual Eye Witness,” Mr. Dooley observed. “If I was him, I’d call th’ book, ‘Alone in Cubia.’” Three days after this satirical assessment amused readers across the country, Roosevelt wrote to Dunne: “I regret to state that my family and intimate friends are delighted with your review of my book. Now I think you owe me one; and I shall exact that when you next come east to pay me a visit. I have long wanted the chance of making your acquaintance.” (pp.257-8)

GoodwinDK-BullyPulpitUSThe full review is the first in Mr. Dooley’s Philosophy (which is available as a PDF online – pp.13-18). collected Dunne was clearly touched by Roosevelt’s letter, and in his reply to Roosevelt, accepting the invitation, he also said:

“… the way you took Mr. Dooley is a little discouraging. The number of persons who are worthwhile firing at is so small that as a matter of business I must regret the loss of one of them. Still if in losing a target I have, perhaps, gained a friend I am in after all.” (p.258)

Dunne never had to regret the loss of TR as a target, however. The reviewer continued to poke fun at TR (“the nation’s premiere target” as Goodwin calls him) for years to come, and the two remained friends throughout.

Today, when an author responds to a negative or critical review – especially on the internet – it never seems to go well for the author (see, for example, who-knows-how-many self-published authors lashing out at bloggers; or even the more recent, bizarre-and-quite-pathetic reaction to Ben Aaronovitch’s polite pointing out of a review’s factual misunderstanding). The above response and exchange between Dunne and Roosevelt… It could never happen today. Which is a real shame.

[I am currently reading The Bully Pulpit for review on Politics Reader. The book was provided by Goodwin’s UK publisher, Viking/Penguin. In the US, the book is published by Simon & Schuster.]

Upcoming: THE REMAINING series, by D.J. Molles (Orbit)

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Molles-R1-TheRemainingI caught the announcement of D.J. Molles’s The Remaining series via a Twitter conversation between Justin and Rob (both are among the best SFF bloggers, in my opinion, so be sure to check out their sites and reviews). Naturally, I invited myself to join in the discussion, and decided to put together this post (I was on a role – it’s the third tonight).

Seeing as I’ve just blitzed through the first four The Walking Dead collected volumes, I must admit to being rather intrigued by this – certainly enough to read the first book at least. I have a weakness for the Zombie Apocalypse sub-genre. I’ve been pretty good at resisting reading everything, though, as I know I could quickly get sick of it. Thus-far, alongside The Walking Dead, I think my favourite has been V.M. Zito’s The Return Man (also published by Orbit, but only in the US – and it’s excellent, so you should all go out and buy it). The four books follow “Captain Lee Harden and a group of survivors as they fight to rebuild a devastated America.” Hm. Barrington’s After America but with added zombies? Here’s the synopsis for the first novel:

In a steel-and-lead-encased bunker 20 feet below the basement level of his house, a Special Forces soldier waits for his final orders. On the surface, a plague ravages the planet, infecting over 90% of the populace.

The bacterium burrows through the brain, destroying all signs of humanity and leaving behind little more than base, prehistoric instincts. The infected turn into hyper-aggressive predators, with an insatiable desire to kill and feed.

Soon the soldier will have to open the hatch to his bunker, and step out into this new wasteland, to complete his duty: SURVIVE, RESCUE, REBUILD.

The eBooks of all four books will be made available in January 2014, with print editions coming out in successive months from May (not sure why there will be such a gap, though). It would appear, though, that the series was self-published before Orbit snapped up rights (I remain skeptical of the hunger for re-publishing self-published work, but it does seem to be something a handful of publishers are embracing…). Here are the publishing & purchasing details, followed by the covers for books 2-4:

THE REMAINING  (US | UK) – Paperback – May 2014, eBook January 2014

AFTERMATH (US | UK) – Paperback – June 2014, eBook January 2014

REFUGEES  (US | UK) – Paperback – July 2014, eBook January 2014

FRACTURED (US | UK)– Paperback – August 2014, eBook January 2014

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Upcoming: “Traitor’s Blade” by Sebastien de Castell (Jo Fletcher Books)

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deCastellS-GC1-TraitorsBladeWhile stumbling about on the internet, looking for information on upcoming new books by authors I like, I found the synopsis for this novel. Another from Jo Fletcher Books (a publisher who seems to be publishing some of the most interesting SFF novels at the moment, which I have been singularly inept at keeping up with), it looks rather promising. Traitor’s Blade is the first in Sebastien de Castell’s Greatcoats series. Here’s the synopsis…

Falcio is the first Cantor of the Greatcoats. Trained in the fighting arts and the laws of Tristia, the Greatcoats are travelling Magisters upholding King’s Law. They are heroes. Or at least they were, until they stood aside while the Dukes took the kingdom, and impaled their King’s head on a spike.

Now Tristia is on the verge of collapse and the barbarians are sniffing at the borders. The Dukes bring chaos to the land, while the Greatcoats are scattered far and wide, reviled as traitors, their legendary coats in tatters.

All they have left are the promises they made to King Paelis, to carry out one final mission. But if they have any hope of fulfilling the King’s dream, the divided Greatcoats must reunite, or they will also have to stand aside as they watch their world burn…

deCastellS-SpellslingerTraitor’s Blade is due to be published in early March 2014. Penguin will be publishing the novel in Canada, and Piper will be bringing it to shelves in Germany. I’m rather looking forward to it. Although, I do wonder if the Dragon Age-esque aesthetic of the cover is leading…? Be sure to check out de Castell’s website and Twitter for more news. Including, as it turns out, some preliminary information on the second Greatcoats novel, Greatcoat’s Lament (which looked a bit spoilery to me, so I haven’t included it here), and also Spellslinger, the author’s “heroic fantasy with a western flavour” (synopsis below). There is also a free mini-audiodrama, set in the Spellslinger world, “Card Trick”.

A Tale of Magic, Intrigue & Talking Raccoons

Kellen Argos is cursed with the Shadowblack and on the run from his own family when the mysterious young queen of Darome promises him a cure in exchange for his protection. Kellen soon discovers that someone inside the nobility is plotting to take over the country. Now he has to find a way to outsmart the conspirators before they get to the queen over Kellen’s dead body.