Today we have an annotated excerpt from Eddie Robson‘s latest novel, Drunk On All Your Strange New Words, which is described as “a locked room mystery in a near future world of politics and alien diplomacy.” I’ve been really looking forward to this one, ever since I learned about it from a publisher’s catalogue. Check out the synopsis:
Lydia works as translator for the Logi cultural attaché to Earth. They work well together, even if the act of translating his thoughts into English makes her somewhat wobbly on her feet. She’s not the agency’s best translator, but what else is she going to do? She has no qualifications, and no discernible talent in any other field.
So when tragedy strikes, and Lydia finds herself at the center of an intergalactic incident, her future employment prospects look dire — that is, if she can keep herself out of jail!
But Lydia soon discovers that help can appear from the most unexpected source…
Now, over to Eddie…
Today, we have an annotated excerpt from Rym Kechacha‘s latest novel, To Catch A Moon. Due to be published by
Hello – yes! I have been asked by the fabulous owner of Civillian Reader to share an annotated excerpt from my forthcoming novel Glitterati, which is a dystopian satire about fashion, family and the feckless billionaire class.
In The Collarbound, we get to discover a complex world, with khers and mages, fleshbinding and mindlink, lightborns and long-lost giants. I’ve picked this excerpt because it’s a good example of how worldbuilding can be woven into the plot without slowing it down.
Thanks for asking me to annotate a passage from Whirlwind Romance. The book is a collection of stories about the moments when our reality falls apart. The stories vary in subject, setting and genre, but most of them hover somewhere between the real and the fantastical — and all are interested in the many ways that the world we have been living in, imagining it was solid under our feet, can turn out to be fragile. Travelling to an unfamiliar country could reveal uncomfortable truths about home, or reconnecting with a long-lost sibling could show your childhood in a new light, or becoming a parent could teach you that you are not who you thought you were. Falling in love could make you realize that the most precious person in your world lives in a different reality from your own; getting lost in a book or a video game could take you further from normality than you intended; living through a global disaster could strip you of the illusions you once believed were sane.
Today, we have an annotated excerpt taken from David Dalglish’s upcoming new novel, The Bladed Faith. The first in a new series, the Vagrant Gods, here’s the synopsis:
Writing books is so weird.
I wrote The Annual Migration of Clouds all in a rush in 2019 after seeing a single tweet from an entomologist I followed (I didn’t even read the paper right away!) containing the phrase ‘heritable symbiont.’ My imagination yanked the reins from my hands and went galloping across a blank document I think literally hours later; dimly I suspected the paper was probably about Wolbachia, a bacterial genus that inhabits some insects and affects their reproduction and behaviour, but I was too excited about the possibilities for a human disease. And ofcourse there are human diseases and syndromes caused by infections that affect our behaviour, as well as examples in various other species (Cordyceps is the obvious one, but there’s also Toxoplasmosis, many infections that cross the blood-brain barrier, certain parasitic infections of the gut, etc).
Today, we have an annotated excerpt from Bradley P. Beaulieu‘s A Desert Torn Asunder — the final book in the author’s Song of the Shattered Sands series. Before we get to that, though, here’s the official synopsis for the novel:
A large chunk of this book was written as a NaNoWriMo project a few years ago. I’d never done NaNo before (I did write most of Nunslinger’s 180k words in about eight hazy months, so I wasn’t too worried about word count), but I’d come out of a crappy year in terms of publishing, and wanted to write something just for me. An idea that had zero ties to the publishing world, didn’t have the market in mind and was just a mash up of influences that had been percolating, which ranged from Mad Max: Fury Road to Hard to be a God.