Next year, Flatiron Books are due to publish Indie Darling, the next novel from Lauren Nossett — “a mystery set in Nashville, where a Dolly Parton–loving private detective is drawn into the disappearance of an enigmatic pop star.” I very much enjoyed the author’s first two novels, The Resemblance and The Professor, both of which I would definitely recommend to all fans of crime fiction: well-written, interesting setting (they’re sort-of campus crime), and engaging characters. The author’s new novel looks equally interesting, as well as a little bit different. Here’s the synopsis:
Nashville is a city of two faces, where the glitter often masks the grit.
Kelly Williams helps women. Sisters in search of lost siblings. Wives determined to uncover affairs. Daughters haunted by men lingering outside their windows. Clients trust her because she listens, she believes them, and over the years she’s honed a specialized skill set.
Kelly is a Dolly Parton–loving, sports-car-driving private investigator in Nashville, Tennessee. Her latest client, Sarah-Faith Owens, comes to her after receiving threatening messages. Something about the woman feels familiar, and Kelly realizes she’s Seraph, the magnetic, polarizing lead singer of the indie music sensation The Garden Snakes. With feminist anthems, cryptic lyric easter eggs, and an electrifying stage presence, Seraph has built a fiercely loyal following ― and attracted a number of critics. At that level of fame, her stalker could be anyone.
Then, in the middle of a Nashville performance, Seraph is shot on stage ― and the ambulance carrying her disappears. As the city reels and conspiracy theories swirl, Kelly is pulled into a dangerous web of secrets involving Seraph’s bandmates, her troubled past, and the high cost of stardom.
Lauren Nossett’s Indie Darling is due to be published by Flatiron Books in North America, on July 28th, 2026.
Also on CR: Review of The Resemblance
Back in 2017, I read an ARC of M. L. Rio‘s excellent If We Were Villains (which seems to get a new edition every few months). Ever since finishing it, I have been periodically checking to see if the author has a new book on the way. And the wait if almost over! 
A Black sheriff. A serial killer. A small town ready to combust.
I first spotted the UK cover (below) for The Cautious Traveller’s Guide to the Wasteland, Sarah Brooks‘s very-intriguing-sounding debut, via a 
Except on the last journey, though no one can say what occurred exactly because no one can remember it, not even Wei-Wei, the child of the train who was born on the Express. Only someone does know the truth: Elena, a strange stowaway with a mysterious connection to the Wastelands. As the Express embarks on a new voyage with a new set of travellers, each hiding their own motivations and secrets, Elena and Wei-Wei begin a dangerous friendship just as the train starts to misbehave. Desperate to save the only home she has ever known, Wei-Wei fights to keep the train from breaking down. But the rules of the Wasteland are changing and the wildness outside threatens to consume them all. 
It’s always interesting to see how a smash-hit book can spur the rise of a mini-genre, and there’s no denying that Taylor Jenkins-Reid’s 
A mysterious hit-and-run, a dedicated detective, and the many secrets of the privileged
The first book in the Alex Stern series, 
The American crime and mystery genres are oversubscribed with novels and series set in the big cities — especially New York and Los Angeles (with a surprisingly large number set in Minnesota, too). There is a growing number of author setting their novels elsewhere.* A notable upcoming example is Eli Cranor’s 
S. A. Cosby‘s Blacktop Wasteland is one of my favourite books from 2020: a superb, character-driven crime novel, it hit all of the right notes, was superbly written and plotted, and gripping from the start. Loved it. Naturally, this makes me very interested in the author’s next novel. While perusing catalogues, I spotted Razorblade Tears, due to be published by 
Civilian Reader 