Upcoming: “Broken Monsters” by Lauren Beukes (Harper)

Beukes-BrokenMonstersUKI’m a latecomer to the excellence that is Lauren Beukes’s work. Last year, I was quickly sucked into The Shining Girls, and since then I’ve been eagerly awaiting her next novel. Now, BROKEN MONSTERS is on the horizon! Published in the UK on July 31st by Harper.

In the city that’s become a symbol for the death of the American dream, a nightmare killer is unravelling reality…

Broken city, broken dreams

In Detroit, violent death – along with foreclosure and despair – is a regular occurrence. But the part-human, part-animal corpses that have started appearing are more disturbing than anything Detective Gabriella Versado has ever seen.

As Gabriella works the case, her teenage daughter Layla embarks on a secret crime-fighting project of her own – hunting down online paedophiles – but it all goes horribly wrong…

TK has learned how to make being homeless work for him and his friends, but something evil is threatening the fragile world he’s constructed on the streets…

Ambitious blogger Jonno is getting desperate. The big four-oh isn’t that far away, and he’s still struggling to make his mark. But then he stumbles across some unusual and macabre art, which might just be the break he needs to go viral…

Broken Monsters lays bare the decaying corpse of the American Dream, and asks what we’d be prepared to do for fifteen minutes of fame, especially in an online world.

Can’t wait to read this! Broken Monsters is published by Mulholland Books in the US, and Umuzi in South Africa. Here are the other two covers…

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Quick Thoughts on VENOM by Rick Remender & Cullen Bunn (Marvel)

Venom-Vols.3&4

I’ve been reading through the latest run on Venom, by Rick Remender and Cullen Bunn and, while I haven’t been moved to write a full review, I did want to just flag it up as a series that is well worth reading. The covers above are for the latest two collections that I’ve read. There are six Venom-only books in the series, which a couple of cross-overs (Spider Island and Minimum Carnage).

Remender kicked off the series, and does a great job of making it stand out among the Spider-Man related series. For one thing, it’s not nearly as quippy as other Spidey series, which means it didn’t quickly become irritating, and I was able to read through three collections without wanting to confine the protagonist to the trash heap of comicdom (as can so easily happen with the uneven Amazing Spider-Man). It is a darker series, overall, and works very well. What I like best about the series is that it largely avoids the Marvel glibness, which (in my humble opinion) has ruined too many series (e.g., Captain Marvel). Instead, and despite the supernatural/Hell-related storylines, this is somewhat more on the horror side of things. Very welcome indeed.

I much prefer the non-super-heroing storylines in this series. The plethora of other symbiotes were less interesting to me, to be honest, but they do on occasion add another element of tension and emotional angst for Flash.

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Remender shows us how Eugene “Flash” Thompson is not your typical hero. For one thing, unlike many other Marvel heroes, he started out as a bully: Peter Parker’s tormentor at school. Rather than just telling us that he is a bully who has come good, Remender instead builds Flash’s background brilliantly and gradually. Present day scenes are interspersed with flashback to his childhood, abused by his alcoholic father and emotionally betrayed by his beaten-down mother, and the emotional damage this has done. Coupled with his double-amputee existence, made bearable by the Venom symbiote, he is constantly struggling to become the hero he always wished he could be. He is confronted by the lasting damage of his childhood; the damage he caused as an angry jock, and then as an alcoholic and also as Venom. Bunn picks up this character development expertly, and doesn’t miss a beat, building on what Remender started really well.

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I know I’ve focused on the two writers, but it should also go without saying that the artwork is excellent – from the controlled action and off-mission scenes to the Venom’s-Taken-Over-And-Gone-Crazy moments (which are far less frequent than you might think, especially in the latter-half of the series), it is an eye-catching, visually impressive and brooding series.

Definitely recommended.

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Review: MAYHEM by Sarah Pinborough (Jo Fletcher Books)

Pinborough-MayhemDr. Bond, I presume…

A new killer is stalking the streets of London’s East End. Though newspapers have dubbed him ‘the Torso Killer’, this murderer’s work is overshadowed by the hysteria surrounding Jack the Ripper’s Whitechapel crimes.

The victims are women too, but their dismembered bodies, wrapped in rags and tied up with string, are pulled out of the Thames – and the heads are missing. The murderer likes to keep them.

Mayhem is a masterwork of narrative suspense: a supernatural thriller set in a shadowy, gaslit London, where monsters stalk the cobbled streets and hide in plain sight.

This is the first of Pinborough’s novels that I’ve read, and I rather enjoyed it. It has all of the elements that I look for in fiction, in one tightly-written package: crime, investigation, mystery, a dash of the supernatural and horror. It’s an excellent mix, well-executed. And it’s the first in a series. Continue reading

“Midnight Crossroad” by Charlaine Harris (Gollancz)

HarrisC-MT1-MidnightCrossroadUKA great start to a new series

Welcome to Midnight, Texas, a town with many boarded-up windows and few full-time inhabitants, located at the crossing of Witch Light Road and Davy Road. It’s a pretty standard dried-up western town.

There’s a pawnshop (someone lives in the basement and is seen only at night). There’s a diner (people who are just passing through tend not to linger). And there’s new resident Manfred Bernardo, who thinks he’s found the perfect place to work in private (and who has secrets of his own).

Stop at the one traffic light in town, and everything looks normal. Stay awhile, and learn the truth…

This is the first novel of Harris’s that I’ve read, and I must say I rather enjoyed it. A gently-paced mystery, with a supernatural slant, and populated by endearing, varied and well-constructed characters.

The novel started pretty slowly, for me. For the first 50 pages or so, it felt like Harris was intent on painting as complete and full a picture of Midnight, Texas. Everything was described, at length, and I worried that this was a sign of padding. Thankfully, the story then kicked in, and what followed was an engaging small-town mystery.

A disappearance and death from years ago is dragged into the present, stirring up earlier suspicions and far-reaching animosities. It also brings Midnight to the attention of a number of unsavoury elements, all of which are pursuing their own agendas. A new discovery leads Manfred and a select few of his fellow Mightnighters to investigate. In some ways, Midnight Crossroad feels like an established series, as some of the characters’ actions need to be taken with a pinch of salt – they are far more accepting of certain things than one might expect (the vigilantism, for example, not to mention some of the odder characteristics of certain Midnighters).

HarrisC-MT1-MidnightCrossroadUSEach of the town’s inhabitants has their own secrets, and it is considered very bad form to pry. That each and every one of them has secrets, though, is an accepted fact. This has led to the creation a surprisingly close-knit community, despite none of the characters truly knowing the others. One of the things I really liked about the novel is the fact that Harris doesn’t reveal everything. In fact, many of the characters remain somewhat mysterious – while readers will no doubt draw their own conclusions, Harris is rarely explicit about their natures. I’m looking forward to each of the characters developing over the course of the series. There’s a lot of potential for expansion, I think.

This wasn’t what I was expecting. Although, to be fair, I wasn’t really sure what to expect to begin with. The supernatural elements are pretty down-played, but they are definitely there – be it through Fiji’s witchcraft, Manfred’s clairvoyance, and… well, a couple of other things that to discuss would be spoilers.

Harris is in no rush to tell the story, but it won’t take you long to read this – not only is the book very focused (after the first 50 pages), but you’ll likely not want to put it down. It offers a welcome change in pace to the usual thrillers I read, and the added, understated supernatural elements were expertly woven into the story while also not drowning out the plot.

An excellent first experience with Harris’s work, I’ve become a new convert, and have ordered the first couple of Sookie novels to try. If you are already a fan of Harris’s fiction, then you won’t be disappointed by Midnight Crossroad. If, like me, you are new to her work, then this is as good a place to start as any other.

Definitely recommended. I really enjoyed this.

***

Midnight Crossroad is published by Gollancz in the UK and Ace Books in the US – both in May 2014.

“Iron Night” by M.L. Brennan (Roc)

BrennanML-GV2-IronNightA second, fine mess Fortitude Scott has got himself into…

Underachieving film theory graduate and vampire Fortitude Scott may be waiting tables at a snooty restaurant run by a tyrannical chef who hates him, but the other parts of his life finally seem to be stabilizing. He’s learning how to rule the Scott family territory, hanging out more with his shapeshifting friend Suzume Hollis, and has actually found a decent roommate for once.

Until he finds his roommate’s dead body.

The Scott family cover-up machine swings into gear, but Fort is the only person trying to figure out who (or what) actually killed his friend. His hunt for a murderer leads to a creature that scares even his sociopathic family, and puts them all in deadly peril.

Keeping secrets, killing monsters, and still having to make it to work on time? Sometimes being a vampire really sucks.

The sequel to Generation V, in Iron Night, we get more of the same – which is by no means a bad thing. We get to see Fort embracing his vampire heritage a little more. Since he started going through his physical changes, he appears to have accepted that he can’t escape what he is, and as a result has stopped rebelling as much as he used to. Iron Night is a solid follow-up, complete with great character development. Continue reading

Interview with ALISON LITTLEWOOD

LittlewoodA-AuthorPicLet’s start with an introduction: Who is Alison Littlewood?

Ah, the hardest question of all… I’m a probably slightly odd person who writes probably slightly odd books! I’ve been writing dark fantasy and horror for several years now, and was lucky enough a while back to get a three-book deal from Jo Fletcher Books at Quercus. A Cold Season was picked for the Richard and Judy book club, and it went from there.

Your next novel, The Unquiet House, is due to be published by Jo Fletcher Books in April 2014. How would you introduce the novel to a new reader?

It’s a ghost story set in a rather dour Yorkshire house, following the fates of different generations of the same family. There are sections set in the present day as well as the seventies and the thirties, which each shed light on each other. It’s probably the oddest of my odd books, and in a way it’s perhaps best to read it knowing nothing at all, so I will leave it at that…!

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What inspired you to write the novel, and where do you draw your inspiration from in general?

The first thing that made me want to write a haunted house story was seeing the house! The one in the story is based on an actual place, one that looked rather forbidding, but which I fell in love with a little bit too. I find that locations can be incredibly inspirational – some places just seem to sing to me. This house sang very, very loudly, though it wasn’t long before parts of other places I’d seen found their way into the book too: a bench with a strange carving on the back, a cupboard with nothing but an old suit hanging inside… they came together and started to have an impact on the plot. Researching the different historical periods was inspiring too, bringing new influences to bear.

Excerpt: The Unquiet House

How were you introduced to reading and genre fiction? What about horror in particular attracts you – in terms of reading and writing?

When I was younger I read anything and everything I could lay my hands on. It was only after I started writing that I began to focus more on genre fiction. My first exposure to writing horror came with a BBC writing competition, and once I’d tried it, I just found that darker ideas, those around the mysteries in life and death and somewhere in between, were the ones that got my fingers tingling. I find it an exciting genre; it looks at the big questions, the ones we’ll never be able to quite explain, and yet it seems that continuing to ask them is an integral part of being human.

How do you enjoy being a writer and working within the publishing industry?

I can’t really imagine doing anything else! I got made redundant from my regular job in the same week as I got a publishing contract, so it all came together at just the right time. It’s great to be able to concentrate on what I love. Of course, it feels a little different writing a novel when you know someone’s waiting for it at the end of the line, but then I’ve always been fairly disciplined about getting the words down. The main difference is that I know I can’t just write a novel and stick it away in a dusty file any more – someone’s actually going to read it! That’s rewarding but kind of scary at the same time.

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Do you have any specific working, writing, researching practices?

Not really – I always start the day with a long walk, mainly because I have a big and energetic dog who would scratch the walls down if I didn’t, but now it feels natural to blow away the cobwebs before I sit down to work. I used to have a nice ergonomic desk and chair, but these days I tend to be on the sofa with my laptop and the dog curled up next to me trying to rest his head on my keyboard.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

I think deep down it’s something I’ve always wanted, mainly because I fell in love with books when I was a child, but I didn’t try it for a long time because I’d built it up to be something that other people did. I eventually forced myself to join a local writing course, just to get started, and I remember being so nervous I could hardly get the top off my pen! After that, though, I had the bug; I knew I wouldn’t stop.

What’s your opinion of the genre today, and where do you see your work fitting into it?

I think the horror genre is bigger and wider and more imaginative than people believe. Many people unfortunately have their perception shaped by horror films of the slasher variety. Horror novels do look at fear and death, but they tend to do it in much more depth and with greater sensitivity. In many ways, they’re really about love: how do we deal with losing the people and things we care about? It’s a part of life, and the novels we often define as horror are a response to that. When I started out, I felt I was on the fringe of horror, because my books are more about psychological chills than blood and guts, but now I better understand the breadth of work going on in the genre, I’m happy to call myself a part of it.

What other projects are you working on, and what do you have currently in the pipeline?

I’m working on the first draft of my next novel – a return to some dark territory, in line with the soul-snatching theme of A Cold Season. I’m also busy editing a script, along with a writer friend and a film-maker, for a potential short to be filmed this year. I’m also working on some short stories on the theme of feathers – I always find it surprising how often birds crop up in my work – for a slightly different project, a combination of mini short story collection and art book, in collaboration with an illustrator friend.

What are you reading at the moment (fiction, non-fiction)?

I’m reading The Uninvited by Liz Jensen – it’s intriguing, with a wonderful main character and a sense of the world being out of joint, with the folkloric meeting quantum physics and the modern world. I’m completely hooked. I don’t always have non-fiction on the go but I’m also reading Gossip from the Forest by Sarah Maitland, all about the tangled roots of forests and fairy tales. I find fairy tales and folklore completely fascinating. There’s something about that little possibility of magic in the world that is a part of the horror genre too.

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What’s something readers might be surprised to learn about you?

I really don’t know! What people usually find surprising about me is that I’m a writer, and more so that I write horror fiction. There’s that ‘oh, but you seem nice’ reaction, as if horror writers are all like the monster in the closet rather than the kid hiding under the bed. It’s that slasher movie perception rearing its ugly head again!

What are you most looking forward to in the next twelve months?

Hopefully moving house, mainly because I’ll be getting a bigger library. I have the shelves all planned out; the rest of the move, not so much. One track mind, me…?

Mini-Review: “La Santasima” by Teresa Frohock

Frohock-LaSantisimaA brilliant, dark short story from one of my favourite authors.

It’s also a story that any review of length will ruin. It’s timely, incisive and haunting – it is a blending of the supernatural with the ongoing illegal immigration across the US-Mexican borders. Frohock has written a brilliant story that highlights the dangers and issues that those desperate to enter the States will face, as well as the people who will take advantage of and prey on their desperation. At the same time, it is a touching story of family ties.

Here’s the synopsis…

Sebastian’s friend Carlos claims that La Santa Muerte watches over the poor, the ones that the Church abandons. He promises Sebastian that La Santa Muerte will be his patron saint, that she will protect him and grant his wishes.

Death comes for us all. Keep her as your friend.

Sebastian is disappointed as prayer after prayer is rejected by the saint, and he loses faith. One night his sister Lucía joins him, and La Santa Muerte answers their prayer to bring their brother home…

On top of that, the eBook has a great piece by the author at the end, talking about the genesis of the story. If you haven’t read Frohock’s work, yet, you must. Best of all, La Santisima is free on Smashwords!

Excerpt: AGE OF SHIVA by James Lovegrove (Solaris)

LovegroveJ-AgeOfShiva2014

This April, Solaris Books publishes the sixth novel in James Lovegrove’s New York Times-bestselling Pantheon series, Age of Shiva. Below, you will find the first three chapters!

AGE OF SHIVA

This is a confession.

This is an apology.

This is an origin story.

This is the tale of ordinary people who became extraordinary, became heroes, and the price we all paid.

It’s completely true.

I know.

I was there.

LovegroveJ-AgeOfShiva2014

CHAPTER 1

KIDNAP IN CROUCH END

I stepped out of my flat to get my lunchtime sandwich and cappuccino, and never went back.

There was a coffee place round the corner from my house. It styled itself like one of the big chains, calling itself Caffè Buono and boasting baristas and leather armchairs and a Gaggia machine, but it was the only one of its kind in existence and it never to my knowledge opened any other branches. The sandwiches were all right, though. The coffee too.

I didn’t notice the jet black Range Rover with tinted windows prowling after me as I sauntered along the street. It was spring. The sun was out, for a change. I’d been slaving away at my drawing board since breakfast. Daylight on my face felt sweet. To be among people – the usual milling midday Crouch End crowds – was pleasant. My work was a kind of solitary confinement. It was always good to get out.

I was thinking of a plump, tasty BLT and also of the plump, tasty new barista at Caffè Buono. Krystyna, her name badge said. From Poland, to judge by the spelling and her accent. Farm-girl pretty and very friendly. Flirtatious, even. It was never likely that I would ask her out, she being at least fifteen years younger than me, but seeing her brightened my day and I chose to think that seeing me brightened hers. If it didn’t, she did a very creditable job of pretending it did.

I moseyed along, a million miles from where I was, and all the while the jet black Range Rover was stealing ever closer to me, homing in from behind, a shark shadowing its prey.

I was coming to the end of my latest commission – another reason I was so preoccupied. I was on the final straight of eight months’ solid work. Five pages left to go on a four-issue miniseries. Full pencils and inks, from a script by Mark Millar. I liked collaborating with Millar; he gave the bare minimum of art direction. Usually he offered a thumbnail description of the content of each panel, with a caption or two to fit in somewhere, along with an invitation to “knock yourself out” or “make this the best fucking picture you’ve ever drawn.” So few restrictions. Happy to let the artist be the artist and do what an artist was paid to do. I was fine with that.

But it had been a long haul. I was slow. Had a reputation for it. A stickler; meticulous. Notoriously so. Every page, every panel, every single line had to be exactly right. That was Zak Zap’s unique selling point. You only got top-quality, ultra-refined product, and if you had to wait for it, tough titties. I’d been known to tear up a completed page rather than submit it, simply because a couple of brushstrokes weren’t precisely as I’d envisaged they’d be, or the overall composition was a fraction off. Just rip that sheet of Bristol board in half and bin it. Three days’ effort, wasted. And I’d rage and fume and yell at the cat, and then maybe neck down a few beers, and then next morning I’d plonk my backside down in front of my drawing desk and start all over again.

Stupid, but that’s how I was.

It was why Francesca left me.

Not the tantrums or the fits of creative pique. She could handle those. Laugh them off.

It was the pressure I put on myself. The sense of never being good enough which constantly dogged me. The striving for unrealisable goals. The quest to be better than my best.

“It’s not noble to be a perfectionist, Zak,” Francesca told me as she packed her bag. “It’s a kind of self-loathing.”

I was within spitting distance of the coffee place, just passing the Louisiana Chicken Shack, when the Range Rover drew alongside and braked.

The doors were already open before the car came to a complete stop.

Men in suits bundled out.

I glimpsed them out of the corner of my eye. They were Hugo-Boss-clad barrels in motion. My first thought was that they must be bodyguards for some movie star. Someone famous, over in the UK from Hollywood to promote the release of his latest action-fest, had had a sudden hankering for southern fried chicken, and his security detail were forming a cordon so that he could go in and buy a bucketful. Will Smith, maybe. Bruce Willis. The Rock. One of those guys.

And then I thought, In Crouch End? This wasn’t even the fashionable end of Crouch End. This was the crouchy end of Crouch End. And no movie star in his right mind, however hungry, would want to sample the battered scrag ends of battery hen they served at the Louisiana Chicken Shack.

And then the nearest of the men in suits grabbed hold of me. And then another of them did too, clamping a hand around my elbow and whispering in my ear, “Don’t shout. Don’t struggle. Act natural, like this is nothing out of the ordinary. Otherwise you’ll regret it.”

Then, loudly so that passersby would hear, he said, “All right, sweetheart. That’s enough now. You’ve had your fun, but it’s time to go back to the Priory. Your management is paying all that money for your rehab. They don’t want it wasted.”

With that, they dragged me towards the Range Rover – literally dragged, my heels scraping the kerbstones. I was helpless, inert, a flummoxed idiot, no idea what was going on. Even if I hadn’t been warned to act natural, I’d have been too dumbfounded to resist or protest.

It happened so fast. Just a handful of seconds, and suddenly I was in the back seat of the Range Rover, squashed between two of the suited goons, and the car was pulling out into the traffic, and I wasn’t going to have that BLT or that cappuccino today and I wasn’t going to cheer up Krystyna with a smile and she wasn’t going to cheer me up either.

CHAPTER 2

KNUCKLEDUSTER RING, HILLBILLY MOUSTACHE AND FRIENDS

There are moments in your life when you do what you have to, simply because you’re too scared to do anything else.

I was no Jedi knight, no master of kung fu. I hadn’t been in a fight since secondary school, and that was more of a pathetic bitch-slap contest than anything, and besides, I lost. Now I was in a car with four blokes, each of whom weighed twice as much as me, each of whom had a shaven head and no-bullshit mirrored sunglasses and seam-straining muscles and looked as though he could snap my neck just by breathing hard on me.

Compliance was the only logical course of action. I wasn’t going to karate chop my way out of this predicament. I didn’t have super powers like the characters in the comics I drew for a living. No eye beam to blast a hole through the car roof. No webbing to truss up my kidnappers. No frigging Batarang. I was stuck, a victim, panic-stricken, hyperventilating, only human.

They could kill me, these men. Were they going to kill me? Who were they? What did they want with me?

We had driven perhaps half a mile before I finally found some gumption and piped up. “Piped” was the word; my voice sounded like a piccolo.

“You must have the wrong man,” I said. “I haven’t done anything. I’m nobody.”

“You Zachary Bramwell?” said the goon on my immediate left, who wore a gold sovereign ring so large it could easily double as a knuckleduster.

It didn’t really seem to be a question, which was why I said, “Yes.”

“Then we’ve got the right man. By the way, you got a phone on you?”

“No.”

“I’m going to check anyway.” Knuckleduster Ring ransacked my pockets, finding nothing but lint and loose change. “Left it at home, eh?”

I had. I nodded.

“Good. No need to confiscate it, then. Now shut your trap.”

I shut my trap, but after another mile I couldn’t keep it shut any longer. My anxiety wouldn’t let me.

“What was all that stuff about ‘the Priory’ and my ‘management’?”

“What do you think? To make it look like we were staging an intervention.”

“Oh. But you are sure you’ve got the right Zachary Bramwell, not a different one? Same name but, you know, minus the substance addiction issues?”

“Hundred per cent.”

“So where are you taking me? Who do you work for? Are you cops? The government?”

Knuckleduster Ring smiled. The goon on my right, who had the type of drooping moustache favoured by bikers and hillbillies, smirked. The guy driving the car actually laughed, like I’d cracked a joke.

“Nah,” said Knuckleduster Ring. “They pay shit.”

“Private contractors, you could call us,” said Hillbilly Moustache. “Available to the highest bidder.”

“Well, who is that, then?” I said. “Who in God’s name has it in for me so badly that they’ve hired you to snatch me off a London street in broad daylight?”

“Christ, this fucker talks a lot,” said the fourth goon, who was the spitting image of Knuckleduster Ring and could only have been his identical twin brother. “Can’t I give him a crack upside the head? I don’t want to listen to him jabber all the way.”

“Unharmed, intact,” said the driver, who I reckoned was the boss of the outfit. He had a diamond inset into one of his upper incisors. “That’s the brief. But,” he added, “maybe you should think about quietening down, Mr Bramwell. My boys have a pretty low threshold of tolerance for nonsense, if you know what I’m saying. Here, I’ve got an idea. How about some nice soothing music? Help us all chillax.”

Diamond Tooth switched on the radio, tuned it to Classic FM, and there we were, tootling along the North Circular, me and this quartet of brick-shithouse abductors, listening to a sequence of plinky-plonk sonatas[*], with comments from the nerdy posh announcer spliced in between. At one point Knuckleduster Ring’s twin brother raised his hand off his knee and started stroking patterns in the air as though conducting an orchestra. It was ridiculous, and I might have thought it funny if I hadn’t been trying so hard not to soil my pants.

We drove for an hour, leaving London behind. We headed northbound up the M1, turning off somewhere before Milton Keynes and then wiggling around in the Buckinghamshire countryside on A-roads and B-roads until I was thoroughly disorientated and couldn’t have found my way back to civilisation even with a map.

In my head Diamond Tooth’s words – “Unharmed, intact” – rang like a church bell, offering solace and hope. Whoever my kidnappers’ employer was, he didn’t want me hurt. There was at least that.

Or could it be that he didn’t want me hurt until he himself got his hands on me? I was the pair of box-fresh sneakers that no one else could touch and that only his feet could sully.

I racked my brains, thinking of people I’d pissed off during the nearly forty years of my life so far. It wasn’t exactly a short list. I’d aggrieved more than a few editors in the comics biz with my propensity for handing in work at the very last minute, or else blowing the deadline completely. I’d hacked off my previous landlord but one with my complaints about mice droppings in the kitchen and mould on the bathroom walls, but those were legitimate gripes and he had no right to be upset with me for pestering him about things he was duty-bound to fix. I’d left behind a trail of women who to a greater or lesser degree found me lacking in the attentive boyfriend department, up to and including Francesca, who had stuck it out with me the longest but had ultimately come to the same conclusion as the rest: that I wasn’t worth the time, trouble and effort. And then there was that financial advisor at the bank who I’d lost my rag with, just because he told me I wasn’t in a “reliable occupation with regular income” and therefore didn’t deserve to be offered a more preferential mortgage rate. In hindsight, I shouldn’t have swept his pot of ballpoint pens onto the floor of his cubicle and told him to stick his flexible variable rates up his backside. It was petty and childish of me. I should have done the mature, manly thing and thumped the tosser.

All these people and others had cause to dislike Zak Bramwell. They might well wish to curse me under their breath and think ill of me during the long watches of a sleepless night.

But hate me so much as to have me brought to them so that they could inflict prolonged and nefarious revenge upon my person at their leisure? And at great expense, too?

I didn’t think so.

Who, then? Who the hell was I being taken to meet?

I couldn’t for the life of me rustle up an answer.

Finally the Range Rover arrived somewhere. And by “somewhere” I mean the middle of nowhere.

To be precise: a disused, dilapidated aerodrome that had once served as a US airbase during World War 2 and subsequently the Cold War, and was now a collection of grass-covered hangars, mouldering Quonset huts, and sad, sagging outbuildings.

An air traffic control tower with smashed-out windows overlooked a shattered concrete runway criss-crossed by strips of weed.

And on the runway stood the most extraordinary vehicle I had ever seen.

CHAPTER 3

THE GARUDA

Most of you reading this will be familiar with the Garuda. How can you not be? You’d have seen it on TV or the internet, maybe been fortunate enough to watch it in flight, zipping overhead with scarcely a sound. You’d no doubt have been startled the first time you clapped eyes on it, perhaps a little in awe, certainly impressed.

Back then, virtually nobody knew about the Garuda. Maybe no more than a couple of hundred people in total were aware that it existed.

So imagine my feelings as the Range Rover bumped out onto that runway and pulled up in front of this sleek metal angel with its folded-back wings, its downturned nosecone, its jet vents, its high-arched undercarriage, its rugged spherical wheels, its all-round air of lofty magnificence. It didn’t seem to be standing on the ground so much as perching, a forty-ton bird of prey that had briefly alighted to survey the lie of the land.

I was gobsmacked, all the more so in those shabby surroundings. The incongruity was striking. It didn’t belong here in a disused Midlands aerodrome. It belonged somewhere in the future, perhaps docking with a space station in near Earth orbit.

I think I fell a little bit in love with it, there on the spot. And bear in mind, this was before I had any idea what the Garuda was capable of, all the things it could do.

The goons hauled me out of the car and lugged me over to the aircraft, from which steps unfolded like a carpet unrolling. A door opened, so smoothly it seemed to melt inwards, and a woman emerged, extending a hand to me in welcome.

I can’t deny that things were suddenly looking up. She was quite beautiful. She was Asian – Indian, if I didn’t miss my guess – with almond-shaped eyes and soft features. Her hair was pure black gloss and her figure was full, just the way I liked. I wasn’t into the skinny, self-denying type of woman. I preferred someone who ate and drank with an appetite and wasn’t guilt-ridden or ashamed.

Her dress was smart and immaculate, from pale blue silk blouse to hip-hugging skirt. Her makeup was subtle but effective. Her nails were varnished chocolate brown.

I think I fell a little bit in love with her, too. Maybe I was just glad to see a face that was utterly unlike the hard, expressionless faces of the four goons. Maybe it was a relief to meet someone who looked friendly and wasn’t acting as though I needed to have my head stove in.

“Aanandi Sengupta,” she said, introducing herself. “I hope you’ve had a pleasant journey, Zak. Sorry if it’s been a bit… abrupt. Our employers are not patient men. When they want something, they tend to reach out and grab it. Often without asking permission until afterwards.”

“Ahem. Yes, well…” I felt scruffy and uncomfortable in front of the crisply turned-out Aanandi Sengupta. I hadn’t shaved that morning, I was in my oldest, baggiest sweatshirt and jeans, and there were ink blotches on my fingers as I shook her hand. I was a mess, and she was as far from a mess as one could be. “Can’t say they were the finest conversationalists I’ve ever met.”

I glanced over my shoulder as I said this. The goons were keeping their distance from the aircraft, standing at ease, soldiers relieved of a duty. I was passing from their care to Aanandi’s. And don’t think I was unhappy about that, but I also figured I had no choice about getting on the plane. If I turned and made a run for it, Diamond Tooth, Hillbilly Moustache and the twins would be on me in a flash. I could walk aboard willingly or I could be frogmarched aboard with my arm twisted up between my shoulderblades. Either way, I was making the flight.

“Come on in,” Aanandi said. “I promise I’ll answer every query you have, once we’re wheels up and in the air.”

“Every query? Because I have loads.”

“Almost every. Some stuff is off-limits for now. All right?”

“Fair enough.”

The main cabin was spacious and fitted with large, plush seats; about a dozen, all told. Shagpile carpet whispered underfoot. I caught a whiff of a fragrant scent – incense?

“Make yourself at home, Zak. I can call you Zak?”

A woman like her, she could have called me anything she liked.

“How about a drink? Coffee? Tea? Something stronger?”

My body was crying out for alcohol. Something to de-jangle the nerves. But I settled for mineral water. I had a feeling I ought to remain compos mentis for the time being. Whatever wits I had, I needed to keep them about me.

The water came in a cup with a plastic sippy lid, like a takeaway coffee. This should have struck me as odd, but didn’t. So much else here was off-kilter, what was one more thing?

Aanandi hit an intercom button. “Captain? We’re ready for takeoff.”

She sat beside me. She buckled her lap belt and I followed suit and buckled mine. Through the window I saw the Range Rover depart with its full complement of goon, veering out through the broken gateway it had come in by. I gave it a little farewell wave.

The aircraft began to move, those ball-shaped wheels rolling along within armatures that clutched them like talons, and then, before I even realised, we were airborne. The abandoned aerodrome shrank below. England disappeared. Within moments we were soaring among the clouds, our climb so steep it was all but vertical. Other than a plummeting sensation in the pit of my stomach, there was little to tell me we were actually in ascent; our rise was smooth, turbulence-free and eerily quiet.

“What is this thing?” I asked Aanandi. “It’s like something out of a Gerry Anderson show.”

“It’s the Garuda. It’s the only one of its kind; a multi-platform adaptable personnel transporter, equally at home in five different travel environments.”

“It’s ruddy quiet, is what it is. My bicycle’s louder.”

“I don’t know the technicalities, but the engine design incorporates sound reduction technology way in advance of anything else currently on the market. The turbofans have the highest conceivable bypass ratio and feature multilobe hush kit modification baffles. And of course the cabin is comprehensively soundproofed with layers of porous absorbers and Helmholtz resonators.”

“That’s an awful lot of jargon for someone who says she doesn’t know the technicalities.”

Aanandi gave a brief, self-effacing smile. “I listen well. I pay attention. I have a good memory.”

“Your accent,” I said. “American?”

“Born and bred. Second-generation Indian from Boston.”

“And who are these ‘employers’ you mentioned?”

“That I can’t tell you, Zak. Not yet. You’ll find out in due course. What I can tell you is that you’re under no obligation to co-operate with them. You’re under no obligation to do anything. I’m pretty sure you’ll want to be a part of what’s happening, once you learn what it is, but there’s no coercion involved. We’re after willing recruits, not slaves.”

“It did seem like I was being pressganged,” I said.

“Not so. Those four were perhaps a little insensitive and overenthusiastic, I imagine, but they had to get the job done quickly and with minimum fuss. Like I said, we work for people who are not patient and have no time for messing around.”

“Well, where are we going? Is that one of the queries you can answer?”

“Certainly. The Indian Ocean. The Maldives.”

“Seriously?”

“Is that a problem?”

I looked at her. “Normally I’d say no. Who wouldn’t want to visit a tropical paradise? Especially when someone else is paying for the ticket. But… You can see it from my point of view, can’t you? I’m in a super-duper fancypants James Bond aircraft, with someone I’ve never met before, being flown halfway across the world. How long does it even take to get to the Maldives? Twelve hours?”

“Ten by conventional means. In the Garuda, a third of that.”

I shot past that little nugget of information. I was in full spate, mid-rant. All the outrage and disquiet of the past hour was pouring out, and not much was going to stem the flow. “And there I was, not so long ago, just walking down the street, minding my own business. I still can’t help thinking this is a case of mistaken identity. You’ve picked up the wrong Zak Bramwell. What the hell would anyone who can afford a plane like this want with someone like me? I draw comic books for a living, for heaven’s sake. I don’t have any practical skills besides that – and it’s not even that practical.”

“You are Zak Zap, though,” Aanandi said.

I winced a little. The name sounded dumb, coming from her. Even dumber than usual. “That’s me. I know, I know. Pretty lame. I was young when I chose it. Teenager. Seemed cool then. Now I’m stuck with it and there’s not much I can do. Too late to change it.”

“The same Zak Zap who drew the Deathquake strip for 2000 AD, and did brief but well-respected runs on Fantastic Four and Aquaman, and recently illustrated Robert Kirkman’s Sitting Ducks miniseries for Image.”

“Yeah. Don’t tell me you’re a fan.”

“I’m not. But the people I work for are.”

“Oh.” I digested this fact. It sat pleasantly in my belly. “Right. And, er… Am I going to some sort of convention? Is that what this is? Maybe a private one?”

“Not as such.”

“I just thought… I mean, I’ve done Comic Con. Plenty of others, too. Crap hotels, mostly. Teeming hordes of cosplayers and fanboys. Pros all hunkered down at the bar trying to avoid them. I thought this might be the same deal only, you know, classier.”

“Afraid not.”

“Shame.” The professional freelancer instinct kicked in. “But you say there’s work involved? Actual paid work?”

“There could be,” said Aanandi, “if you want it. Very well paid.”

I was beginning to like the sound of this. I was still unnerved and discombobulated. It had not been an ordinary day so far, and the dread evoked by my “kidnap” had yet to subside. But work was work, and I was never one to turn a job offer down. I could hardly afford to: plenty of comics artists made a pretty decent wage, but they were the fast ones, the guys who could churn out a book a month, twenty-odd pages bang on schedule, no sweat. As I’ve already established, that wasn’t me. My financial situation was definitely more hand-to-mouth. I’d never been asked to draw any of the mega-sellers; Fantastic Four had been in the doldrums when I was assigned to it – and then fired six issues later. And as for Aquaman… Who the hell buys Aquaman? I only took the gig because I was short on cash at the time and I liked drawing underwater stuff. [†]

So I didn’t have a steady stream of backlist royalty revenue to rely on, and no editor with any sense was going to hire me to do Superman or Amazing Spider-Man or any of the other DC and Marvel flagship titles. Readers wouldn’t stomach the indefinite delays between issues or the inevitable rushed fill-ins by other artists. They’d desert in droves.

So somebody was interested in employing me? And was flying me to the Maldives for the job interview?

I can handle that, I thought.

I felt a flush of smugness, the kind you get when your talent is recognised, when you’re acknowledged as being skilled at what you do. The pardonable kind. A sort of giddiness overcame me. I undid my lap belt, thinking that a victory stroll up and down the cabin aisle was in order, a moment by myself to clench my fist and go “Yes!” under my breath.

“I wouldn’t do that if I were you,” Aanandi advised.

Too late. I was already on my feet. And then I was off my feet. I was somehow standing without standing. My toes were in contact with the carpet, but only just. The giddiness wasn’t an emotion, it was a genuine physical sensation. I was bobbing in the air, a human balloon.

“What the hot holy…?”

Aanandi took my wrist and pulled me back down into my seat. I refastened the belt, tethering myself.

“I would have warned you,” she said, “but you had so much to say.”

The empty cup floated free from the armrest tray. Tiny sparkling droplets of mineral water poured from its lid aperture like reverse rain.

I glanced out of the window.

We were high up.

Oh, God, so fucking high up. I could see the curvature of the Earth, the horizon line of pale blue sky giving way to the blue-blackness of the void. Continents were small enough that I could blot them out with my hand. Cloud forms were rugged Arctic snowscapes.

“Space,” I breathed. “We’re in fucking space.”

—–

[*] Vivaldi? Haydn? One of those guys.

[†] There’d never been any great fan-love for the King of the Seas with his daft orange and green swimsuit and his power to exert mental control over, er, fish. After my brief tenure on the title, no one liked him much more than they had before.

***

AGE OF SHIVA is published by Solaris Books on April 10th 2014. The rest of the Pantheon series is out now: Age of Ra, Age of Zeus, Age of Odin, Age of Aztec, Age of Voodoo, Age of Godpunk (Anansi, Satan, Gaia)

Lovegrove-PantheonSeries1-5&GP

An Interview with JUSTIN GUSTAINIS

GustainisJ-AuthorPicLet’s start with an introduction: Who is Justin Gustainis?

I’m a college professor living in upstate New York. Writing fiction satisfies my soul (most days, anyway), but it’s my career in academe that pays the bills. At other times in my life, I’ve been a busboy, garment worker, soldier, speech writer and professional bodyguard (which wasn’t as glamorous as it sounds – I never got to meet Whitney Houston, or anyone like her).

Your next novel, Known Devil, was published by Angry Robot Books in February 2014. It is the third novel in your Occult Investigations Series. How would you introduce the series to a new reader, and what can fans of the first two books expect here?

GustainisJ-OI-BadgeFinal-BlogThe series is set in an “alternate” universe, one where supernatural creatures really exist, and everybody knows it – in other words, there’s no “masquerade.” Supernaturals (or “supes,” as they are often known) are accepted as part of human society, which is not to say there aren’t moments of friction. When the friction involves breaking the law, that’s when folks in Scranton, PA, send for my protagonist – Detective Sergeant Stan Markowski of the Scranton Police Department’s Occult Crimes Unit. As Stan says in the beginning of Hard Spell (the first book in the series), “When a vamp puts the bits on an unwilling victim, or some witch casts the wrong kind of spell. That’s when they call me. My name’s Markowski. I carry a badge.”

In supernatural Scranton, the Occult Crimes Unit is kept pretty busy, what with the torture-murder of a wizard, a serial killer who’s targeting vampires, violence on the part of a “human supremacist” group and the distribution of supernatural “snuff films.” But in Known Devil, the shit has really hit the fan.

GustainisJ-OI3-KnownDevil

Supernatural creatures are generally immune to human recreational drugs (apart from goblins, who have demonstrated an unfortunate fondness for crystal meth), but that’s about to change. A new drug called Slide has hit the streets, and it has the power to addict all species of supes. The first indication Stan has of this development is when a couple of junkie elves try to stick up a diner where Stan and his partner are having their coffee break. Things don’t go too well for the elves on that occasion, but Stan finds this new drug very worrisome.

As a direct result of the Slide trade, a war has broken out in the streets between two gangs of vampires. The “family” that controls crime in Scranton wants to keep the drug out, because it has the potential to harm their own kind. But a branch of a powerful Philadelphia gang is trying to muscle in so they can sell the drug, with resulting carnage throughout the city.

And somebody has just blown up Victor Castle, the head of the city’s supe community. Castle had a history of cooperating with the police in matters involving supes, and someone has decided he doesn’t like that. Castle’s likely replacement is a vampire who frequently refers to humans as “walking bloodbags.”

GustainisJ-OI1&2

Then there’s the upcoming municipal election. A well-funded bunch calling itself the Patriot Party has arisen in Scranton, and their platform is dead-set (so to speak) against supes. If the Patriot party wins the election, Stan fears that their anti-supe views will result in a different kind of war in the streets – a war between supes and humans.

What inspired you to write the series? And where do you draw your inspiration from in general?

KoontzD-HauntedEarthMore than thirty years ago, I read a novel called The Haunted Earth by a little-known writer (at the time) named Dean R. Koontz. It’s set in a world where the supernatural is known and accepted, and I think the first chapter had an influence on me, though I didn’t realize it at the time. A vampire, Count Whoever, is in the process of seducing a woman into the joys of sanguinary delights. But, according to a Supreme Court decision, there is a procedure for such matters that he has to follow, securing permission for each seductive act. “May I touch your neck?” “Will you gaze deeply into my eyes?” “Are you aware of the potential dangers to yourself if this process continues?” Unknown to the Count and his lady friend, they are being watched by a private eye and his partner, a talking hellhound. When the Count gets excited and starts skipping steps and cautions, the private detective bursts into the room, crucifix in hand, and banishes the Count into celibacy – for that night, anyway. The rest of the novel veers into something more like science fiction, but that chapter stayed with me for some reason. I think it was the seed that eventually led to the creation of Detective Sergeant Stan Markowski of the Scranton PD’s Occult Crimes Unit.

How were you introduced to reading and genre fiction?

JusticeLeagueOfAmerica-01I read comic books since I was old enough to read (in my case, age four) and followed every superhero there was (of course in those days, there were a lot fewer of them; the first Justice League of America pretty much contained them all). As an adolescent, I moved on to “books for boys.” This included the Hardy Boys, but my friends and I were more into something called the Rick Brant Science Adventures. Then, in eighth grade, I discovered Ian Fleming, Raymond Chandler, and Bram Stoker – all within the same year. The rest, as they say, is history – or at least genre fiction.

How do you enjoy being a writer and working within the publishing industry?

I have had to face the hard truth that writing may be an art, but publishing is a business. And in business they have these things called “deadlines.” Me and deadlines, we don’t always get along so well, sad to say. But I keep trying.

What’s it like, being an author? Is it what you expected? Do you have any specific working, writing, researching practices?

I was explaining to someone (in another interview) recently that like most things, being a published author looks a lot cooler from the outside than it does from the inside. Or, to put it another way, the charm of anything wears off after a while, and it just becomes what you do. Don’t get me wrong – I remember how hard it was to break in. My first novel took a year and a half to write (I have a day job, remember) and then five years to find a publisher. And I’m mindful that there are probably a great many would-be authors who would kill several family members just to be where I am now, career-wise. All I can say to them is, it looks better from a distance, guys. After a while it’s just… work. Of course, then a new book comes out with my name on the cover, and I remember why I started this gig in the first place.

As for my most common writing practice – procrastination. Definitely.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

In high school, I used to amuse my friends by writing spy “novels” with them as characters. Then, when I was in my mid-twenties, I got it into my head that I could write mystery/crime/suspense stories. I had a few ideas, which I turned into stories that, I realize now, were just awful. I sent them out to the top mystery magazines of the day and waited for the checks to come in the mail. Imagine my surprise to receive nothing but rejection slips. I was an idiot, with no idea about either how to write or how to get published. But I was so disheartened that I didn’t try again for over twenty years. Things worked out a little better, that time.

ButcherJ-DF1-StormFrontUSWhat’s your opinion of the genre today, and where do you see your work fitting into it?

If by “the genre” you mean urban fantasy, I’d have to say that it has far too many good writers in it. If some of them would have the good grace to die, I bet my books would sell a lot better. Curse you, Jim Butcher! I don’t really mean that, of course. Jim Butcher is a guy whose immense talent is matched only by his generosity of spirit. He was very kind to me when I was starting out (the second time, I mean). He gave me encouragement, and even a nice blurb for the cover of my first novel. Jim rocks.

What other projects are you working on, and what do you have currently in the pipeline?

Known Devil is the third novel in a three-book contract, so whether there are any more stories about Stan Markowski depends on the publisher, Angry Robot Books. However, I also write a series for Solaris/Rebellion. It features occult investigator Quincey Morris (descended from the Texan who helped Van Helsing kill Dracula) and his business partner, white witch Libby Chastain. Those guys do operate in a “masquerade,” by the way. They’ve appeared in three novels and two novellas so far, and I’ve got a contract for another novella, which is in progress. There was some Hollywood interest in one of the Morris and Chastain books a while back, but nothing every came of it.

Kadrey-5-KillCityBluesUSWhat are you reading at the moment (fiction, non-fiction)?

I don’t have as much time for leisure reading as I’d like, but I’m three-quarters through Kill City Blues, by Richard Kadrey. I love his Sandman Slim novels (of which this is the latest). James Stark is almost as big a badass as Stan Markowski.

What’s something readers might be surprised to learn about you?

Hmmm. That I once dated a nun? I guess you might say that I wanted to get into the habit.

What are you most looking forward to in the next twelve months?

The start of summer vacation in May. Oh, and no snow for a while – please, God, no more snow.

***

Be sure to check out Justin Gustainis’s website for more information about the author’s work and novels.

Review: LAGOON by Nnedi Okorafor (Hodder)

OkoraforN-LagoonA gripping, beautifully-written science fiction novel set in and around Lagos.

A star falls from the sky. A woman rises from the sea.

The world will never be the same.

Three strangers, each isolated by his or her own problems: Adaora, the marine biologist. Anthony, the rapper famous throughout Africa. Agu, the troubled soldier. Wandering Bar Beach in Lagos, Nigeria’s legendary mega-city, they’re more alone than they’ve ever been before.

But when something like a meteorite plunges into the ocean and a tidal wave overcomes them, these three people will find themselves bound together in ways they could never imagine. Together with Ayodele, a visitor from beyond the stars, they must race through Lagos and against time itself in order to save the city, the world… and themselves.

“There was no time to flee. No time to turn. No time to shriek. And there was no pain. It was like being thrown into the stars.”

This is the first novel I’ve read by Nnedi Okorafor, and it won’t be my last. I started reading it on the first day it arrived in the mail – I was putting it on my TBR shelf, and flipped it open at the first page. Thirty minutes later, I was still reading and had sidelined my then-current read. Lagoon is beautifully and intelligently written, addictive, well-paced and a must read. Continue reading