Quick Reviews: SIGMAR’S BLOOD and BONE CAGE by Phil Kelly (Black Library)

Before the End Times… Two prequels to the Warhammer event…

KellyP-SigmarsBloodSIGMAR’S BLOOD

A great darkness has fallen over the land of Sylvania, and monsters are abroad… When an artefact of unholy power and evil is stolen from the Imperial Palace itself, Grand Theogonist Volkmar leads a crusade of the faithful into the benighted realm of the vampire counts to confront and destroy the source of the darkness: Mannfred von Carstein. With the aid of an embittered witch hunter and a senile old wizard, Volkmar faces the dread forces of the undead even though he knows it means his own end…

This novella left me with mixed feelings. I liked it, and thought it was a good example of a mid-length Warhammer story. At the same time, the story was too big to be contained in a novella that doesn’t even hit 150 pages. It left me wanting more, but in both the good and less-good way…

The story is pretty interesting, but at the same time the pacing was rather inconsistent. Sometimes, the story lurched forward, not unlike one of the zombies or skeletons reanimated by the antagonists.* The author’s prose is good, though, and descriptions are neither too sparse nor excessive. The characters are pretty interesting, but the book’s not long enough to properly flesh them out – as a result, certain moments of character-building felt half-baked or clunkily inserted into the narrative. Sigmar’s Blood could have done with being longer, which would have allowed us to get to know the characters more, and smooth out the narrative issues. Nevertheless, it was enjoyable and quick read, laying down a few of the elements needed for the End Times.

*

KellyP-TheBoneCageBONE CAGE

A group of holy men and women of many faiths – from the Grand Theogonist of the Empire-spanning Sigmarite church to the Fay Enchantress of Bretonnia – are being transported through the wilds of Sylvania in a sinister cage of living bone. At the head of their procession of the dead is Mannfred von Carstein, lord of that benighted realm. But where is he taking them, and to what end? As the prisoners decipher the vampire’s goal, they make a desperate attempt to escape and thwart the count’s plans – but treachery from within may see them undone.

This short story, released only a couple of weeks ago, continues the story started in Sigmar’s Blood. It starts just shortly after the events (so I’m not going to delve into the plot). It’s short and punchy, but also throws in a mini-twist at the end, and some appropriately gribbly undead action and circumstances. Sometimes it feels like a who’s-who of new and scary beasties for the undead army, but this doesn’t upset the flow of the story. Is it essential reading for the End Times? Probably not, but Bone Cage shows that Kelly has improved as an author. I’m looking forward to reading more by him.

***

The next book in the End Times series is the newly-released The Return of Nagash by Josh Reynolds. I am very much looking forward to reading this – as I mentioned in the Upcoming post I wrote a little while back. It’s also encouraging that Black Library are bringing Warhammer back into the spotlight (even if it might be just a little bit), after a couple of years that have been dominated by new Warhammer 40,000 and the Horus Heresy fiction. Which reminds me, I do need to get around to Rob Sanders’s Archaon: Everchosen, and catch up on the latest Gotrek & Felix novels.

* It’s a story about the undead. Of course there was going to be a comment like this…

Guest Post: “Where Writers Get Their Groove” by Sebastien de Castell

deCastell-AuthorPicBy far the most common question you get asked as an author is, “Where do your ideas come from?” Of course, my ideas come from the same places as yours do: the crazy parts of your brain intersecting with the crazy parts of the world around you. Human brains are hard-wired to find patterns even when there are none and those little synaptic misfires are part of what makes us creative beings.

Now, the question I never get asked is, “Where do you get your groove from?” Maybe this sounds like a silly question. After all, books don’t have a groove, do they?

Think about those big moments in a story when your eyes are racing across the page to find out what comes next. If the author is doing their job every line should be moving the story along at the perfect speed for the action taking place. Remember back to one of those heart-rending passages where your eyes suddenly freeze on the last three words of a sentence as the implications of an emotional turnaround hits you. That strange, almost magical timing is pacing. It’s rhythm. It’s groove. My first experiences with storytelling were as a touring musician, so I often go back to music for the inspiration in finding the right pacing for key scenes in the books I write. Here’s a few that helped put Traitor’s Blade onto the page. Continue reading

Guest Post: “On Trying a Trilogy” by Tom Fletcher

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Gleam is the first book of The Factory Trilogy, which is my first trilogy. My first three novels – The Leaping, The Thing on the Shore, and The Ravenglass Eye, are horror novels that shared a universe, but are essentially standalone. And so writing the first book of a trilogy was an entirely new experience for me – one that I was apprehensive of, but have found thoroughly enjoyable.

I wanted to experiment with developing a particular protagonist – or, as it turned out, group of protagonists – across a series. I wanted to have a go at presenting the readers with a character who would grow and change from book to book, and whose whole past could be explored. Obviously, this required a series built around a character. So I knew from the beginning that characterisation would be central to this trilogy, and that the protagonist would need a motivation compelling enough to propel them forwards through three whole books, and a personality that would carry the readers.

FletcherT-AuthorPicI didn’t want the trilogy to be open-ended; that is, I didn’t want to write three merely sequential novels that might become the first three in a long series of sequential novels about this one character (see: Sookie Stackhouse or Rincewind the Wizard). I wanted it to be one story told across three books, the final book of which might leave the door open for further novels set in the same world, or featuring the same characters, but would simultaneously resolve the story set up in the first book. This meant I couldn’t just-write-and-see-what-happens, which is my usual approach to novels. (Don’t tell anyone). I needed a proper central story, with three acts, and the events of later books seeded in the first. I needed to decide which questions would be raised when, and when to provide the respective answers. And of course, anything written into the first book – and published – couldn’t be changed. This wasn’t like a novel, where you could get to the end and then go back and make changes to the beginning. Anything that forms part of the first book is locked in. So right from the get-go, this required careful planning. New territory for me – as I say, I was apprehensive. But excited, too.

One of the reasons that I’ve long wanted to write fantasy is the opportunity to create and play around in another world. Although I don’t believe that writing, say, realist fiction restricts the use of the imagination in any meaningful way (the real world being so full of things, characters and happenings that none of us has the time or brainpower to imagine all of them) it would be disingenuous of me to claim that writing second-world fantasy does not provide the scope for a wholly different type of imagining.

Working out the history, politics, economy, society, physicality and atmosphere of another world can be a lot of work. And once the work is done, it can be tempting to try and convey all of the detail; after all, the reader isn’t as familiar with this world as they are with their own, so they might need some familiarisation. (And you spent so much time on it…) This is one of the reasons (though of course not the only one) that fantasy novels can get so long.

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However, I’m not very good at writing long novels. I’d already chosen to put character first, so when it came to the setting I decided to just drop my characters into it and let them discuss or elaborate on it as and when seemed natural. This had the beneficial effect of arousing plenty of curiosity in the world of Gleam itself – it’s that old unanswered-question trick again. What are ‘bugs’? Why are Pyramidders bled by their superiors? What is the Clawbaby? What happened to Alan’s home settlement of Modest Mills? What was the factory ever for? Some of the questions readers might have are answered in the first book, but some are not, because the characters either don’t think to ask the same questions, or they do ask the questions and don’t have the answers. Indeed, answering some of the questions about the world of Gleam becomes one of Wild Alan’s primary motivations. In fact, one of the most gratifying experiences of writing Gleam has been exactly that – the way the story has arisen naturally from the juxtaposition of the world and the protagonists.

All of which is to say, I’m very excited about spending some more time in Gleam, and so I’m very glad that Gleam is only the first book of a trilogy. And I hope that when you’re done reading it, you’ll feel the same.

***

Gleam was published yesterday in the UK by Jo Fletcher Books.

Sebastian de Castell’s THE TRAITOR’S BLADE out in Paperback tomorrow! (Jo Fletcher Books)

deCastellS-GC1-TraitorsBladeEarlier this year (January), an advanced review copy of The Traitor’s Blade dropped through my mailbox. The debut fantasy novel by Sebastian de Castell, I was intrigued by the premise, which promised a mixture of swashbuckling action and adventure, sword-fights aplenty, and some intrigue and good storytelling. I was not at all disappointed. I blitzed through the novel. Here’s the main take-away from my review

“An all-round brilliant fantasy debut, and one of the best I’ve read in a decade… Every so often, a debut novel comes along that knocks your expectations out of the park. Scott Lynch’s The Lies of Locke Lamorra is one of those novels. Peter V. Brett’s The Painted Man is another. Sebastien de Castell’s Traitor’s Blade needs to be added to that list. I loved this.”

Tomorrow, The Traitor’s Blade is published in paperback in the UK, and I highly recommend you pick it up, if you haven’t already. Here’s the synopsis…

Falcio is the first Cantor of the Greatcoats. Trained in the fighting arts and the laws of Tristia, the Greatcoats are travelling Magisters upholding King’s Law. They are heroes. Or at least they were, until they stood aside while the Dukes took the kingdom, and impaled their King’s head on a spike.

Now Tristia is on the verge of collapse and the barbarians are sniffing at the borders. The Dukes bring chaos to the land, while the Greatcoats are scattered far and wide, reviled as traitors, their legendary coats in tatters. All they have left are the promises they made to King Paelis, to carry out one final mission.

But if they have any hope of fulfilling the King’s dream, the divided Greatcoats must reunite, or they will also have to stand aside as they watch their world burn…

And, finally, you can read an interview with Sebastian de Castell, here. I really can’t wait to read the next book in the series. Long may Falcio et al find their adventures in print!

Upcoming: THE RETURN OF NAGASH by Joshua Reynolds (Black Library)

ReynoldsJ-TheReturnOfNagashAnnounced rather quietly (well, more like suddenly) and coinciding with the tabletop game’s related releases, Josh Reynolds’s THE RETURN OF NAGASH details the story of the baddest-of-the-undead-bad in the Warhammer world. Here’s the synopsis:

The End Times are coming. As the forces of Chaos threaten to drown the world in madness, Mannfred von Carstein and Arkhan the Black put aside their difference and plot to resurrect the one being with the power to stand against the servants of the Ruinous Powers and restore order to the world – the Great Necromancer himself. As they set about gathering artefacts to use in their dark ritual, armies converge on Sylvania, intent on stopping them. But Arkhan and Mannfred are determined to complete their task. No matter the cost, Nagash must rise again.

I haven’t read any of the Undead novels published by Black Library (yet), and I’m not sure how this will connect with Mike Lee’s and Josh Reynold’s other undead/vampire novels. This one, though, I am most interested in. Partly because I do like good vampire/undead fiction. But also, and perhaps more keenly, because the cover story for the first issue of White Dwarf magazine I ever bought was all about the first version of the Nagash model. The magazine included a background section for the character, a short piece of fiction, as well as rules, etc. The background was, I thought at the time, very well-written and gripping – I became hooked on reading the background sections of the Warhammer Armies and Codex books. However, Nagash’s story stuck in my mind. And so, I am very interested in reading this novel. I’ll see what I can do about getting it read and reviewed A.S.A.P.

US Cover: THE SKULL THRONE by Peter V. Brett (Del Rey)

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Holy crap I’m excited about this novel’s release! Peter V. Brett’s Demon Cycle novels are easily among my all-time favourites, and knowing that the release of THE SKULL THRONE is inching ever-closer has me positively giddy with excitement and anticipation.* I found the cover over on SF Signal, but there does not appear to be a detailed synopsis available just yet. The novel will be published in the US by Del Rey, and in the UK by Voyager. No doubt, it will not take long for it to appear in translation in so very many countries.

Brett-MessengersLegacyOh, and let’s not forget Brett’s latest novella, Messenger’s Legacy, will also be out soon! Here’s the cover and synopsis…

Humanity has been brought to the brink of extinction. Each night, the world is overrun by demons — bloodthirsty creatures of nightmare that have been hunting the surface for over 300 years. A scant few hamlets and half-starved city-states are all that remain of a once proud civilization, and it is only by hiding behind wards, ancient symbols with the power to repel the demons, that they survive. A handful of Messengers brave the night to keep the lines of communication open between the increasingly isolated populace.

Briar Damaj is a boy of six in the small village of Bogton. Half Krasian, the village children call him Mudboy for his dark skin. When tragedy strikes, Briar decides the town is better off without him, fleeing into the bog with nothing but his wits and a bit of herb lore to protect him.

After twenty years, Ragen Messenger has agreed to retire and pass on his route to his protégé, Arlen Bales. But for all that he’s earned the rest, he has no idea what to do with the rest of his life. When he learns Briar, the son of an old friend, is missing, Ragen is willing to risk any danger to bring him safely home.

I wonder what the UK cover is going to look like – or if they’re going to use the same one. Larry Rostant has done a great job again.

Also on CR: Reviews of The Painted Man, The Desert Spear, The Great Bazaar & Brayan’s Gold, The Daylight War

* Was that too much excitement? Perhaps… But, seriously: I can’t wait.

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Star-Studded D&D Audiobook Free for 40 Days! (Audible)

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Caught this offer via Twitter, but thought it was pretty amazing and had to share. I have extremely little experience or familiarity with Dungeons & Dragons (which might seem weird, considering my obvious fondness for SFF). Nevertheless, this caught my attention because of the cast. In celebration of the 40th anniversary of Dungeon & Dragons, Audible are offering The Legend of Drizzt: The Collected Stories for free for forty (40) days, starting August 12th, and ending September 20th, 2014. Here is the cast list and also the synopsis for the audiobook:

The Legend of Drizzt: The Collected Stories expands upon the epic legend of the dark elf with 12 tales performed by the all-star cast of Felicia Day, Dan Harmon, Greg Grunberg, Tom Felton, Danny Pudi, Sean Astin, Melissa Rauch, Ice-T, Wil Wheaton, Al Yankovic, Michael Chiklis, and David Duchovny!

For years, the Legend of Drizzt has included short stories published in Forgotten Realms anthologies and Dragon magazine. Available here for the first time in audio are all the classic stories by the New York Times best-selling author R. A. Salvatore!

From the startling origin of Drizzt’s panther companion, to the tale of Jarlaxle and Entreri’s first encounter with the dragon sisters, the tales in The Collected Stories enrich this vividly-imagined series by building the world around Drizzt through exploring the backstories of side characters and magical locations.

Excerpt: ASSAIL by Ian C. Esslemont (Transworld)

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A Novel of the Malazan Empire

Prologue

North territory of a new land

Of the Jaghut wars:

Seventh century of the 12th Lamatath campaign

33,421 years before Burn’s Sleep

The woman ran at a steady unhurried pace. her breath came as long level inhalations through the mouth and out through her wide nostrils. Sweat darkened the front and back of her buckskin shirt. Her moccasins padded silently over stones and pockets of exposed sandy soil. That she was running up a wide rocky mountain slope, and had been for most of the day, attested to iron strength and endurance. She dodged round slim poles of young pine, white spruce and birch. She jumped rocks and slid and scrambled up steep gravel talus fans. She knew she could outpace her pursuers, but that she would never shake them from her trail. Yet still she ran on.

She knew that once they tired of the chase, they would take her. She judged it ironic that the same desperate urge to continued existence that drove her also lay behind their relentless pursuit – though they had relinquished their claim to it long ago.

Still she scrambled on up the slope, for one hope remained. One slim unlikely chance. Not for her survival; she had given that up the moment she glimpsed the hoary eldritch silhouettes of her pursuers. The one slim chance lay for vengeance.

Knife-edged broken rock cut her fingers as she scrabbled for handholds. It flayed her moccasins. The surrounding steep slopes of tumbled stone and talus heaps were just now emerging from winter; ice clung to shadowed hollows and behind the taller boulders. Snow still lay in curved dirty heaps, almost indistinguishable from the surrounding gravel. She took vigour from the chill bite of the high mountain air, knowing it perfectly natural rather than any invoked glacial freeze. Taking cover in a stand of pine, she paused to risk a glance behind: no movement stirred upon the slope below, other than a smallish herd of elk just now clattering their way downvalley. No doubt disturbed by her passage.

Yet she knew she was not alone. She also knew her pursuers needed not to show themselves to run her down. She’d hoped, though, they would at least grant her this one small gesture.

A lone figure did then step out from the cover of tumbled glacial moraine. It was as if she’d willed its appearance. The tattered remains of leathers flapped about its impossibly lean frame. A dark ravaged visage scanned the slope, rising to her. The white bear hide that rode atop the head and shoulders hung as aged and winddried as its wearer. She and he locked gazes across the league that separated them – and across a far larger unbridgeable gulf as well.

So far behind? she wondered. Then she understood and in that instant threw herself flat.

Something shattered against the rocks next to her. Flint shards thinner than any blade sliced her buckskins and flensed the skin beneath.

She jumped to her feet and returned to scrambling up the slope. She reached a ridge that was a mere shoulder of the far taller slope: a jagged peak that reared far above. Here she paused a second time, exhausted, her lungs working, drawing in the icy air.

Then she screamed as a spear lanced through her thigh, pinning her to the bare stony surface. She fell back against a rock and took hold of the polished dark haft to draw it. A skeletal hand knocked hers aside.

The same fleshless visage that had caught her gaze below now peered down at her. Empty dark sockets regarded her beneath the rotting brow of a white tundra bear. Necklaces of yellowed claws hung about the figure’s neck – presumably the claws of the very beast it wore – while the scraped hide of the beast’s forelimbs rode its arms down to the paws tied with leather bindings to its own hands. Ribs darkened with age peeked through the mummified flesh of its torso. Rags of leather buckskin lay beneath the hide, all belted and tied off by numerous leather thongs. A long blade of knapped flint, creamy brown, its tang wrapped in leather, stood thrust through a belt. ‘Why flee you here, Jaghut?’ the Imass demanded.

‘I flee destruction,’ she answered, her voice tight with suppressed pain.

Others of the Imass warband now walked the ridge. The bones of their feet clattered on the rocks like so many stones. ‘Caves above, Ut’el,’ one of their number announced, pointing a flint blade higher up.

The Imass, Ut’el, returned its attention to her. ‘You would seek to lure us to ambush,’ it announced.

‘If you say so.’

‘I am disappointed. You have brought death to your kin as well.’ It faced one of the band. ‘Take scouts. They are occupied?’

This Imass dipped its hoary skull where the flesh and hair had fallen away in patches. ‘Yes, Bonecaster.’

Bonecaster! the woman marvelled. A mage, shaman, of the breed! If she should bring this one to destruction then all would have been worth the struggle.

The Bonecaster returned its attention to her. She sensed its mood of disappointment. ‘I had thought you a more worthy prize,’ it murmured, displeased.

‘As we had hoped for more worthy successors.’

‘Victory is the only measure of that, Jaghut.’

‘So the victors would soothe themselves.’

The undying creature raised its bony shoulders in an eloquent shrug. ‘It is simply existence. Ours or yours.’

She allowed herself to slump back as if in utter defeat. ‘You mean the elimination of all other than you. That is the flaw of your kind. You can only countenance your family or tribe to live.’

‘So it is with all others.’

‘No, it is not. You are merely unable to see this.’

‘Look about, Jaghut. Raw nature teaches us…’ Ut’el’s whisper faint voice dwindled away as he slowly raised his bone and dried tendon features to the higher slope.

‘How fare your scouts, Bonecaster?’ she asked, unable to keep a savage grin from her face.

‘They are gone,’ he announced. His gaze fell to her. ‘Others are there.’ He now shook his nearly fleshless head in admiration, and, it seemed to her, even horror. ‘My apologies, Jaghut. I would never have believed any entity would dare…’ He drew his flint blade. ‘You are a desperate fool. You have doomed us all – and more.’

‘I am merely returning the favour.’

All about, the remaining Imass warriors flinched as if stung, drawing their blades of razor-thin flint. ‘Purchase us what moments you can,’ he told them flatly. His tannin-brown visage remained fixed upon her.

The warriors dipped their heads. ‘Farewell,’ one answered, and they disappeared into snatches of dust.

Above, figures now came pouring from the cave mouths: stone grey shapes that ran on oddly jointed legs, or all four limbs at a time.

‘I am tempted to leave you to them,’ Ut’el said. ‘But we Imass are not a cruel people.’

‘So you would absolve yourselves over the centuries, yes?’ She took hold of the spear haft. ‘That is fortunate. Because we Jaghut are not a judgemental people.’ And she heaved herself backwards in one motion, yanking the spearhead from the ground to tumble off the ledge, spear in hand.

He swung, but the blade cut just short of her as she slipped from the narrow ridge. Her buckskins snapped in the wind. ‘I leave you to…’ she yelled as she plummeted from sight down the sheer thousand-foot drop.

. . . your doom, Ut’el Anag, Bonecaster to the Kerluhm T’lan Imass, finished for her. He turned to face the high slope. The grey tide of creatures had finished his band and now closed upon him.

In what he considered his last moments, he raised his flint blade to his face. He watched how the knapped facets reflected the clouds overhead, how the reflections rippled like waves on clear lake water.

No. This is not yet done. I so swear.

He stepped into the realm of Tellann as the first of the clawed hands snapped closed upon the space he once occupied.

*   *   *

Hel’eth Jal Im (Pogrom of the White Stag)

51st Jaghut War

6,031 years before Burn’s Sleep

Esslemont-6-AssailHere evergreen forest descended mountain slopes to a rocky shore. Shorebirds hunted for crabs and beetles among tide-pools and stretches of black sand beaches. From their perches on tree limbs and among the taller rocks larger birds of prey watched the shorebirds and the glimmer of fingerlings in the shallows.

A morning mist hung over the bay. The air was still enough for sounds to cross from one curve of the shore to the other. The figure that arose from the seaweed-skirted boulders was not out of keeping with the scene. The tattered remains of leathers hung from its withered, mummified shoulders and hips. A nut-brown flint blade hung thrust through a crude twisted-hair belt tied about its fleshless waist. Over its head of patches of stringy hair and exposed browned skull it wore a cap cut from the cured grey hide of a beast more at home on sundrenched savanna than temperate boreal forest.

Similar figures arose, one by one, here and there about the shore. They gathered around the first arrival, and though gender was almost impossible to tell among their fleshless desiccated bodies, skin little more than paper-thin flesh over bone, this one was female and her name was Shalt Li’gar, and she was of the Ifayle T’lan Imass.

‘What land is this?’ one of the band, J’arl, asked. In answer, she raised her head as if taking the earth’s scent through the exposed twin gaps of her nostrils. ‘I know it not,’ she judged. ‘No account of it has been shared with me, nor with those with whom I have shared.’

‘Others of us must have found it before, certainly,’ another, Guth, commented.

‘And what became of them…?’ Shalt answered, thoughtfully, peering into the mist to the far shore of the sheltered bay.

The other ravaged faces turned as well and all were silent and still for a time. So quiet and motionless were they that an eagle flew overhead to stoop the waters, its talons slicing the surface. It rose with a fish struggling in its claws, and perched in a nearby half-dead fir to tear at its meal.

The faces of all the Imass had turned silently to follow the course of its flight.

‘Favourable, or unfavourable?’ J’arl asked into the continued silence.

‘Are we the eagle?’ answered another. ‘Or the fish?’

Shalt extended a withered arm to the bay. ‘Others are fishing as well,’ she pronounced.

They started picking their way round the curve of the shore.

First to emerge from the mist were the prows of hide boats pulled up on the strand of black gravel that climbed steeply to the forested rocky slope. Smoke trailed through the trees. Shalt glimpsed a stout log structure high on the slope. Figures now came running down a trail. They carried spears armed with stone heads, maces of stones tied to wood handles. They wore stained and beaded leathers and animal hide capes.

‘Humans,’ Guth observed, unimpressed. ‘We should search inland.’

‘Pity they choose not to talk,’ Shalt judged, almost with a sigh. ‘We will scout inland.’

J’arl thrust up a withered hand, all sinew and bone. ‘I ask for a pause. There is something…’

Shalt regarded him. She tilted her age-gnawed head. ‘A presence?’

‘Something,’ he repeated, wary, as if unwilling to say more.

The local people had formed a line inland. They yelled and shook their weapons. Shalt studied them: much taller than she and her stock. Prominent jaws, large teeth. Similar in features – probably the descendants of a small breeding population. Such was not so unusual among her own kind, long ago.

Her band was disappearing one by one, moving on, when one of the locals shouted something Shalt understood: ‘Be gone, demons from the outside!’

The words used made all her remaining band reflexively draw their blades. For they were in the Jaghut tongue. Shalt stepped forward. ‘Whence came you by this language?’ she asked in the same tongue.

‘It is known to us of old, demon,’ an elder answered, sneering.

Known? she repeated, wonderingly. How can this be?

‘And we have been warned of your kind,’ he continued. ‘Be gone! You are not welcome here.’

Shalt raised her chin, the flesh worn away from one side of her mandible, and scented again, deeply. What came on the air staggered her, and were she not of the Imass she would perhaps have fainted into unconsciousness from the challenge it presented to her very core.

‘Abomination…’ J’arl breathed in an exhalation of cold air. He raised his blade.

No! Shalt cried to herself. They are human! We mustn’t slide down this path… it will lead us to annihilation.

J’arl started forward and Shalt acted without thought. Her blade sliced through vertebrae at the juncture of neck and shoulder. J’arl slumped, though she knew he was not finished utterly.

Up and down the shore her band exploded into a whirling mêlée of Imass striking Imass. Flint blades clashed and grated in a burst of clamour that sent all the nearby birds skyward in alarm. A group coalesced round Shalt, who directed them into a line defending the milling locals.

‘Flee the coast!’ she shouted to the people as she blocked a strike from Guth. ‘Flee!’

‘They will be found,’ Guth promised her as he strained. ‘If not us, then others.’

Shalt cut him down as well and wept as she fought, for he had been a companion of uncountable years.

She spared the mêlée a glance and despaired. The aggressors far outnumbered the defenders. Yet she was First of the Band for a reason and she fought even as all her allies fell about her. She was last, giving ground, suffering strikes that shaved dried flesh from her limbs and cut rotted hide from her shoulders. Now her skills overcame the constraints of the attackers, who fell one by one before the two-handed blade, so thin as to be translucent, that she flicked and turned as lightly as a green branch.

A blow took her skull. It severed bone down past her right occipital ridge. Yet even as her skull shattered she dropped this last aggressor and wailed at the necessity, for it was Bruj’el, a bull of a warrior, and cousin to her mate gone these many centuries.

She turned to the people. She could sense her animating spirit fleeing its flawed vessel. Her Tellann-provided vision was darkening, withdrawing. She fell to her bony knees. She dropped her blade to brace herself with one hand and breathed out one last fading sigh to the staring, awed figures.

‘Hide yourselves…’

***

Ian C. Esslemont’s Assail is published in the UK tomorrow, by Transworld Books. Esslemont is the author of four other Malazan novels, also published in the UK by Transworld: Night of Knives, Return of the Crimson Guard, Stonewielder, Orb Sceptre Throne, and Blood and Bone.

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A Pair of Upcoming Black Library Novels

It feels like quite some time since I read a Black Library novel. Nevertheless, they keep publishing (or announcing) more that I would like to read. There’s more Gotrek & Felix on the way and also plenty more Horus Heresy fiction coming. Below are new novels in two other series that maybe don’t get as much attention as they deserve…

AHRIMAN: SORCEROR by John French

FrenchJ-A4-AhrimanSorcerorI recently read and reviewed the second Ahriman short story, The Dead Oracle. This despite still not having read the first novel, Ahriman: Exile. Nevertheless, I think French has done a great job of bringing this character to life on the page – at least, this post-Horus Heresy iteration of this character.*

Ahriman, greatest sorcerer of the Thousand Sons and architect of the Rubric that laid his Legion low, continues to walk the path towards salvation, or damnation. Searching for a cure for his Legion, he is forced to consider – was the great ritual somehow flawed from the very beginning? The answer may lie within the mysterious artefact known as the Athenaeum of Kallimakus, a grimoire of forgotten lore which is reputed to contain the exact words of the lost Book of Magnus… or, perhaps, even a transcription of the primarch’s deepest and most secret thoughts.

Ahriman: Sorceror is due to be published in early 2015.

* He first appeared in Graham McNeill’s excellent, New York Times-bestselling A Thousand Sons.

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DEATHBLADE: A TALE OF MALUS DARKBLADE by C.L. Werner

WernerCL-D-DeathbladeMalus Darkblade made his first appearance in the pages of Inferno!, Black Library’s once-bi-monthly magazine of short fiction and comic strips. It was a comic series written by Dan Abnett. Abnett later adapted the comic into prose, which was later taken on by Mike Lee. Now, C.L. Werner, one of BL’s best writers of horror-tinged Warhammer fantasy fiction, has stepped up to the plate. I’m quite looking forward to this novel, despite not reading many of the Darkblade novels. Maybe this is a good excuse to catch up with them…?

Darkblade must decide where his loyalties lie – will he follow Malekith to the death, or will he finally rise up and try to claim the throne of Naggaroth for himself? And either way, will he survive?

It has taken decades, but Malus Darkblade has finally plotted, schemed and murdered his way to power, as the ruler of the city of Hag Graef and general of the Witch King Malekith’s armies. But his position is imperilled when Malekith orders an all-out assault on Ulthuan – with Darkblade in the vanguard. As he wages war on the high elves, Darkblade must decide where his loyalties lie – will he follow Malekith to the death, or will he finally rise up and try to claim the throne of Naggaroth for himself? And either way, will he survive?

Deathblade is due to be published in February 2015.

Review: THE MAGICIAN KING by Lev Grossman (Plume/Arrow)

GrossmanL-M2-MagicianKingUSA superb follow-up to The Magicians

Quentin and his friends are now the kings and queens of Fillory, but the days and nights of royal luxury are starting to pall. After a morning hunt takes a sinister turn, Quentin and his old friend Julia charter a magical sailing ship and set out on an errand to the wild outer reaches of their kingdom.

Their pleasure cruise becomes an adventure when the two are unceremoniously dumped back into the last place Quentin ever wants to see: his parent’s house in Chesterton, Massachusetts. And only the black, twisted magic that Julia learned on the streets can save them.

In an effort to catch up for the third volume in Lev Grossman’s Magicians series, here’s my very quick review of The Magician King: it’s an excellent follow-up to a brilliant first installment. If you haven’t read this series yet, I strongly urge you do so. I don’t think you’ll be disappointed. Continue reading