Upcoming: GLEAM by Tom Fletcher (Jo Fletcher Books)

FletcherT-G1-GleamUKNow this sounds pretty interesting. Don’t know much about the novel or the author, but it caught my eye earlier today (when I received a press release about it…). I do know it’s the first in a new trilogy. Here’s the synopsis:

The gargantuan Factory of Gleam is an ancient, hulking edifice of stone, metal and glass ruled over by chaste alchemists and astronomer priests.

As millennia have passed, the population has decreased, and now only the central district is fully inhabited and operational; the outskirts have been left for the wilderness to reclaim. This decaying, lawless zone is the Discard; the home of Wild Alan.

Clever, arrogant, and perpetually angry, Wild Alan is both loved and loathed by the Discard’s misfits. He’s convinced that the Gleam authorities were behind the disaster that killed his parents and his ambition is to prove it. But he’s about to uncover more than he bargained for.

Tom Fletcher’s Gleam is due to be published by Jo Fletcher Books in the UK, on September 4th, 2014. Fletcher is also the author of The Thing on the Shore, The Leaping, and The Ravenglass Eye. The author is also on Twitter.

An Interview with EDWARD COX

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Let’s start with an introduction: Who is Edward Cox?

EdwardCox-AuthorPicI am a woefully undereducated village idiot, with gladness for blood and nothing but sunshine in my head. Every day I try – really hard – to be a cool and moody writer, but every day I fail. I have eternal faith in the human race, which some might say comes from naivety, but I do not care; I refuse to give up on us. Outside of my obsession for writing, I simply don’t know what I’m doing, and I’m always the last to understand what’s going on. I am also a husband and a father to two ladies who I love beyond measure.

However… If I ever do discover the secret to cool and moody, I will change my name to Thundermaster Volcanofists, and all shall fear me.

I thought we’d start with your fiction: Your debut novel, The Relic Guild, will be published by Gollancz in September 2014. How would you introduce the novel to a new reader?

A balls out fantasy adventure! Or, to be more professional, I like to think of The Relic Guild as a story about people doing the right thing even when they’ve been given every reason not to. Also, I’ve been trying to refine a pitch for the book, and this is what I’m currently down to:

At the centre of a gigantic labyrinth, in a sprawling city trapped behind walls one hundred feet high, young Clara is about to become the unwitting participant in the machinations of higher magic. It falls to her to reunite the last of a secret band of magickers called the Relic Guild. Together they must find a way to save one million humans from an age old menace that is about to return. Continue reading

Interview with ERIKA JOHANSEN & Giveaway!

JohansenE-AuthorPicErika Johansen’s The Queen of the Tearling has been getting some great press ever since WFC 2013 (at least, that’s when I heard of it). The novel finally hits shelves in the UK today, and to celebrate its release, not only do I offer the interview that follows (organised by Transworld), but I also have one copy of the novel to give away to a UK reader! Details at the end. But first, the interview…

Can you give us a brief introduction to The Queen of the Tearling?

A 19 year-old girl, Kelsea Glynn, is the heir to the throne of a degenerate kingdom. Having been raised far from the capital city, she’s not prepared to be the Queen, but she will need to learn quickly. Both the neighboring ruler and Kelsea’s own uncle would like to see her dead. Her kingdom is a mess, drowning in corruption and inequality. All Kelsea has are a strong moral compass, a lot of courage, an unwieldy temper and two hereditary sapphires which may or may not be magical in her hands.

Who are the main characters of the book?

The main characters include Kelsea, the Queen; Mace, her Captain of Guard; the Red Queen, who rules the neighboring kingdom; Javel, a guard in the Tear castle; and Father Tyler, a priest in the Tearling’s central church. Please don’t ask me to explain in a nutshell how they intersect.

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UK Cover

What is the one thing you hope the reader will take away after reading the novel?

This is fairly presumptuous of me, but ideally, I would hope to instill some sense of civics, of the social contract. I can’t speak for the rest of the world, but there is certainly a large and vocal contingent in my own country that believes it’s perfectly reasonable to grab whatever one can for oneself, and worry about the broader effects on society later, if at all. But I consider America’s subtle moral acceptance of this “I got mine” philosophy to be absolutely toxic to the creation of a healthy society. I’m no philosopher, and I certainly don’t have the intellectual depth to tackle this subject properly. Writing fiction is really the only way I can engage with ideas. At its most basic level, The Queen of the Tearling is about a young woman who has been raised to think about the impact of her actions, not just on herself and her nearest and dearest, but on everyone. Sometimes we simply have to take care of each other: neighbors, strangers, even enemies. This is the only way for a community to succeed. My heroine, Kelsea, is often confused about the “right” thing to do, but when she acts, she consistently tries to choose what’s right for her kingdom as a whole, rather than for herself. If even a tiny fraction of the energy that individuals currently expend on self could be redirected toward the community, I think it would be an extraordinary thing to see.

Kelsea Glynn is the novel’s protagonist – a strong, intelligent character with her own insecurities. Can you tell us a little bit more about the inspiration behind Kelsea, and what sets her aside from other protagonists in the genre?

I have grown extremely tired of reading books in which the female protagonist – even if she’s a strong character – is driven by her love life. I’m also tired of books in which the attractiveness of the heroine is a central plot point, a factor that changes the entire landscape of the novel. Such women can be good entertainment, but to my mind, many of them also make poor role models. I’ve been longing for a book in which a woman can be a strong central character without everything revolving around her looks or her romantic life. Kelsea Glynn is not good-looking, and like many teenage girls, she is tormented by all of the feelings of inadequacy that go with that realization, particularly since it seems to put the man she loves out of her reach. But Kelsea does not let her insecurities control her destiny, or even pay them much mind most of the time. She’s a Queen, and she has more important things to worry about than being pretty. This is not to say that Kelsea is unique; I’m sure there are plenty of similar heroines out there and I’ve simply been reaching for the wrong books. But many of the book’s early reviews have specifically referenced deep pleasure – not to mention surprise – that in a book with a female protagonist “there is no romance!” So I guess I’m not the only one fed up with the formula.

Who are your favourite authors? Were you inspired by them when writing The Queen of the Tearling?

My three favorite authors are Stephen King, William Faulkner and Sara Paretsky. Of the three, I can’t really say that any of them directly inspired this trilogy, except perhaps for Stephen King’s The Eyes of the Dragon, a wonderfully plotted dark fantasy that I have always admired. The Tearling probably drew more inspiration from individual books that I love: Frank Herbert’s Dune; Marion Zimmer Bradley’s The Mists of Avalon; Richard Adams’s Watership Down; and Terry Brooks’s Heritage of Shannara series all spring to mind. And, of course, anyone who writes any fantasy, ever, should probably toss an amorphous thank-you in the direction of J.R.R. Tolkien, who showed us how it should be done.

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US Cover (Harper Collins)

Setting is hugely important in The Queen of the Tearling, what’s most interesting is how the kingdom feels very ‘Medieval’ even though it’s set in the future. Could you talk a little more on why you chose this setting?

This kingdom is essentially medieval; no electricity, little technology, a lot of superstition. But I chose to set it in the distant future for a pretty prosaic reason: because I wanted my kingdom – and my heroine in particular – to have access to earth’s history, to past nations’ mistakes. The age-old wisdom that there’s nothing new under the sun is in heavy play in the Tearling; all of the mistakes my characters make have certainly been made before. I wanted the ability to shed historical perspective, particularly since my fictional Queen was raised by a historian.

You’ve described yourself as a “Horror reader, Fantasy writer” – can you expand a little on this, and why you chose to write Fantasy and not Horror?

I can’t write good horror. I’ve tried for years; horror is by far my favorite genre to read, and I would love to be able to give any reader the kind of joy I’ve received from King and Straub and Matheson and Lovecraft and the rest. I had youthful dreams of writing a great haunted house novel, of creating an utterly damned edifice to rival Hill House or the Overlook Hotel. But all of my attempts at writing horror have been uniformly terrible, and I finally had to admit to myself that I just don’t have any talent for it. But I wasn’t willing to return to writing about the real world, so next I tried fantasy. Interestingly enough, I’m not that much of a fantasy reader, at least in terms of breadth. I like several fantasy authors quite a bit, and The Lord of the Rings is my all-time favorite book, but the vast bulk of my reading material comes from other genres. So in writing this trilogy, I’m often flying blind, not always sure of the parameters of fantasy. There’s a point at which idea becomes trope, and sometimes I fail to recognize it. Thank god I have an attentive editor, though even she can’t always save me from myself.

How much involvement have you had thus far in the film adaptation of The Queen of the Tearling?

Very little, all on the writing end. The book has been given to a screenwriter who is not only talented but – as any reader will quickly see – extremely courageous in the undertaking. This book constantly refuses to answer the reader’s questions, because I wrote it specifically for readers like myself. I love a book that doesn’t tell me everything I want to know, one that gives me sufficient information to follow the plot but still keeps me constantly questioning. But one of my first thoughts when the word “film” came up was that the book would be a nightmare to adapt for screen, precisely because so many questions will not be answered until either the first or second sequel. Readers have far more patience with this sort of multiple-installment ambiguity than viewers do. So my involvement with the film thus far has consisted of trying to help the screenwriter maintain consistency in this incredibly secretive world, while not giving away anything I want to keep secret. It’s a rough balance to strike, and should the film ever come to fruition, the screenwriter will likely deserve a medal of some sort…perhaps for artistic bravery, certainly for saintly patience with the source.

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You can find an excerpt from The Queen of the Tearling over on Tor.com.

Giveaway Details: As I mentioned at the top, I have one copy of the novel to give away. I’ll leave this open for the weekend, and pick at random one commenter to receive the book. Just to repeat, the giveaway is UK only. (Sorry everyone else!)

Upcoming: OF BONE AND THUNDER by Chris Evans (Gallery)

EvansC-OfBoneAndThunderI have never read any of Chris Evans’s novels. As with so many authors, I’m not sure why. I even met him, once, in New York at a drinks event (in a very cool underground bar, in 2011). I think, however, that my unfamiliarity with his novels is about to end. Described as “Apocalypse Now meets The Lord of the Rings”, I think OF BONE AND THUNDER sounds pretty great:

Channeling the turbulent period of the Vietnam War and its ruthless pitting of ideologies, cultures, generations, and races against each other, military historian and acclaimed fantasy writer Chris Evans takes a daring new approach to the traditional world of sword and sorcery by thrusting it into a maelstrom of racial animus, drug use, rebellion, and a growing war that seems at once unwinnable and with no end in sight. In this thrilling epic, right and wrong, country and honor, freedom and sacrifice are all put to the ultimate test in the heart of a dark, bloody, otherworldly jungle.

In this strange, new world deep among the shadows under a triple-canopy jungle and plagued by dangers real and imagined, soldiers strive to fulfill a mission they don’t understand and are ill-equipped to carry out. And high above them, the heavy rush of wings slashing through the humid air herald a coming wave of death and destruction, and just possibly, salvation.

I also really like the cover – it’s not your typical fantasy cover, and does have more in common with non-speculative fiction, only with an added dragon. I think they’ve done a great job. Of Bone and Thunder is published by Gallery Books in October 2014.

A Quick Chat with CARRIE PATEL

PatelC-AuthorPicLet’s start with an introduction: Who is Carrie Patel?

I’m an expatriate Texan living in California where I work as a narrative designer for Obsidian Entertainment. In my free time, I write books!

Your debut novel, The Buried Life, is due to be published by Angry Robot Books in July 2014. How would you introduce the novel to a new reader? Is it part of a series?

It’s the first in a series about a stratified underground society that forms after a world-shaking catastrophe. The Buried Life follows two different characters – an inspector and a laundress – trying to unravel a series of murders surrounding the wealthy and powerful.

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What inspired you to write the series? And where do you draw your inspiration from in general?

For me, inspiration is about taking these quick, impressionistic mental snapshots of different places, moments, and people, and remixing them into something different. A lot of the inspiration for The Buried Life came from a study trip to Argentina, but it’s not the kind of thing that would necessarily be apparent from reading the book.

How were you introduced to reading and genre fiction?

My parents are both readers, so I developed a habit early. They always encouraged leisure reading when I was young, and having a good school library went a long way, too. Picking out the books I wanted to read was an important act of expression and freedom at that age.

How do you enjoy being a writer and working within the publishing industry?

Now that I have external deadlines, balancing writing with everything else is a greater challenge, but it’s rewarding, too. After spending years as an unpublished author, selling work feels incredible.

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Do you have any specific working, writing, researching practices?

Scheduling time is key. I’m a morning person, so I make regular time before work every day to write. Research is important, but I’ve found that it can also be a convenient way to put off the actual writing, so I make sure that I spend some of my time every day actually drafting and revising.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

As a reader, writing was always in the back of my mind, but working myself up to committing to a story in 90,000 words was another matter!

My very first effort was a short story about a medieval battle that I wrote in sixth grade. It’s not something I’d want to put up on the refrigerator now, but I had a blast writing it back then. For an early effort, the thrill and satisfaction are probably what matter most.

What’s your opinion of the genre today, and where do you see your work fitting into it?

Speculative fiction is expanding and bringing us a wider set of stories from a wider array of authors, which is wonderful. We’ve got more novels like Saladin Ahmed’s Throne of the Crescent Moon that tell great adventure stories in settings that aren’t explored as often. And then we’ve got novels like China Miéville’s The City and the City, which is also a fantasy but unlike anything else in the genre. It’s an exciting time to be writing!

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I’d like to see my work push at the boundaries of the genre, too, which is one reason I’m thrilled to be published by Angry Robot. The Buried Life is part fantasy, part mystery, and part something else, and it’s not something that would traditionally fit in a really clear subcategory of speculative fiction, either.

What other projects are you working on, and what do you have currently in the pipeline?

Right now, I’m working on Cities and Thrones, which is the sequel to The Buried Life. I’ve got another project on hiatus right now that’s very different but that I’m also very excited about – it’s a near-future science fiction novel about colonizing Mars with “bare branches” youths from India and China.

What are you reading at the moment (fiction, non-fiction)?

Since I can never make up my mind between fantasy and sci-fi, I’m reading N.K. Jemisin’s The Hundred Thousand Kingdoms and George Wright Padgett’s Spindown.

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What’s something readers might be surprised to learn about you?

I have gone bungee jumping from the Bloukrans Bridge in South Africa, which is the highest bungee bridge in the world! I did it hours before my phone interview with Obsidian.

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For more on Carrie Patel’s writing, be sure to check out her website and follow her on Twitter. You can also check out an extract from The Buried Life here.

Guest Post: “Whosoever touches the Tarot of Eternity…” by Rachel Pollack

PollackRachel-2014THE USE OF TAROT CARDS IN THE CHILD EATER

Tarot cards appear in my novel, The Child Eater, in a number of ways, in particular a mysterious pack called the Tarot Of Eternity. In the story, the original has been lost for many centuries, so that the pack is known only through “a copy of a copy,” or even “a copy of a copy of a copy.” At the same time, the pack is seen as so significant that even these copies several times removed, but hand-created by magicians, have great power.

The book moves back and forth between two worlds, the first a medieval-style land ruled by wizards, the second a contemporary small city America. In the medieval world, an abused boy named Matyas runs away from his violent father to study magic. In the second, a lonely boy named Simon Wisdom desperately tries to suppress his deep psychic abilities, partly because he knows that no one likes him “reading” their minds, and more, because they bring him terrifying visions—dead children begging him for help, severed heads that live on in pain, and a gray man with an ancient stone knife. Matyas has similar visions, and he too does his best to forget them.

What bridges the two worlds, or rather crosses between them, is the Tarot of Eternity.

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This use of the Tarot is not what many people expect when Tarot cards appear in a story. The pack in the novel has almost nothing to do with fortune-telling. There is a point in Simon’s story where a girl brings a set of Tarot cards to school and announces she will “read” everyone’s future. Simon is contemptuous. He can just see the future—though he tries not to—what does he care about some dumb deck of cards? Later, Simon discovers a set of Tarot that the reader suspects may in fact be the Tarot Of Eternity (or at least a copy of a copy), but he does not even consider using them for divination. It’s not the future Simon seeks, but a refuge—doorways to worlds where he might escape the severed heads of children begging for help.

Matyas too seeks something when he encounters the cards. He has seen a man fly, and even though everyone, including his teacher and all the other wizards, tell him it cannot be done, he believes that he is destined to do it, if only he can find the secret. He tries to find it in the cards only to discover that for him, all roads lead to the man with the stone knife.

Readers who only know of the Tarot as a tool for divination may find these more fantastic uses of the cards as far afield from what they expect. In fact, the idea that the Tarot contains mystical power completely separate from any psychic function is deeply rooted in Tarot tradition. At least, in the occult Tarot tradition, since 1781.

First, a bit of history. The Tarot was not created for fortune-telling. In fact, there is no documented use of the Tarot as a divinatory tool until after 1781 (more about that date in a moment). Extensive research over the past thirty or so years has demonstrated that the Tarot began its life in Northern Italy around 1430, as a card game called at first Il Trionfii (The Triumphs, or Trumps), and later, Tarocchi, which the French shortened to “Les Tarots.” The various titles refer to the pack’s unique feature, an extra suit of elaborately painted images, some secular (an Emperor and Empress), some moralistic (virtues such as Justice and Fortitude), and some religious (a Pope, various angels). In Tarocchi these cards will triumph over the regular suit cards.

The first known use of the Tarot not as a game—only a few years after the earliest packs—was as inspiration for poetry. People in salons would make up poems about the figures in the cards, but everybody knew they would be satires on people at court.

So what happened in 1781? A pair of French occult scholars set forth a daring idea. Antoine Court de Gébelin and Comte de Mellet announced that the Tarot, assumed to be a trivial game, was in fact the coded wisdom of Ancient Egypt, disguised as a game so that it might survive the Dark Ages of ignorance until it might be discovered by the sages of the future—that is, Court de Gébelin and de Mellet.

From a strict historical perspective this was wrong, both about the cards and about Egypt, but it didn’t matter. A new myth had taken hold, what we might call the Tarot’s secret origin. For the next 200+ years people would argue about which great secrets the cards concealed, but never about the basic idea. In The Child Eater the Tarot of Eternity draws on the secret origin idea but in fact goes further, suggesting that the Tarot was involved in creation itself.

One of the major influences on the novel is Jewish myth and folklore, in particular several Talmudic and medieval tales. The terrible ritual in the center of the novel, the reason for the Child Eater’s actions, derives from a bizarre belief that an evil magician can lure away a boy just before his bar mitzvah, kill him, and keep his head alive as a tool to…predict the future. In my story the heads of the murdered children serve a different purpose entirely. Perhaps I unconsciously wanted to divorce Tarot from its assumed purpose in order to re-create it.

Possibly the most daring use of Tarot in the book also comes from Jewish myth. The rabbinic tradition sees the Five Books of Moses, the Torah, as more than just a sacred text. Some say that before God created the universe, S/He (yes, the Jewish God is hermaphroditic; this too is an ancient Talmudic idea) created the Torah. Then God consulted the Torah on how to make a universe!

This idea has fascinated me for many years, only, instead of the Torah I imagine the Tarot, that is, that God created the Tarot before the universe. This is not meant as a serious suggestion, but as a way to open our minds. I once did a reading in which I asked the cards “Show me the reading you gave God to create the universe.” (It appears in a book titled The Forest Of Souls). The same idea occurs in the novel.

There is another power in the cards that is unique to this book. The first time Matyas encounters the Tarot, or rather, a copy of a copy of a copy, the old wizard who lets him see them says a very strange thing, an ancient saying about the original. “Whosoever touches the Tarot Of Eternity, he shall be healed of all his crimes.” Matyas will not understand this until the very end of the book.

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Rachel Pollack’s The Child Eater was published by Jo Fletcher Books last week.

Also on CR: Interview with Rachel Pollack

Books Received… (Amazon Associates Pay-Back)

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I’ve been signed up to the Amazon Associates programme for what feels like forever, but this month was the first time I’ve earned enough to receive pay-back. So, as I always intended to do, that money will be going towards books that I will be reviewing here. Given the timing, some of this money will go towards buying eBooks of ARCs I’ve received and won’t be able to take with me to Canada. (Sad.) Much like the “Books Received” posts, therefore, I thought I’d share details on the books I bought (so far) with the Amazon credit…

Featuring: Megan Abbott, Edward Cox, Mark Charan Newton, Joanna Rakoff, Django Wexler

AbbottM-QueenpinUKMegan Abbott, Queenpin (Simon & Schuster)

A young woman hired to keep the books at a down-at-heel nightclub is taken under the wing of the infamous Gloria Denton, a mob luminary who reigned during the Golden Era of Bugsy Siegel and Lucky Luciano. The moll to end all molls, Gloria is notoriously cunning and ruthless. She shows her eager young protégée the ropes, ushering her into a glittering whirl of late-night casinos, racetracks, betting parlours, inside heists and big, big money. Suddenly, the world is at her feet — as long as she doesn’t take any chances, like falling for the wrong guy.

It all falls to pieces with a few turns of the roulette wheel, as both mentor and protégée scramble to stay one step ahead of their bosses and each other.

In the tradition of hardboiled potboilers such as Double Indemnity and The Grifters and mob tales such as Goodfellas, Queenpin offers a feminine twist on a classic story of underworld seduction and greed, or tortured loyalty and inevitable betrayal.

I still haven’t read anything by Abbott, but I now have four of her novels – Dare Me, The End of Everything, and The Fever as well as this one. I’ve heard nothing but excellent things.

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CoxE-RG1-RelicGuild2014Edward Cox, The Relic Guild (Gollancz)

Magic caused the war. Magic is forbidden. Magic will save us.

It was said the Labyrinth had once been the great meeting place, a sprawling city at the heart of an endless maze where a million humans hosted the Houses of the Aelfir. The Aelfir who had brought trade and riches, and a future full of promise. But when the Thaumaturgists, overlords of human and Aelfir alike, went to war, everything was ruined and the Labyrinth became an abandoned forbidden zone, where humans were trapped behind boundary walls 100 feet high.

Now the Aelfir are a distant memory and the Thaumaturgists have faded into myth. Young Clara struggles to survive in a dangerous and dysfunctional city, where eyes are keen, nights are long, and the use of magic is punishable by death. She hides in the shadows, fearful that someone will discover she is touched by magic. She knows her days are numbered. But when a strange man named Fabian Moor returns to the Labyrinth, Clara learns that magic serves a higher purpose and that some myths are much more deadly in the flesh.

The only people Clara can trust are the Relic Guild, a secret band of magickers sworn to protect the Labyrinth. But the Relic Guild are now too few. To truly defeat their old nemesis Moor, mightier help will be required. To save the Labyrinth – and the lives of one million humans – Clara and the Relic Guild must find a way to contact the worlds beyond their walls.

Because I read an early version, loved it, and can’t wait to read the final version. It’s also available as part of Gollancz’s 2014 Debuts eBook Promotion, so it’s only £1.99.

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NewtonMC-DrakenfeldPBMark Charan Newton, Drakenfeld (Tor UK)

The monarchies of the Royal Vispasian Union have been bound together for two hundred years by laws maintained and enforced by the powerful Sun Chamber. As a result, nations have flourished but corruption, deprivation and murder will always find a way to thrive…

Receiving news of his father’s death Sun Chamber Officer Lucan Drakenfeld is recalled home to the ancient city of Tryum and rapidly embroiled in a mystifying case. The King’s sister has been found brutally murdered – her beaten and bloody body discovered in a locked temple. With rumours of dark spirits and political assassination, Drakenfeld has his work cut out for him trying to separate superstition from certainty. His determination to find the killer quickly makes him a target as the underworld gangs of Tryum focus on this new threat to their power. Embarking on the biggest and most complex investigation of his career, Drakenfeld soon realises the evidence is leading him towards a motive that could ultimately bring darkness to the whole continent. The fate of the nations is in his hands.

I have no idea why I haven’t read this, yet. I loved Newton’s first series, The Legends of the Red Sun, after all. I think it arrived during one of my fantasy-fatigue moments, so got put back. Now I have no excuse.

Also on CR: Interview with Mark Charan Newton; Catch-Up Interview; Reviews of The Nights of Villjamur, City of Ruin, The Book of Transformations, and The Broken Isles

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RakoffJ-MySalingerYearUKJoanna Rakoff, My Salinger Year (Bloomsbury)

At twenty-three, after leaving graduate school to pursue her dreams of becoming a poet, Joanna Rakoff moves to New York City and takes a job as assistant to the storied literary agent for J.D. Salinger. She spends her days in the plush, wood-panelled agency, where Dictaphones and typewriters still reign and old-time agents doze at their desks after martini lunches, and at night she goes home to the tiny, threadbare Brooklyn apartment she shares with her socialist boyfriend.

Precariously balanced between glamour and poverty, surrounded by titanic personalities and struggling to trust her own artistic sense, Joanna is given the task of answering Salinger’s voluminous fan mail. But as she reads the candid, heart-wrenching letters from his readers around the world, she finds herself unable to type out the agency’s decades-old form response. Instead, drawn inexorably into the emotional world of Salinger’s devotees, she abandons the template and begins writing back…

I’m actually reading this at the moment, having started it last night. In fact, I should have it finished tonight, and reviewed by the end of the week. It’s a… strange read. I can’t stop reading it, and the prose is very breezy, but at the same time I can’t figure out if I like it or find it really irritating. Hopefully I’ll have figured this out by the time I review it. My Salinger Year is not what I was expecting – in some ways, this is very disappointing, while in others it has been better than expected.

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WexlerD-2-ShadowThroneUKDjango Wexler, The Shadow Campaign (Del Rey UK)

Anyone can plot a coup or fire an assassin’s bullet. But in a world of muskets and magic, it takes considerably more to seize the throne.

The ailing King of the Vordan lies on his deathbed. When he dies, his daughter, Raesinia Orboan, will become the first Queen Regnant in centuries – and a ripe target for the ambitious men who seek to control her. The most dangerous of these is Duke Orlanko, Minister of Information and master of the secret police. Having meticulously silenced his adversaries through intimidation, imprisonment, and execution, Orlanko is the most feared man in the kingdom.

And he knows an arcane secret that puts Raesinia completely at his mercy.

Exposure would mean ruin, but Raesinia is determined to find a way to break herself – and her country – out of Orlanko’s iron grip. She finds unlikely allies in the returning war hero Janus bet Vhalnich, fresh from a brilliant campaign in the colony of Khandar, and his loyal deputies, Captain Marcus d’Ivoire and Lieutenant Winter Ihernglass.

As Marcus and Winter struggle to find their places in the home they never thought they would see again, they help Janus and Raesinia set in motion events that could free Vordan from Orlanko’s influence – at the price of throwing the nation into chaos. But with the people suffering under the Duke’s tyranny, they intend to protect the kingdom with every power they can command, earthly or otherwise

Really enjoyed the first novel in the series, The Thousand Names, and also the short story The Penitent Damned. I am, therefore, very much looking forward to reading this. It’s out on July 3rd. The Shadow Campaign has already been garnering good reviews, so I’m rather excited about starting this ASAP. Maybe on Thursday, as soon as it’s delivered to my Kindle…

Also on CR: Interview with Django Wexler; Reviews of The Thousand Names and The Penitent Damned; Guest Post on Terry Pratchett

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Books Received… (June)

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Featuring: Megan Abbott, Robert Galbraith, Robert Goddard, Carl Hiaasen, Stephen King, J.F. Lewis, Richard K. Morgan, Warren Murphy, M.C. Planck, Kim Stanley Robinson, Thomas Sweterlitsch, Jon Wallace, Jo Walton

Abbott-DareMeMegan Abbott, Dare Me (Reagan Arthur Books)

Addy Hanlon has always been Beth Cassidy’s best friend and trusted lieutenant. Beth calls the shots and Addy carries them out, a long-established order of things that has brought them to the pinnacle of their high-school careers. Now they’re seniors who rule the intensely competitive cheer squad, feared and followed by the other girls – until the young new coach arrives.

Cool and commanding, an emissary from the adult world just beyond their reach, Coach Colette French draws Addy and the other cheerleaders into her life. Only Beth, unsettled by the new regime, remains outside Coach’s golden circle, waging a subtle but vicious campaign to regain her position as “top girl” – both with the team and with Addy herself.

Then a suicide focuses a police investigation on Coach and her squad. After the first wave of shock and grief, Addy tries to uncover the truth behind the death – and learns that the boundary between loyalty and love can be dangerous terrain.

This came out when I was in the States last, and I thought it looked pretty interesting. I’m not sure why I didn’t pick it up at the time, though. Regardless, I picked it up last week, and have been hearing very good things about this and Abbott’s latest novel, The Fever, which I’d also like to read.

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GalbraithR-2-SilkwormUKRobert Galbraith, The Silkworm (Sphere)

When novelist Owen Quine goes missing, his wife calls in private detective Cormoran Strike. At first, Mrs. Quine just thinks her husband has gone off by himself for a few days – as he has done before – and she wants Strike to find him and bring him home.

But as Strike investigates, it becomes clear that there is more to Quine’s disappearance than his wife realizes. The novelist has just completed a manuscript featuring poisonous pen-portraits of almost everyone he knows. If the novel were to be published, it would ruin lives – meaning that there are a lot of people who might want him silenced.

When Quine is found brutally murdered under bizarre circumstances, it becomes a race against time to understand the motivation of a ruthless killer, a killer unlike any Strike has encountered before…

Finished The Cuckoo’s Calling over the weekend, and really enjoyed it. I received this for review from Sainsbury’s eBook division (a pleasant surprise), and intend to read it very soon.

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GoddardR-WW2-CornersOfTheGlobeRobert Goddard, The Corners of the Globe (Bantam Press)

Spring, 1919. James ‘Max’ Maxted, former Great War flying ace, returns to the trail of murder, treachery and half-buried secrets he set out on in The Ways of the World. He left Paris after avenging the murder of his father, Sir Henry Maxted, a senior member of the British delegation to the post-war peace conference. But he was convinced there was more – much more – to be discovered about what Sir Henry had been trying to accomplish. And he suspected elusive German spymaster Fritz Lemmer knew the truth of it.

Now, enlisted under false colours in Lemmer’s service but with his loyalty pledged to the British Secret Service, Max sets out on his first – and possibly last – mission for Lemmer. It takes him to the far north of Scotland – to the Orkney Isles, where the German High Seas Fleet has been impounded in Scapa Flow, its fate to be decided at the conference-table in Paris. Max has been sent to recover a document held aboard one of the German ships. What that document contains forces him to break cover sooner than he would have wished and to embark on a desperate race south, towards London, with information that could destroy Lemmer – if Max, as seems unlikely, lives to deliver it

The sequel to The Ways of the World, this is a series I really want to read. But have been slow about getting around to. Hopefully I’ll address this very soon.

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HiaasenC-BadMonkeyUKCarl Hiaasen, Bad Monkey (Sphere)

When a severed arm is discovered by a couple on honeymoon in the Florida Keys, former police detective – now reluctant restaurant inspector – Andrew Yancy senses that something doesn’t add up. Determined to get his badge back, he undertakes an unofficial investigation of his own.

Andrew’s search for the truth takes him to the Bahamas, where a local man, with the help of a very bad monkey (who allegedly worked on the Pirates of the Caribbean movies) is doing everything in his power to prevent a developer from building a new tourist resort on the island, with deadly consequences…

Outrageous, hilarious and addictive, this is the unique Carl Hiaasen at his absolute best. Bad Monkey will have you on the edge of your seat and laughing out loud.

It’s been a long time since I last read a novel by Carl Hiaasen. His novels are uniformly strange and amusing, although they haven’t always hit the mark for me. It’ll be interesting to return to his zany approach to crime stories after so long, and this could make a nice change from the more-serious-in-tone thrillers I usually read.

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KingS-MrMercedesStephen King, Mr. Mercedes (Hodder)

A cat-and-mouse suspense thriller featuring a retired homicide detective who’s haunted by the few cases he left open, and by one in particular – the pre-dawn slaughter of eight people among hundreds gathered in line for the opening of a jobs fair when the economy was guttering out. Without warning, a lone driver ploughed through the crowd in a stolen Mercedes. The plot is kicked into gear when Bill Hodges receives a letter in the mail, from a man claiming to be the perpetrator. He taunts Hodges with the notion that he will strike again.

Hodges wakes up from his depressed and vacant retirement, hell-bent on preventing that from happening.

Brady Hartsfield lives with his alcoholic mother in the house where he was born. And he’s preparing to kill again.

Only Hodges, with a couple of misfit friends, can apprehend the killer in this high-stakes race against time. Because Brady’s next mission, if it succeeds, will kill or maim hundreds, even thousands.

I bought the eBook from Sainsbury’s after creating an account with them and getting a 20% off voucher. Last year was the first time I read one of King’s novels all the way through (The Shining), and this one sounds really interesting.

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LewisJF-GrudgebearerJ.F. Lewis, Grudgebearer (Pyr)

Kholster is the first born of the practically immortal Aern, a race created by the Eldrennai as warrior-slaves to defend them from the magic-resistant reptilian Zaur. Unable to break an oath without breaking their connection with each other, the Aern served the Eldrennai faithfully for thousands of years until the Sundering. Now, the Aern, Vael, and Eldrennai meet every hundred years for a Grand Conjunction to renew their tenuous peace.

While the tortures of slavery remain fresh in Kholster’s mind, most of the rest of the world has moved on. Almost six hundred years after the Sundering, an Eldrennai prince carelessly breaks the truce by setting up a surprise museum exhibit containing sentient suits of Aernese armor left behind, never to be touched, lest Kholster kill every last Eldrennai. Through their still-existing connection with their ancient armor, the Aern know instantly, and Kholster must find a way to keep his oaths, even those made in haste and anger. While Kholster travels to the Grand Conjunction with his Freeborn daughter and chosen successor Rae’en, his troops travel by sea, heading for war.

I’d never heard of this novel before it dropped through the mailbox. Sounds interesting, but also a little familiar. Not sure when I’ll get to this.

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MorganRK-LFH3-DarkDefilesUSRichard K. Morgan, The Dark Defiles (Del Rey)

Ringil Eskiath, a reluctant hero viewed as a corrupt degenerate by the very people who demand his help, has traveled far in search of the Illwrack Changeling, a deathless human sorcerer-warrior raised by the bloodthirsty Aldrain, former rulers of the world. Separated from his companions – Egar the Dragonbane and Archeth – Ringil risks his soul to master a deadly magic that alone can challenge the might of the Changeling. While Archeth and the Dragonbane embark on a trail of blood and tears that ends up exposing long-buried secrets, Ringil finds himself tested as never before, with his life and all existence hanging in the balance.

It feels like an absolute age since I read The Steel Remains. And even longer since I read Altered Carbon, which blew me away. This series has been met with a very wide array of criticism and praise. I’ve heard people say it’s ruined fantasy, or taken grimdark too far. Others sing its praises for breaking the boundaries of the (sub-)genre, being daring and forging a new path. I enjoyed The Steel Remains, and bought The Cold Commands (but haven’t read it yet – that may suggest something about how much I enjoyed the first novel, compared to other series I’ll buy and read each new installment as soon as possible). I hope to get caught up with this series pretty soon, given that this is the final volume. The series is published in the UK by Gollancz.

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MurphyW-D1-CreatedTheDestroyerWarren Murphy, Created the Destroyer (Orbit)

When you’re on death row, minutes from the electric chair, and a hook-handed monk offers to save your life if you’ll just swallow a simple little pill… what’ve you got to lose? You take the pill. Then you wake up, officially “dead,” in the back of an ambulance, headed for an undisclosed location. Welcome to your new life, working for CURE, the most secret, most deniable, most extra-judicial government agency ever to exist. Only the President knows about it, and even he doesn’t control it.

That’s what happened to Remo Williams, a New Jersey cop framed for a murder he didn’t commit. Framed by the very people who saved him, in fact. And now, trained in esoteric martial arts by Chiun, master of Sinanju, he’s going to become the ultimate killing machine. Remo will be America’s last line of defense against mad scientists, organized crime, ancient undead gods, and anything else that threatens the Constitution. Remo Williams is the Destroyer.

The first in a long-running thriller series, Orbit will be bringing it to the UK in the very near future. It sounds fun. So I’ll be reading this very soon.

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PlanckMC-SwordOfTheBrightLadyM.C. Planck, Sword of the Bright Lady (Pyr)

Christopher Sinclair goes out for a walk on a mild Arizona evening and never comes back. He stumbles into a freezing winter under an impossible night sky, where magic is real-but bought at a terrible price.

A misplaced act of decency lands him in a brawl with an arrogant nobleman and puts him under a death sentence. In desperation he agrees to be drafted into an eternal war, serving as a priest of the Bright Lady, Goddess of Healing. But when Marcius, god of war, offers the only hope of a way home to his wife, Christopher pledges to him instead, plunging the church into turmoil and setting him on a path of violence and notoriety.

To win enough power to open a path home, this mild-mannered mechanical engineer must survive duelists, assassins, and the never-ending threat of monsters, with only his makeshift technology to compete with swords and magic.

But the gods and demons have other plans. Christopher’s fate will save the world… or destroy it.

First heard about this novel via Staffer’s Book Review, as Justin was taking a look at the cover art. It sounds intriguing.

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SloanR-AjaxPenumbra1969UKRobin Sloan, Ajax Penumbra, 1969 (Atlantic Books)

It is August 1969. The Summer of Love is a fading memory. The streets of San Francisco pulse to the sounds of Led Zeppelin and Marvin Gaye. And of jackhammers: A futuristic pyramid of a skyscraper is rising a few blocks from City Lights bookstore and an unprecedented subway tunnel is being built under the bay. Meanwhile, south of the city, orchards are quickly giving way to a brand-new industry built on silicon.

But young Ajax Penumbra has not arrived in San Francisco looking for free love or a glimpse of the technological future. He is seeking a book – the single surviving copy of the Techne Tycheon, a mysterious volume that has brought and lost great fortune for anyone who has owned it. The last record of the book locates it in the San Francisco of more than a century earlier, and on that scant bit of evidence, Penumbra’s university has dispatched him west to acquire it for their library. After a few weeks of rigorous hunting, Penumbra feels no closer to his goal than when he started. But late one night, after another day of dispiriting dead ends, he stumbles across a 24-hour bookstore, and the possibilities before him expand exponentially…

I really enjoyed Mr. Penumbra’s 24-Hour Bookstore, and so when I saw that Sloan had written this novella-length prequel, I knew I wanted to read it ASAP. It just took a little longer than normal for me to buy it. May read it as soon as I finish my current read.

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RobinsonKS-SotC2-FiftyDegreesBelowUKKim Stanley Robinson, Fifty Degrees Below  and Sixty Days & Counting (Voyager)

FDB: After years of denial and non-action, a near-future Earth faces a crossroad when it is threatened with the dire implications of global warming, an environmental crisis that ironically could unleash a devastating Ice Age on the planet.

*RobinsonKS-SotC3-SixtyDays&CountingUK

SD&C: By the time Phil Chase is elected president, the world’s climate is far on its way to irreversible change. Food scarcity, housing shortages, diminishing medical care, and vanishing species are just some of the consequences. The erratic winter the Washington, D.C., area is experiencing is another grim reminder of a global weather pattern gone haywire: bone-chilling cold one day, balmy weather the next.

But the president-elect remains optimistic and doesn’t intend to give up without a fight. A maverick in every sense of the word, Chase starts organizing the most ambitious plan to save the world from disaster since FDR – and assembling a team of top scientists and advisers to implement it.

For Charlie Quibler, this means reentering the political fray full-time and giving up full-time care of his young son, Joe. For Frank Vanderwal, hampered by a brain injury, it means trying to protect the woman he loves from a vengeful ex and a rogue “black ops” agency not even the president can control – a task for which neither Frank’s work at the National Science Foundation nor his study of Tibetan Buddhism can prepare him.

In a world where time is running out as quickly as its natural resources, where surveillance is almost total and freedom nearly nonexistent, the forecast for the Chase administration looks darker each passing day. For as the last – and most terrible – of natural disasters looms on the horizon, it will take a miracle to stop the clock… the kind of miracle that only dedicated men and women can bring about.

The second and third novels in Robinson’s Science in the Capitol series (for some reason, Forty Days of Rain is not available as an eBook). They’ve been on my Kindle Wish List for ages, and when I checked this morning they had dropped to just 99p. So, naturally, I bought them. Hope to read them soon. I also picked up Red Mars, which was also knocked down to 99p, but these two are higher on my priority list.

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SweterlitschT-TomorrowAndTomorrowThomas Sweterlitsch, Tomorrow and Tomorrow (Putnam)

A decade has passed since the city of Pittsburgh was reduced to ash.

While the rest of the world has moved on, losing itself in the noise of a media-glutted future, survivor John Dominic Blaxton remains obsessed with the past. Grieving for his wife and unborn child who perished in the blast, Dominic relives his lost life by immersing in the Archive – a fully interactive digital reconstruction of Pittsburgh, accessible to anyone who wants to visit the places they remember and the people they loved.

Dominic investigates deaths recorded in the Archive to help close cases long since grown cold, but when he discovers glitches in the code surrounding a crime scene – the body of a beautiful woman abandoned in a muddy park that he’s convinced someone tried to delete from the Archive – his cycle of grief is shattered.

With nothing left to lose, Dominic tracks the murder through a web of deceit that takes him from the darkest corners of the Archive to the ruins of the city itself, leading him into the heart of a nightmare more horrific than anything he could have imagined.

This has been described as a follower in the footsteps of William Gibson’s cyberpunk, which certainly caught my eye. Pretty intrigued by this.

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WallaceJ-BarricadeUKJon Wallace, Barricade (Gollancz)

Kenstibec was genetically engineered to build a new world, but the apocalypse forced a career change. These days he drives a taxi instead.

A fast-paced, droll and disturbing novel, BARRICADE is a savage road trip across the dystopian landscape of post-apocalypse Britain; narrated by the cold-blooded yet magnetic antihero, Kenstibec.

Kenstibec is a member of the “Ficial” race, a breed of merciless super-humans. Their war on humanity has left Britain a wasteland, where Ficials hide in barricaded cities, besieged by tribes of human survivors. Originally optimised for construction, Kenstibec earns his keep as a taxi driver, running any Ficial who will pay from one surrounded city to another.

The trips are always eventful, but this will be his toughest yet. His fare is a narcissistic journalist who’s touchy about her luggage. His human guide is constantly plotting to kill him. And that’s just the start of his troubles.

On his journey he encounters ten-foot killer rats, a mutant king with a TV fixation, a drug-crazed army, and even the creator of the Ficial race. He also finds time to uncover a terrible plot to destroy his species for good – and humanity too.

One of Gollancz’s 2014 debuts, I picked this up on the eBook promotion. His recent guest post for CR has caused a bit of a stir, too, and I really want to see what all the fuss is about (if, indeed, there’s something to cause a fuss about – I think his guest post has suffered from poor structuring and wording, which has led to some of the criticism he’s receiving. Can’t be sure until I read the novel, though). Will read this soon.

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WaltonJ-MyRealChildrenUKJo Walton, My Real Children (Corsair)

What if you could remember two versions of your life? My Real Children is an alternate history, in which a woman with dementia struggles to remember her two contradictory lives. It’s a book about life and love and choices and moonbases. The day Mark called, Patricia Cowan’s world split in two.

The phone call.

His question.

Her answer.

A single word.

“Yes.”

“No.”

It is 2015 and Patricia Cowan is very old. “Confused today” read the notes clipped to the end of her bed. Her childhood, her years at Oxford during the Second World War – those things are solid in her memory. Then that phone call and… her memory splits in two.

She was Trish, a housewife and mother of four.

She was Pat, a successful travel writer and mother of three.

She remembers living her life as both women, so very clearly. Which memory is real – or are both just tricks of time and light?

My Real Children is the story of both of Patricia Cowan’s lives – each with its loves and losses, sorrows and triumphs, its possible consequences. It is a novel about how every life means the entire world.

Another new book in the UK from Walton (she’s been enjoying a string of re-issues over here), and it sounds really interesting. I still haven’t got around to reading anything by her. Hope to do so soon.

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An Interview with RACHEL POLLACK

PollackRachel-2014Let’s start with an introduction: Who is Rachel Pollack?

I’m a 68 year old writer living in the Hudson Valley of New York, after 19 years living in Europe primarily Amsterdam. THE CHILD EATER is my 36th book, coming right on the heels of 35, a non-fiction guide to a new oracle card deck, called The Burning Serpent, conceived and developed with artist Robert M. Place. This is fitting, since my first novel, Golden Vanity, was published at the same time, summer of 1980 as my first Tarot book, 78 Degrees of Wisdom. Golden Vanity is available now from Gollancz as an e-book (along with all my previous SF books), but otherwise long out of print. 78 Degrees has never been out of print, and is sold all around the world. My novel Unquenchable Fire won the Arthur C. Clarke Award, while Godmother Night won the World Fantasy Award. Temporary Agency was short-listed for the Nebula. I’ve published seven novels, plus two collections of short stories, one of reprints and one of all-new stories. I’ve also had a chapbook of poetry published, and created a Tarot deck, The Shining Tribe, drawing all the cards myself. A few years ago I co-translated the ancient Greek play Oedipus Rex, working with a scholar of ancient languages named David Vine. Our version is called Tyrant Oidipous.

Your next novel, The Child Eater, is published in July by Jo Fletcher Books. How would you introduce the novel to a new reader? Is it part of a series?

THE CHILD EATER moves back and forth between two worlds – a medieval style fantasy world dominated by powerful magicians, called Masters, and present-day small town America. In each, we find a boy enmeshed in magic. In the first, Matyas, poor and terribly abused by his father, runs away to become the greatest Master of his age, only to fall and become a helpless beggar who cannot even remember his own name. In the second, Simon Wisdom, son of a loving father, tries to suppress his powerful psychic abilities, knowing only that his father fears and hates them, and they seem to have killed his mother. What unites them – even though they will never know each other – is the terrifying figure of a gray man with an ancient stone knife. This is the Child Eater, who kills children and uses their heads in a ritual even the magicians have tried to banish from memory.

Though I found this world an incredibly rich place to explore and develop, I have no plans at the moment to make it a series. But now that I write this…

PollackR-ChildEaterUK

What inspired you to write the novel? And where do you draw your inspiration from in general?

The novel comes from the final two stories in my collection of original tales, The Tarot Of Perfection. They told the story of Matyas and Simon, but in a much simpler form. I kept thinking there was much more to these people, and these worlds that seemed so different and yet were entwined together. Beyond that immediate cause, the novel comes from my intense interest in magic, myth, and folklore of many cultures, most of all Jewish. For many years I have been fascinated by certain tales from the Talmud and the Middle Ages. In this case the seed story was a belief that magicians would cut off the heads of boys who were about to be bar mitzvahed and use them to gain secret knowledge. Another important source was an essay by Peter Lamborn Wilson about the 18th century French visionary Charles Fournier. Wilson’s descriptions gave me a sense of magic that was ecstatic and real, beyond spells and power. Almost my favorite scene in the book is the moment Matyas, still an apprentice, sees a vision of the greater cosmos, and all the wizards, and even the spirits, gather round him in awe.

How were you introduced to reading and genre fiction?

Various-BigBookOfScienceFictionI loved fairy tales as a child (and still do), so it seemed a natural move to fantasy and science fiction. I remember reading anthologies like Big Book Of Science Fiction when I should have been sleeping, and giving 1, 2, or 3 checks to my favorite stories.

How do you enjoy being a writer and working within the publishing industry?

The industry is in a difficult state at the moment, which makes everything difficult, but the people I’ve worked with, particularly in the SF field, are a wonderful group – dedicated and enthusiastic.

Do you have any specific working, writing, researching practices?

Like many writers, I try to write 1,000 words a day. I write everything longhand and then type it into my computer for the second draft. I often write in cafes, or the library.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

Moorcock-NewWorldsQuarterly2I began writing when I was about 7 or 8 years old. My family went on a trip and to keep me occupied my parents gave me a Big Eagle Tablet and a pencil. I promptly began a fantasy epic. It didn’t get very far but I kept writing. My first published story was “Pandora’s Bust” in Michael Moorcock’s New Worlds Quarterly. This was in 1971. Back then, of course, you had to include a return envelope for your manuscript if they rejected it, and I was so used to those large envelopes coming back that when I got a regular size envelope, with Michael Moorcock as the return envelope, I wondered why he would be writing to me. Then I realized and tore open the envelope.

What’s your opinion of the genre today, and where do you see your work fitting into it?

The genre seems to me to have opened up in some very exciting ways. There’s a new emphasis on wild and very speculative ideas. At the same time, characters are more vivid and real. It’s always hard to say where one’s own work fits in, but I’m definitely in the ideas camp, but also very much try to create characters who are real within their worlds.

What other projects are you working on, and what do you have currently in the pipeline?

Fantasy&ScienceFiction-201207Novels are often slow for me, but I’m currently writing a series of novellas about a kind of private eye shaman (called a Traveler) named Jack Shade. As with everything I do, I’ve been making up my own magical world and lore rather than, say, adapting some existing tradition.

[The first Jack Shade story – “Jack Shade in the Forest of Souls” – appeared in Fantasy & Science Fiction July/August 2012]

What are you reading at the moment (fiction, non-fiction)?

In non-fiction I’m reading an amazing collection of essays about magic – both stage magic and ritual/shamanic magic – called Magiculum. Possibly the best novel I’ve read in the past couple of years was Boneland, by Alan Garner. Remarkably, it was the third book in a trilogy, the first two of which were published fifty years ago. I just finished The Girl On The Road, by Monica Byrne, which I liked. Now I’m reading Lexicon, by Max Barry.

PollackRachel-Reading

What’s something readers might be surprised to learn about you?

As well as writing my books longhand, I use antique fountain pens, some 100 years old.

What are you most looking forward to in the next twelve months?

First of all, the publication of THE CHILD EATER. Beyond that, I have a trip to Australia and China coming up that I’m very excited about.

PollackR-ChildEaterAnimated

An Interview with KENDRA LEIGHTON

LeightonK-AuthorPicLet’s start with an introduction: Who is Kendra Leighton?

I’m a YA writer and chocolatier living in Cambridge. I run an organic chocolate company called Rawr Chocolate with my partner during the day, and the rest of the time I’m either reading or writing YA (usually whilst eating chocolate).

Your debut novel, Glimpse, is due to be published tomorrow by Much-In-Little. How would you introduce the novel to a new reader?

Glimpse is a YA paranormal novel inspired by Alfred Noyes’ classic poem “The Highwayman”. It isn’t a retelling, but relies on the events of the poem to tell a whole new story. The main character, Liz, is a seventeen year old girl with numerous problems, the biggest being the ability to see things that shouldn’t exist. When her grandfather dies, she inherits his home – the five-hundred year old Highwayman Inn – and moves there with her dad, hoping for a fresh start. Her problems only get worse…

LeightonK-GlimpseUK

What inspired you to write the novel? And where do you draw your inspiration from in general?

I’ve always loved gothic fiction, from the classic novels I studied at university to modern-day paranormal. It was a given that my first book would be somewhat gothic in tone. When I decided I wanted to write a ghostly love story, I thought instantly of the “The Highwayman” poem – it’s already the perfect romantic ghost story – and from there the idea for Glimpse was born.

Classic poems are my current favourite source of inspiration, but ideas can come to me from anywhere – documentaries, books, the news, you name it.

How were you introduced to reading and genre fiction?

I’d always been a big reader, but after university I fell off the reading-wagon. I struggled to find modern books I enjoyed as much as the classic gothic fiction I’d studied. Then my teenage sister persuaded me to read some of her YA paranormal novels, and I fell in love – they had a similar combined darkness and innocence as gothic novels, but updated to the present day. Since then, I’ve read almost solely YA, and branched out into every possible genre within it.

How do you enjoy being a writer? Do you have any specific working, writing, researching practices?

I love writing, it’s my absolute passion. As for specific practices, I’m not too fussy about how I write since my days are pretty unpredictable! The main constants are that I need it to be quiet, I always start by rereading what I wrote the time before, and I write better in the mornings.

When did you realize you wanted to be an author, and what was your first foray into writing? Do you still look back on it fondly?

Unlike a lot of authors, I didn’t always want to be a writer – it was only after discovering YA that the desire sparked. As for my first foray into writing, Glimpse is it! I’ve re-written it so many times in the last five years, however, that it feels more like my fourth novel than my first.

What’s your opinion of the genre today, and where do you see your work fitting into it?

YA paranormal romance as a lot of people think of it – vampires, werewolves, angels, love triangles – seems to be have passed its peak. There’s still a readership for dark romantic fiction, though, it just needs to be a bit more creative, which is something I strove for with Glimpse.

What other projects are you working on, and what do you have currently in the pipeline?

That would be telling! I’ve completed another novel and a half since finishing Glimpse – one a sci-fi and one based on another classic poem – so we’ll see what happens with them.

What are you reading at the moment (fiction, non-fiction)?

I’m reading Raging Star, the final novel in Moira Young’s Dustlands trilogy. I don’t read much non-fiction other than writing books, but I am trudging through one book at the moment for research purposes: Merchant Seamen, Pirates and the Anglo-American Maritime World, 1700-1750 by Marcus Rediker.

LeightonK-Reading.jpeg

What’s something readers might be surprised to learn about you?

Despite loving paranormal and gothic novels, I have a low threshold for horror. I easily wimp out when faced with scary films and books!

What are you most looking forward to in the next twelve months?

The obvious answer is Glimpse’s release, but since that’s happening this week I’ll pick something else too! I’m really looking forward to next month’s YA Literature Convention at London Film and Comic Con. It’s the UK’s first YA convention, and I can’t wait to geek out with other YA authors, bloggers and readers.

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For more on her writing and thoughts, be sure to follow Kendra on Goodreads, Facebook, and Twitter.

Glimpse is published tomorrow in the UK by Much-In-Little.